Passeport du CE1 au CE2 : Le voyage extraordinaire
Games and Education
App
------------------------------------------------------------------------------------------------------------------------ Hachette éducation élargit sa gamme avec l'appli « Mes dictées CE1 à CM2» !!! Mes dictées CE1 à CM2 est un incroyable jeu mélangeant 3D et 2D avec des dictées de mots pour réviser l’orthographe du CE1 au CM2 ! ------------------------------------------------------------------------------------------------------------------------ De nouveaux contenus en plus pour jouer et réviser dès maintenant et tout l’été ! Cette importante mise à jour comporte : - des exercices de calcul et de conjugaison jouables indéfiniment et de manière très ludique - un mode DEFI avec le classement de l’enfant, qui motivera les champions - l’ajout de contenu pour prolonger les révisions dans l’aventure ------------ Un « serious game » pour réviser le programme scolaire du CE1 (7- 8 ans), tout en s’amusant ! Comme dans un jeu vidéo, votre enfant évolue dans une histoire scénarisée avec tous les exercices du programme de CE1, présentés sous forme de jeux. Il y incarne son avatar et accompagné d’autres personnages, il vivra une magnifique aventure ! Ce « cahier de vacances » pour iPhone et iPad de la célèbre marque Passeport, est spécialement conçu pour que les enfants soient autonomes et s’amusent avant tout avec : •Tous les exercices scénarisés et débloqués au fil de l’histoire pour une progression et une évolution dans le jeu •La leçon accessible et expliquée pour chaque exercice, rédigée par un Directeur d’école •Tous les dialogues et les consignes sonorisés •Des récompenses régulières avec la personnalisation de la mascotte •Des animations riches, de magnifiques graphismes HD et des situations de jeux variées pour tenir l’enfant en haleine durant plusieurs heures. Utilisant toutes les possibilités offertes par votre iphone/ipad, la diversité des jeux rencontrés au fil de l’aventure conduiront votre enfant à découvrir de nouveaux moyens d’interagir avec l’écran tactile. Jamais lassé, cela l’encouragera à poursuivre le jeu : il révisera sans même s’en apercevoir ! Cette application est universelle (développée pour iPhone et iPad) et existe en version Lite et Payante.
Movie Metropolis (309 KP) rated Alita: Battle Angel (2019) in Movies
Jun 10, 2019
You have to feel a little sorry for director Robert Rodriguez as his name has been almost usurped by Cameron’s in the marketing push for this live-action adaptation of the classic manga. Of course, Cameron is too busy making the four Avatar sequels no-one actually cares about anymore and instead, entrusted his vision for Alita: Battle Angel to Rodriguez. He’s certainly an intriguing choice of director, but does the finished product work?
Set several centuries in the future, the abandoned Alita (Rosa Salazar) is found in the scrapyard of Iron City by Ido (Christoph Waltz), a compassionate cyber-doctor who takes the unconscious cyborg Alita to his clinic. When Alita awakens, she has no memory of who she is, nor does she have any recognition of the world she finds herself in. As Alita learns to navigate her new life and the treacherous streets of Iron City, Ido tries to shield her from her mysterious past.
After spending nearly $200million on Alita, Fox clearly think they’ve got another massive hit on their hands and to an extent, they deserve one. Battle Angel is a majestic film, filled with visual presence not dissimilar to the spectacle of watching Avatar for the first time in 2009. The bustling world of Iron City feels as if it’s living and breathing right before our eyes and that’s a testament to both Cameron and Rodriguez as well as the visual effects people down at Weta Digital.
This thriving metropolis is populated by practical and CGI effects of varying qualities, but as a movie world, it works much better than Wakanda did in Black Panther and is leagues ahead of the empty, soulless Asgard from Thor.
It is reminiscent of Sakaar in Thor: Ragnarok however, with its narrow streets and market stalls. The difference here is that Iron City is a much darker, eerier place than Sakarr ever was, save for Jeff Goldblum’s Grandmaster towering above everything.
The casting is also very good and features some household names that were clearly intrigued by the project. Waltz is excellent as the compassionate Ido and Jennifer Connelly works well as his ex-wife, though she is underused throughout.
Alita: Battle Angel is a pleasant surprise from a director who has needed a hit for quite some time.
Ed Skrein turns up every now and then as Zapan, a cyborg bounty hunter and provides some light comic relief in a film that has more than its fair share of darker moments. TV actor Keann Johnson makes his big-budget film debut here and he is excellent as Hugo, Alita’s love interest.
Unfortunately, the initial optimism fades somewhat when you realise that Alita: Battle Angel struggles under the weight of its own script. Plot points in the first 45 minutes feel ridiculously rushed and then the film hurtles towards its climax without stopping for breath.
You get the feeling there was much more that had to be cut to trim the runtime down to a more family friendly 2 hours. The dialogue too isn’t a strong point. Overly expositional and riddled in cliché, Alita is not a film you watch because of its sparkling and witty one-liners.
Niggles aside though and Alita: Battle Angel is much better than I thought it was going to be. The plot, while unoriginal, is sweet and easy enough to swallow, making it a great family film. True, it has its darker moments, but the strong visuals and vibrant environment will make it enjoyable for older children and adults alike.
Overall, Alita: Battle Angel is a pleasant surprise from a director who has needed a hit for quite some time. It’s a flawed film that struggles to cope with its many ideas that continuously pull it in hundreds of different directions, but it’s worth a watch just for the visual spectacle and emotionally arresting story. Whether or not it recoups that colossal $200million budget remains to be seen.
https://moviemetropolis.net/2019/02/09/alita-battle-angel-review-a-visual-spectacle/
Bob Mann (459 KP) rated Jumanji: The Next Level (2019) in Movies
Dec 27, 2019
This was also a film that raked in a HUGE return at the box office, getting close to the billion dollar number on its $90 million budget. During the spring of 2018, this was an almost permanent resident at the multiplexes (until "The Greatest Showman" and "Mamma Mia: Here We Go Again" took over the residence for the rest of the year!) . A sequel was inevitable
We rejoin the cast some time after the events of the first film, and the geeky teenage lovers - Spencer and Bethany - are trying, unsuccessfully, to carry on their long distance relationship while at separate colleges. Spencer is struggling mentally; lacking in confidence and momentum and desperate to feel like 'Smoulder' Bravestone again.
On returning to his home town for the holidays, Spencer fixes the shattered game. But the console is unpredictable and when the game sucks people into Jumanji this time it's not just Spencer and two of his friends that go in, but Spencer's Grandpa Eddie (Danny DeVito) and his old friend Milo (Danny Glover).
When they get there though, things have changed and the mission is a different one. A "next level" indeed!
This is very much 'much of the same' from the first film. Yes, there's a different backdrop with desert and mountain 'levels' to play through. But the same fun, with exploding avatars and dangerous cake, is to be had again. The script team had to do something different here, and they did that by mixing up the avatars (including a surprising equine player) and throwing in the 'pensioners' to the mix. There is new fun to be mined here from the now nimble-again Eddie and the slow-talking and laconic Milo never quite getting to the point in time.
The stars were all persuaded back for another ride. The four avatar leads (Dwayne Johnson, Karen Gillan, Jack Black and Kevin Hart) all return, together with the young teens (Alex Wolff, Morgan Turner, Ser'Darius Blain and Madison Iseman). Nick Jonas and his older real-life player Colin Hanks are back. Even Nigel "Welcome to Jumanji" Billingsley (Rhys Darby) returns, this time swapping his jeep for a plane.
The newcomers to the cast are also welcome. Glover and DeVito are at their cranky best, and introduce a genuinely touching moment into the film. And a new avatar - Ming Fleetfoot - is fabulous in the form of Awkwafina, so brilliant in this year's "The Farewell".
There's not much more to say on this. If you liked the original, you'll enjoy this one too. Many of the same jokes are trotted out again. The villain (here Rory McCann) is as forgettable as in the first film. It's not breaking any records in terms of originality, but the producers won't mind about that as long as it drags the crowds in again. At the time of writing it has made $320K on its $125K budget, so that seems to be working.
Jake Kasdan is again at the helm. But I really hope enough is enough, and they leave it at this. The mid-credits scene might suggest though that greed is going to dictate a Jumanji 4 (or 5 in some people's books). The returns, I fear, from the franchise will be ever diminishing from this point forwards.
(For the full graphical review go here - https://bob-the-movie-man.com/2019/12/27/one-manns-movies-film-review-jumanji-the-next-level-2019/ .)
Ivana A. | Diary of Difference (1171 KP) rated Ready Player One in Books
Oct 26, 2018
We are in the year 2045, where while Earth is deserted and almost destroyed, people don’t realise because they are too busy living in a virtual world - the Oasis!
The Oasis is a place where you can create an avatar for free, you can level up, you go to a school and you work inside the Oasis. This virtual world is filled with references from the 1980s. Cities are built in such a way, video games and books and movies still go on.
When the famous creator of the Oasis, James Halliday, dies, it turns out that there is a contest, and the person that will manage to find the ''Easter egg'' would inherit ownership of the Oasis.
We see the story from the point of view of the young Wade, that calls himself Parzival in the Oasis. He is in love with everything from the 1980’s, you name it - video games, pop culture, movies, shows, books. He is also amazed with Halliday’s work and life.
When five years from James Halliday’s death pass, people seem to have forgotten about the contest, and that’s when Parzival’s courage and knowledge will help him find the first key that unlocks the first of the three gates for the contest, putting him on the top of the scoreboard, and after five years, people start talking about Haliday’s ‘’egg’’ again.
Making friends along the way, and maybe finding the love of his life, Parzival faces millions of challenges, adventures, dangerous, funny and adorable moments. This is a book that will reveal a whole new world for you, and make you love Parzival while you follow his adventure into winning the contest.
With time running out, danger surrounding from all sides, and suddenly finding the ‘’egg’’ becoming a life or death game, Parzival and his friends have no choice but to win this contest. But will they make it, with the IOI Corporation behind their backs, following them both in the real and in the virtual world, endangering their lives?
James P. Sumner (65 KP) rated Men in Black International (2019) in Movies
Jun 20, 2019
Definitely not the best film I've ever seen, but surprisingly far from the worst.
The plot is simple enough - there's a mole within MiB that's trying to start a war between a long-forgotten enemy and another race of aliens, which will ultimately endanger the earth. Nothing we haven't seen before.
But it's actually pretty good fun. The chemistry between the two leads (Thor and Valkyrie!) is a joy to watch, and if nothing else, this movie serves to reiterate what we first found out in the "Ghostbusters" remake - Chris Hemsworth is hilarious! His comedic timing is brilliant, and he's a genuinely funny guy which shines in the right role (see "Thor: Ragnarok").
Sadly, I guessed the *big twist* from watching the trailers. Figured it was obvious, as we've all seen this type of film/story before. And if I could figure it out, most other people probably can, too. As the film entered its third act, I found myself hoping my prediction was wrong, just to inject a little more life into the experience, but nope... nailed it.
Whilst there are subtle nods to the original films, they aren't required viewing ahead of watching this. A cross between a sequel and a reboot, it stands well on its own merits.
I think with a film like this, you're never going to get an "Avatar" or a "Shawshank Redemption" experience. Not that this is bad, per se, but because the level of potential quality will always be limited by its content and genre. Same way an "Expendables" movie would never win an Oscar. I think they're brilliant, but they are what they are and nothing more. Same here. It's not a bad film. It's not a great film. It's just a film. Would I have paid to see it in hindsight? Perhaps not. But definitely catch it when it's on Netflix.
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