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Haley Mathiot (9 KP) rated The Stolen Ones (Jessica Balzano & Kevin Byrne, #7) in Books
Apr 27, 2018
A cold case comes to live with the discovery of a new body, a new murder, and multiple new connections. A two-year-old child is found standing in the middle of the street. A mysterious man in ragged clothing appears in a little girls closet completely out of nowhere. A woman disappears from her basement without having left her house. With the help of the rest of the experts in the Philadelphia Police Department, Detectives Jessica Balzano and Kevin Byrne unravel a chilling series of dream-like murders.
The Stolen Ones is book 7 of a series of detective novels. At the time of request, I was unaware of this fact, and I hoped that I would not be confused because I hadn’t read the others. I’m happy to say that I had no trouble at all getting lost in this story. I am totally in love with Kevin Byrne and his snarky Irish attitude, and Jessica’s tough-girl-who-is-here-to-kick-ass mentality.
The story was incredibly complex, and a few times I found myself stopping and saying “wait, what? I’m confused.” I had to check to make sure I hadn’t skipped a track in the audiobook. I hadn’t, all was well… there were just some jarring sections that I think were hard to interpret because it was audio instead of printed. however all things considered it wasn’t enough to negatively affect the story.
The performance by William Hope was very good. I liked his voices and interpretations of the characters a lot, especially Kevin Byrne. He has done quite a few audiobooks, and his experience is obvious; he reads with a good authority, pace, and energy.
There were some gruesome details of violence so it is not for the faint of heart or stomach. It was enough to shock me, but it wasn’t anything I would regret listening to. I’d definitely recommend it to ages 18+ who are into the crime thriller genre.
The Stolen Ones is book 7 of a series of detective novels. At the time of request, I was unaware of this fact, and I hoped that I would not be confused because I hadn’t read the others. I’m happy to say that I had no trouble at all getting lost in this story. I am totally in love with Kevin Byrne and his snarky Irish attitude, and Jessica’s tough-girl-who-is-here-to-kick-ass mentality.
The story was incredibly complex, and a few times I found myself stopping and saying “wait, what? I’m confused.” I had to check to make sure I hadn’t skipped a track in the audiobook. I hadn’t, all was well… there were just some jarring sections that I think were hard to interpret because it was audio instead of printed. however all things considered it wasn’t enough to negatively affect the story.
The performance by William Hope was very good. I liked his voices and interpretations of the characters a lot, especially Kevin Byrne. He has done quite a few audiobooks, and his experience is obvious; he reads with a good authority, pace, and energy.
There were some gruesome details of violence so it is not for the faint of heart or stomach. It was enough to shock me, but it wasn’t anything I would regret listening to. I’d definitely recommend it to ages 18+ who are into the crime thriller genre.
Acanthea Grimscythe (300 KP) rated The Boats of the 'Glen Carrig' in Books
May 16, 2018
Prior to selecting The Boats of the ‘Glen Carrig’ as my next read on Serial Reader, I was unaware that William Hope Hodgson was a source of inspiration for Lovecraft. In fact, as I devoured the novel, I remember remarking to myself how much it felt like something Lovecraft would write – and no wonder!
The Boats of the ‘Glen Carrig’ is written in first-person point of view and feels largely epistolary in form (though it is actually a travelogue). There is no dialogue and readers only know what Winterstraw writes. The story follows a marooned ship and its crew first as they encounter an odd island and then as they end up stranded in what appears as a Hell on Earth – or in this case, the sea. There, they discover another ship entangled in seaweed for seven years (yeah, I don’t get that either, but hey who’s judging?).
Oddly enough, despite the myriad oddities that those aboard the Glen Carrig encounter, it is the second ship they find that truly bewilders me and crosses me as unbelievable. I’m all for the time of creatures this group encounters, but I cannot fathom how it is possible that so many individuals survived on ship that was, for the most part, dead in the water. I kept waiting and waiting for something to go wrong, for something truly disturbing to happen in regards to the other boat and well… there was nothing.
Even though I feel disappointed by the outcome of things with the other ship, overall I found The Boats of the ‘Glen Carrig’ a fun read. For fans of H. P. Lovecraft, it is a must-read. The Wildside Press publication of this book, as well as several other public domain publications, are available on Amazon, free of charge. An audio version can be found on Librivox, an organization comprised of volunteers that come together to record audiobooks of titles that are in the Public Domain.
The Boats of the ‘Glen Carrig’ is written in first-person point of view and feels largely epistolary in form (though it is actually a travelogue). There is no dialogue and readers only know what Winterstraw writes. The story follows a marooned ship and its crew first as they encounter an odd island and then as they end up stranded in what appears as a Hell on Earth – or in this case, the sea. There, they discover another ship entangled in seaweed for seven years (yeah, I don’t get that either, but hey who’s judging?).
Oddly enough, despite the myriad oddities that those aboard the Glen Carrig encounter, it is the second ship they find that truly bewilders me and crosses me as unbelievable. I’m all for the time of creatures this group encounters, but I cannot fathom how it is possible that so many individuals survived on ship that was, for the most part, dead in the water. I kept waiting and waiting for something to go wrong, for something truly disturbing to happen in regards to the other boat and well… there was nothing.
Even though I feel disappointed by the outcome of things with the other ship, overall I found The Boats of the ‘Glen Carrig’ a fun read. For fans of H. P. Lovecraft, it is a must-read. The Wildside Press publication of this book, as well as several other public domain publications, are available on Amazon, free of charge. An audio version can be found on Librivox, an organization comprised of volunteers that come together to record audiobooks of titles that are in the Public Domain.
Loved It.
I checked this audiobook out from Scottsboro's digital library on a whim. I'm not ashamed to admit that I am signed up for a reading challenge with the Scottsboro library, and part of that challenge requires you to read so many books in a year; however, the only books that count towards the challenge are books and audiobooks that you physically check out from the library OR that you check out from the library's digital library. So... it's pretty much February, and I'm already having a hard time coming up with new books to check out from the library that I either HAVEN'T ALREADY READ or just have NO interest in reading. I saw this one pop up under new releases, however, so I thought, "Eh. What the hey. Might as well give it a try."
I say all that to express my surprise at how much I truly enjoyed listening to this book. When I checked it out, I did not have high hopes for it -- I had really NO hopes for it to be honest. I was very pleasantly surprised. The story of Tommy Wiseau is at times hilarious, at times uplifting, and at times, horribly, horribly lonely and sad. I was somehow in equal measure shocked, appalled, entertained, and overcome with laughter at different points in the book, and to me, all those emotions rolled into one is what really makes a book worth reading.
I have never watched Wiseau's (dare I say it?) "masterpiece" THE ROOM before now, but my plan is to go home and watch it over the weekend now that I have finished the book because I simply HAVE to watch it. It sounds horrible and hilarious all in one, and I am actually quite excited to sit down and give it a watch.
I plan on watching "The Disaster Artist" as well. I can't wait to see how the Franco brothers' portrayal measures up to this pretty wonderful book that I just finished.
I say all that to express my surprise at how much I truly enjoyed listening to this book. When I checked it out, I did not have high hopes for it -- I had really NO hopes for it to be honest. I was very pleasantly surprised. The story of Tommy Wiseau is at times hilarious, at times uplifting, and at times, horribly, horribly lonely and sad. I was somehow in equal measure shocked, appalled, entertained, and overcome with laughter at different points in the book, and to me, all those emotions rolled into one is what really makes a book worth reading.
I have never watched Wiseau's (dare I say it?) "masterpiece" THE ROOM before now, but my plan is to go home and watch it over the weekend now that I have finished the book because I simply HAVE to watch it. It sounds horrible and hilarious all in one, and I am actually quite excited to sit down and give it a watch.
I plan on watching "The Disaster Artist" as well. I can't wait to see how the Franco brothers' portrayal measures up to this pretty wonderful book that I just finished.
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David McK (3425 KP) rated World War Z: An Oral History of the Zombie Wars in Books
May 14, 2023
Audiobooks, I find, are a bit of a strange beast: some are good; some are terrible.
I think it all depends on the skill of the narrator, and how close they are to how the character 'sounds' in your head when you're reading a book: in audio (and televisual) form, after all, you are relying on someone else's characterisation.
That is where a unique - at least, I've never come across one quite like this before - hook comes in. Sure, I've listened to a few Graphic Audio's (essentially, a dramatization for the listeners) with a wide cast of characters (each performed by a different actor) before but I don't think I've ever come across one presented like this: essentially, as interviews with survivors of a global apocalypse, the World War Z(ed, not Zee - I'm British) of the title.
Forget the Brad Pitt starring movie of the same name: while it does take the occasional pointer from this, it's a very different beast indeed.
Instead, this is presented as Max Brooks - a survivor of the War - interviewing notable, key and even sometimes seemingly normal, mundane survivors of the fictional outbreak, in chronological order from the earliest inkling that something was wrong, through to the outbreak proper, the fall of society, the fight back against the hordes and the eventual reclamation of society.
I do have to say, however, that I felt that more than a few of the chapters 'sounded' the same (and I mean that in the style and tone of language used, not so much in the verbal intonation - although there is also an element of that in the audiobook), and that I did find myself 'zoning out' for periods of time. As I listened to the audiobook version, it also didn't help that one section would sound like a character was whispering (=sounds up full), and then the very next I would have to hurriedly turn the volume down if I didn't want to be deafened ...
I think it all depends on the skill of the narrator, and how close they are to how the character 'sounds' in your head when you're reading a book: in audio (and televisual) form, after all, you are relying on someone else's characterisation.
That is where a unique - at least, I've never come across one quite like this before - hook comes in. Sure, I've listened to a few Graphic Audio's (essentially, a dramatization for the listeners) with a wide cast of characters (each performed by a different actor) before but I don't think I've ever come across one presented like this: essentially, as interviews with survivors of a global apocalypse, the World War Z(ed, not Zee - I'm British) of the title.
Forget the Brad Pitt starring movie of the same name: while it does take the occasional pointer from this, it's a very different beast indeed.
Instead, this is presented as Max Brooks - a survivor of the War - interviewing notable, key and even sometimes seemingly normal, mundane survivors of the fictional outbreak, in chronological order from the earliest inkling that something was wrong, through to the outbreak proper, the fall of society, the fight back against the hordes and the eventual reclamation of society.
I do have to say, however, that I felt that more than a few of the chapters 'sounded' the same (and I mean that in the style and tone of language used, not so much in the verbal intonation - although there is also an element of that in the audiobook), and that I did find myself 'zoning out' for periods of time. As I listened to the audiobook version, it also didn't help that one section would sound like a character was whispering (=sounds up full), and then the very next I would have to hurriedly turn the volume down if I didn't want to be deafened ...
Acanthea Grimscythe (300 KP) rated Nail's Crossing (Bill Maytubby & Hannah Bond Mystery #1) in Books
May 16, 2018
As seen on <a href="http://theghastlygrimoire.com/"; target="_new">The Ghastly Grimoire</a>
Nail’s Crossing is a fast-paced police procedural from debut author Kris Lackey. Set in Southeastern Oklahoma, the novel dips into Arkansas (my stomping grounds) and Louisiana. Some scenes take place in Oklahoma City, in neighborhoods I know well and the locales depicted in this book are precisely why when I received an email regarding it, I absolutely had to read it.
This book is in the first in a series centered around Bill Maytubby, a reservation police officer, and Hannah Bond, a sturdy, no-bullshit female officers from the county. In these two and the many side characters, Lackey proves adept at making his cast realistic and relateable – which is something I find wanting in other books far too often.
The plot of Nail’s Crossing deals with the aftermath of a young woman’s murder and a varied group of individuals that are responsible for her death. By focusing on the apprehension of the criminals, rather than the psychology behind why they killed the woman make this title a refreshing read, especially after all the books I’ve read lately that try and compare themselves to Gone Girl.
I’ve been in a bit of a slump recently, so the fact I devoured Lackey’s book in only a couple sittings speaks volumes to his ability to maintain a constant flow of action. Unlike many books I’ve read where the author refers to stereotypes to depict certain demographics, Lackey’s portrayal of poverty-stricken southerners is accurate. Considering I live in one of Arkansas’s poorest counties, this meant a lot to me. Lackey has given those without voices one within the pages of his novel that, if you’re looking for it, remind readers that we’re our own culture as well (and not by clinging to Confederate rhetoric like the ones of today seem to).
I look forward to more books in this series, that’s for sure. I’d like to thank Blackstone Audiobooks for providing me with a free copy of this book at no charge in exchange for an honest and unbiased review.
Nail’s Crossing is a fast-paced police procedural from debut author Kris Lackey. Set in Southeastern Oklahoma, the novel dips into Arkansas (my stomping grounds) and Louisiana. Some scenes take place in Oklahoma City, in neighborhoods I know well and the locales depicted in this book are precisely why when I received an email regarding it, I absolutely had to read it.
This book is in the first in a series centered around Bill Maytubby, a reservation police officer, and Hannah Bond, a sturdy, no-bullshit female officers from the county. In these two and the many side characters, Lackey proves adept at making his cast realistic and relateable – which is something I find wanting in other books far too often.
The plot of Nail’s Crossing deals with the aftermath of a young woman’s murder and a varied group of individuals that are responsible for her death. By focusing on the apprehension of the criminals, rather than the psychology behind why they killed the woman make this title a refreshing read, especially after all the books I’ve read lately that try and compare themselves to Gone Girl.
I’ve been in a bit of a slump recently, so the fact I devoured Lackey’s book in only a couple sittings speaks volumes to his ability to maintain a constant flow of action. Unlike many books I’ve read where the author refers to stereotypes to depict certain demographics, Lackey’s portrayal of poverty-stricken southerners is accurate. Considering I live in one of Arkansas’s poorest counties, this meant a lot to me. Lackey has given those without voices one within the pages of his novel that, if you’re looking for it, remind readers that we’re our own culture as well (and not by clinging to Confederate rhetoric like the ones of today seem to).
I look forward to more books in this series, that’s for sure. I’d like to thank Blackstone Audiobooks for providing me with a free copy of this book at no charge in exchange for an honest and unbiased review.
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