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The Green Baize Door (A Marie Chevalier Mystery, #1)
Book
An atmospheric historical mystery where every character has their own agenda, and their own truth. ...
Historical Mystery
ClareR (6067 KP) rated The Garden in Books
Oct 14, 2025
I knew The Garden was going to be set in a dystopian future, but I didn’t fully appreciate just how much I was going to like it.
The story starts off very gently: two elderly sisters, living in the grounds of a big house, one working tirelessly in the garden in order to provide them with enough food, the other joining in here and there, but mostly she’s preoccupied with practicing her dance routine. Outside the gardens walls lies unknown danger. One mustn’t even look beyond the wall.
And then a young boy arrives and everything changes. The outside comes inside.
I loved this. The rules the women live by, set by their mother decades ago, are there to keep them safe, but there’s no room for manoeuvre. So when they’re faced with the unexpected, they don’t know what to do. There’s a climate disaster angle too, and gives the reader a scenario of what might happen if we continue on our current trajectory. Changing seasons, drought, sandstorms.
This novel is so atmospheric. There’s an undercurrent of dread and impending doom, and the descriptions of the garden, cottage and land are quite beautiful.
Wonderful writing and a wonderful story. Highly recommended!
The story starts off very gently: two elderly sisters, living in the grounds of a big house, one working tirelessly in the garden in order to provide them with enough food, the other joining in here and there, but mostly she’s preoccupied with practicing her dance routine. Outside the gardens walls lies unknown danger. One mustn’t even look beyond the wall.
And then a young boy arrives and everything changes. The outside comes inside.
I loved this. The rules the women live by, set by their mother decades ago, are there to keep them safe, but there’s no room for manoeuvre. So when they’re faced with the unexpected, they don’t know what to do. There’s a climate disaster angle too, and gives the reader a scenario of what might happen if we continue on our current trajectory. Changing seasons, drought, sandstorms.
This novel is so atmospheric. There’s an undercurrent of dread and impending doom, and the descriptions of the garden, cottage and land are quite beautiful.
Wonderful writing and a wonderful story. Highly recommended!
Buoy Finder NOAA
Weather and Travel
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Get near real-time data from NOAA/NDBC buoy stations, global sea surface temperatures and weather...
Suswatibasu (1703 KP) rated My Cousin Rachel (2017) in Movies
Nov 12, 2017 (Updated Nov 12, 2017)
Gothic Victorian suspense surrounding the mysterious Rachel
This film is no doubt atmospheric and evocative, rather than old fashioned Victorian horror, all about the widow of recently deceased cousin who died under mysterious circumstances.
Sam Claflin plays the vengeful nephew, who plots to find out the truth about Rachel, believing that she murdered his guardian. But his feelings become complicated as he finds himself falling under the beguiling spell of her charms.
Daphne Du Maurier was an excellent writer of course and many of her novels have been transferred to both the big and small screen to much acclaim. As it is, this is a film of intrigue and intent that is not quite what it at first seems. The outcome is not mind-blowing and you don't have to be Hercule Poirot to follow the plot or work things out. However, the 'did she didn't she murder' question is left rather open-ended and down to the interpretation/thoughts of the viewer. While it is not in the same league as Rebecca, the director makes a decent effort in creating an uneasy ambience.
It is a fascinating film which delves (in a shallow way) into the workings of the human mind and its psychological ways and how suspicion can play havoc in relationships.
Sam Claflin plays the vengeful nephew, who plots to find out the truth about Rachel, believing that she murdered his guardian. But his feelings become complicated as he finds himself falling under the beguiling spell of her charms.
Daphne Du Maurier was an excellent writer of course and many of her novels have been transferred to both the big and small screen to much acclaim. As it is, this is a film of intrigue and intent that is not quite what it at first seems. The outcome is not mind-blowing and you don't have to be Hercule Poirot to follow the plot or work things out. However, the 'did she didn't she murder' question is left rather open-ended and down to the interpretation/thoughts of the viewer. While it is not in the same league as Rebecca, the director makes a decent effort in creating an uneasy ambience.
It is a fascinating film which delves (in a shallow way) into the workings of the human mind and its psychological ways and how suspicion can play havoc in relationships.
Awix (3310 KP) rated The Mummy (2017) in Movies
Feb 11, 2018 (Updated Feb 11, 2018)
Oh, Mummy.
Laborious attempt by Universal to grab a slice of Marvel's meta-franchise pie by launching a series of fantasy blockbusters based on their stable of famous monster characters. Tom Cruise plays an annoying mercenary who catches the eye of an ancient and evil supernatural creature unearthed in Iraq.
There's a good reason why sensible studios don't try to make horror blockbusters, and especially horror blockbusters starring Tom Cruise - every time the film starts to be effectively creepy or atmospheric, along comes a CGI-enhanced chase sequence, or Tom Cruise doing that smirk, or some other manifestation of corporate blandness. Isn't Tom Cruise too old for this sort of thing? Watching him flirting with a considerably younger actress is by far the creepiest thing in the movie, and he seems quite incapable of the moral ambiguity the part probably requires - Russell Crowe, in the Samuel L Jackson plot-device-character role, acts him off the screen.
You scratch your head wondering how this thing is supposed to work - are all the monsters going to team up together? And do what, exactly? No-one seems to have thought this through. It's much more of a zombie movie than one about an actual mummy, anyway. The depiction of the one-way system in Oxford City Centre is also very misleading; I nearly knocked off a point because of it.
There's a good reason why sensible studios don't try to make horror blockbusters, and especially horror blockbusters starring Tom Cruise - every time the film starts to be effectively creepy or atmospheric, along comes a CGI-enhanced chase sequence, or Tom Cruise doing that smirk, or some other manifestation of corporate blandness. Isn't Tom Cruise too old for this sort of thing? Watching him flirting with a considerably younger actress is by far the creepiest thing in the movie, and he seems quite incapable of the moral ambiguity the part probably requires - Russell Crowe, in the Samuel L Jackson plot-device-character role, acts him off the screen.
You scratch your head wondering how this thing is supposed to work - are all the monsters going to team up together? And do what, exactly? No-one seems to have thought this through. It's much more of a zombie movie than one about an actual mummy, anyway. The depiction of the one-way system in Oxford City Centre is also very misleading; I nearly knocked off a point because of it.
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