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A Conspiracy in Belgravia (Lady Sherlock #2)
9.0
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The game is afoot as Charlotte Holmes returns in the atmospheric second novel in New York Times...
The Anarchists Club
10.0
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'Leo Stanhope is a wonderful creation, his world atmospheric and terrifying, and his own story as...
Historical Fiction
LoganCrews (2861 KP) rated Three... Extremes (2004) in Movies
Oct 28, 2021
Miike's segment is the best - just this viscerally atmospheric showcase in artsy horror from someone who clearly has an intimate knowledge of all the ins-and-outs of the genre (and features a mack daddy score from Koji Endo, who has a career full of them). Chan's is second place - just as brutally gross as everyone else has already mentioned. Wook's is my third favorite (I refuse to call it the worst, since they're all pretty awesome) - a good ole' fashioned exercise in mental torture with expectedly cool camerawork and a deeply weird tone that always keeps you on your toes. The kind of simple, nasty, and twisted histrionics you can always count on - if this were made today in the tired 'elevated horror' age it would either be 81 minutes or 3 hours long and be a monotonous, purposefully unsatisfying, rote, blatantly obvious metaphor for trauma or some similar bullshit. Meanwhile this is the type of film to show you a fetus getting chopped up in the first ten minutes then following it with Lee-Byung Hun being forced to dance in his underwear and a woman making out with her father in a Circus Big Top. Just plain sick and I loved it, speaks for itself.
ClareR (5854 KP) rated The Lamplighters in Books
Mar 14, 2022
The Lamplighters is a locked room (lighthouse!) mystery, which had me gripped up to the last page. How could three men go missing from a tower lighthouse, with no way off back to land. There’s no boat, no-one visited them - and what’s more, the lighthouse is locked from the inside when the investigation team arrive.
This is a mystery that affects their wives and partners even 20 years later. A writer contacts the three women and asks them to cooperate with him as he writes a book about the mystery. It seems that all three women held back secrets during the original investigation - but will the uncovering of these secrets make any difference?
The Lamplighters is told in flashbacks, alternating between the present day with the women, and the lead up to the disappearance with the men in the lighthouse. The lighthouse chapters in particular are seriously atmospheric, threatening, even. I had so many ideas as to what could have happened, my opinion changing constantly as more information was revealed. I didn’t guess the actual ending though, even after I’d described the basic storyline of the book to my husband, and he got it in one (note to self: do not discuss mystery books with the husband, AKA “Dr” Poirot…)
Highly recommended.
This is a mystery that affects their wives and partners even 20 years later. A writer contacts the three women and asks them to cooperate with him as he writes a book about the mystery. It seems that all three women held back secrets during the original investigation - but will the uncovering of these secrets make any difference?
The Lamplighters is told in flashbacks, alternating between the present day with the women, and the lead up to the disappearance with the men in the lighthouse. The lighthouse chapters in particular are seriously atmospheric, threatening, even. I had so many ideas as to what could have happened, my opinion changing constantly as more information was revealed. I didn’t guess the actual ending though, even after I’d described the basic storyline of the book to my husband, and he got it in one (note to self: do not discuss mystery books with the husband, AKA “Dr” Poirot…)
Highly recommended.
The Low Road
8.0
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In 1828, two young women were torn apart as they were sentenced to transportation to Botany Bay....
Women's Fiction Historical Fiction LGBT+
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Get near real-time data from NOAA/NDBC buoy stations, global sea surface temperatures and weather...
Suswatibasu (1703 KP) rated My Cousin Rachel (2017) in Movies
Nov 12, 2017 (Updated Nov 12, 2017)
Gothic Victorian suspense surrounding the mysterious Rachel
This film is no doubt atmospheric and evocative, rather than old fashioned Victorian horror, all about the widow of recently deceased cousin who died under mysterious circumstances.
Sam Claflin plays the vengeful nephew, who plots to find out the truth about Rachel, believing that she murdered his guardian. But his feelings become complicated as he finds himself falling under the beguiling spell of her charms.
Daphne Du Maurier was an excellent writer of course and many of her novels have been transferred to both the big and small screen to much acclaim. As it is, this is a film of intrigue and intent that is not quite what it at first seems. The outcome is not mind-blowing and you don't have to be Hercule Poirot to follow the plot or work things out. However, the 'did she didn't she murder' question is left rather open-ended and down to the interpretation/thoughts of the viewer. While it is not in the same league as Rebecca, the director makes a decent effort in creating an uneasy ambience.
It is a fascinating film which delves (in a shallow way) into the workings of the human mind and its psychological ways and how suspicion can play havoc in relationships.
Sam Claflin plays the vengeful nephew, who plots to find out the truth about Rachel, believing that she murdered his guardian. But his feelings become complicated as he finds himself falling under the beguiling spell of her charms.
Daphne Du Maurier was an excellent writer of course and many of her novels have been transferred to both the big and small screen to much acclaim. As it is, this is a film of intrigue and intent that is not quite what it at first seems. The outcome is not mind-blowing and you don't have to be Hercule Poirot to follow the plot or work things out. However, the 'did she didn't she murder' question is left rather open-ended and down to the interpretation/thoughts of the viewer. While it is not in the same league as Rebecca, the director makes a decent effort in creating an uneasy ambience.
It is a fascinating film which delves (in a shallow way) into the workings of the human mind and its psychological ways and how suspicion can play havoc in relationships.
Awix (3310 KP) rated The Mummy (2017) in Movies
Feb 11, 2018 (Updated Feb 11, 2018)
Oh, Mummy.
Laborious attempt by Universal to grab a slice of Marvel's meta-franchise pie by launching a series of fantasy blockbusters based on their stable of famous monster characters. Tom Cruise plays an annoying mercenary who catches the eye of an ancient and evil supernatural creature unearthed in Iraq.
There's a good reason why sensible studios don't try to make horror blockbusters, and especially horror blockbusters starring Tom Cruise - every time the film starts to be effectively creepy or atmospheric, along comes a CGI-enhanced chase sequence, or Tom Cruise doing that smirk, or some other manifestation of corporate blandness. Isn't Tom Cruise too old for this sort of thing? Watching him flirting with a considerably younger actress is by far the creepiest thing in the movie, and he seems quite incapable of the moral ambiguity the part probably requires - Russell Crowe, in the Samuel L Jackson plot-device-character role, acts him off the screen.
You scratch your head wondering how this thing is supposed to work - are all the monsters going to team up together? And do what, exactly? No-one seems to have thought this through. It's much more of a zombie movie than one about an actual mummy, anyway. The depiction of the one-way system in Oxford City Centre is also very misleading; I nearly knocked off a point because of it.
There's a good reason why sensible studios don't try to make horror blockbusters, and especially horror blockbusters starring Tom Cruise - every time the film starts to be effectively creepy or atmospheric, along comes a CGI-enhanced chase sequence, or Tom Cruise doing that smirk, or some other manifestation of corporate blandness. Isn't Tom Cruise too old for this sort of thing? Watching him flirting with a considerably younger actress is by far the creepiest thing in the movie, and he seems quite incapable of the moral ambiguity the part probably requires - Russell Crowe, in the Samuel L Jackson plot-device-character role, acts him off the screen.
You scratch your head wondering how this thing is supposed to work - are all the monsters going to team up together? And do what, exactly? No-one seems to have thought this through. It's much more of a zombie movie than one about an actual mummy, anyway. The depiction of the one-way system in Oxford City Centre is also very misleading; I nearly knocked off a point because of it.
