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The Mountains Wild
The Mountains Wild
Sarah Stewart Taylor | 2020 | Mystery
8
8.0 (1 Ratings)
Book Rating
Mystery from the Past; Race Against Time in the Present
In 1993, Maggie D’Arcy’s cousin Erin vanished while living in Ireland. Maggie went over for a couple of months trying to figure out what happened, but the mystery was never solved. It did have a profound impact on her life since after returning home, Maggie become a cop herself on Long Island. Now, another young woman has vanished. In the search for her, a skeleton has been found, and buried with the skeleton is Erin’s scarf. Has Erin been found after all these years? Where is the new woman who has vanished? Are the cases connected?

It’s been years since Sarah Stewart Taylor released a book, but I was thrilled to pick up something from her again. I’d forgotten just how atmospheric her writing is, but I was soon back under her spell. The pacing was off near the beginning since Maggie doesn’t have any jurisdiction in Ireland, but eventually she found a way into the case and we started getting the twists that lead us to the climax. The book takes place in 1993, the present, and even further in the past as Maggie and Erin are growing up. All of these time periods are easy to follow. They also allow us to see how characters have matured over the years, which I enjoyed. This is Maggie’s story, and I couldn’t help but feel for her as the book progressed and the story unfolded. The story also switches from past to present tense depending on which time period we are reading about. It took my brain a bit of time to adjust to this, but I did rather quickly. This is more serious than the cozies I often read, but if you keep that in mind, you’ll enjoy this book as well.
  
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Butch Vig recommended track Bittersweet Symphony by The Verve in Urban Hymns by The Verve in Music (curated)

 
Urban Hymns by The Verve
Urban Hymns by The Verve
1997 | Rock
9.5 (2 Ratings)
Album Favorite

"I adore this song, my wife and I played it at our wedding and it’s a ringtone on my phone. Every now and then you hear something and think ‘I wish I could write a song like that, something that gets to the essence of what it means to be alive.’ I remember the first time I heard ‘Bittersweet Symphony’ on the radio and I was like ‘Damn, I wish I’d written that song.’ The strings work so well with Richard Ashcroft’s singing and lyrics, which sum up a lot of the complicated feelings you have as an individual trying to get through each day. It’s a perfect wedding of the two of them. It’s wrapped around this glorious production and the sound of the band is really minimal, it’s mainly the string arrangement, which of course was from The Rolling Stones. If they’d just cleared it ahead of time they probably would have done a 50/50 deal on the publishing, but they didn’t, it was too late and they didn’t have any control. The Rolling Stones didn’t need the royalties as badly! I also admire ‘Bittersweet Symphony’ from a producer’s standpoint because I love its simplicity. The drums are the same pattern over and over, I think it’s a drum-loop, for the bass it sounds like they got a two or four bar loop, because the chords don’t change, and the guitar overdubs are all textural, it’s just these blips, bleeps and little echoes flowing through the mix. It’s a brilliant soundscape, it doesn’t really sound like a rock song, where you have blazing, loud distorted guitar amps, it’s got this atmospheric vibe to it and I think that fits the lyrics and the singing perfectly."

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