James Koppert (2698 KP) rated Arctic Zoo in Books
Oct 28, 2019
Bong Mines Entertainment (15 KP) rated FRiENDS - Single by Derek Simpson in Music
Jul 10, 2019
“Smoke a doobie, have a groovy night. I’m gettin’ loopy have a movie night. Some Bud heavy and a Miller High Life! ‘Cause that’s the only sh*t I need in my life! I ain’t goin’ out, I’m feelin’ chill. Some Harry Potter and a sleepin’ pill. They said that I was just too much to deal. But Seb and Kristie said they love me still. Too many joyrides to help a buddy out. Too many talks, I don’t recall what they’re about.” – lyrics by Jack O’Brien
‘FRiENDS’ is a fun-loving ode to friendship and unbridled adult indulgence.
The likable tune features Derek Simpson alongside his closest friends and roommates—Zac Hartwell, Jack O’Brien, Sebastian Hibbert, and Linden Crumrine.
‘FRiENDS’ contains a relatable storyline and introspective rap vocals. Also, the song possesses mellow instrumentation flavored with hazy lo-fi hip-hop, bits psychedelia, and experimental pop elements.
“‘FRiENDS’ is a love letter to the first support system I was introduced to outside of my hometown. I like to believe that at that age many of us are finding people we actually connect with for the first time. So we excitedly get together regularly and begin to build our tribes on the foundation of celebration. During the close of our time together in Allston, MA, a few of my buddies luckily jumped at the opportunity to take part in this musical mirror of our lifestyle. The reflection shows us something honest, sweaty, hilarious and sweet as we look back years later from three separate corners of the United States, together.” – Derek Simpson
Bong Mines Entertainment (15 KP) rated Symbolism by Caracol in Music
Jul 10, 2019
“I could be your island. Headlights in the distance reaching out in silence if you won’t tell me how the water came. How can I really get you out of it? Your heart is a flooded field. Tell me what it means. Don’t know how to get to you.” – lyrics
‘Flooded Field’ tells an interesting tale of a supportive woman who wants to comfort her significant other.
Apparently, he has built a wall, so she doesn’t know how to get to him. But she has patience, therefore, she urges him to open up so she can nurture him with love.
‘Flooded Field’ contains a relatable storyline, ear-welcoming vocals, and groovy instrumentation flavored with an electro-reggae aroma.
‘Flooded Field’ is a featured track on Caracol’s latest album, entitled, “Symbolism”.
The 11-track project sums up her past musical experiences and her beginnings as a percussionist and back-up singer in reggae bands.
Also, it highlights her work as a sound engineer in film music and her presence in the songwriting community and pop music writing camps.
Her “Symbolism” adventure began when she met producer Joey Waronker during a creative trip to Los Angeles.
After falling in love with her demos, he decided to work with her, and during the recording process, Caracol reached new heights.
Caracol was recently nominated at the Canadian Indie Awards in the Electronic Artist of the Year category.
Her music influences include Santigold, Lykke Li, Grimes, Beach House, Wild Belle, and Portishead.
Gareth von Kallenbach (980 KP) rated The Neon Demon (2016) in Movies
Aug 6, 2019
Completely unique, the psychological thriller goes to dark places – necrophilia, cannibalism, and the solitary confines of the human mind.
The film stars Elle Fanning as Jesse, a sixteen year old girl from a small town who decided to go to LA to become a model. Without any parents, Jesse is completely on her own in a seedy wonderland.
She stays by herself in a dingy motel. Keanu Reeves plays the grubby motel manager, Hank. His role in the film is more of a supportive one, but he still plays a major part in the overall story and feel of the film.
Of course, Jesse meets all kinds of odd people as she dives into a world that is so shallow it could break her. Makeup artist Ruby (Jena Malone), and supermodels Gigi (Bella Heathcote) and Sarah (Abbey Lee) are characters the audience will love to hate. Malone, Heathcote, and Lee have done a great job becoming their characters. They incite visceral disdain, perhaps laced with admiration.
There may be a few moments where it feels like the plot is going nowhere fast, but I highly recommend resisting the urge to lose hope. The whole is greater than the sum of its parts in this case.
It’s not a stretch to say that Director Nicolas Winding Refn has created a piece of cinematic art.
The combination of finely selected camera technique, psychedelic lighting, and a cerebral soundtrack is like watching a beautiful nightmare.
Best described as “Clockwork Orange” meets “Top Model,”
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