"This is a visceral tale of an artist (Max von Sydow) whose mind begins to unravel as he’s plagued by insomnia and macabre visions of demons. His pregnant wife (Liv Ullman) is so concerned by this that she begins to stay awake with him night after night as he tries to process his grief. This is clearly a very personal work for Bergman, who admirably attempts to grasp and explore an existential issue for all artists. The pursuit of knowledge or truth or clarity or enlightenment—whether by means of artistic expression, religious belief, or science—has the capacity to rend an individual’s personality to shreds. As the saying goes, there’s a fine line between genius and madness."

"This is really a sneaky way to list all of Criterion’s editions of Wes Anderson’s films. Tenenbaums is by far my favorite, but Rushmore, The Life Aquatic, and the new edition of Bottle Rocket are all pretty fantastic, too. I’m always immediately won over by the artwork and illustrations that tie all his films together. Even with different artists (Ian Dingman and Eric Chase Anderson) there is a consistency, due in no small part to Wes Anderson’s own particular aesthetic, that makes these films feel like four stories from the same hyperreal, idyllically melancholy world. There’s an interview in the Tenenbaums supplements section with artist Miguel Calderon that’s totally worth a listen."