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The Devil Inside (The Lachlan Maclean Thriller Series # 2)
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There’s bodies raining from the sky and the city is tearing itself in two...’ A decade after...
The Dream Collector (Sabrine & Sigmund Freud #1)
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The Dream Collector immerses the reader into the exciting milieu of late 19th Century Paris when art...
Literary Fiction Historical Fiction
Gareth von Kallenbach (980 KP) rated The Addams Family (2019) in Movies
Oct 13, 2019
“They’re creepy and they’re kooky, Mysterious and spooky, They’re all together ooky, The Addams family…” a theme song that everyone aged five to ninety-five seem to know the words to. It’s amazing to think that a show that first aired in 1964 and only ran for two seasons could continue to have the impact that it does fifty-five years later. Let that sink in for just a couple of minutes, for reference the Apollo 11 moon landing occurred in 1969 almost three years after the show’s end date. To simply say that the Addams Family has made a cultural impact on our society is a bit of an understatement, so how would the first animated full-length movie treat these cultural icons?
The Addams Family is an origin story of sorts for everyone’s favorite kooky family. Gomez Addams (Oscar Isaac) and Morticia (Charlize Theron) are rudely interrupted during their wedding ceremony by a bunch of angry villagers carrying pitchforks. While this is a little cliché’ it sets the tone for the interaction between the Addams family and how they are perceived by “normal” folks. Morticia longs for a place where they can live in peace away from those who wish to disturb their lives. On a long and windy road in New Jersey, fate appears in the form of Lurch (Conrad Vernon) as he bounces off the hood of their car. In the distance, as lightning strikes, they peer up a mountain side to see an abandoned, haunted insane asylum. The perfect place to raise a family away from the peering eyes of the rest of the world.
For thirteen years the Addams Family lives in relative seclusion with their two young children, Wednesday (Chloë Grace Moretz) and Pugsley (Finn Wolfhard). Neither of the children are allowed to leave the Asylum grounds and know of nothing outside the cold iron gates. One day, the swamp is drained, the clouds part and the Addams Family life of seclusion comes to an abrupt end. Down in the valley the town of Assimilation, a town that as its name suggests was built by famous HAG TV designer Margaux Needler (Allison Janney). The asylum (and its inhabitants) do not “fit-in” with the designer’s vision and kookiness ensues as she attempts to make-over (and take-over) the family’s home.
Visually The Addams Family reminds me of several Tim Burton classics albeit with a more colorful palette. Each member of the family is a caricature of their infamous selves and stylistically imbues the spooky, ooky, kookiest versions we would expect. Backed by an incredible amount of supporting voice talent such as Bette Midler, Martin Short, and Snoop-Dog as everyone’s favorite fuzzy cousin…It, it’s a star-studded event that even the most die-hard Addams Family purist will enjoy.
The story goes through typical tropes that we’ve seen played out a thousand times already. A misunderstood family is misjudged by their neighbors, only to come together in the end. It’s a story about celebrating our differences and learning to appreciate what makes each of us unique. In a world of social media, cell phones and television shows that try to make us all conform, it teaches us that while people may look and act different than us, they all bring something special to the table. It’s this light-heartedness and sweet story telling which while not unique is something that I feel we need more of in the world today.
The Addams Family is a film for the entire family, there is light-hearted violence, but all done in jest with no one ever getting hurt. While it doesn’t bring anything unexpected to the table, its still enjoyable and a film that doesn’t ever attempt to take itself seriously. It won’t win any best picture awards, and likely will become another 30 days of Halloween past-time when it makes its way to television, it is still one that will leave you with a smile on your face long after it is over. The experience you get from it, will likely be based on the audience reaction to the film. In the theater I was in, there was lots of laughter, snapping and even a sing-along at the end. It’s a movie to see with other people, and even if you aren’t a fan of the TV series, it will still offer you something. Sometimes a simple movie, with a simple message, is exactly the escape we need from everything in the world today. The Addams Family makes a perfect escape for the entire family this Halloween Season.
3.5 out of 5 stars
http://sknr.net/2019/10/10/the-addams-family/
The Addams Family is an origin story of sorts for everyone’s favorite kooky family. Gomez Addams (Oscar Isaac) and Morticia (Charlize Theron) are rudely interrupted during their wedding ceremony by a bunch of angry villagers carrying pitchforks. While this is a little cliché’ it sets the tone for the interaction between the Addams family and how they are perceived by “normal” folks. Morticia longs for a place where they can live in peace away from those who wish to disturb their lives. On a long and windy road in New Jersey, fate appears in the form of Lurch (Conrad Vernon) as he bounces off the hood of their car. In the distance, as lightning strikes, they peer up a mountain side to see an abandoned, haunted insane asylum. The perfect place to raise a family away from the peering eyes of the rest of the world.
For thirteen years the Addams Family lives in relative seclusion with their two young children, Wednesday (Chloë Grace Moretz) and Pugsley (Finn Wolfhard). Neither of the children are allowed to leave the Asylum grounds and know of nothing outside the cold iron gates. One day, the swamp is drained, the clouds part and the Addams Family life of seclusion comes to an abrupt end. Down in the valley the town of Assimilation, a town that as its name suggests was built by famous HAG TV designer Margaux Needler (Allison Janney). The asylum (and its inhabitants) do not “fit-in” with the designer’s vision and kookiness ensues as she attempts to make-over (and take-over) the family’s home.
Visually The Addams Family reminds me of several Tim Burton classics albeit with a more colorful palette. Each member of the family is a caricature of their infamous selves and stylistically imbues the spooky, ooky, kookiest versions we would expect. Backed by an incredible amount of supporting voice talent such as Bette Midler, Martin Short, and Snoop-Dog as everyone’s favorite fuzzy cousin…It, it’s a star-studded event that even the most die-hard Addams Family purist will enjoy.
The story goes through typical tropes that we’ve seen played out a thousand times already. A misunderstood family is misjudged by their neighbors, only to come together in the end. It’s a story about celebrating our differences and learning to appreciate what makes each of us unique. In a world of social media, cell phones and television shows that try to make us all conform, it teaches us that while people may look and act different than us, they all bring something special to the table. It’s this light-heartedness and sweet story telling which while not unique is something that I feel we need more of in the world today.
The Addams Family is a film for the entire family, there is light-hearted violence, but all done in jest with no one ever getting hurt. While it doesn’t bring anything unexpected to the table, its still enjoyable and a film that doesn’t ever attempt to take itself seriously. It won’t win any best picture awards, and likely will become another 30 days of Halloween past-time when it makes its way to television, it is still one that will leave you with a smile on your face long after it is over. The experience you get from it, will likely be based on the audience reaction to the film. In the theater I was in, there was lots of laughter, snapping and even a sing-along at the end. It’s a movie to see with other people, and even if you aren’t a fan of the TV series, it will still offer you something. Sometimes a simple movie, with a simple message, is exactly the escape we need from everything in the world today. The Addams Family makes a perfect escape for the entire family this Halloween Season.
3.5 out of 5 stars
http://sknr.net/2019/10/10/the-addams-family/
Sensitivemuse (246 KP) rated Silence for the Dead in Books
Mar 29, 2018
Good ghost story, slow dragged out ending
Anything to do with a horror ghost theme and an asylum has to be good right? Well, yes and no. The book was somewhat enjoyable to read but it had its’ moments.
The plot itself was good. It had the elements of a good gothic theme - not scary enough to make people read it in daytime (seriously?) but it had some good decent creep factor in it. It’s enough to set the mood and theme of the book but nothing to make the skin crawl. The element of mystery was also there and the ghost story aspect was good - nothing to blind side you - except perhaps for a little twist in the end (with where the ghost was and who was it manipulating etc etc). It’s pretty much a stable plot with all the main points closed (or is it? *queue creepy organ music*) so I’d have to say the gothic ghost story was what was in it for me.
Character wise. Kitty is likable. She’s resourceful, and a survivor from horrible abuse. Big applause for her for being strong and able to stand up and survive through various ordeals. Captain Mabry stood out for me because I enjoyed reading about his character. He seemed to be the strong stable silent type in the asylum where you have various patients with various issues (most were casualties of World War One) and there was a certain calmness about him that made him likable.
It’s pretty much obvious Kitty and Jack were to be together. The romance aspect in the book was all right. Necessary? I’m not sure perhaps. It’s not really for me. When their romance was more cemented was where the book was starting to take a slight turn downhill.
So near the ending when everything was revealed, all plot holes start to close. Sometimes, depending on the writing, you can stretch it out and make it interesting. Or you can make it drag. This one, unfortunately drags. We’re done with the ghosts, everything was answered, and the last 30 pages or so I just wanted the book to end. The romance of Kitty and Jack intensify and this is where intense eye rolling is also induced. Dear Lord, am I reading this just to see if there’s a scary twist at the end? Or am I wasting my time? Well sadly, I wasted my time. It was good to see what happened to characters like Mabry, and even Matron, but it just dragged way too much. Yeah okay we get it Kitty and Jack forever. Why do we need so many pages of this, am I suddenly reading a romance now?
Other than the ghost story in this book, the romance nearly killed it for me and a dragged out ending. Perhaps a nice twist in the ending would be nice. Or maybe skim the 30 pages and be done. I would say take it or leave it with this book. It was moderately enjoyable for me.
The plot itself was good. It had the elements of a good gothic theme - not scary enough to make people read it in daytime (seriously?) but it had some good decent creep factor in it. It’s enough to set the mood and theme of the book but nothing to make the skin crawl. The element of mystery was also there and the ghost story aspect was good - nothing to blind side you - except perhaps for a little twist in the end (with where the ghost was and who was it manipulating etc etc). It’s pretty much a stable plot with all the main points closed (or is it? *queue creepy organ music*) so I’d have to say the gothic ghost story was what was in it for me.
Character wise. Kitty is likable. She’s resourceful, and a survivor from horrible abuse. Big applause for her for being strong and able to stand up and survive through various ordeals. Captain Mabry stood out for me because I enjoyed reading about his character. He seemed to be the strong stable silent type in the asylum where you have various patients with various issues (most were casualties of World War One) and there was a certain calmness about him that made him likable.
It’s pretty much obvious Kitty and Jack were to be together. The romance aspect in the book was all right. Necessary? I’m not sure perhaps. It’s not really for me. When their romance was more cemented was where the book was starting to take a slight turn downhill.
So near the ending when everything was revealed, all plot holes start to close. Sometimes, depending on the writing, you can stretch it out and make it interesting. Or you can make it drag. This one, unfortunately drags. We’re done with the ghosts, everything was answered, and the last 30 pages or so I just wanted the book to end. The romance of Kitty and Jack intensify and this is where intense eye rolling is also induced. Dear Lord, am I reading this just to see if there’s a scary twist at the end? Or am I wasting my time? Well sadly, I wasted my time. It was good to see what happened to characters like Mabry, and even Matron, but it just dragged way too much. Yeah okay we get it Kitty and Jack forever. Why do we need so many pages of this, am I suddenly reading a romance now?
Other than the ghost story in this book, the romance nearly killed it for me and a dragged out ending. Perhaps a nice twist in the ending would be nice. Or maybe skim the 30 pages and be done. I would say take it or leave it with this book. It was moderately enjoyable for me.
Kristy H (1252 KP) rated Stone Mothers in Books
Jun 21, 2019
Marianne's heart drops when she realizes her husband, Sam, has bought a flat for her in the town where she grew up, Nusstead. It's in the town's former mental asylum--all prettied up and converted into beautiful apartments. But Sam doesn't know about the dark secrets the asylum holds for Marianne and her teenage boyfriend, Jesse. Marianne fled Nusstead--and Jesse--as soon as she could, making a new life for herself with daughter Honor and Sam. Jesse never really forgave her and now that she's back, he's threatening to expose their long buried secrets. Marianne is determined to keep her husband and daughter from knowing about her past. But how far must she go to protect her secrets? And what doesn't she know about the past?
This was my first Erin Kelly book; it was a different sort of thriller. First off, please note there is a trigger warning for self-harm and suicide.
The book started off slow, and honestly, this is why I have such a hard time with being able to DNF a book. I was tempted for a little while, because I couldn't get into Marianne's voice or story. But then, as the book progressed, things picked up, and I actually became pretty engrossed in the plot. The story is sort of told backward, almost. It starts with the present and Marianne and then we get some different points of view, as well as timelines in the 80s and even 50s. (I don't want to say more than that.) The portion in the 80s is still told by Marianne, but I really liked her younger voice and was caught up in what was happening by then. I was glad I had kept reading. Initially, the book had seemed a little confusing--a lot is made about the fact that something has happened in the past and yet we don't know what it is--and yes, keeping us in suspense is the point, but still. It was a little much at times.
There are some interesting twists and connections in this one. I enjoyed how it shone a spotlight on women's issues and mental health stories. It's always rather scary to see how women's mental health was treated in the past, though I suppose women's health isn't being treated with much more respect right now, is it?
The book was a tad repetitive at the end as the storyline wrapped back around to the present, but it was still pretty interesting. I wasn't always sure if I was reading a thriller, a character driven novel, or a treatment on mental health and women's issues: sometimes it seemed like the book was struggling to find itself and maybe the ending faltered a little bit because of that. Still, overall, I enjoyed this book. It became progressively more interesting, and the intersecting stories, especially the ones in the past, were very compelling. I enjoyed the focus on mental health, especially. I have Erin Kelly's He Said/She Said on my TBR shelf, and I'll definitely pick it up at some point. 3.5 stars.
This was my first Erin Kelly book; it was a different sort of thriller. First off, please note there is a trigger warning for self-harm and suicide.
The book started off slow, and honestly, this is why I have such a hard time with being able to DNF a book. I was tempted for a little while, because I couldn't get into Marianne's voice or story. But then, as the book progressed, things picked up, and I actually became pretty engrossed in the plot. The story is sort of told backward, almost. It starts with the present and Marianne and then we get some different points of view, as well as timelines in the 80s and even 50s. (I don't want to say more than that.) The portion in the 80s is still told by Marianne, but I really liked her younger voice and was caught up in what was happening by then. I was glad I had kept reading. Initially, the book had seemed a little confusing--a lot is made about the fact that something has happened in the past and yet we don't know what it is--and yes, keeping us in suspense is the point, but still. It was a little much at times.
There are some interesting twists and connections in this one. I enjoyed how it shone a spotlight on women's issues and mental health stories. It's always rather scary to see how women's mental health was treated in the past, though I suppose women's health isn't being treated with much more respect right now, is it?
The book was a tad repetitive at the end as the storyline wrapped back around to the present, but it was still pretty interesting. I wasn't always sure if I was reading a thriller, a character driven novel, or a treatment on mental health and women's issues: sometimes it seemed like the book was struggling to find itself and maybe the ending faltered a little bit because of that. Still, overall, I enjoyed this book. It became progressively more interesting, and the intersecting stories, especially the ones in the past, were very compelling. I enjoyed the focus on mental health, especially. I have Erin Kelly's He Said/She Said on my TBR shelf, and I'll definitely pick it up at some point. 3.5 stars.
Bookapotamus (289 KP) rated Lost in the Beehive in Books
May 29, 2018
I went into reading this book not knowing too much - I read all genres so I like to be surprised by stories. The cover and the title both spoke to me - I grew up on a farm and we had beehives and "raised" bees for our own honey and wax. I adore everything about bees and have always thought they were magical creatures.
Lost in the Beehive just made me love them even more. It's a wonderful thought to think that bees understand you, and are by your side during traumatic events, trying to steer you in the right direction. Gloria Ricci definitely needed some direction growing up, from anyone - or anything.
It is Vietnam era 1960's when we first find Gloria being sent to a mental asylum, to be "cured" of an "illness". We follow her through this experience, and quite a few other major life events throughout, and there always seem to be some bees hovering nearby, as if guiding her, protecting her.
Michele Young-Stones writing is exquisite. The witty banter between Gloria and her dearest friend Sheff had me laughing out loud, and the story flows so smoothly it's easy to find yourself lost in it all. The characters are so colorful, and you can feel the bees magical energy so much throughout the story, that it's just enough to make a sad story about finding yourself, feel like a mystical fairytale.
Thanks to NetGalley for the opportunity to review Lost in the Beehive.
Lost in the Beehive just made me love them even more. It's a wonderful thought to think that bees understand you, and are by your side during traumatic events, trying to steer you in the right direction. Gloria Ricci definitely needed some direction growing up, from anyone - or anything.
It is Vietnam era 1960's when we first find Gloria being sent to a mental asylum, to be "cured" of an "illness". We follow her through this experience, and quite a few other major life events throughout, and there always seem to be some bees hovering nearby, as if guiding her, protecting her.
Michele Young-Stones writing is exquisite. The witty banter between Gloria and her dearest friend Sheff had me laughing out loud, and the story flows so smoothly it's easy to find yourself lost in it all. The characters are so colorful, and you can feel the bees magical energy so much throughout the story, that it's just enough to make a sad story about finding yourself, feel like a mystical fairytale.
Thanks to NetGalley for the opportunity to review Lost in the Beehive.
Rachel Maria Berney (114 KP) rated The Greatest Showman (2017) in Movies
Dec 7, 2018
A musical for non-musical fans
I hate musicals, I avoid them like the plague. My daughter decided to put this on and I ended up sitting and watching the whole thing by myself, she wandered off to play.
This is a musical that even the haters of musicals I think would enjoy. The only reason I can see why I didn't mind and actually liked some of the songs is the irony and sarcasm that was inherent in the songs and in the acting whilst they were singing. Normally, the people singing, whether it's a happy or sad song, have those insane asylum grins plastered to their faces, which make you feel uncomfortable. The songs were catchy, warning, they stay with you for days.
The story line was good, I enjoyed it. The acting was very good and the singing not that bad. I was surprised to find out Hugh Jackman was the leading man, I didn't recognise him at all at first. Took me a while to figure our that it was Zac Effron supporting too.
The costumes and make-up were fantastic and the actual shows were really good to watch. I would love to know what they would've been like at the real Barnum circus, as well as what the real relationships were within the troupe. Intrigued me enough that I am going to put my history at uni to use and research it.
I think if you take a chance and watch this, you will be pleasantly surprised.
This is a musical that even the haters of musicals I think would enjoy. The only reason I can see why I didn't mind and actually liked some of the songs is the irony and sarcasm that was inherent in the songs and in the acting whilst they were singing. Normally, the people singing, whether it's a happy or sad song, have those insane asylum grins plastered to their faces, which make you feel uncomfortable. The songs were catchy, warning, they stay with you for days.
The story line was good, I enjoyed it. The acting was very good and the singing not that bad. I was surprised to find out Hugh Jackman was the leading man, I didn't recognise him at all at first. Took me a while to figure our that it was Zac Effron supporting too.
The costumes and make-up were fantastic and the actual shows were really good to watch. I would love to know what they would've been like at the real Barnum circus, as well as what the real relationships were within the troupe. Intrigued me enough that I am going to put my history at uni to use and research it.
I think if you take a chance and watch this, you will be pleasantly surprised.
David McK (3425 KP) rated Alien: River of Pain in Books
Jul 21, 2019
The second (or is it third? Audible has it 2nd, but I've also seen it called #3? Maybe 3rd produced, but 2nd set?) of - currently - 3 canon Alien novels, this takes part largely alongside the early parts of the movie Aliens, cutting back and forth between Ripley and the inhabitants of the colony of Hadley's Hope.
Remember I said alongside the start of Aliens? To put that into context, this is - largely - filling in the gaps in the movie, between the point at which Ripley's escape pod is picked up, and the arrival of the Marines (and Ripley, and Burke) to that colony, after all communication with it is lost. As such, there are several scenes in here which are lifted straight from that movie, with some - slightly - expanded upon.
It also gives a reason why Newt is the only survivor found hiding in the air-ducts ("They mostly come at night. Mostly"), why there's Alien Face-huggers in jars in the colony, why the marines are so hyped up when we first meet them in the film (they're just back from R&R), and even why Newt's family went out prospecting in the first place.
Worth a read/listen? Yes, although I have to say that there are elements of this that reminded me quite a bit of the 90s comic/novel "Aliens: Nightmare Asylum" - especially in some of the characters - and that it just seems weird, now, that the presence of Marines on the planetoid, pre Ripley and co, are never mentioned at all!
Remember I said alongside the start of Aliens? To put that into context, this is - largely - filling in the gaps in the movie, between the point at which Ripley's escape pod is picked up, and the arrival of the Marines (and Ripley, and Burke) to that colony, after all communication with it is lost. As such, there are several scenes in here which are lifted straight from that movie, with some - slightly - expanded upon.
It also gives a reason why Newt is the only survivor found hiding in the air-ducts ("They mostly come at night. Mostly"), why there's Alien Face-huggers in jars in the colony, why the marines are so hyped up when we first meet them in the film (they're just back from R&R), and even why Newt's family went out prospecting in the first place.
Worth a read/listen? Yes, although I have to say that there are elements of this that reminded me quite a bit of the 90s comic/novel "Aliens: Nightmare Asylum" - especially in some of the characters - and that it just seems weird, now, that the presence of Marines on the planetoid, pre Ripley and co, are never mentioned at all!
The Venetian: This Haunted World: Book 1
8.0
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From the author of the bestselling Psychic Surveys series, comes a brand new series of STANDALONE...