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    Dark Water

    Dark Water

    Koji Suzuki

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    Book

    A selection of deliciously spooky short stories from the Japanese master of suspense, the acclaimed...

Trans-Europe Express by Kraftwerk
Trans-Europe Express by Kraftwerk
1977 | Dance
7.5 (10 Ratings)
Album Favorite

"It's got to be Trans-Europe Express really. I was aware of Autobahn and that was like The Beach Boys from outer space, engineered by Conny Plank - that was what they called it in those days, it was a blur between engineering and producing. I think Trans-Europe Express consolidated that futuristic thing, and of course it had a namecheck for David Bowie and Iggy Pop in there, which was an endorsement in some way. Although they were German, they were aware of 'our world'. I think the only other German thing I'd heard of before that were Faust, and the reason I know about them was they brought an album out [The Faust Tapes] and it cost about 15p or something, so everyone bought it. 'The Hall Of Mirrors' is really dark! The album's quite song-y as well. With The Man-Machine, it had the perfect record cover, it was the whole red-ness. Futuristic art deco with a slight Hitler Youth edge to it, a sinister edge. I went down to London one time, down the King's Road - I think it was the week of release - and every single shop was playing it. However Man-Machine is everybody's album, whereas Trans-Europe Express is a more private album, which wasn't as widely known. I hadn't taken any drugs at the time, but it affected me. That line, ""Even the greatest stars dislike themselves in the looking glass"", it was all just very atmospheric."

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LoganCrews (2861 KP) rated Fletch (1985) in Movies

Mar 9, 2021 (Updated Mar 9, 2021)  
Fletch (1985)
Fletch (1985)
1985 | Comedy
𝘋𝘢𝘥 𝘏𝘶𝘮𝘰𝘳: 𝘛𝘩𝘦 𝘔𝘰𝘷𝘪𝘦. This does what it does fine enough but has been essentially rendered obsolete by even the weakest entry of the 𝘕𝘢𝘬𝘦𝘥 𝘎𝘶𝘯 trilogy (2 1/2, btw). Surprisingly I think this works better as a crime film than a full-on comedy; it's just so damn atmospheric what with the fun-as-hell (very) 80s synth soundtrack, intriguing mystery, kicky cinematography and all - qualities that all the best crime thrillers of the era have. But the comedy is shockingly inconsistent, you'd think having Chase as essentially a mile-a-minute quip machine for his signature dry smugness would be shoe-in but the jokes work at about a 40/60 hit-to-miss ratio. Maybe a generous 50/50? And there's a fine line between deadpan and downright dull - speaking as a usual Chase defender I find this performance leans to the latter a little too much, there's just not a lot to value in it over the countless other renditions of this character out there. Also it's an automatic crime that a movie in which Chevy Chase dons a metric ton of comical disguises and fake identities actively chooses not to lean into his legendary physical comedy. He only does like one funny dance and one paltry pratfall... what the fuck is up with that? Somehow still a blast in what should be its mediocrity. Utter fluff, but it'll do.