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Suswatibasu (1703 KP) rated The Golden House in Books
Jan 1, 2018
Insightful and readable
This novel by Salman Rushdie is a present day commentary on modern day America in the build up to Trump and how fact and fiction as well as art and reality collapse into one other. There have been a number of books written in the wake of the shock of Trump (this desperate need to make sense of things) and Rushdie’s novel definitely helps shed light (or explain the darkness) upon the situation.
Narrated by René, an aspiring filmmaker, this account feels very similar to the likes of The Great Gatsby, in which everything is rather hyperbolic because it is written from the perspective of an outsider. Following the exceedingly wealthy Golden family, René attempts to figure out the mysterious circumstances of their arrival from India, and the subsequent, often cataclysmic events surrounding them, in which the narrator plays a part. The slow emergence of a dark history of corruption and evil is paralleled by Rushdie's perception of the rise of ignorance, untruth, bigotry and hatred, and of "The Joker" (i.e. Trump, although he is never named).
The writing is brilliant. It is discursive, sometimes addresses the reader directly, even sometimes adopts the form of a screenplay and has a wonderful voice of its own. The context surrounding the Mumbai bombings is intriguing as much of it is based on factual information. The truth is, after all, stranger than fiction.
While the style is not flawless, as the postmodern blurring between supposedly objective narrative and things René has "made up" for his screenplay did get a little haphazard, however, this may be Rushdie's attempt to reflect how "post-truths" are disseminated in a similar fashion. Nonetheless, I thought The Golden House was enjoyable. Even after all these years, Rushdie is able to adapt his writing to suit a modern generation.
Narrated by René, an aspiring filmmaker, this account feels very similar to the likes of The Great Gatsby, in which everything is rather hyperbolic because it is written from the perspective of an outsider. Following the exceedingly wealthy Golden family, René attempts to figure out the mysterious circumstances of their arrival from India, and the subsequent, often cataclysmic events surrounding them, in which the narrator plays a part. The slow emergence of a dark history of corruption and evil is paralleled by Rushdie's perception of the rise of ignorance, untruth, bigotry and hatred, and of "The Joker" (i.e. Trump, although he is never named).
The writing is brilliant. It is discursive, sometimes addresses the reader directly, even sometimes adopts the form of a screenplay and has a wonderful voice of its own. The context surrounding the Mumbai bombings is intriguing as much of it is based on factual information. The truth is, after all, stranger than fiction.
While the style is not flawless, as the postmodern blurring between supposedly objective narrative and things René has "made up" for his screenplay did get a little haphazard, however, this may be Rushdie's attempt to reflect how "post-truths" are disseminated in a similar fashion. Nonetheless, I thought The Golden House was enjoyable. Even after all these years, Rushdie is able to adapt his writing to suit a modern generation.
The Secret Chamber of Osiris: Lost Knowledge of the Sixteen Pyramids
Scott Creighton and Rand Flem-Ath
Book
After nearly 200 years of the pyramid-as-tomb theory, a growing body of evidence suggests the first...
Garden at War: Deception, Craft and Reason at Stowe
Book
At Stowe, 250 acres of parkland off er a complex web of views, pathways, statues, inscriptions, urns...
Thanks for the Feedback: The Science and Art of Receiving Feedback Well
Book
The authors of the classic Difficult Conversations teach you how to take criticism productively in...
Transmedia Marketing: From Film and TV to Games and Digital Media
Book
Transmedia Marketing: From Film and TV to Games and Digital Media skillfully guides media makers and...
I Promise to be Good: The Letters of Arthur Rimbaud
Book
One of the most written-about literary figures in the past decade, Arthur Rimbaud left few traces...
LeftSideCut (3776 KP) rated The Lighthouse (2019) in Movies
Jun 18, 2020
The Lighthouse is destined to be one of those polarizing art house films that splits opinion straight down the middle, and it's easy to see why. I found it captivating, but I imagine some people would find it boring. I found it relatively haunting, but I imagine some people found it pretentious, and that's ok, I can see why.
It's bleak and minimalist, boasting a cast of two for 98% of the films runtime, it's completely open for interpretation, and poses more questions than it answers, and after a fair bit of thought, I think I actually loved it.
Willem Defoe and Robert Pattinson are unarguably fantastic. There is nothing less than full commitment to what they're trying to do.
Robert Egger's shooting style is great as well. The whole movie is presented in a black and white 4:3 ratio. Some of the grainy framing shots littered throughout echo of old 40s and 50s horror classics, and everything else presented to us feels fresh and new, whilst being fed undertones of Greek mythology and H.P. Lovecraft.
The script is modest and subtle with flashes of intensity, a particular highlight is Willem Defoe's terrifying monologue after his cooking is criticized...
As for the plot, it's anything but straightforward. As I said, open for interpretation, but what starts off as a slightly off-feeling drama snowballs dramatically into something quite disturbing and tense. This is aided by a sporadic but great music score, and the constant noise of the lighthouse engine room (reminded me of the logging mill from Twin Peaks!)
The Lighthouse certainly isn't for everyone, but if you like a challenge with your horror then make sure you check it out.
It's bleak and minimalist, boasting a cast of two for 98% of the films runtime, it's completely open for interpretation, and poses more questions than it answers, and after a fair bit of thought, I think I actually loved it.
Willem Defoe and Robert Pattinson are unarguably fantastic. There is nothing less than full commitment to what they're trying to do.
Robert Egger's shooting style is great as well. The whole movie is presented in a black and white 4:3 ratio. Some of the grainy framing shots littered throughout echo of old 40s and 50s horror classics, and everything else presented to us feels fresh and new, whilst being fed undertones of Greek mythology and H.P. Lovecraft.
The script is modest and subtle with flashes of intensity, a particular highlight is Willem Defoe's terrifying monologue after his cooking is criticized...
As for the plot, it's anything but straightforward. As I said, open for interpretation, but what starts off as a slightly off-feeling drama snowballs dramatically into something quite disturbing and tense. This is aided by a sporadic but great music score, and the constant noise of the lighthouse engine room (reminded me of the logging mill from Twin Peaks!)
The Lighthouse certainly isn't for everyone, but if you like a challenge with your horror then make sure you check it out.
Ardrossan: The Last Great Estate on the Philadelphia Main Line
Book
A richly detailed history of the baronial splendour of the Philadelphia Main Line estate Ardrossan...
Fred (860 KP) rated Hubie Halloween (2020) in Movies
Oct 10, 2020
A new Halloween classic?
First question: Is this a good movie? No
Second question: Is this movie funny? Yes
You can't go into this movie expecting it to be any more than it is. A comedy with Adam Sandler & his friends acting silly.
The story is silly, the characters are silly. It's typical Sandler. People are mean to him but he keeps on keeping on until he's the hero. At the end, I didn't feel his bullies got what they deserved, but Hubie, Sandler's character, gets what he deserves. And that's fine.
His movies are all about his character. The out-of-place loser that everyone hates or makes fun of. So, how does Hubie stack up? He's great. He's the Water Boy character but instead of water, he's into safety, especially during Halloween. But the thing that I really liked is that he was scared of everything, screaming at every little jump scare & some not even that. And every time he screamed, I laughed out loud. In fact, there were lots of things making me laugh at. Every shirt that Hubie's mother & her friend wore had me laugh like a kid. I think the part that made me laugh the loudest was the cat's reaction when Violet insults it. The secondary characters were all funny as well.
There were throw backs & Easter eggs to his other movies too, like the O'Doyles from Billy Madison or Ben Stiller from Happy Gillmore. But I don't want to give away any more of them, including the cameos from famous people.
So, in ending, yeah, it's not actually art, but it's damn funny. I was laughing throughout the whole thing. I could see myself watching this every Halloween. It's a new classic in my house.
Second question: Is this movie funny? Yes
You can't go into this movie expecting it to be any more than it is. A comedy with Adam Sandler & his friends acting silly.
The story is silly, the characters are silly. It's typical Sandler. People are mean to him but he keeps on keeping on until he's the hero. At the end, I didn't feel his bullies got what they deserved, but Hubie, Sandler's character, gets what he deserves. And that's fine.
His movies are all about his character. The out-of-place loser that everyone hates or makes fun of. So, how does Hubie stack up? He's great. He's the Water Boy character but instead of water, he's into safety, especially during Halloween. But the thing that I really liked is that he was scared of everything, screaming at every little jump scare & some not even that. And every time he screamed, I laughed out loud. In fact, there were lots of things making me laugh at. Every shirt that Hubie's mother & her friend wore had me laugh like a kid. I think the part that made me laugh the loudest was the cat's reaction when Violet insults it. The secondary characters were all funny as well.
There were throw backs & Easter eggs to his other movies too, like the O'Doyles from Billy Madison or Ben Stiller from Happy Gillmore. But I don't want to give away any more of them, including the cameos from famous people.
So, in ending, yeah, it's not actually art, but it's damn funny. I was laughing throughout the whole thing. I could see myself watching this every Halloween. It's a new classic in my house.
BookwormLea (3034 KP) rated Bridgerton in TV
Jan 11, 2021
Memorable Characters (3 more)
Beautiful fashion design
Handsome men!
Based on a book!
Thank you Tik Tok!
Contains spoilers, click to show
I don't usually like period dramas or anything historical. But this, is art. The fashion is gorgeous, enough to make me buy a corset and several dresses in the style. And its quite funny for something set so long ago.
Daphne is the beautiful oldest daughter of the Bridgerton house, one of Londons richest. She is one of the debutantes set for marriage along with many other eligible bacholerettes and is highly sought after the Queen dubs her a Diamond. But since their father is gone, her oldest brother Antony is responsible for scaring off matches, and that he does. Leaving her with no choice but some hideous man who I can't even remember the name of.
Simon is the Duke of Hastings, taking over his fathers work after his death. He is very handsome and very rich. All the ladies want him and all the mothers want him for their daughter's. He happens to be Antonys best friend from their boarding school times and after meeting Daphne, they decide to fake a courtship so she can seem desirable again and he will be left alone. But without even realising, they start to fall in love.
After the Queens handsome nephew starts to fall for Daphne, and their plan seems to be working, he realises he wants her and 'defiles' her honour at a party. After a failed duel on her brothers part, they are to be married despite his refusal and his insistence that he can't have children or give her the big family she dreams of.
Daphne is the beautiful oldest daughter of the Bridgerton house, one of Londons richest. She is one of the debutantes set for marriage along with many other eligible bacholerettes and is highly sought after the Queen dubs her a Diamond. But since their father is gone, her oldest brother Antony is responsible for scaring off matches, and that he does. Leaving her with no choice but some hideous man who I can't even remember the name of.
Simon is the Duke of Hastings, taking over his fathers work after his death. He is very handsome and very rich. All the ladies want him and all the mothers want him for their daughter's. He happens to be Antonys best friend from their boarding school times and after meeting Daphne, they decide to fake a courtship so she can seem desirable again and he will be left alone. But without even realising, they start to fall in love.
After the Queens handsome nephew starts to fall for Daphne, and their plan seems to be working, he realises he wants her and 'defiles' her honour at a party. After a failed duel on her brothers part, they are to be married despite his refusal and his insistence that he can't have children or give her the big family she dreams of.