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An Anonymous Girl
An Anonymous Girl
Greer Hendricks, Sarah Pekkanen | 2019 | Mystery, Thriller
8
7.5 (15 Ratings)
Book Rating
An Anonymous Girl
Review can also be found on www.diaryofdifference.com

If someone offered you $500 to answer a few personal questions and stay anonymous, would you do it?

The makeup artist, Jessica Farris goes into a client’s house to do her job. Just the usual. And then she hears her teenage client mentioning the survey that gives you huge amounts of money for a few anonymous questions. When the teenager says she won’t be able to attend, and she is too lazy to let them know, Jessica decided to use this chance and go instead.

But what happens when after a few simple questions a woman starts telling her deepest secrets? And the money will increase, but so will the difficulty of the tasks she needs to do.

”It’s easy to judge other people’s choices.”

I was hyped about this book before I even started to read it. I read the synopsis, and it intrigued me from the very first moment. Of all the mysteries and thrillers, I have enjoyed the psychological the most. Something about how a twisted mind works triggers my pleasure senses. It’s creepy, but I wish you all get that feeling for a genre.

Right after the first chapter of the book I was satisfied, and happy. This book was all I needed right then, and it just kept getting better and better.

We get to meet Jessica and see how she thinks, follow her as she answers question after question, revealing secret after a secret. With each question, and each task, and each secret being revealed, the book kept becoming darker and darker, better and better.

It reminded me of the Harry Potter series, with the content getting darker after time. If you remember the first Harry Potter book, it is Children’s fiction, but the significantly darker compared to the first. Same happens with the movies as well.

I loved the questions that were asked on the survey – they are really meant to make you think through and try and give your answers.

Could you tell a lie without feeling guilt?

Have you ever deeply hurt someone you care about?

The relationship between the people in this book is twisted. It’s all about playing games. It’s all about the cat and mouse chase. As much as I loved it, it also annoyed me at times, as I wanted it to stop.

The twists, cliff hangers and unexpected moments were brilliant. Pure skill, I tell you that. I haven’t been so surprised, excited, thrilled at the same time by any book I’ve recently read.
And with such twisted moments, and thrills throughout the book, and chapters ending leaving you breathless, you would expect the most thrilling ending.
I did. I expected it.

And I was very disappointed. It ended… rather bland. Like a Sunday Roast without gravy.

”We all have reasons for our actions. Even if we hide the reason from those who think they know us best. Even if the reasons are so deeply buried we can’t recognise them ourselves.”

I have a hard time judging this book now, as it was all hype and thrill, until it stopped dead. Maybe the authors wanted to ensure that we experiences exactly this feeling – I am not sure. Maybe for such a twisted book, calmness is all it needs to end with. I’ll leave this judgement up to you, as you experience the book and its ending on your own.

At this time, I feel like giving it 4 stars, as the ending was the only things that bothered me. This book is still a gem, and deserves to be read by people that enjoy psychological thrillers.

Thank you to Netgalley and Pan Macmillan for giving me a free copy of this book, in exchange for an honest review
  
“What might be sabotaging your uniquely gifted contribution to the world around you? Discover the obstacles and barriers standing between you and your God-given purpose. In this revised book, you’ll learn how to identify ways to strengthen your calling that’ll encourage you to confidently operate in the gifts and talents that God designed you to do. Through the lens of T.H. Meyer’s own journey, you’ll recognize the universal struggle in embracing your whole person as she encourages you to live a life without regrets. For the individual reader looking to examine more deeply their life purpose or a group seeking to collectively spur each other toward their God-given gifts, talents, and life. This book can be used as a 12-week, 6-week, or 4-week study guide, with exploratory questions at the end of each chapter the assist you in listening to God’s voice and revealing your unique purpose, path, or direction.”



Endorsements ”A wonderful exploration, but not only for readers to look inwardly, but to also look around at others, at where our lives are at, and mostly upward toward God’s design and dreams for our lives. Love it!”– Cindy Coloma, best selling and award-winning author of over 15 books ”You’ll come away from this wise and insightful book with a clearer understanding of how you are uniquely gifted to contribute to the world, and why it’s imperative that you honor your creative calling.”– Michelle DeRusha, author of Katharina and Martin Luther: The Radical Marriage of a Runway ”TH Meyer looks at the glass ceiling the world has placed between ‘creatives’ and ‘non-creatives’ and shatters it. This those who have felt they are not creative, too timid, or simply too late to the life they were called to live, Meyer says, ‘Pish-posh.’ She delivers on her promise to help people embrace uniqueness, explore boldness, and encourage faith.”– Amy Young, author of Looming Transitions: Starting & Finishing Well in Cross-Cultural Service ”In her book, A Life Of Creative Purpose, Tammy Hendricksmeyer [TH Meyer] is a trusted mentor, offer ing us the tools we need to step completely into God’s design for us as individuals, and as members of His body. Her relatable stories coupled with scripture inspire and ignite a renewed passion for pursuing not only our own creative callings but even more, her words stoke the fire in our hearts for the Giver of these gifts.” – Kris Camealy, author of Come, Lord Jesus: The Weight Of Waiting ”A Life of Creative Purpose is a fantastic resource filled with thoughtful questions, stories, and Scripture each designed to awaken us to God’s unique purposes for our lives. It is well-written, thoughtful, and engaging, an invitation to embrace our own eternally significant creative purpose.” – Cindee S. Re, author of Discovering Hope: Beginning the Journey Toward Hope in Chronic Illness ”In her book, A Life of Creative Purpose, TH Meyer masterfully blends personal stories with wisdom from Scripture to reveal the importance of creative purpose (even if you think you are not creative.) The thought-provoking questions at the end of each chapter will help you discover (or uncover) and embrace the unique way God has made you and inspire you to step into a life of purpose, meaning, and fulfillment.” – JoDitt Williams, author/artist of Delight in the Word of God: A Devotional Coloring Book/Journal for Adults



My Thoughts: This is a great book to remind us about the gifts that God has for each of us. It reminds us not to be afraid to step out in faith to use the guts that God gives us to use.


This is a book of encouragement. It helps those who may not know what their purpose or gift is, to learn how to find it.


I enjoyed this book and encourage others to read it.
  
Electric Slide (2015)
Electric Slide (2015)
2015 | Drama
5
5.0 (1 Ratings)
Movie Rating
Today’s choice for your consideration is the 2014 film ‘Electric Slide’. A biographical crime film based on the life of antique/furniture salesman turned bank robber Eddie Dodson.

 Starring Jim Sturgess, Isabel Lucas, Chloe Sevigny, Patricia Arquette, and Christopher Lambert, ‘Electric Slide’ opens in 1983 Los Angeles. Disco is nearly dead and Rock-n-Roll is putting the final nails in its coffin. By day, Eddie Dodson (Jim Sturgess) is a hip antique furniture salesman (there’s a contradiction in terms) catering to the rich and famous while in engaging in some petty thievering from his customers on the side. By night, he moves with the drug-fueled parties from one mansion to the next. A chance encounter at one of these parties introduces him to the beautiful and aloof Pauline (Isabel Lucas). Eddie and Pauline are immediately smitten with one another as though destined by fate. At about the same time, Eddie’s carefree lifestyle is coming back to haunt him as loan sharks finally catch up to him and his former benefactor Roy Fortune (Christopher Lambert) comes calling demanding the return of his money. With no other way to repay his debt, Eddie resorts to robbing banks. With Pauline in tow, Eddie uses his charm to talk the tellers at over 60 banks in the L.A. Area into handing over their cash. However, instead of paying off his debts Eddie and Pauline simply continue their life of excess with the police and the loan sharks in hot pursuit.

 This film did an excellent job of depicting the ‘L.A. Lifestyle’ of the early 1980s that didn’t involve celebrities, but the folks who you would imagine would be latching on to those said celebrities.

The groupies if you will. The main character Eddie Dodson seems like he was a born con artist … a greasy slime ball who will take you for every thing you have if you let him. He is a bizarrely likable character though and his devotion to Pauline makes the viewer all the more want him to get away with just about any scheme he tries to pull. This is the first time I’ve seen Isabel Lucas in film since ‘Transformers:Revenge Of The Fallen’ or the ‘Red Dawn’ remake and I must say her performance as Pauline was brilliant. To quote another reviewer who screened this film I found myself asking ‘Who is that girl?’ From her first appearance on screen, it’s like you’re immediately drawn to her quiet/mysterious presence. It was also awesome to see Christopher Lambert in a movie once again. Although he’s portrayed a villain previously, I had personally never seen anything where he was the villain. His appearance in this film although brief had me convinced. In my opinion he should pursue more roles as the villain if they present themselves.

 One of the movie’s aspects that bugged me though was the soundtrack. The only way I could describe it would be ‘hipsters trying to sound retro’ and they didn’t succeed. The music didn’t sound like it belonged in the timeframe which the movie took place in. There were also far too many clips and scenes where they kicked in the slow motion or decided to have the camera pan or zoom out in some attempt to capture more of the surroundings. They could’ve used this wasted time to include more dialogue and interaction between the main characters in my opinion. Besides the A-List actors they managed to enlist for this film the only thing that saved it in the end was the knowledge that the film was based on a true story. It kinda of fizzled about halfway though and then kicked back in 3/4s of the way through. The film is worth watching visually but the thing that killed it was that it could’ve used more dialogue. I’d give it 2.5 out of 5 stars. It’s worth watching once or twice. Nothing to write home about though.
  
Argo (2012)
Argo (2012)
2012 | Drama, Mystery
As a small child, I can remember the Iranian hostage crisis as it dominated the news media for over a year. While I did not understand the political atmosphere behind it, I did understand that a group of our embassy staff were being held prisoner in a foreign land for simply being in the wrong place at the wrong time.

Director and star Ben Affleck has brought a new side to the story to light in the form of his new film “Argo”, which is based upon true events which have recently become declassified. The story centers around six workers of the embassy in Tehran, who fled the chaos when a disgruntled mob stormed the embassy walls. At that time it was unheard of for an embassy to be occupied as they host country and internal security were thought to of been more than adequate protection.

However for a country in a state of revolution, much less one that was extremely upset with America’s refusal to return the deposed Shah to face trial, security from the local populace was not available when the unthinkable happened.

After being turned away by the British and New Zealand embassies, the six escapees find refuge in the residence of the Canadian ambassador Ken Taylor (Victor Garber), who refuses to turn them away despite the volatile political situation harboring them would create should they ever be discovered.

On the other side of the world, C.I.A. Director Jack O’Donnell (Bryan Cranston), and his staff are desperately looking for a way to retrieve not only the Americans held hostage but also the six individuals currently being sheltered by the Canadian ambassador.

With few viable options available, save for the longshot of trying to get the refugees to bike through 300 miles of winter and soldier laden roads to the Turkish border, Tony Mendez (Affleck), is brought in to find other options.

One evening, Tony gets the idea to go to Iran posing as a Canadian filmmaker on a location scouting trip for an upcoming film. His plan is to pass the refugees off as part of his crew thanks to newly issued passports from the Canadian government.

In order to add validity to his plan, Tony recruits award-winning makeup artist John Chambers (John Goodman), and producer Lester Siegel (Alan Arkin), to help establish the necessary cover for the operation.

Soon Tony, John, and Lester have obtained a script for science fiction film named “Argo”, and the use the Hollywood trades and publicity machine to establish their back story of their production company and film project.

With time running down, Tony must venture alone to Tehran to meet with and prepare the refugees for extraction as well as firming up their cover with the local Iranian authorities.

What follows is a tense political thriller that is extremely well performed and captivating throughout. What really impressed me about the film was that Affleck expertly paced it and refrain from using such overused stereotypes such as car chases, fight sequences, and love scenes to tell the story.

The cast is exceptionally good all around and the film does a good job capturing the look and the atmosphere of the situation without ever becoming preachy and taking extreme political stances. Instead the focus is on real people caught in an extraordinary situation from which they were unprepared, and the extraordinary measures taken by good people in the United States and Canada who stepped up and did the right thing regardless of the cost to them personally or politically.

“Argo”, was an extremely pleasant surprise in one of the most enjoyable films I have seen this year. While I understand it would not be for everyone, I would not be surprised to see the film get a few Oscar nods come awards season as they would be in my opinion well deserved.
  
Safe House (2012)
Safe House (2012)
2012 | Action, Mystery
6
5.9 (14 Ratings)
Movie Rating
In a complicated deadly game of international espionage things are rarely what they appear to be. Take the case of Matt Weston (Ryan Reynolds), a young man who, for all intents and purposes, appears to divide his time between his adoring French girlfriend (Nora Arnezeder) and a South African hospital. But if one were to pull back the curtain they would learn that Matt is actually a CIA agent who spends his time watching over a safe house, an assignment of painfully tedious monotony.

In the new action thriller “Safe House”, Reynolds eschews his typical charming, cocky, wisecracking on-screen personas to portray Matt as a mature young man with ambitions both inside and outside of his job. Matt longs to be assigned to a more glamorous position and is hopeful that when his 12 month tour in South Africa is up, a more exciting post awaits him in Paris. It doesn’t hurt that a Paris post will also allow him to be closer to his girlfriend when she returns to Europe in the near future. But his boss David Barlow (Brendan Gleason) isn’t as optimistic.

As his frustrations at the lack of mobility grows, Matt soon finds his quiet world torn asunder by the arrival of Tobin Frost (Denzel Washington). Frost is a former agent who went rogue and is considered an extremely dangerous and high-profile target. Having eluded the CIA for years, he only draws even more suspicion when he surrenders himself to a US consulate in South Africa. The CIA knows they have to act fast to determine what Frost knows, and quickly whisk him away to a safe house for intense interrogation. But the CIA aren’t the only ones who want to know Tobin’s secrets.

Although Matt is highly trained for his job running the safe house, he is very green when it comes to the reality of having to defend his domain against a surprise attack which leaves Tobin and Matt as the only survivors. Forced to flee and with nowhere to turn, Frost tries to convince Matt that they have been set up because someone in the agency does not want Frost to talk. At first skeptical, Matt is forced to step outside of his comfort zones and confront a deadly array of assassins as well as the threat posed by Frost himself and the unseen elements working against them. In a frantic race, Matt must keep Frost and himself alive as they attempt to reach safety and get to the truth behind the deadly game in which they’ve been cast.

Washington and Reynolds worked very well together and had a very natural, unforced chemistry. It was very nice to see Reynolds take on a grittier and more intense role than we have seen from him previously. Washington is a true artist at playing taciturn and wiley, and no one else can portray the pain and shock of being shot as subtly or as convincingly as Washington with just a simple change of expression.

That being said, the film had a number of issues. First and foremost, plot holes that you could drive a truck through and gaps in logic that really require the audience to take some serious leaps of faith. While there was some intense action, it was difficult to appreciate when it looked like the camera was being kicked around the floor during fight scenes, giving the film a very jerky quality. The film also suffered from some pacing issues with parts of the movie dragging as it worked toward an extremely predictable conclusion, one that I figured out very early into the film. There is some fine supporting work in the movie, particularly that of Gleeson and Arnezeder, as well as Ruben Blades as an old cohort of Frost’s, but it is not enough to help the film live up to its intriguing premise.
  
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