Bodies of Light
9.0
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Bodies of Light is a deeply poignant tale of a psychologically tumultuous nineteenth century...
Wind & Weather Meter for Agriculture
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Measure weather conditions in the middle of your field. Use the WeatherFlow WEATHERmeter (required,...
The World Weather Map
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Discover the Weather Map : the most intuitive weather app! BEAUTIFUL INTERACTIVE MAP Thanks to...
Muffins & Cupcakes - The Best Baking Recipes
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The best recipes for great tasting cupcakes and sweet muffins - all quickly and easily prepared...
Whiskey Beach
7.0
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Eli Landon seems to have the perfect life. A beautiful wife, a wonderful house, a dazzling legal...
Dean (6926 KP) rated The Blackcoat's Daughter (February) (2015) in Movies
Apr 24, 2022 (Updated Apr 24, 2022)
It's a very slow paced , atmospheric Horror. The pace is rather tedious to the point it's not until the last 15 minutes that everything comes together and makes sense.
A couple of girls are left behind at a boarding school in a cold bleak February. Something sinister appears to be happening. Meanwhile another girl escapes a mental health hospital and makes her way to the School.
It's just far too slow with little happening until towards the very end. Also one of those endings that is frustrating making you think is that it? The story once you figure it out is interesting but it is badly done.
Jesters_folly (230 KP) rated Ju-on: Origins in TV
Jul 15, 2020
The story mostly follows two story lines:
The first is of paranormal author, Yasuo Odajima and T.V. Hostess Haruka Honjo and follows Yasuo as he tires to find the cursed house to write about.
The second is Kiyomi Kawai who is taken to the house by two of her new classmates.
The series shows how curse of the house affects the two main characters but is also interspersed with snippets of the lives of other people who have lived in the house and flashbacks from the memories of other characters and, at times this can make the show a bit hard to follow.
Ju-on: Origins has an 'Amityville' vibe to it but more so, as in the original films the cures is not restricted to the house, meaning that, even if you get out you may not be safe.
The series is very atmospheric but , although there are ghosts it does focus more on the people who have lived in the house which makes this very grim in parts.
There was something familiar about some of the scenes in Ju-on: Origins, at least part of this is due to the original film, the scene where Kiyomi and her friends first go the house is slightly reminiscent of the school girl sequence in the first film although it does go in a different direction.
Now for some warnings. As i said Ju-on: Origins has some grim sequences. It's a Netflix series and, almost as soon as it went on (At least here in the UK) there were complaints about the auto start trailer which skirts around one of the main scenes which involves rape.
As well as rape there are murders (It makes 'American Horror Story; Haunted House' look tame) violence towards women, children, men (although i don't recall any animal abuse), sex and implied, possible incest so you have been warned
Sarah (7798 KP) rated Ad Astra (2019) in Movies
Oct 9, 2019
For starters, it's one of the most realistic sci-fi films I've seen in a long time. It's a straight forward simple plot with no over elaborate schemes or plans, with a stark and immensely realistic view of what space travel would be like. No shiny spaceships or dodgy aliens to be seen. It's dark and gritty, and the ideas in here are so believable - right down to the commercialised Moon base. You spend the entire film expecting something to happen like it does in every other sci-fi, but it never does. Indeed there's a scene halfway through where the crew attend a ship broadcasting a distress call, and what happens is so unlike what you'd expect that it's both genius and downright hilarious. Whilst being a bit slow going in parts, this film doesn't waste any time with useless preamble - you're thrown into the main plot right from the opening scene and it gets straight down to business. It's just a shame that later on it gets a bit bogged down.
The cinematography is mostly fantastic. The music and effects are spot on, although I did think some of the way this was shot made it look a little dated and cheap, and there's rather too many close up shots of Brad Pitt's face. Pitt is very good in this, a step up from the very disappointing Once Upon a Time in Hollywood but I did find his voiceover cheesy and grating at times. Still despite it's negatives, this is a very atmospheric and often tense sci-fi, which is strange considering not very much happens. The ending is perhaps a letdown or anticlimax and if they had made this slightly less of a slow-burner, it would be a perfect example and how best to do a proper sci-fi.