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Bong Mines Entertainment (15 KP) rated Hypocritical - Single by NOA in Music
Jun 17, 2019
NOA is a 22-year-old singer-songwriter from Toronto, Ontario. Not too long ago, she released a music video for her lovely electro-pop tune, entitled, “Hypocritical”.
“As an artist and songwriter, I want to give others a voice through my writing. With my new single, I want people to know that they’re not alone and we’re only human. ‘Hypocritical’ was inspired by my own breakup aftermath. The realization that everything I didn’t want my ex to be doing, I was doing myself. also, in a post-breakup state, it’s so easy to get hung up on wanting your ex back, or at least not wanting him to move on. But in reality, whether you recognize it or not, you’re likely already moving on.” – NOA
‘Hypocritical’ tells a post-breakup tale of a young woman who struggles to let go of her ex-boyfriend.
Apparently, she has moved on with her personal life, but still wants to be with him, even though he no longer belongs to her.
Also, she doesn’t want to see him with another woman, even though she’s romantically involved with another guy.
‘Hypocritical’ is the first single of a series of songs that NOA will be releasing this year.
The likable tune contains a relatable storyline and ear-welcoming vocals. Also, the song possesses playful instrumentation scented with a dancy indie-pop aroma.
“Seeing my ex’s Instagram stories and Snapchats really highlighted these ‘Hypocritical’ feelings for me. Sometimes it’s okay to go through the motions and have these thoughts. But at the end of the day, we have to face ourselves in the mirror and continue to grow from the ups and downs.” – NOA
NOA’s fans have followed her to sold-out shows from Toronto’s Drake Hotel to Los Angeles’s Hotel Cafe.
Her music contains emo-themes from relationships to female empowerment and self-realization.
https://www.bongminesentertainment.com/noa-hypocritical/
“As an artist and songwriter, I want to give others a voice through my writing. With my new single, I want people to know that they’re not alone and we’re only human. ‘Hypocritical’ was inspired by my own breakup aftermath. The realization that everything I didn’t want my ex to be doing, I was doing myself. also, in a post-breakup state, it’s so easy to get hung up on wanting your ex back, or at least not wanting him to move on. But in reality, whether you recognize it or not, you’re likely already moving on.” – NOA
‘Hypocritical’ tells a post-breakup tale of a young woman who struggles to let go of her ex-boyfriend.
Apparently, she has moved on with her personal life, but still wants to be with him, even though he no longer belongs to her.
Also, she doesn’t want to see him with another woman, even though she’s romantically involved with another guy.
‘Hypocritical’ is the first single of a series of songs that NOA will be releasing this year.
The likable tune contains a relatable storyline and ear-welcoming vocals. Also, the song possesses playful instrumentation scented with a dancy indie-pop aroma.
“Seeing my ex’s Instagram stories and Snapchats really highlighted these ‘Hypocritical’ feelings for me. Sometimes it’s okay to go through the motions and have these thoughts. But at the end of the day, we have to face ourselves in the mirror and continue to grow from the ups and downs.” – NOA
NOA’s fans have followed her to sold-out shows from Toronto’s Drake Hotel to Los Angeles’s Hotel Cafe.
Her music contains emo-themes from relationships to female empowerment and self-realization.
https://www.bongminesentertainment.com/noa-hypocritical/
Jordan Binkerd (567 KP) rated Zombicide: Black Plague in Tabletop Games
Jul 21, 2019 (Updated Jul 21, 2019)
Improved ruleset vs. the original game (3 more)
Fantasy theme
Excellent miniatures!
Improved components vs. the original game
Primarily a combat simulator (1 more)
Low complexity
Improved rules and components, plus the fantasy theme? I wish I discovered this before the original.....
My wife and I love the original Zombicide and have most of the content for the modern setting, minus Kickstarter exclusives and the guest artist characters. So when we found ourselves at the local ComicCon and there was a copy of Black Plague in the game library? We jumped all over that! Compared to the original game, they've fixed several of the rules that bugged us about the game, especially regarding shooting and resources. They've also upgraded the dashboard system to a plastic thing with pegs, which is so much better than the originals that we've seriously considered buying them on eBay and Photoshoping cards for the modern characters so that we can incorporate the upgraded dashboards. We did incorporate a lot of the rules changes into our own games. So if you want to get into Zombicide and can only pick one setting, make it this one.
Like I said, we love Zombicide. But there are a lot of people in the gaming community that feel it lacks something in the way of complexity and strategy. They're not necessarily wrong. It's primarily a tactics game: here's your mission and goal, here's the situation, go! Is it easy? Sometimes. Depends on how lucky you are. Sometimes the zombies spawn in ways and locations that play right into your hands. Sometimes the Abomination spawns right in front of you and you either die immediately or the game bogs down while you scramble to outmaneuver him or find the (scarce) resources to defeat him. It can be pretty random and frustrating at times, and there are people who avoid randomness like the plague in their gaming. But like I said, my wife and I love the system, and this is the best version of it that I've seen.
Like I said, we love Zombicide. But there are a lot of people in the gaming community that feel it lacks something in the way of complexity and strategy. They're not necessarily wrong. It's primarily a tactics game: here's your mission and goal, here's the situation, go! Is it easy? Sometimes. Depends on how lucky you are. Sometimes the zombies spawn in ways and locations that play right into your hands. Sometimes the Abomination spawns right in front of you and you either die immediately or the game bogs down while you scramble to outmaneuver him or find the (scarce) resources to defeat him. It can be pretty random and frustrating at times, and there are people who avoid randomness like the plague in their gaming. But like I said, my wife and I love the system, and this is the best version of it that I've seen.
Phil Leader (619 KP) rated Find My Brother (John McBride #3) in Books
Nov 13, 2019
This is the third novel Chilcott has written featuring SAS soldier turned watercolour artist John McBride. In this he sees a woman looking distressed in a pub when he is out painting. She tells him that her brother, an investigative journalist, has gone missing after infiltrating the local anti-fracking protesters. Fancying a bit of adventure, McBride agrees to find her brother. He does this by taking the same route - join the protesters and as too many questions. He discovers that the protesters are being secretly financed by Russia, and that anyone suspicious is quietly made to disappear and shipped across the Baltic never to be seen again. McBride needs to find the journalist, escape from captivity and then make it all the way back to England with Russians trying to stop them.
This novel is a throwback to the cold war thrillers of the sixties and seventies, the spy hero having to work against the odds and use his cunning, wits and physical endurance to survive. With McBride being ex-SAS it is not a great leap of the imagination to see how he manages to survive in hostile territory with Russian solders and undercover agents trying to stop him at every turn. There are some nailbiting scenes and not all goes to plan for the two escapees.
This definitely had the 'just one more page' factor for me and I just wanted to get to the end to see what happened. The story moves at a good pace - Chilcott writes like an author on a mission with spare and clean writing that still conveys everything it needs to. The plot is fairly realistic without too much that is coincidental or far fetched and everything proceeded in a logical manner.
I wasn't a huge fan of the previous book, Cruise the Storm but could see that Chilcott was able to write a good story. This book has proved it and I will look forward to reading more.
This novel is a throwback to the cold war thrillers of the sixties and seventies, the spy hero having to work against the odds and use his cunning, wits and physical endurance to survive. With McBride being ex-SAS it is not a great leap of the imagination to see how he manages to survive in hostile territory with Russian solders and undercover agents trying to stop him at every turn. There are some nailbiting scenes and not all goes to plan for the two escapees.
This definitely had the 'just one more page' factor for me and I just wanted to get to the end to see what happened. The story moves at a good pace - Chilcott writes like an author on a mission with spare and clean writing that still conveys everything it needs to. The plot is fairly realistic without too much that is coincidental or far fetched and everything proceeded in a logical manner.
I wasn't a huge fan of the previous book, Cruise the Storm but could see that Chilcott was able to write a good story. This book has proved it and I will look forward to reading more.
Dreamland is set in 1911, the year of a heatwave in New York. Peggy Batternberg, a wealthy heiress, is forced to spend the summer at the exclusive Oriental Hotel on Coney Island. She would rather work at the Moonrise Bookstore and keep her distance from her controlling family. Even though she’s not allowed to go to the fairgrounds on Coney Island on her own, she does go there with her brother and male cousins. After an argument, they become separated, and Peggy is able to explore Dreamland (the fairground) alone. She meets a poor artist, Stefan, and falls in love with him and his art.
But when dead women start turning up and Stefan is under suspicion, Peggy realises that the culprit may be closer than she realises (and not Stefan!). She decides that she has to be the one to find out who has murdered these women. In doing so, she discovers the dark side of her family.
I really enjoyed this - the descriptions were so good, and really illustrated the vast difference between the exclusive, luxurious hotels and the fairgrounds, the wealth of Peggy’s family and the poverty of the fairground workers.
Henry Taul, Peggy’s sisters fiancé and her ex-boyfriend, really is an unpleasant piece of work, and his mother is awful - a great example of ‘new money’ and how they clearly don’t know how to conduct themselves (ok, I’m saying this with a little ‘tongue in cheek’). Unlike the more staid (on the surface) Batternbergs!
The descriptions of Coney Island so evocative, that I could have been there, and the photos that the author had taken and posted on The Pigeonhole really added to this.
I must have changed my mind about the identity of the murderer at least half a dozen times , and it really did take me until the end and the big reveal to be sure!
A thoroughly enjoyable serialisation by The Pigeonhole, made even better by the authors participation.
But when dead women start turning up and Stefan is under suspicion, Peggy realises that the culprit may be closer than she realises (and not Stefan!). She decides that she has to be the one to find out who has murdered these women. In doing so, she discovers the dark side of her family.
I really enjoyed this - the descriptions were so good, and really illustrated the vast difference between the exclusive, luxurious hotels and the fairgrounds, the wealth of Peggy’s family and the poverty of the fairground workers.
Henry Taul, Peggy’s sisters fiancé and her ex-boyfriend, really is an unpleasant piece of work, and his mother is awful - a great example of ‘new money’ and how they clearly don’t know how to conduct themselves (ok, I’m saying this with a little ‘tongue in cheek’). Unlike the more staid (on the surface) Batternbergs!
The descriptions of Coney Island so evocative, that I could have been there, and the photos that the author had taken and posted on The Pigeonhole really added to this.
I must have changed my mind about the identity of the murderer at least half a dozen times , and it really did take me until the end and the big reveal to be sure!
A thoroughly enjoyable serialisation by The Pigeonhole, made even better by the authors participation.
I have to admit, when I first started reading this book I did stop several times, look at the cover and the blurb and think “What the heck am I reading?”
This is the first Max Porter novel I have read. He has a very interesting way of laying out his prose which baffles the brain at first, but once you adapt to the flow you just float along with the story. The book is broken up into three parts, and each part is told in a different but distinctive way.
Lanny is a young boy with a gift, a very peculiar gift that his parents can’t quite figure out. So Lanny’s mother enlists the help of ‘Pete’ a local grizzled artist to teach the boy and harness some of his ‘eccentricities’. However, a mysterious event soon throws the lives of Lanny’s parents, Pete, and indeed the whole village in to utter chaos. Questions are asked, relationships are closely examined, but what really lies beneath all that goes on in this little village just outside of London.
One aspect of the book I admired was in part two, after the main turning point of the story. This part of the book is told in sporadic paragraphs of peoples thoughts and deeds during the event. It’s not always clear whose thought or deed you’re reading (and it’s not always necessary to know) but through this episodic storytelling you build up a picture not only of what is happening but how the people involved are feeling about it.
This was very cleverly written and the way that Porter plays with words builds up a very vivid image of the events happening in ‘Lanny’. What Porter has shown us is that in order to tell a good story you don’t necessarily have to write in a smooth and progressive way, sometimes you just have to throw words at the pages and see what sticks!
This is the first Max Porter novel I have read. He has a very interesting way of laying out his prose which baffles the brain at first, but once you adapt to the flow you just float along with the story. The book is broken up into three parts, and each part is told in a different but distinctive way.
Lanny is a young boy with a gift, a very peculiar gift that his parents can’t quite figure out. So Lanny’s mother enlists the help of ‘Pete’ a local grizzled artist to teach the boy and harness some of his ‘eccentricities’. However, a mysterious event soon throws the lives of Lanny’s parents, Pete, and indeed the whole village in to utter chaos. Questions are asked, relationships are closely examined, but what really lies beneath all that goes on in this little village just outside of London.
One aspect of the book I admired was in part two, after the main turning point of the story. This part of the book is told in sporadic paragraphs of peoples thoughts and deeds during the event. It’s not always clear whose thought or deed you’re reading (and it’s not always necessary to know) but through this episodic storytelling you build up a picture not only of what is happening but how the people involved are feeling about it.
This was very cleverly written and the way that Porter plays with words builds up a very vivid image of the events happening in ‘Lanny’. What Porter has shown us is that in order to tell a good story you don’t necessarily have to write in a smooth and progressive way, sometimes you just have to throw words at the pages and see what sticks!
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