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Lee (2222 KP) rated The Shape of Water (2017) in Movies
Feb 8, 2018
Sally Hawkins plays Elisa Esposito, a mute woman who works nights as a janitor for Occam Aerospace Research Center along with friend Zelda Fuller (Octavia Spencer). At home she lives a simple life, watching musicals with her gay neighbour Giles (Richard Jenkins) and finding joy in the simple things in life. One day a strange creature is brought into the research center to be studied, surrounded by military and medical personnel. Colonel Richard Strickland has accompanied 'the asset' from it's previous location, and appears to have developed a serious dislike to it. He carries an electrified cattle prod, which he takes great delight in using on the creature. In return though, the creature does manage to remove two of Stricklands fingers, and also inflicts serious injuries on others.
But Elisa takes pity on the creature and over time tries to befriend it, bringing him hard-boiled eggs and teaching him sign language. When she learns that plans for the creature involve vivisection, she hatches a plan to help him escape, and from that point their feelings for each other develop into love. A true Beauty and the Beast style fairy tale.
I found myself absolutely captivated, swept along by the story, and everything about it is just beautiful. Sally Hawkins is incredible, portraying such varied emotions without speaking, she provides much of the films humour, and shines in the more serious scenes too. Doug Jones does what he does best as the creature, but the real monster of the movie is Michael Shannon as Colonel Strickland. Terrifyingly brilliant.
For me, I'm not sure if this beats Pan's Labyrinth, but The Shape of Water is certainly worthy of all the praise, and hopefully the awards, it receives.
Sophia (Bookwyrming Thoughts) (530 KP) rated All Our Yesterdays in Books
Jan 23, 2020
Terrill writes the book in a very weird format – it takes awhile to get into the story and get a grip of what is really going on. Marina is a self-conscious person who lets her friends dictate <em>everything</em> for her – how to win boys, how to dress, how to talk, etc. Marina just comes across as a very shallow person hoping to win over the love of her best friend, James Shaw, while trying to find out who is attempting to murder him.
Em, on the other hand, is someone completely different – she's more determined, went through more trauma... Basically, Em has been through more than Marina, and I think she's a vital asset to the story's enjoyment (Marina plays a vital role as well, but if it were just her, it would have been boring). She teams up with Finn in the hopes to shut down Cassandra, a time travel device created with the intention for good things (stopping wars and disasters, for instance) but later became more of a problem rather than for everyone's good.
But back to the whole weird format. Since I've never actually come across Terrill's format ever in another time travel book, it's completely mind-boggling. One minute it seems like both Em and Marina are the same, the next, they're completely different. The only constant variable going on throughout the entire book is James and Finn (even those two were different and the same – they were just obvious). It really just takes awhile to realize the time period is the same, but the viewpoints are different.
Quite literally, 350+ pages of <i>All Our Yesterdays</i> is dedicated to getting rid of the evil mastermind behind Cassandra, but it's so much fun seeing how <i>Terrill</i> clicked the weird format so well together.
P.S. I personally think <i>All Our Yesterdays</i> works out just fine as a stand-alone. Although I would love to see a sequel and how Terrill will take the story now that the main problem has been solved, I don't really see anything that could happen aside from a "tragic" love story.
<a href="https://bookwyrmingthoughts.com/review-all-our-yesterdays-by-cristin-terrill/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
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