But when dead women start turning up and Stefan is under suspicion, Peggy realises that the culprit may be closer than she realises (and not Stefan!). She decides that she has to be the one to find out who has murdered these women. In doing so, she discovers the dark side of her family.
I really enjoyed this - the descriptions were so good, and really illustrated the vast difference between the exclusive, luxurious hotels and the fairgrounds, the wealth of Peggy’s family and the poverty of the fairground workers.
Henry Taul, Peggy’s sisters fiancé and her ex-boyfriend, really is an unpleasant piece of work, and his mother is awful - a great example of ‘new money’ and how they clearly don’t know how to conduct themselves (ok, I’m saying this with a little ‘tongue in cheek’). Unlike the more staid (on the surface) Batternbergs!
The descriptions of Coney Island so evocative, that I could have been there, and the photos that the author had taken and posted on The Pigeonhole really added to this.
I must have changed my mind about the identity of the murderer at least half a dozen times , and it really did take me until the end and the big reveal to be sure!
A thoroughly enjoyable serialisation by The Pigeonhole, made even better by the authors participation.
This is the first Max Porter novel I have read. He has a very interesting way of laying out his prose which baffles the brain at first, but once you adapt to the flow you just float along with the story. The book is broken up into three parts, and each part is told in a different but distinctive way.
Lanny is a young boy with a gift, a very peculiar gift that his parents can’t quite figure out. So Lanny’s mother enlists the help of ‘Pete’ a local grizzled artist to teach the boy and harness some of his ‘eccentricities’. However, a mysterious event soon throws the lives of Lanny’s parents, Pete, and indeed the whole village in to utter chaos. Questions are asked, relationships are closely examined, but what really lies beneath all that goes on in this little village just outside of London.
One aspect of the book I admired was in part two, after the main turning point of the story. This part of the book is told in sporadic paragraphs of peoples thoughts and deeds during the event. It’s not always clear whose thought or deed you’re reading (and it’s not always necessary to know) but through this episodic storytelling you build up a picture not only of what is happening but how the people involved are feeling about it.
This was very cleverly written and the way that Porter plays with words builds up a very vivid image of the events happening in ‘Lanny’. What Porter has shown us is that in order to tell a good story you don’t necessarily have to write in a smooth and progressive way, sometimes you just have to throw words at the pages and see what sticks!

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