Total War Battles: SHOGUN
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BUILD, BATTLE AND AVENGE! Specifically developed for touchscreen platforms, Total War Battles™:...
Adam Colclough (3 KP) rated Slow Horses in Books
Mar 12, 2018
The crew of misfits incarcerated there under the command of the objectionable Jackson Lamb are called back to active service when a terrorist gang kidnap a teenager and threaten to behead him live online. Suddenly the awkward squad are players in a deadly game with only one possible winner.
In this book, first published in 2010 and part of an award-winning quartet, Mick Herron delivers all the thrills you would expect as he pits his cast of oddballs against a chillingly plausible enemy.
Spy novels often describe hidden worlds as a way of talking about the one with which we are all familiar. In the Sixties Le Carre wrote about a secret service that resembled nothing so much as minor Oxbridge college down on its luck but clinging tightly to past glories. Any similarity to a Britain that for all the promises of wonders delivered by the ‘white heat of technology’ was starting to look decidedly seedy was entirely intentional.
Mick Herron writes about a service that has been capture by bean counters and career obsessed middle managers. Drowning in paperwork, stymied by procedure and inclined to try and be a little too clever for its own good.
He also creates delightfully complex characters, the ‘slow horses’ of the title may all be difficult individuals, but that gives them fears and failings that make them infinitely more interesting than monochrome supermen like Bond or Bourne. By the book’s end he even manages to provide them with if not redemption than the unexpected feeling they may have a purpose after all.
The best spy novels are always about more than just chasing after a McGuffin. This book is unafraid to look at troubling ideas and to present characters who don’t tick the boxes of traditional heroism. That puts it in the running to become a classic of the genre.
Hazel (1853 KP) rated Wild: A Journey from Lost to Found in Books
Dec 7, 2018
Recently brought to the big screen starring Academy Award Winner Reese Witherspoon, <i>Wild</i> is a true account of Cheryl Strayed's epic hike along the Pacific Crest Trail. Over the course of three months Cheryl treks from Mojave, California, through Oregon before finishing at the Bridge of the Gods.
<i>Wild</i> is a compelling story that reveals a young woman's determination and bravery to complete her impulsive walk of eleven hundred miles. Ill-prepared and still struggling with the death of her mother a few years earlier, Cherly sets off unknowing of the strength she would need to complete her challenge.
As Cheryl writes the reader learns how she survey the severe changes in weather conditions, her lack of food and money as well as her damaged feet and missing toenails.
Cheryl Strayed's story is an inspiration to readers as she proves that a human being can go above and beyond expectation in extraordinary circumstances. Despite having the truth laid out on paper, it is impossible to imagine the emotions and physical exertion Cheryl must have gone through.
A good thing about this biographical tale is that Cheryl's narrative does not solely focus on the PCT but refers back to events of the past that have made Cheryl who she is today and influenced her decision to begin the trail. The reader begins to know the real Cheryl and understand what she is feeling and thinking at different points in the book.
Split into five parts, Cheryl has used famous quotes to reflect the content of the following chapters. This takes the book to a higher intellectual level than just having the narrative.
Even if reading about someone going for a long walk sounds unappealing, it is so beautifully written, full of raw emotion that it will be enjoyed by many different readers whether male or female, old or young.
Having not yet seen the film it is impossible to pass comment on it, however the book is definitely worth making the time to read.
Chris Sawin (602 KP) rated 127 Hours (2010) in Movies
Jun 23, 2019
The first thing to notice about 127 Hours is that it contains excellent editing. The opening credits illustrate this to a certain extent, but the best example comes at the peak of Aron's struggle once he's trapped and fighting for his life. His delusions begin overlapping with his memories as the screen is divided into three separate vertical segments representing how desperate and how dangerously close Aron has come to the brink of insanity.
127 Hours looks spectacular, as well. The desert is a mostly dry and bleak place that no one would want to visit, but it's shown in a light here that makes it makes it look both appealing and beautiful in a way that almost makes you forget that it lacks civilization. The film does an incredible job of making you feel like you're right there in these crevices with Aron without giving the overbearing sensation of claustrophobia. Captivating cinematography makes even the most simple things like a dripping faucet and air bubbles settling in a water bottle appear like more of a spectacle than they really are.
James Franco is also quite impressive. He is the only one on-screen for the majority of the film and has no one to play off of but himself. Events of his life flashing before his eyes and the decisions he should've but didn't make, Scooby Doo hallucinations, and premonitions of the future on top of his uphill battle to survive aren't only incredibly engaging but arguably some of the best scenes in the film.
127 Hours is enthralling, incredibly powerful, and easily one of the best films of the year. James Franco delivers what is quite possibly his strongest and most intriguing performance to date while Danny Boyle adds another visually brilliant and superbly written film to his repertoire that is a potential award winner.
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