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Bonnie and Clyde

7.0 (3 Ratings) Rate It

Tabletop Game

Number 5 in the Mystery Rummy series Welcome to the 5th in a series of Mystery Rummy games, all...

BoardGames CardGames RummyGames

Sisters of Castle Leod

Elizabeth Hutchison Bernard

(0 Ratings) Rate It

Book

**Finalist in the 2022 American Writing Awards** Millions are fans of Diana Gabaldon’s popular...

Historical Biographical Fiction

Mark @ Carstairs Considers (2340 KP) rated Gilt Trip in Books

Jan 3, 2025

Gilt Trip

Diane Vallere | 2025 | Mystery

9.0

(1 Ratings)

Book Rating

Samantha Must Find the Gilt-y Party

Samantha Kidd’s husband, Nick Taylor, is up for an award, and Samantha is doing all she can to support him. Unfortunately, her efforts to get a table for family and friends at the awards banquet have turned out to be filled with people who are angry with her for one reason or another. But the evening takes a horrible turn when Samantha finds the body of the toastmaster in a closet of the hotel where the event is being held. With a blizzard keeping the police from arriving, Samantha must try to solve the crime. Can she do it?

This book is fun since it all takes place in one night. In lesser hands that could have been a bad thing, but in this case, it worked well. I was engaged the entire time and kept guessing until we reached the logical climax. Yet we still got plenty of time for the subplots to play out. We still see plenty of the regulars, and I liked the growth we saw in Samantha. We also go plenty of laughs and discussion of junk food. If you want a light mystery, this series is definitely for you. And if you are a fan who hasn’t gotten to this book yet, you are in for a treat when you do.

Kudos

Movie Metropolis (309 KP) rated The Revenant (2015) in Movies

Jun 11, 2019

The Revenant (2015)

2015 | Adventure, Drama, Thriller

7.9

(62 Ratings)

Movie Rating

Typical Oscar Fodder

There are two types of film critic when it comes to the Academy Awards. Those who enjoy the glamour that the Oscars bring every spring and those who despise what the awards mean for film. I’m in the latter camp, I find them out of touch with what movie-watching audiences enjoy and feel an overhaul is necessary to reflect that.

That’s not to say the Oscars reward bad films of course. Not at all. I do feel however that they, on the whole, reward technical brilliance, rather than the deeper aspects of movie-making and forget to include mass-market crowd-pleasers for fear of cheapening the ceremony.

The film everyone is talking about this year is The Revenant. With an incredible 12 nominations, it’s the one to watch in 2016. But is it actually any good?

With Birdman director Alejandro G. Iñárritu at the helm, it promises more of the exceptional performances and technical perfection he brought to that film, and that’s exactly what you get.

Leonardo DiCaprio, nominated for yet another Academy Award, stars as Hugh Glass, a hunter left for dead by his supposed comrades after a vicious bear attack leaves him gravely injured. He is supported by man-of-the-moment Tom Hardy, nominated for a Best Supporting Actor award, and British rising star Will Poulter (The Maze Runner).

DiCaprio’s Glass is a commanding presence throughout The Revenant as he tracks down those who betrayed him. With little English dialogue, it’s impressive that he is able to convey such emotion, but he does so perfectly. He’s certainly worthy of his Oscar nod, but whether or not he will be fifth time lucky remains to be seen.

Elsewhere, the cinematography that Iñárritu uses is nothing short of breath-taking. Beautiful lingering shots of snow-capped mountains, icy waterfalls and baron forests all make for a documentary-level of awe and it’s here where the film succeeds the most.

Unfortunately, the rest of The Revenant falls a little flat. The story is incredibly pedestrian considering the film’s 156 minute running time and whilst the cast are all excellent, the material is a little staid ranging from the ordinary, to the bizarre. One scene in particular had me remembering The Empire Strikes Back of all films.

The intriguing plot that Iñárritu brought to Birdman is nowhere to be seen here and as the film reaches its mightily predictable conclusion, it runs out of steam. There’s only so much landscape, however beautiful, that you can throw at an audience.

Overall, The Revenant is a technical masterpiece, flanked by impressive performances from Leonardo DiCaprio and Will Poulter in particular, but the story just isn’t there. It may have a dozen award nominations to its name, but in this case, it’s nothing more than style over substance.

https://moviemetropolis.net/2016/01/17/typical-oscar-fodder-the-revenant-review/