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Lee Ronaldo recommended The Ascension by Glenn Branca in Music (curated)
Gaz Coombes recommended track Nights by Frank Ocean in Blond by Frank Ocean in Music (curated)
Gruff Rhys recommended India by Gal Costa in Music (curated)
Moses Boyd recommended Breathe Into Me Oh Lord by Fred Hammond in Music (curated)
Joe Goodhart (27 KP) rated Superman: Action Comics, Vol. 1: Invisible Mafia in Books
Nov 30, 2020
So, I am still plowing through the Bendis SUPERMAN stuff, as I took full advantage of the Superman sale that Comixology is running until this Monday (6/22) Hella good deals, bringing me on board for all the Bendis goodness! Yup, I said "Bendis goodness"! This guy seems to be just what DC neeeded! He really truly cares about the character, bringing a sense of heroism back to him, making him truly stand for Truth, Justice, and the American Way (not "Trump AmeriKKKa" either!)!
There's a lot of set-up/world building going on, with a lot set-up for much that is to come during Bendis' run with the Big 'S'. There's some fun, much appreciated typical Jimmy Olsen dialogue. There's some introduction of new "big bad" in Metropolis. And, best of all, Clark Kent is Clark Kent, Superman is Superman, and his beloved Lois Lane is back! Yup, sounds like a heck of a good start for the new run!
Bendis is given some tip-top talent to work with on ACTION COMICS! It starts out with Patrick Gleason, then Yanick Paquette, and finishes it out with Ryan Sook. All three artists compliment each other's style, offering a flawless transition all the way through to the end. Solid work, lads!
It is a good read, one that leaves the wheels a'turnin' in yer mind, as it offers much potential in the next arc, "Leviathan Rising", which sets up the next big Event! Read it, fellow Superman fans, as you will not be disappointed in any way!
There's a lot of set-up/world building going on, with a lot set-up for much that is to come during Bendis' run with the Big 'S'. There's some fun, much appreciated typical Jimmy Olsen dialogue. There's some introduction of new "big bad" in Metropolis. And, best of all, Clark Kent is Clark Kent, Superman is Superman, and his beloved Lois Lane is back! Yup, sounds like a heck of a good start for the new run!
Bendis is given some tip-top talent to work with on ACTION COMICS! It starts out with Patrick Gleason, then Yanick Paquette, and finishes it out with Ryan Sook. All three artists compliment each other's style, offering a flawless transition all the way through to the end. Solid work, lads!
It is a good read, one that leaves the wheels a'turnin' in yer mind, as it offers much potential in the next arc, "Leviathan Rising", which sets up the next big Event! Read it, fellow Superman fans, as you will not be disappointed in any way!
Joe Goodhart (27 KP) rated Justice League International, Vol. 4 in Books
Nov 30, 2020
The 80s. I know, right? What the heck happened??! When did things get so confusing and angstastically heavy?! I mean, beside the frelled up election result for 2016??
Thankfully, despite all of that, there are many good outlets to remind us how to have fun and to also remind us that WE actually used to be FUN! Keith Giffen and J.M. DeMatteis truly know how to have fun times with the likes of Batman, Blue Beetle, and Martian Manhunter, just to name a few of the characters within.
The art, from artists Mike McKone, Ty Templeton, and Kevin Maguire was equally enjoyable, further enhancing the suing fun times. The only art I wasn't wowed by was Bill Willingham's. Not that it was bad or anything of the sort, I just thought it wasn't one of his stronger contributions. But, yeah, the other guys were all aces!
The only reason it didn't warrant Five Stars, or even Four for that matter, was the last issue in the TPB: "Teenage Biker Mega-Death!" (Vol. 1, Issue #30). The story itself was a weaker offering from Giffen and DeMatteis, only made weaker by the art from Willingham. The "big bad" of the story was neither <i>big</i> nor really very <i>bad</i>! Again, not the worst, but not the best.
Overall, though, this is yet another great example of how to make comics fun and enjoyable! If only they had gone this route for 2017's JUSTICE LEAGUE film!
Thankfully, despite all of that, there are many good outlets to remind us how to have fun and to also remind us that WE actually used to be FUN! Keith Giffen and J.M. DeMatteis truly know how to have fun times with the likes of Batman, Blue Beetle, and Martian Manhunter, just to name a few of the characters within.
The art, from artists Mike McKone, Ty Templeton, and Kevin Maguire was equally enjoyable, further enhancing the suing fun times. The only art I wasn't wowed by was Bill Willingham's. Not that it was bad or anything of the sort, I just thought it wasn't one of his stronger contributions. But, yeah, the other guys were all aces!
The only reason it didn't warrant Five Stars, or even Four for that matter, was the last issue in the TPB: "Teenage Biker Mega-Death!" (Vol. 1, Issue #30). The story itself was a weaker offering from Giffen and DeMatteis, only made weaker by the art from Willingham. The "big bad" of the story was neither <i>big</i> nor really very <i>bad</i>! Again, not the worst, but not the best.
Overall, though, this is yet another great example of how to make comics fun and enjoyable! If only they had gone this route for 2017's JUSTICE LEAGUE film!
Bong Mines Entertainment (15 KP) rated I'll Find You in Dreams - Single by Tiphanie Doucet in Music
Jun 26, 2019
The Racer is an indie-band from New York’s Hudson Valley. Not too long ago, they released their “I’ll Find You in Dreams” single featuring singer Tiphanie Doucet.
“Head down can’t keep from falling over. Eyes blurred with grief, we’ve grown like the trees, now slowly older, and I’ll never be your island king. The city sings her song to me. The only soul alone on these tangled streets.” – lyrics
‘I’ll Find You in Dreams’ tells an emotional tale of an individual who yearns for something or someone who seems completely out of reach.
The likable tune contains a dreamy storyline, heartfelt vocals, and emotional instrumentation flavored with great piano lines, evocative synths, and nostalgic elements.
The Racer consists of Pete Marotta (vocals, keys), Mike Esserman (guitar, keys), Eric Sosler (bass, keys, sax).
One day, while looking for artists in New Jersey to be on a show they were organizing, they came across Tiphanie Doucet’s music and loved it.
Shortly afterward, they performed live with Doucet at their show. Later, while hanging out, they asked her to sing on their “I’ll Find You in Dreams” single.
At the age of 15, Tiphanie Doucet starred in the film Le bébé d’Elsa, and later in the Glee-like TV series Chante!
Those exposures increased her popularity in France, where she grew up studying ballet and harp. After her career in TV ended, she made her way to America for a fresh start.
Since then, she’s been writing songs and testing them out on street corners, cruises, and cafés throughout New York and Jersey City.
“Head down can’t keep from falling over. Eyes blurred with grief, we’ve grown like the trees, now slowly older, and I’ll never be your island king. The city sings her song to me. The only soul alone on these tangled streets.” – lyrics
‘I’ll Find You in Dreams’ tells an emotional tale of an individual who yearns for something or someone who seems completely out of reach.
The likable tune contains a dreamy storyline, heartfelt vocals, and emotional instrumentation flavored with great piano lines, evocative synths, and nostalgic elements.
The Racer consists of Pete Marotta (vocals, keys), Mike Esserman (guitar, keys), Eric Sosler (bass, keys, sax).
One day, while looking for artists in New Jersey to be on a show they were organizing, they came across Tiphanie Doucet’s music and loved it.
Shortly afterward, they performed live with Doucet at their show. Later, while hanging out, they asked her to sing on their “I’ll Find You in Dreams” single.
At the age of 15, Tiphanie Doucet starred in the film Le bébé d’Elsa, and later in the Glee-like TV series Chante!
Those exposures increased her popularity in France, where she grew up studying ballet and harp. After her career in TV ended, she made her way to America for a fresh start.
Since then, she’s been writing songs and testing them out on street corners, cruises, and cafés throughout New York and Jersey City.
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