Search
Search results
Hazel (1853 KP) rated Picasso: The Colouring Book in Books
Dec 7, 2018
For a full review, including visual examples, please follow this link: https://hazelstainer.wordpress.com/2017/07/14/picasso-coloured-in/
...
<i>Pablo Picasso: To Colour In</i> was published in April 2016 with the intention of using the popular fad to educate readers/colouring book enthusiasts about the techniques and secrets of the great master. Each work included in the book has a brief paragraph explaining what it is (in case you cannot tell) and a few details about Picasso’s intentions or the events happening in his life at the time.
...
Naturally, it would be impossible to produce a book of all Picasso’s recorded works, but the editors of this particular colouring book have carefully selected examples that span the majority of his life, thus encompassing the different styles he experimented with.
The author of the text – presumably Frédérique Cassegrain, who also wrote the biography and information for each included artwork – gives helpful advice about how to colour in the outlined versions of Picasso’s paintings. The paper is thick enough to be suitable for paints, particular Gouache, which is water soluble and easily blended. Alternatively, coloured pencils may be used, preferably of artistic quality, which may be more suitable for those less confident in art and design. Another option, although not mentioned by the author, are felt-tip pens. Usually, these should be avoided due to ink bleeding through the page, however, the paper is single sided, so there is no chance of damaging the following colouring page in the book.
Purchasing Pablo Picasso: To Colour In and completing the book, provides not only hours of fun and relaxation, but an opportunity to discover and understand the artist. Unlike at a gallery where the brain may switch off, being able to go away and return to the book gives us time to absorb the information and concentrate more clearly on the details of each painting.
Opposite each colouring page is a copy of the original in full colour, meaning that, if one desired, one could replicate Picasso’s work as closely as possible. By doing, rather than just looking, we begin to understand the colour choices, piece together the geometric shapes to form an image and begin to understand the thought processes of the artist.
Interestingly, there are two paintings that stand out amongst all the others. These were produced during and after the First World War, a time when Picasso returned to a more classical style of artwork. These are The Pipes of Pan (1923) and The Bathers (1918). Both show a completely different side to Picasso and would not immediately be recognised as his own work. Despite not being entirely life-like, there are no elements of Cubism or Surrealism and the colour palette is altogether natural. Picasso has focused on shading and tone to create a realistic appearance, a contrast to the flattened portraits he is known for.
...
Pablo Picasso: To Colour In will appeal to artists, art historians and other creatives with its contrast of light relief and in-depth knowledge. The book is available online at retailers such as Amazon and The Book Depository from approximately £6. If Picasso is not your thing, there are other artists available in the series of colouring books, including Klimt, Hokusai (Japanese Art), Monet, Van Gogh, Caillebotte and Manet (Impressionists), and Paul Klee. Whatever your preference, prepare to learn whilst you are relaxing and having fun.
...
<i>Pablo Picasso: To Colour In</i> was published in April 2016 with the intention of using the popular fad to educate readers/colouring book enthusiasts about the techniques and secrets of the great master. Each work included in the book has a brief paragraph explaining what it is (in case you cannot tell) and a few details about Picasso’s intentions or the events happening in his life at the time.
...
Naturally, it would be impossible to produce a book of all Picasso’s recorded works, but the editors of this particular colouring book have carefully selected examples that span the majority of his life, thus encompassing the different styles he experimented with.
The author of the text – presumably Frédérique Cassegrain, who also wrote the biography and information for each included artwork – gives helpful advice about how to colour in the outlined versions of Picasso’s paintings. The paper is thick enough to be suitable for paints, particular Gouache, which is water soluble and easily blended. Alternatively, coloured pencils may be used, preferably of artistic quality, which may be more suitable for those less confident in art and design. Another option, although not mentioned by the author, are felt-tip pens. Usually, these should be avoided due to ink bleeding through the page, however, the paper is single sided, so there is no chance of damaging the following colouring page in the book.
Purchasing Pablo Picasso: To Colour In and completing the book, provides not only hours of fun and relaxation, but an opportunity to discover and understand the artist. Unlike at a gallery where the brain may switch off, being able to go away and return to the book gives us time to absorb the information and concentrate more clearly on the details of each painting.
Opposite each colouring page is a copy of the original in full colour, meaning that, if one desired, one could replicate Picasso’s work as closely as possible. By doing, rather than just looking, we begin to understand the colour choices, piece together the geometric shapes to form an image and begin to understand the thought processes of the artist.
Interestingly, there are two paintings that stand out amongst all the others. These were produced during and after the First World War, a time when Picasso returned to a more classical style of artwork. These are The Pipes of Pan (1923) and The Bathers (1918). Both show a completely different side to Picasso and would not immediately be recognised as his own work. Despite not being entirely life-like, there are no elements of Cubism or Surrealism and the colour palette is altogether natural. Picasso has focused on shading and tone to create a realistic appearance, a contrast to the flattened portraits he is known for.
...
Pablo Picasso: To Colour In will appeal to artists, art historians and other creatives with its contrast of light relief and in-depth knowledge. The book is available online at retailers such as Amazon and The Book Depository from approximately £6. If Picasso is not your thing, there are other artists available in the series of colouring books, including Klimt, Hokusai (Japanese Art), Monet, Van Gogh, Caillebotte and Manet (Impressionists), and Paul Klee. Whatever your preference, prepare to learn whilst you are relaxing and having fun.
WB
Whisperin' Bill Anderson: An Unprecedented Life in Country Music
Bill Anderson and Peter Cooper
Book
Whisperin' Bill: An Unprecedented Life in Country Music presents a revealing portrait of Bill...
Wynk Music - Hindi and English songs
Music and Entertainment
App
Wynk Music is a music streaming & downloading app, for every mood! From Rahman to Rihanna, it has...
The Voice: Free To Sing
Entertainment and Music
App
Experience your favorite TV show THE VOICE as if you were on stage! Sing with THE VOICE: ON STAGE...
AutoRap by Smule
Music and Entertainment
App
Say something. AutoRap turns your speech into rap. Choose from 100+ beats from artists like Drake,...
StarMaker-Sing Hit Songs
Music and Games
App
StarMaker is one karaoke singing app that lets you pick your favorite songs from a massive catalog...
Guitar Free with Songs
Music and Entertainment
App
The app store’s only guitar with real strumming and fretting that you can learn to play songs on!...
Heathski (173 KP) rated How To Train Your Dragon: The Hidden World (2019) in Movies
Feb 20, 2019
Animation and art very expressive (1 more)
Story funny scary and emotional
Emotional rollercoaster
I can write this from a few different perspectives. I went to see this with my nephew who is 4, and the film is a PG. I love the How to train your dragon series. Ive always been impressed by the animation and the strong storyline of the bond between Hiccup and Toothless. This film was excellent. The expression of emotion in the characters was so flawless it felt real The animators and artists excelled themselves, in this truly awesome and beautifully designed film.
I laughed out loud and I had some teary moments. It's was a touching heartfelt goodbye to the series. I enjoyed it. My partner, who's not a huge fan, also enjoyed it and laughed a lot throughout the film. My nephew was entranced. He loves Toothless. The characters were so well done, that he though the baddie (who looks a lot like he was modelled after Arnold Vosloo from The Mummy) was very scary. So much so, he had to leave the cinema, but he came back after some reasurance. We covered his eyes at the next scary bit and soon he was shouting at the screen and getting very animated when the baddie appeared, cheering Hiccup and Toothless along.
This is an awesome family film, plenty of action, very funny and emotional. Watch out for the scary bits and If you are anything like me, make sure you have tissues. ⭐⭐⭐⭐⭐
I laughed out loud and I had some teary moments. It's was a touching heartfelt goodbye to the series. I enjoyed it. My partner, who's not a huge fan, also enjoyed it and laughed a lot throughout the film. My nephew was entranced. He loves Toothless. The characters were so well done, that he though the baddie (who looks a lot like he was modelled after Arnold Vosloo from The Mummy) was very scary. So much so, he had to leave the cinema, but he came back after some reasurance. We covered his eyes at the next scary bit and soon he was shouting at the screen and getting very animated when the baddie appeared, cheering Hiccup and Toothless along.
This is an awesome family film, plenty of action, very funny and emotional. Watch out for the scary bits and If you are anything like me, make sure you have tissues. ⭐⭐⭐⭐⭐
Andy K (10821 KP) rated Heaven's Gate (1980) in Movies
Sep 1, 2018
Masterpiece or disaster? I think a little of both.
The controversy around the production, editing, release and financial and critical disaster around Heaven's Gate is long over now. The destruction of director Michael Cimino's career and the almost bankruptcy of United Artists over this film are several of the endless stories you can read about surrounding this western epic, but now it is 38 years later. How does the film stand up?
I'd say pretty darn well.
The essential story is a semi love triangle between a rich sheriff, a lawless brute and a prostitute/madam set against the American west in 1880s Wyoming. The story involves the decision by the government to kill anyone stealing cattle for their own purposes even if it is only to feed their starving family. (Kind of hard to explain). The main characters have to decide which side they are on for the slowly building eventual bloodbath standoff climax.
I had always heard about the film and it's extremes, including its length of almost 4 hours, but had not seen until today.
The movie does quite a bit right, but the shining star is the sprawling vistas depicting the American west including Wyoming, Idaho and Montana. Cimino filmed extensively during the "magic hour" meaning he could only film for a few minutes per day during that few minute period between sunset and night.
The film does go on a bit long, but the payoff is worth the wait and I would still highly recommend any film fan give it a try. You will not be disappointed.
I'd say pretty darn well.
The essential story is a semi love triangle between a rich sheriff, a lawless brute and a prostitute/madam set against the American west in 1880s Wyoming. The story involves the decision by the government to kill anyone stealing cattle for their own purposes even if it is only to feed their starving family. (Kind of hard to explain). The main characters have to decide which side they are on for the slowly building eventual bloodbath standoff climax.
I had always heard about the film and it's extremes, including its length of almost 4 hours, but had not seen until today.
The movie does quite a bit right, but the shining star is the sprawling vistas depicting the American west including Wyoming, Idaho and Montana. Cimino filmed extensively during the "magic hour" meaning he could only film for a few minutes per day during that few minute period between sunset and night.
The film does go on a bit long, but the payoff is worth the wait and I would still highly recommend any film fan give it a try. You will not be disappointed.