"Prince is just one of my absolute, all-time favourite artists. He was a genius. I remember the first time I heard ‘Kiss’ and it's so special, because it's so minimal. It's so intimate and it just grabs you. He's singing so quietly and he's got so much space in between all of his little phrases. It's just so good! “It's a style all of his own and he made that sound his. It's one of those songs where it's become so iconic, and that style has been so distinct; so many people have been inspired by it and you can hear it in their music! I think it's just a great touchstone. For me as an artist, and as a singer, and as a music lover, just hearing that song for the first time, it's such a fundamental song."

"Yes, that's the one. I know both recordings, and the movie too, but I think the one I listened to mostly was the later one. In a lot of ways Kurt Weill and Lotte Lenya, and this piece in particular, represent what I'd ultimately like to do as an artist: bringing opera together with popular music; classical singing with everyday life. I've written a couple of operas, I've worked with Shakespeare's sonnets, I've made pop records, and I have this folk background, and I feel that Kurt Weill with The Threepenny Opera was the pinnacle where all of the elements that he was influenced by joined together to create this other animal. Lotte Lenya was the one who interpreted that. It's a really good touchstone to keep in mind in terms of what I do in the pop world and the theatre world."