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Peter G. (247 KP) rated Excalibur (1981) in Movies
Aug 1, 2019
This sprawling and big budget retelling of Arthur and the search for the holy grail is the best there is, from its multi big name English stars of the time to those that were upcoming and serves to be the version all others will struggle to reach and the best interpretation to date in my opinion
Nicol Williamson as Merlin is both amazing and mesmerising and his delivery is very unique and adds further dimension to the character.
A lavishly designed epic of a movie that still stand s tall today, it may be a little long for some, however it's a classic that deserves to be seen!
Nicol Williamson as Merlin is both amazing and mesmerising and his delivery is very unique and adds further dimension to the character.
A lavishly designed epic of a movie that still stand s tall today, it may be a little long for some, however it's a classic that deserves to be seen!
David McK (3227 KP) rated The Once and Future King (The Once and Future King #1-4) in Books
Jan 30, 2019
One of the classics of English literature, and so can be (at times) a heavy read. That's not to say that it isn't enjoyable: it is.
The novel follows the life of King Arthur and is split into four distinct 'books', from his early upbringing through to his ascension to the throne in "The Sword in the Stone" (the Disney version of which is surprisingly accurate), to the early days of his reign and his unknowingly incestuous relationship with half-sister in "The Queen of Air and Darkness", through the Arthur/Lancelot/Guinivere love triangle and the Quest for the Holy Grail in "The Ill Made Knight" and finally ending with the latter days of his reign and the war against Mordred in "The Candle in the Wind".
I have to say as well that as the stroy progresses, the novel also gets steadily more and more serious, actually starting out quite amusing before becoming darker and darker: as such, it's no surprise Disney only adopted the first part of the book for the silver screen!
The novel follows the life of King Arthur and is split into four distinct 'books', from his early upbringing through to his ascension to the throne in "The Sword in the Stone" (the Disney version of which is surprisingly accurate), to the early days of his reign and his unknowingly incestuous relationship with half-sister in "The Queen of Air and Darkness", through the Arthur/Lancelot/Guinivere love triangle and the Quest for the Holy Grail in "The Ill Made Knight" and finally ending with the latter days of his reign and the war against Mordred in "The Candle in the Wind".
I have to say as well that as the stroy progresses, the novel also gets steadily more and more serious, actually starting out quite amusing before becoming darker and darker: as such, it's no surprise Disney only adopted the first part of the book for the silver screen!
I read Giles Kristian's Raven: Blood Eye series of books a few year back.
They were enjoyable, I felt, but not the greatest such novels I'd ever read (I enjoyed the first one the most)
I also, relatively recently, read the first in his 'Rise of Sigurd' prequel novels and felt that one, at times, to be a bit of a chore to get through.
As such, I'd never really gone out of my way to look for any other book by Giles Kristian
However, being the optimist that I (sometimes) am, with loads of adverts extolling its virtue on a popular social-media networking site and with a intriguing premise, I thought I would give this one a go.
And I'm glad I did: it's in (I felt) a completely different league that any of his previous.
This is, effectively, a semi-historical re-telling of the Arthurian myth unique, however, in that it is told from the point of view of Lancelot himself: one third of, perhaps, the most well known love-triangle in the English language but of whom has always been given short shrift, dropping in and out of the Arthurian myth.
This, however, turns that on it's head, with Arthur only appearing roughly about half-way through this book, and with Lancelot having previous history with Guinevere before she is even Arthur's wife. This work follows him right from his boyhood, through his rescue and upbringing by Lady Nimue (Arthurian myth name drop? Check), his first meetings with Merlin (another check) and with Arthur (major check), the reimagined Excalibur (check) and the Lady of the Lake ("listen, just 'cos some watery tart threw a sword at you …"), Mordred (yet another check), his love affair with Guinevere, his exile and even Mordred's betrayal of Arthur.
I have to say, I really enjoyed this: a strong contender for the best book I've read so far this year.
They were enjoyable, I felt, but not the greatest such novels I'd ever read (I enjoyed the first one the most)
I also, relatively recently, read the first in his 'Rise of Sigurd' prequel novels and felt that one, at times, to be a bit of a chore to get through.
As such, I'd never really gone out of my way to look for any other book by Giles Kristian
However, being the optimist that I (sometimes) am, with loads of adverts extolling its virtue on a popular social-media networking site and with a intriguing premise, I thought I would give this one a go.
And I'm glad I did: it's in (I felt) a completely different league that any of his previous.
This is, effectively, a semi-historical re-telling of the Arthurian myth unique, however, in that it is told from the point of view of Lancelot himself: one third of, perhaps, the most well known love-triangle in the English language but of whom has always been given short shrift, dropping in and out of the Arthurian myth.
This, however, turns that on it's head, with Arthur only appearing roughly about half-way through this book, and with Lancelot having previous history with Guinevere before she is even Arthur's wife. This work follows him right from his boyhood, through his rescue and upbringing by Lady Nimue (Arthurian myth name drop? Check), his first meetings with Merlin (another check) and with Arthur (major check), the reimagined Excalibur (check) and the Lady of the Lake ("listen, just 'cos some watery tart threw a sword at you …"), Mordred (yet another check), his love affair with Guinevere, his exile and even Mordred's betrayal of Arthur.
I have to say, I really enjoyed this: a strong contender for the best book I've read so far this year.
David McK (3227 KP) rated Outlaw (The Outlaw Chronicles, #1) in Books
Jan 30, 2019
"Robin Hood, Robin Hood, Riding throught the Glenn
Robin Hood, Robin Hood, and his bunch of blood-thirsty murderous outlaws ..."
Doesn't have quite the same ring, does it?
"Outlaw" is the story of Robin Hood, told from the perspective of Alan Dale. Like Bernard Cornwell's series of books about King Arthur (indeed, my copy of the book even had a "As good as Bernard Cornwell or your money back" sticker on it), Outlaw is a more earthy, more 'real', telling of the famous tale. All the famous characters are here: Robin Hood, Maid Marie-Anne (Marion), Little John, Friar Tuck, Guy of Gisbourne, and (obviously) Alan Dale himself.
Forget the recent BBC adaptation, or even the '91 film starring a not-very-English Kevin Costner; this is more what Robin Hood would have been like (if he ever existed) than the over-romanticised legendary figure.
Worth a read? If you like Cornwell (or Simon Scarrow's) style of historical fiction, then my answer is a definite yes.
Robin Hood, Robin Hood, and his bunch of blood-thirsty murderous outlaws ..."
Doesn't have quite the same ring, does it?
"Outlaw" is the story of Robin Hood, told from the perspective of Alan Dale. Like Bernard Cornwell's series of books about King Arthur (indeed, my copy of the book even had a "As good as Bernard Cornwell or your money back" sticker on it), Outlaw is a more earthy, more 'real', telling of the famous tale. All the famous characters are here: Robin Hood, Maid Marie-Anne (Marion), Little John, Friar Tuck, Guy of Gisbourne, and (obviously) Alan Dale himself.
Forget the recent BBC adaptation, or even the '91 film starring a not-very-English Kevin Costner; this is more what Robin Hood would have been like (if he ever existed) than the over-romanticised legendary figure.
Worth a read? If you like Cornwell (or Simon Scarrow's) style of historical fiction, then my answer is a definite yes.
Darren (1599 KP) rated Dracula (1958) in Movies
Oct 31, 2019
Characters – Doctor Van Helsing has been trying to hunt down Dracula for years now, his latest attempt sees him anger the vampire, forcing him to defend his loved ones before he starts his own attack on the vampire. Count Dracula has lived a life where his presence has struck fear in the locals, he is a vampire with his age seemingly unknown, after his bride is taken from him, he goes after the people that took her, in search of finding his new bride. Arthur is one of the people working with Van Helsing, it is his family that has becomes the target of Dracula, with Mina being the wife of Arthur that is one of the women Dracula wants to make his brides.
Performances – Peter Cushing and Christopher Lee are the icons on the 50’s horrors, this film shows they are just wonderful in the horror performances both sides of the good and evil scale. When it comes to the supporting roles, it appears that the rest of the cast are meant to just let the lead two stars take the spotlight.
Story – The story here is the basic Dracula story, where after one of his brides is killed, Dracula targets the family that took his bride to get his own new bride and revenge. The Dracula story has been told so many times, it does become slightly boring to watch a story that doesn’t offer anything new to the tried and tested formula. If you do know the basic story, you will know everything that happens in this film which just ends up being nothing refreshing.
Horror – The horror comes the ideas of vampires with Dracula lurking in the darkness, most doesn’t come off scary though which is disappointing.
Settings – The film uses the couple of main locations, we have the castle of course which we don’t spend enough time around, the English house that shows how the family will try to hide from Dracula.
Special Effects – The effects are practical which do bring one of the most memorable scenes in the film.
Scene of the Movie – final showdown.
That Moment That Annoyed Me – It isn’t anything new.
Final Thoughts – This is a hammer horror version of Dracula, it works well enough for the basic idea, only it doesn’t reach too much new to the story idea.
Overall: Hammer Horror Dracula.
Performances – Peter Cushing and Christopher Lee are the icons on the 50’s horrors, this film shows they are just wonderful in the horror performances both sides of the good and evil scale. When it comes to the supporting roles, it appears that the rest of the cast are meant to just let the lead two stars take the spotlight.
Story – The story here is the basic Dracula story, where after one of his brides is killed, Dracula targets the family that took his bride to get his own new bride and revenge. The Dracula story has been told so many times, it does become slightly boring to watch a story that doesn’t offer anything new to the tried and tested formula. If you do know the basic story, you will know everything that happens in this film which just ends up being nothing refreshing.
Horror – The horror comes the ideas of vampires with Dracula lurking in the darkness, most doesn’t come off scary though which is disappointing.
Settings – The film uses the couple of main locations, we have the castle of course which we don’t spend enough time around, the English house that shows how the family will try to hide from Dracula.
Special Effects – The effects are practical which do bring one of the most memorable scenes in the film.
Scene of the Movie – final showdown.
That Moment That Annoyed Me – It isn’t anything new.
Final Thoughts – This is a hammer horror version of Dracula, it works well enough for the basic idea, only it doesn’t reach too much new to the story idea.
Overall: Hammer Horror Dracula.
JT (287 KP) rated The Oxford Murders (2010) in Movies
Mar 10, 2020
From the first couple of scenes you’d half expect to see Inspector Morse and Lewis step out from behind one of the great pillars that surround Oxford University – sadly that is not going to be the case here. The story itself could have been taken right out of an Agatha Christie novel but the subsequent plot gets mixed up like the mathematical equation it is trying to lay out.
John Hurt plays Arthur Seldom a university professor whose life revolves around mathematical equations and whether or not we can prove truth and probability. Martin (Elijah Wood) is a graduate over from America looking at using Seldom to help him with his thesis.
The pair get mixed up in an altogether different set of circumstances when they must work together to solve a series of murders based around mathematical symbols. The Oxford Murders falls some way short of delivering on any tension or drama, which is a real shame. The script is over complicated and there is no real time to develop the characters before we are thrown head first into the first murder.
All in all it seemed rushed together. More strangely was the choice of director; Spanish born Álex de la Iglesia who also wrote the screenplay. A background largely based around foreign film I find it odd that he should have any idea about the true reflections of historic Oxford. Maybe that is where amongst other things The Oxford Murders falls down. In the hands of a more traditional English director we may have had a better outcome.
John Hurt plays Arthur Seldom a university professor whose life revolves around mathematical equations and whether or not we can prove truth and probability. Martin (Elijah Wood) is a graduate over from America looking at using Seldom to help him with his thesis.
The pair get mixed up in an altogether different set of circumstances when they must work together to solve a series of murders based around mathematical symbols. The Oxford Murders falls some way short of delivering on any tension or drama, which is a real shame. The script is over complicated and there is no real time to develop the characters before we are thrown head first into the first murder.
All in all it seemed rushed together. More strangely was the choice of director; Spanish born Álex de la Iglesia who also wrote the screenplay. A background largely based around foreign film I find it odd that he should have any idea about the true reflections of historic Oxford. Maybe that is where amongst other things The Oxford Murders falls down. In the hands of a more traditional English director we may have had a better outcome.
ClareR (5589 KP) rated The Queens Lady in Books
Dec 8, 2022
The Queens Lady is the second in the Queens of the Tower series, and picks up the Joan Vaux story where it left off in the last book. She’s now Lady Joan Guildford, and is Lady in Waiting to Queen Elizabeth, the wife of Henry VII. It’s a privileged position and means that Joan is at Court when Prince Arthur dies and Prince Henry is named as heir. Joan acts as something of a go between with the King and Queen, but King Henry is a serious, dour man - and this isn’t improved when the Queen dies shortly after her son.
Joan no longer has a place at court, and her husband falls out of favour when his enemies gain considerable influence with the King.
It was really interesting to learn about the inner workings of the English court and the precarious line that courtiers had to tread. Joan also gave some insight into some significant historical events: the Field of the Cloth of Gold in France, Princess Margaret’s marriage to King James, the arrival of Catherine of Aragon, and accompanying Princess Mary to Paris when she marries King Louis.
I’m an absolute sucker for historical fiction, and I loved the details and the very human, realistic style this book was written in. And I really liked Joan.
The ravens are a constant - after all, Joan is the Lady of the Ravens. Bu they’re not as central to the storyline this time.
I don’t know whether this will just be a duology, or if there’s more to come, but I’ve thoroughly enjoyed this book.
Highly recommended.
Joan no longer has a place at court, and her husband falls out of favour when his enemies gain considerable influence with the King.
It was really interesting to learn about the inner workings of the English court and the precarious line that courtiers had to tread. Joan also gave some insight into some significant historical events: the Field of the Cloth of Gold in France, Princess Margaret’s marriage to King James, the arrival of Catherine of Aragon, and accompanying Princess Mary to Paris when she marries King Louis.
I’m an absolute sucker for historical fiction, and I loved the details and the very human, realistic style this book was written in. And I really liked Joan.
The ravens are a constant - after all, Joan is the Lady of the Ravens. Bu they’re not as central to the storyline this time.
I don’t know whether this will just be a duology, or if there’s more to come, but I’ve thoroughly enjoyed this book.
Highly recommended.
Lee (2222 KP) rated The Kid Who Would Be King (2019) in Movies
Feb 18, 2019
We've had plenty of spins on the legend of King Arthur over the years. Probably the most enjoyable for me was BBC show 'Merlin', which ran for 5 seasons between 2008 and 2012, focusing on the early life of the famous sorcerer and King Arthur. Probably the worst take on it all was Guy Ritchie's god awful 'Legend Of The Sword' back in 2017. Joe Cornish, writer/director of the brilliant 2011 movie 'Attack The Block', follows that movie with a fresh spin of his own in 'The Kid Who Would Be King'.
For those of us who are unfamiliar with the legend of Arthur, or who had it's memory tarnished by Mr Guy Ritchie, it's recapped for us here in a nice little animated sequence right at the start of the movie. It tells how the evil Morgana was banished to the underworld, vowing to return once more when the world is again divided and at its weakest.
We then join Alex (played by Louis Serkis, son of Andy Serkis), a 12 year old schoolboy living with his mother. He's having some trouble with bullies at school, made worse by his attempts to stand up to them as they terrorise his friend Bedders. One night, while fleeing from bullies Lance and Kay, he stumbles into a building site where he discovers a sword set in stone. He manages to pull it free and takes it home in his backpack, where he and Bedders determine that the sword is in fact the legendary Excalibur.
The next day a mysterious new boy joins them at school. Turns out, he is in fact Merlin, taking the form of a younger boy. He informs Alex and Bedders that they must form a team of knights in order to prepare for the imminent return of Morgana and her army of dead soldiers. They have just 4 days, with her arrival taking place during an upcoming solar eclipse. If they cannot stop her, then she will enslave the Earths inhabitants.
Alex believes that his father is key to all of this, and that he is in fact descended from Arthur, so he decides to go on a quest to Tintagel, the last place that he saw his father. Alex leaves a note for his mum - "Gone on quest to save Britain, don’t worry!” and begins 'knighting' Bedders, and eventually bullies Lance and Kay, as only those that have been knighted are able to see and fight the dead soldiers that come at night.
Their journey takes them via coach, through a portal at Stone Henge, and on a trek across the English countryside where they stop to allow Merlin time to provide them with the sword training they need in order to stand any chance of defeating Morgana. Merlin regularly changes his form, switching between young boy, an owl and his true elderly self (played by Patrick Stewart). In the form of a boy, Merlin is a little bit wacky, performing his magic with a series of clicking hand movements, something which became very annoying for me after the first few times. I get that this is a story about kids banding together and overcoming evil, but part of me just wishes that Merlin had stayed in his adult form of Patrick Stewart as I really wasn't so keen on the younger version at all.
It's also around this time, for a fairly lengthy period in the middle, that I felt the movie slowed and struggled a little. Thankfully though, things improved considerably for the final act, pulling everything together and delivering a hugely enjoyable finale. As the solar eclipse plunges their school into darkness, an army of armour clad school children battle the flame engulfed skeletal warriors and attempt to defeat the dragon-like Morgana. It's the kind of movie you'd love to watch as a child - no adults, just the kids rising up and overpowering evil. In fact, my daughter enjoyed this a lot more than I did, offering up her own 4.5 rating, so there you go!
I would have liked a little more from the great Patrick Stewart, and Rebecca Ferguson as Morgana isn't quite evil enough for me, but overall this is a really fun family movie and that's largely down to it's young stars, who are all fantastic. As shown in Attack the Block, Joe Cornish has a real skill for blending the ordinary with the fantastical and empowering his young characters with the traits of a hero or a leader.
For those of us who are unfamiliar with the legend of Arthur, or who had it's memory tarnished by Mr Guy Ritchie, it's recapped for us here in a nice little animated sequence right at the start of the movie. It tells how the evil Morgana was banished to the underworld, vowing to return once more when the world is again divided and at its weakest.
We then join Alex (played by Louis Serkis, son of Andy Serkis), a 12 year old schoolboy living with his mother. He's having some trouble with bullies at school, made worse by his attempts to stand up to them as they terrorise his friend Bedders. One night, while fleeing from bullies Lance and Kay, he stumbles into a building site where he discovers a sword set in stone. He manages to pull it free and takes it home in his backpack, where he and Bedders determine that the sword is in fact the legendary Excalibur.
The next day a mysterious new boy joins them at school. Turns out, he is in fact Merlin, taking the form of a younger boy. He informs Alex and Bedders that they must form a team of knights in order to prepare for the imminent return of Morgana and her army of dead soldiers. They have just 4 days, with her arrival taking place during an upcoming solar eclipse. If they cannot stop her, then she will enslave the Earths inhabitants.
Alex believes that his father is key to all of this, and that he is in fact descended from Arthur, so he decides to go on a quest to Tintagel, the last place that he saw his father. Alex leaves a note for his mum - "Gone on quest to save Britain, don’t worry!” and begins 'knighting' Bedders, and eventually bullies Lance and Kay, as only those that have been knighted are able to see and fight the dead soldiers that come at night.
Their journey takes them via coach, through a portal at Stone Henge, and on a trek across the English countryside where they stop to allow Merlin time to provide them with the sword training they need in order to stand any chance of defeating Morgana. Merlin regularly changes his form, switching between young boy, an owl and his true elderly self (played by Patrick Stewart). In the form of a boy, Merlin is a little bit wacky, performing his magic with a series of clicking hand movements, something which became very annoying for me after the first few times. I get that this is a story about kids banding together and overcoming evil, but part of me just wishes that Merlin had stayed in his adult form of Patrick Stewart as I really wasn't so keen on the younger version at all.
It's also around this time, for a fairly lengthy period in the middle, that I felt the movie slowed and struggled a little. Thankfully though, things improved considerably for the final act, pulling everything together and delivering a hugely enjoyable finale. As the solar eclipse plunges their school into darkness, an army of armour clad school children battle the flame engulfed skeletal warriors and attempt to defeat the dragon-like Morgana. It's the kind of movie you'd love to watch as a child - no adults, just the kids rising up and overpowering evil. In fact, my daughter enjoyed this a lot more than I did, offering up her own 4.5 rating, so there you go!
I would have liked a little more from the great Patrick Stewart, and Rebecca Ferguson as Morgana isn't quite evil enough for me, but overall this is a really fun family movie and that's largely down to it's young stars, who are all fantastic. As shown in Attack the Block, Joe Cornish has a real skill for blending the ordinary with the fantastical and empowering his young characters with the traits of a hero or a leader.
ClareR (5589 KP) rated A Shadowed Livery (Inspector James Given Investigations #1) in Books
Sep 16, 2019
A really well written police procedural
A Shadowed Livery is a police procedural very much in the vein of an Agatha Christie novel. It’s set in 1938, just as the rumblings of war begin and National Socialism and Fascism raise their heads in Germany. DI James Givens has been pulled off the case that he was working on (the murder of a Jewish butcher - the guilty men have been hanged, but there’s still work to be done) and sent to a small village in the English countryside, to wrap up the deaths of three people (mother, son and fiancée) at Grovestock House, where Sir Arthur Barleigh and his family live. DI Given has been told that it’s a simple case of murder/ suicide, but of course it develops into anything but that.
I very much enjoyed this - the style in which it was written felt just right for the time period, and there was great attention to detail. I liked how Given’s background is revealed as the story progresses, and how relevant it was to the time in history.
The mystery itself had me guessing up to the end, and it has a great ending! I love it when I’m kept guessing to the final pages. DI Given is a very likeable character, if a little naive in some ways - but that’s rather nice really. It lends him that human touch.
I’ll be interested to see what happens in the second book as we edge closer to war. I’d like to see how DI Given gets on!
Many thanks to Sapere Books for my copy of this book to read and review. I will be preordering the next book for when it comes out next month (October 2019)!
I very much enjoyed this - the style in which it was written felt just right for the time period, and there was great attention to detail. I liked how Given’s background is revealed as the story progresses, and how relevant it was to the time in history.
The mystery itself had me guessing up to the end, and it has a great ending! I love it when I’m kept guessing to the final pages. DI Given is a very likeable character, if a little naive in some ways - but that’s rather nice really. It lends him that human touch.
I’ll be interested to see what happens in the second book as we edge closer to war. I’d like to see how DI Given gets on!
Many thanks to Sapere Books for my copy of this book to read and review. I will be preordering the next book for when it comes out next month (October 2019)!
JT (287 KP) rated The Gentlemen (2020) in Movies
Mar 3, 2020
Guy Richie back to doing what he does best (1 more)
Excellent cast
Twists, turns and carnage
Since Snatch Guy Richie hasn’t covered himself in glory with some of his recent films. The likes of Swept Away, Revolver and King Arthur: Legend of the Sword did little to enhance his street cred.
While Sherlock Holmes and The Man From U.N.C.L.E were certainly enjoyable romps they didn’t have the cutting edge to what Richie does best, the gangster flick. Thankfully The Gentlemen provides everything you could want from that genre and Richie is back on familiar ground.
Mickey Pearson (Matthew McConaughey) is looking to retire from his current criminal life and plans to sell off his highly profitable marijuana empire in London. However, when rival gangs get wind of his plans there is blackmail, bribery and double-crossing aplenty.
One of the stars of the film is Hugh Grant, who for once is not playing a bumbling English gentry. Instead, he plays a slimy cockney called Fletcher with inside knowledge of what Mickey’s plans are and attempts to use them for his own financial gain.
Grant adds a subtle level of humour to the proceedings and spends most of the time in dialogue with Ray (Charlie Hunnam) Mickey’s right-hand man, who actually delivers a half-decent performance.
The Gentlemen has Richie’s aggressive dialogue which is bathed in neat action set pieces. It’s foul-mouthed and the characters all have their own unique and very distinct personalities. From Colin Farrell’s Coach to Henry Golding’s psychotic Dry Eye they can stand happily alongside some of the greats from Lock, Stock and Two Smoking Barrels and Snatch.
The film has a cool swagger about it where everything clicks nicely. There are a few twists and turns along the way which is expected from the British director and it is filled with his trademarks that hit the right notes at the right time. For me, this is by far and away his best film for quite some time.
While Sherlock Holmes and The Man From U.N.C.L.E were certainly enjoyable romps they didn’t have the cutting edge to what Richie does best, the gangster flick. Thankfully The Gentlemen provides everything you could want from that genre and Richie is back on familiar ground.
Mickey Pearson (Matthew McConaughey) is looking to retire from his current criminal life and plans to sell off his highly profitable marijuana empire in London. However, when rival gangs get wind of his plans there is blackmail, bribery and double-crossing aplenty.
One of the stars of the film is Hugh Grant, who for once is not playing a bumbling English gentry. Instead, he plays a slimy cockney called Fletcher with inside knowledge of what Mickey’s plans are and attempts to use them for his own financial gain.
Grant adds a subtle level of humour to the proceedings and spends most of the time in dialogue with Ray (Charlie Hunnam) Mickey’s right-hand man, who actually delivers a half-decent performance.
The Gentlemen has Richie’s aggressive dialogue which is bathed in neat action set pieces. It’s foul-mouthed and the characters all have their own unique and very distinct personalities. From Colin Farrell’s Coach to Henry Golding’s psychotic Dry Eye they can stand happily alongside some of the greats from Lock, Stock and Two Smoking Barrels and Snatch.
The film has a cool swagger about it where everything clicks nicely. There are a few twists and turns along the way which is expected from the British director and it is filled with his trademarks that hit the right notes at the right time. For me, this is by far and away his best film for quite some time.
