"This record convinced me that no matter what anyone said about making music as a career that I had to try. I didn’t know if I’d “make it” or if I will yet, but I knew that when I heard this record I had to try. I’ve always heard Born to Run in my mother’s car, but it wasn’t until my late teenage years and early twenties that I understood what was being said here. To me, this was my ticket out. Born to Run gave me the permission to leave everything sensible and practical behind and go for my own dreams. It still makes me pause when I hear those piano intros on ""Thunder Road"" and ""Backstreets."" In the same way Greetings From Asbury Park, N.J. spoke to me as a teenager, this record spoke to the guy in his twenties who really wasn’t very good at much, except maybe music, and that was a big maybe. It also comforted me in times of great heartache and self doubt. This is an encouraging record. It’s a masterpiece. I would take this record over almost any other “classic” album by any artist."

"I got into M.I.A. at a really weird time. I got into her just two years ago. I mean, I first heard her years ago and I thought it was really cool and interesting but I didn't really pay proper attention. But then I listened again two years ago and I listened to her new record and I was like, ""Yeah, whatever"", but I played it some more and I got really obsessed with it. She always maintains this incredible delivery. I guess she's rapping but to me it's the same as singing. Again, it's about moulding your voice to get the sound you want. Rappers do that a lot. I just like it and I don't have a real explanation as to why. I just think it's really good. She's an original and has a unique perspective. I went back to her other records and so I explored her in a way that I hadn't done with any other artist in years. I was on tour and it was just somehow helpful for me at that time. It added some life to my world."