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ClareR (6106 KP) rated The Lamplighters in Books
Mar 14, 2022
The Lamplighters is a locked room (lighthouse!) mystery, which had me gripped up to the last page. How could three men go missing from a tower lighthouse, with no way off back to land. There’s no boat, no-one visited them - and what’s more, the lighthouse is locked from the inside when the investigation team arrive.
This is a mystery that affects their wives and partners even 20 years later. A writer contacts the three women and asks them to cooperate with him as he writes a book about the mystery. It seems that all three women held back secrets during the original investigation - but will the uncovering of these secrets make any difference?
The Lamplighters is told in flashbacks, alternating between the present day with the women, and the lead up to the disappearance with the men in the lighthouse. The lighthouse chapters in particular are seriously atmospheric, threatening, even. I had so many ideas as to what could have happened, my opinion changing constantly as more information was revealed. I didn’t guess the actual ending though, even after I’d described the basic storyline of the book to my husband, and he got it in one (note to self: do not discuss mystery books with the husband, AKA “Dr” Poirot…)
Highly recommended.
This is a mystery that affects their wives and partners even 20 years later. A writer contacts the three women and asks them to cooperate with him as he writes a book about the mystery. It seems that all three women held back secrets during the original investigation - but will the uncovering of these secrets make any difference?
The Lamplighters is told in flashbacks, alternating between the present day with the women, and the lead up to the disappearance with the men in the lighthouse. The lighthouse chapters in particular are seriously atmospheric, threatening, even. I had so many ideas as to what could have happened, my opinion changing constantly as more information was revealed. I didn’t guess the actual ending though, even after I’d described the basic storyline of the book to my husband, and he got it in one (note to self: do not discuss mystery books with the husband, AKA “Dr” Poirot…)
Highly recommended.
The Low Road
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In 1828, two young women were torn apart as they were sentenced to transportation to Botany Bay....
Women's Fiction Historical Fiction LGBT+
The Green Baize Door (A Marie Chevalier Mystery, #1)
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An atmospheric historical mystery where every character has their own agenda, and their own truth. ...
Historical Mystery
ClareR (6106 KP) rated The Garden in Books
Oct 14, 2025
I knew The Garden was going to be set in a dystopian future, but I didn’t fully appreciate just how much I was going to like it.
The story starts off very gently: two elderly sisters, living in the grounds of a big house, one working tirelessly in the garden in order to provide them with enough food, the other joining in here and there, but mostly she’s preoccupied with practicing her dance routine. Outside the gardens walls lies unknown danger. One mustn’t even look beyond the wall.
And then a young boy arrives and everything changes. The outside comes inside.
I loved this. The rules the women live by, set by their mother decades ago, are there to keep them safe, but there’s no room for manoeuvre. So when they’re faced with the unexpected, they don’t know what to do. There’s a climate disaster angle too, and gives the reader a scenario of what might happen if we continue on our current trajectory. Changing seasons, drought, sandstorms.
This novel is so atmospheric. There’s an undercurrent of dread and impending doom, and the descriptions of the garden, cottage and land are quite beautiful.
Wonderful writing and a wonderful story. Highly recommended!
The story starts off very gently: two elderly sisters, living in the grounds of a big house, one working tirelessly in the garden in order to provide them with enough food, the other joining in here and there, but mostly she’s preoccupied with practicing her dance routine. Outside the gardens walls lies unknown danger. One mustn’t even look beyond the wall.
And then a young boy arrives and everything changes. The outside comes inside.
I loved this. The rules the women live by, set by their mother decades ago, are there to keep them safe, but there’s no room for manoeuvre. So when they’re faced with the unexpected, they don’t know what to do. There’s a climate disaster angle too, and gives the reader a scenario of what might happen if we continue on our current trajectory. Changing seasons, drought, sandstorms.
This novel is so atmospheric. There’s an undercurrent of dread and impending doom, and the descriptions of the garden, cottage and land are quite beautiful.
Wonderful writing and a wonderful story. Highly recommended!
ClareR (6106 KP) rated The Surf House in Books
Feb 22, 2026
The Surf House is an entertaining, fast moving, atmospheric thriller, and really doesn’t do many favours for the Moroccan tourist board. Bea is attacked in an alleyway after she decides to leave her modelling set in Marrakesh, and when a woman comes to her rescue, the unthinkable happens.
Bea is invited to The Surf House to hide out and gather her thoughts, and it seems idyllic. The descriptions of the sea, surfers and the beach almost made me want to learn how to surf somewhere hot (almost). But at the same time, it’s clear that there’s something else going on. Something rotten. When Bea finds out that a young woman went missing a year ago, she starts to notice more things that don’t seem right.
There are so many twists, turns and dead ends that kept me on the edge of my seat throughout. I did find myself wanting to shout at her to just leave - I was so frustrated! She is pretty naive. But this is so well written and evocative of the setting and Bea’s feelings when she feels trapped and scared (and she feels those things a lot!), that I can forgive her naivety!
Ideal for those who enjoy a good thriller!
Bea is invited to The Surf House to hide out and gather her thoughts, and it seems idyllic. The descriptions of the sea, surfers and the beach almost made me want to learn how to surf somewhere hot (almost). But at the same time, it’s clear that there’s something else going on. Something rotten. When Bea finds out that a young woman went missing a year ago, she starts to notice more things that don’t seem right.
There are so many twists, turns and dead ends that kept me on the edge of my seat throughout. I did find myself wanting to shout at her to just leave - I was so frustrated! She is pretty naive. But this is so well written and evocative of the setting and Bea’s feelings when she feels trapped and scared (and she feels those things a lot!), that I can forgive her naivety!
Ideal for those who enjoy a good thriller!
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Suswatibasu (1703 KP) rated My Cousin Rachel (2017) in Movies
Nov 12, 2017 (Updated Nov 12, 2017)
Gothic Victorian suspense surrounding the mysterious Rachel
This film is no doubt atmospheric and evocative, rather than old fashioned Victorian horror, all about the widow of recently deceased cousin who died under mysterious circumstances.
Sam Claflin plays the vengeful nephew, who plots to find out the truth about Rachel, believing that she murdered his guardian. But his feelings become complicated as he finds himself falling under the beguiling spell of her charms.
Daphne Du Maurier was an excellent writer of course and many of her novels have been transferred to both the big and small screen to much acclaim. As it is, this is a film of intrigue and intent that is not quite what it at first seems. The outcome is not mind-blowing and you don't have to be Hercule Poirot to follow the plot or work things out. However, the 'did she didn't she murder' question is left rather open-ended and down to the interpretation/thoughts of the viewer. While it is not in the same league as Rebecca, the director makes a decent effort in creating an uneasy ambience.
It is a fascinating film which delves (in a shallow way) into the workings of the human mind and its psychological ways and how suspicion can play havoc in relationships.
Sam Claflin plays the vengeful nephew, who plots to find out the truth about Rachel, believing that she murdered his guardian. But his feelings become complicated as he finds himself falling under the beguiling spell of her charms.
Daphne Du Maurier was an excellent writer of course and many of her novels have been transferred to both the big and small screen to much acclaim. As it is, this is a film of intrigue and intent that is not quite what it at first seems. The outcome is not mind-blowing and you don't have to be Hercule Poirot to follow the plot or work things out. However, the 'did she didn't she murder' question is left rather open-ended and down to the interpretation/thoughts of the viewer. While it is not in the same league as Rebecca, the director makes a decent effort in creating an uneasy ambience.
It is a fascinating film which delves (in a shallow way) into the workings of the human mind and its psychological ways and how suspicion can play havoc in relationships.
Awix (3310 KP) rated The Mummy (2017) in Movies
Feb 11, 2018 (Updated Feb 11, 2018)
Oh, Mummy.
Laborious attempt by Universal to grab a slice of Marvel's meta-franchise pie by launching a series of fantasy blockbusters based on their stable of famous monster characters. Tom Cruise plays an annoying mercenary who catches the eye of an ancient and evil supernatural creature unearthed in Iraq.
There's a good reason why sensible studios don't try to make horror blockbusters, and especially horror blockbusters starring Tom Cruise - every time the film starts to be effectively creepy or atmospheric, along comes a CGI-enhanced chase sequence, or Tom Cruise doing that smirk, or some other manifestation of corporate blandness. Isn't Tom Cruise too old for this sort of thing? Watching him flirting with a considerably younger actress is by far the creepiest thing in the movie, and he seems quite incapable of the moral ambiguity the part probably requires - Russell Crowe, in the Samuel L Jackson plot-device-character role, acts him off the screen.
You scratch your head wondering how this thing is supposed to work - are all the monsters going to team up together? And do what, exactly? No-one seems to have thought this through. It's much more of a zombie movie than one about an actual mummy, anyway. The depiction of the one-way system in Oxford City Centre is also very misleading; I nearly knocked off a point because of it.
There's a good reason why sensible studios don't try to make horror blockbusters, and especially horror blockbusters starring Tom Cruise - every time the film starts to be effectively creepy or atmospheric, along comes a CGI-enhanced chase sequence, or Tom Cruise doing that smirk, or some other manifestation of corporate blandness. Isn't Tom Cruise too old for this sort of thing? Watching him flirting with a considerably younger actress is by far the creepiest thing in the movie, and he seems quite incapable of the moral ambiguity the part probably requires - Russell Crowe, in the Samuel L Jackson plot-device-character role, acts him off the screen.
You scratch your head wondering how this thing is supposed to work - are all the monsters going to team up together? And do what, exactly? No-one seems to have thought this through. It's much more of a zombie movie than one about an actual mummy, anyway. The depiction of the one-way system in Oxford City Centre is also very misleading; I nearly knocked off a point because of it.
