Search

Neon's Nerd Nexus (360 KP) rated John Wick: Chapter 3 - Parabellum (2019) in Movies
May 17, 2019
Dantes Inferno
#johnwick3 is an adrenalin shot to the #heart, delivering on almost all of its promises to be bigger, better & smarter than its previous instalments. #johnwick films have always risen above the generic & mundane action films we get bombarded with nowadays as they seem to understand what makes action thrilling as well as learning from the best action #classics of the past & #johnwick3parabellum is no exception to this either. JW3 (like John Wick the character himself) shows just how much its evolved, learnt new skills & matured as a film realising that action its self is too an art form just as graceful, elegant & smooth flowing as a #ballet. In fact the comparison to ballet, #dance & #theatre is present during most #action scenes making them a beautifully choreographed, atmospheric & visually stunning display of bullet barrages & swooping movement. Comparisons dont end there either i was thrilled to see John compared to #Dante (from #DantesInferno) & there are countless scenes inspired by or paying homage to old #westerns, #90s action films, #Korean #revenge films & old #kungfu/#Japanese mob films which was #respectful & added to the films #charm too. World building is expanded on more in this one also as are some characters stories & I absolutely #loved seeing John evolve & learn from each fight to help him progress/gain an edge over his opponents. #Fights are thrilling, wincingly #violent & so exhilarating that I once again found my #heart racing with highlights being a #knife in an old shop & gunfight involving attack #dogs which was incredibly fresh & intense. Cinematography is ravishing always especially when smoke, #neon & rain is being pumped out all across the screen with #electrifying & mood drenching effect. Sadly I do have some negatives, I found the last act shoddy compared to the intelligence, thrill & beauty of the first two. In this act an odd #humour creeps in that felt a bit off, #action feels subpar compared to what we've just already seen, the ending a little silly & i also found the main #villain under used & under developed. That being said its still a fantastically made, must see showstopper thats learnt from the best. #keanureeves #matrix

Paul Kellett (118 KP) rated Dawn of the Zeds (Third edition) in Tabletop Games
May 20, 2019
Staged rules to ease you in slowly (1 more)
Strong solo game plus team and 1 Vs many rules
The Ultimate Zombie Tower Defense
I've been wanting DotZ for some time so jumped on the reprint and expansions when they hit Kickstarter last year.
As a solo player, having a town defense game designed as a solo game first was a big draw for me and the game certainly doesn't disappoint.
After hearing so much about it and the complexity, I was surprised to find it a lot smaller than I expected - the board is smaller than most modern board games and there aren't anywhere near as many chits and cards as other wargames. The game will play easily on a coffee table.
The first thing you see are the 5 rule books, but these are handily split into a "Start Here" basic game book which lets you quickly jump in and play a basic game, just your heroes fending off the Zeds from reaching the town, the advanced rules which lead you through the next level of difficulty, adding in extra rules, the set-up guide with all the instructions for each difficulty level plus epilogues to see how well you did. Next there is the Farmingdale Dossier - a reference book with all the various hero and zombie special skills and finally, the complete rules A-Z with rules for all difficulty levels and game modes.
The levels are all colour coded so it is easy to sort and set up the desired difficulty level and the rules are similarly split up and each rule numbered so you can quickly find what you need.
Gameplay is tight and atmospheric, you really feel like you are holding back the zombie hoardes. Careful planning and strategy is vital as actions are limited (and you never actually know how many actions you will get from turn to turn making you make some hard choices as to what is best to do each turn.
Overall a very satisfying game that will keep me busy for a long time and the ability to add more advanced rules when I feel comfortable is great.
As a solo player, having a town defense game designed as a solo game first was a big draw for me and the game certainly doesn't disappoint.
After hearing so much about it and the complexity, I was surprised to find it a lot smaller than I expected - the board is smaller than most modern board games and there aren't anywhere near as many chits and cards as other wargames. The game will play easily on a coffee table.
The first thing you see are the 5 rule books, but these are handily split into a "Start Here" basic game book which lets you quickly jump in and play a basic game, just your heroes fending off the Zeds from reaching the town, the advanced rules which lead you through the next level of difficulty, adding in extra rules, the set-up guide with all the instructions for each difficulty level plus epilogues to see how well you did. Next there is the Farmingdale Dossier - a reference book with all the various hero and zombie special skills and finally, the complete rules A-Z with rules for all difficulty levels and game modes.
The levels are all colour coded so it is easy to sort and set up the desired difficulty level and the rules are similarly split up and each rule numbered so you can quickly find what you need.
Gameplay is tight and atmospheric, you really feel like you are holding back the zombie hoardes. Careful planning and strategy is vital as actions are limited (and you never actually know how many actions you will get from turn to turn making you make some hard choices as to what is best to do each turn.
Overall a very satisfying game that will keep me busy for a long time and the ability to add more advanced rules when I feel comfortable is great.

Sassy Brit (97 KP) rated The Hunger in Books
Jun 5, 2019
The Hunger by Alma Katsu is based on the true events of Donner Party tragedy where a party of pioneers travelling west came to a crossroads and the leader, George Donner had to make a decision to take the well documented but longer route across the desert towards California, or to take the untested path, which was rumoured to be far shorter. His decision could mean life or death to the families travelling with him.
It’s kind of funny that the first time I heard of the Donner Party was on one of my favourite horror films, The Shining, written by Stephen King and directed Stanley Kubrick. Jack Nicholson acting as the character Jack Torrance, mentions the Donner Party and it’s how the name came about for the Donner Pass on Interstate 80 in Northern California. Since hearing about this in the film I was eager to look it up, so when I read the synopsis of The Hunger, I had to read it!
This book is broken up into monthly sections starting from June 1846 to April 1847. The latter of which is actually the prologue and supplies the details of the findings of one man, Lewis Keseberg, the last known survivor of the Donna Party event. This makes for an intriguing hook for the rest of the book and I couldn’t wait to see what had happened. Why had no one else survived?
The Hunger is an atmospheric re-imagining of the Donner Party disaster, which blends true horror with the supernatural and is ideal for historical, paranormal and even dark horror fans! It’s full of drama, mystery, intrigue and is downright spooky. The tension Alma Katsu adds, it amazing! I really sympathised for the families, those that had no idea what was going on, and even those that were forced to survive the only way they knew how. I don’t think I’ve ever read a story about Westward migration that is so chilling! This is a study of human endurance tested to its very limits – and beyond. How far would YOU go in order to survive?
It’s kind of funny that the first time I heard of the Donner Party was on one of my favourite horror films, The Shining, written by Stephen King and directed Stanley Kubrick. Jack Nicholson acting as the character Jack Torrance, mentions the Donner Party and it’s how the name came about for the Donner Pass on Interstate 80 in Northern California. Since hearing about this in the film I was eager to look it up, so when I read the synopsis of The Hunger, I had to read it!
This book is broken up into monthly sections starting from June 1846 to April 1847. The latter of which is actually the prologue and supplies the details of the findings of one man, Lewis Keseberg, the last known survivor of the Donna Party event. This makes for an intriguing hook for the rest of the book and I couldn’t wait to see what had happened. Why had no one else survived?
The Hunger is an atmospheric re-imagining of the Donner Party disaster, which blends true horror with the supernatural and is ideal for historical, paranormal and even dark horror fans! It’s full of drama, mystery, intrigue and is downright spooky. The tension Alma Katsu adds, it amazing! I really sympathised for the families, those that had no idea what was going on, and even those that were forced to survive the only way they knew how. I don’t think I’ve ever read a story about Westward migration that is so chilling! This is a study of human endurance tested to its very limits – and beyond. How far would YOU go in order to survive?

Daniel Boyd (1066 KP) rated Castle Rock in TV
Oct 23, 2018 (Updated Oct 23, 2018)
Good cast (2 more)
Some cool ideas
Stephen King references
Ups and Downs
Castle Rock is an interesting show, it wasn't what I thought it would be at all. I went in expected a creepy, atmospheric thriller and instead I got a slow burning character study. Don't get me wrong, it is a very well told character study, with plenty of interesting characters and plot threads.
The cast is made up of a few actors that have been used in Stephen King adaptions in the past, as well as a few newcomers to the King adaption universe. Everybody is great in their role, with Sissy Spacek and Bill Skarsgard being the standouts.
The liberties that the show takes with it's inspiration is weirdly inconstant, with some episode whoring out King references left and right and some ignoring the writer's influence altogether. I get the feeling that this was due to the creators wanting to please King fans in the audience while still trying to craft a show that can stand on it's own independently, which is fine, but I kinda wish that they had committed one way or the other.
The show starts off strong, then drags a bit in the middle, but if you can get to episodes 8 & 9, they are possible contenders for some of the best episodes of TV broadcast in 2018. Unfortunately the last episode is very underwhelming after this awesome build up of intrigue that precedes it.
The ending was the biggest negative that the show had. Without giving too much away, it leaves the audience feeling like everything they just witnessed was pretty pointless and leaves you feeling unfulfilled and fairly disappointed. It is clearly trying to set things up for a second season, but does so to the point that it forgets to end the first season in any significant way.
Overall, if you are a King fan you will get a kick out of this. Alternatively, if you are in the mood for a well told, slow burning character study full of intrigue, with elements of psychological horror, then this show is perfect for you. Just don't go in expecting an intense, chilling atmosphere to be present throughout.
The cast is made up of a few actors that have been used in Stephen King adaptions in the past, as well as a few newcomers to the King adaption universe. Everybody is great in their role, with Sissy Spacek and Bill Skarsgard being the standouts.
The liberties that the show takes with it's inspiration is weirdly inconstant, with some episode whoring out King references left and right and some ignoring the writer's influence altogether. I get the feeling that this was due to the creators wanting to please King fans in the audience while still trying to craft a show that can stand on it's own independently, which is fine, but I kinda wish that they had committed one way or the other.
The show starts off strong, then drags a bit in the middle, but if you can get to episodes 8 & 9, they are possible contenders for some of the best episodes of TV broadcast in 2018. Unfortunately the last episode is very underwhelming after this awesome build up of intrigue that precedes it.
The ending was the biggest negative that the show had. Without giving too much away, it leaves the audience feeling like everything they just witnessed was pretty pointless and leaves you feeling unfulfilled and fairly disappointed. It is clearly trying to set things up for a second season, but does so to the point that it forgets to end the first season in any significant way.
Overall, if you are a King fan you will get a kick out of this. Alternatively, if you are in the mood for a well told, slow burning character study full of intrigue, with elements of psychological horror, then this show is perfect for you. Just don't go in expecting an intense, chilling atmosphere to be present throughout.

Jesters_folly (230 KP) rated Midsommar (2019) in Movies
Jul 5, 2019
Contains spoilers, click to show
This will contain spoilers
A group of friend's travel to a remote Swedish village to study their ancient midsummer festival and, let's be honest, if you've seen more than a few horror moves you know it's not going to go smoothly.
Midsommer is a film by the same people who made Hereditary and, almost from the start you can see the similarly in tone, theme, music and cinematography. Midsommar shares some of the same themes as its predecessor, touching on mental illness and ramping up the drug use but it's main focus is on family, customs and tradition.
Midsommar is different film to Hereditary being more of a thriller in the style of 'the Wicker Man' than an out and out horror, relying more on a growing tension than on any outright supernatural threat. People die but, with only one exception you never see them killed and, in most cases the deaths are not treated with much importance (except where there is specific plot relevance).
As I said, Midsommar is similar to 'The Wicker Man' but only in the same way the film 'Battle Royal' is based on 'Lord of the Flies', the film has taken some of the basic ideas and updated them leaving us with an atmospheric thriller with traces of slasher (with no slasher) and psychological movies which works to create a beautiful, disturbing movie which takes you on journey of friendship, love and family.
There are moments in the film which point to the strangeness to come but, unlike Hereditary there are some moments where the tension lets up (If only for a few minutes) most of which are provided by the character Mark who i found seemed to be slightly out of place. He didn't seem gel with the other characters well and, I felt he would have been more at home in a traditional slasher.
I found that there was a familiarity to Midsommar, influenced as it is by 'The Wicker Man' but, with a run time of almost 2 and half hours there is plenty of time events to play out how they do.
A group of friend's travel to a remote Swedish village to study their ancient midsummer festival and, let's be honest, if you've seen more than a few horror moves you know it's not going to go smoothly.
Midsommer is a film by the same people who made Hereditary and, almost from the start you can see the similarly in tone, theme, music and cinematography. Midsommar shares some of the same themes as its predecessor, touching on mental illness and ramping up the drug use but it's main focus is on family, customs and tradition.
Midsommar is different film to Hereditary being more of a thriller in the style of 'the Wicker Man' than an out and out horror, relying more on a growing tension than on any outright supernatural threat. People die but, with only one exception you never see them killed and, in most cases the deaths are not treated with much importance (except where there is specific plot relevance).
As I said, Midsommar is similar to 'The Wicker Man' but only in the same way the film 'Battle Royal' is based on 'Lord of the Flies', the film has taken some of the basic ideas and updated them leaving us with an atmospheric thriller with traces of slasher (with no slasher) and psychological movies which works to create a beautiful, disturbing movie which takes you on journey of friendship, love and family.
There are moments in the film which point to the strangeness to come but, unlike Hereditary there are some moments where the tension lets up (If only for a few minutes) most of which are provided by the character Mark who i found seemed to be slightly out of place. He didn't seem gel with the other characters well and, I felt he would have been more at home in a traditional slasher.
I found that there was a familiarity to Midsommar, influenced as it is by 'The Wicker Man' but, with a run time of almost 2 and half hours there is plenty of time events to play out how they do.

Stickman Downhill - Motocross
Games
App
Stickman Downhill - Motocross, the sequel to the number #1 downhill game with more than 10 million...

Snow White - An Animated Book from The Story Mouse
Book and Education
App
The story book application adults love as much as children! An intelligent, dramatic story, with...
BW
Bird Watching
Book
You have now before you a representation of one of the most richly coloured of birds, and one whose...

The Ballad of the Sad Cafe: Wunderkind; The Jockey; Madame Zilensky and the King of Finland; The Sojourner; A Domestic Dilemma; A Tree, A Rock, A Cloud
Book
Few writers have expressed loneliness, the need for human understanding and the search for love with...

Jesters_folly (230 KP) rated Girl On The Third Floor (2019) in Movies
Nov 1, 2020
Contains spoilers, click to show
Girl on the third floor is a slow paced film about a man, Don Koch who is renovating a rundown house. Of course there is something strange going on.
The film has Amityville vibes, with leaking plug sockets and bleeding walls but also vibes with Fatal Attraction, it's true that there are strange things about the house but it doesn't necessarily mean it's haunted, right, and, this way the film does leave you wondering what is happening. At least for a short while.
Like a lot of haunted house movies, Girl on the third floor, starts slow, there are weird stains and sounds, the dog barks at nothing and marbles roll around. Occasionally you can catch a glimpse of something in a mirror or something moves in the back ground but these are all well used tropes and the film plays on a lot of familiar tropes. This doesn't mean that it is a bad film but I found myself trying to work out where certain characters fitted in.
One thing 'Girl on the third floor' does do well is only feed you the information you need, giving you a chance to work out what is happening before it puts most of the peace's together because there is one character I'm not sure about and one thing about the ending that I'm... Well I'm not going to spoil that but, if they did what I think they did then it's been done better.
I did see reviews saying that 'Girl on the third floor' was one of the films that is so disturbing that you watch it to the end but I didn't find that true. True it is atmospheric and there are a couple of scenes that are a bit gross and a couple of the themes push things a bit but they are only briefly mentioned or cut away from. Maybe I've just seen too many horrors but it was well watchable, I think something like 'Hereditary' was much more disturbing.
Girl on the third floor is a good film but I found that it had all been done before, nether the less it is probably above average.
The film has Amityville vibes, with leaking plug sockets and bleeding walls but also vibes with Fatal Attraction, it's true that there are strange things about the house but it doesn't necessarily mean it's haunted, right, and, this way the film does leave you wondering what is happening. At least for a short while.
Like a lot of haunted house movies, Girl on the third floor, starts slow, there are weird stains and sounds, the dog barks at nothing and marbles roll around. Occasionally you can catch a glimpse of something in a mirror or something moves in the back ground but these are all well used tropes and the film plays on a lot of familiar tropes. This doesn't mean that it is a bad film but I found myself trying to work out where certain characters fitted in.
One thing 'Girl on the third floor' does do well is only feed you the information you need, giving you a chance to work out what is happening before it puts most of the peace's together because there is one character I'm not sure about and one thing about the ending that I'm... Well I'm not going to spoil that but, if they did what I think they did then it's been done better.
I did see reviews saying that 'Girl on the third floor' was one of the films that is so disturbing that you watch it to the end but I didn't find that true. True it is atmospheric and there are a couple of scenes that are a bit gross and a couple of the themes push things a bit but they are only briefly mentioned or cut away from. Maybe I've just seen too many horrors but it was well watchable, I think something like 'Hereditary' was much more disturbing.
Girl on the third floor is a good film but I found that it had all been done before, nether the less it is probably above average.