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Blazing Minds (92 KP) rated Crazy Rich Asians (2018) in Movies

Nov 1, 2021 (Updated Nov 3, 2021)  
Crazy Rich Asians (2018)
Crazy Rich Asians (2018)
2018 | Comedy
Those of you that have read my reviews, will know of my love of Sci-Fi and horror movies, but every once in a while something comes along that brings a big grin to my face as soon as the movie starts and Crazy Rich Asians is one of those film, very much like La La Land did when I saw it in the cinema.

The movie has some brilliant characters that bring the film alive, such as the very memorable and funny Peik Lin Goh (Awkwafina) who as some brilliant lines that some of the laughs to the film.
  
Crazy Rich Asians (2018)
Crazy Rich Asians (2018)
2018 | Comedy
After seeing the first preview for this film, I wasn't sure I wanted to see it, but every preview improved, and I began anticipating it. I went to the first showing I could on the day it released because I was so hyped.
I am not a rom-com movie person at all, so I was hoping I didn't end up completely hating it. BUT, it was the right combination of rom and com. All of the actors/actresses were fantastic, Constance Wu was hilarious, and now I want to see Awkwafina in as many films as possible. Gemma Chan was also really fantastic in this. Henry Golding is nice to look at, and for it being his first acting role, he did great.
The story was quickly-paced, and it didn't feel like a two hour movie. The visuals were beautiful, and I'd definitely go see it again. It may be one of my favorite movies to come out this summer.
  
The Farewell (2019)
The Farewell (2019)
2019 | Comedy, Drama
Faintly oddball comedy-drama successfully pulls off that trick of looking like being about one thing but actually covering lots of ground. Chinese matriarch is found to have terminal cancer; in accordance with local tradition the family keep her in the dark about this but organise a fake wedding as an excuse to get together one last time. New York-based scion of the family Awkwafina, grand-daughter of the dying woman, is very doubtful of the ethicality of this.

You expect a film about grief, and to some extent this is one, although it's really a chronicle of grief foretold, as the characters anticipate a loss to come. It's also about cultural differences, family life, and the way in which people routinely tell lies to each other every single day simply in order to keep life livable. The film skates along over the top of all this and treats it all with a light and delicate touch. Not an absolute tear-jerker, I thought, but there are some very touching moments (then again, I may be emotionally atrophied, who knows). Not a huge amount actually happens but the film has clearly been made with intelligence and skill.
  
Ocean’s 8 (2018)
Ocean’s 8 (2018)
2018 | Comedy, Crime
For the last five plus years all Debbie Ocean (Sandra Bullock) has had to think about was how to steal a $150 million dollar necklace of the neck of a mark during the Met Gala. Why she had all that time to think about was because she was incarcerated. The plan is flawless on paper but it would have to be to pull off this caper at one of the most high profile events of the year. Meticulously thought out and every eventuality covered. Now all she needs is a crew to make it happen. She gets her right hand girl Lou (Cate Blanchett) and they set out to plan the heist. The start with getting down on her luck designer Rose Weil (Helena Bonham Carter), who must persuade the mark, socialite actress Daphne Kluger (Anne Hathaway), to wear her dress and the diamonds to the even. Then let add a fence, Tammy (Sarah Paulson), a pick-pocket, Constance (Awkwafina), diamond expert, Amita (Mindy Kaling), and a hacker, Nine Ball (Rihanna), everyone they need to make this plan happen. The plan is made, the crew is assembled and the Met Ball is days away and all they have to do is rob a highly protected necklace in a museum filled with people and more cameras than you can count.

David Ross (Pleasantville, Seabiscuit) wrote and directed the most recent film in the Ocean’s storyline. It definitely is in the same mold of the male dominated Ocean’s trilogy of films. There are even cameos from the old crew and the direct link of the main character being the sister of the protagonist of those films really ties them together. There are several nods to the original films and even the music and cinematography match up pretty well. At times I would say that it tries too hard to be like those films.

The cast does a great job. The character development is really good and if successful could definitely lead to follow up films. Awkwafina, who I had not heard of before going into this film, was a real bright spot and stood out in the scenes she was in. James Corden, as insurance investigator John Frazier, was also fun. The flow and pace of the film really went along well. There were definitely fun moments, also some moments that were a little cheesy, which are to be expected. Also to be expected in heist movie are some twist and turns, which this film delivers on. It keeps you guessing until the end.

Overall this was a fun movie going experience but maybe on I would be more likely to rent than see on the big screen.
  
Renfield (2023)
Renfield (2023)
2023 | Comedy, Horror
7
6.4 (5 Ratings)
Movie Rating
Cage feels Caged-In
Sometime you are in the mood for a drama, sometimes an action flick, other times a romantic comedy.

And then there are times you just want to watch Nicholas Cage camping it up on-screen as Dracula.

If that is the mood you are in, boy do I have a movie for you.

Based (very loosely) on the character created by Bram Stoker (and the classic 1931 film starring Bela Lugosi), RENFIELD tells the tale of an over-the-top Dracula in modern times as seen through his “familiar”, Renfield.

Nicholas Hoult (Beast in the latest series of X-Men films) plays Renfield as a put-upon assistant to Dracula - kind of a comedy/horror version of the relationship of Anne Hathaway and Meryl Streep in THE DEVIL WEARS PRADA - and it works (for the most part). Hoult is a winning (enough) and sympathetic presence on screen and you find yourself rooting for him in the end.

The surprising thing to me in this film is the sub-plot of Renfield finding love with a Police Office portrayed by (of all people) Awkwafina. This comedienne/actress has really grown on the BankofMarquis as a solid and dependable presence on screen and she doesn’t disappoint here. And that’s a good thing for the Renfield/Rebecca the Cop relationship ends up taking center stage during the 2nd act of this film (moving Nic Cage’s Dracula off-screen for a long stretch of time) and it works for Hoult and Awkwafina play off each other very well.

As for Cage, his Dracula is off-center, wacky, frenetic and out-of-this world. A true fish-out-of-water. But…if I’m being honest…his performance feels reigned in and it didn’t go far enough out-of-the-box and didn’t get nearly crazy enough for my tastes.

When something like that happens, one needs to look no further than the Director and Chris McKay (THE LEGO MOVIE, THE TOMORROW WAR) has a track record (at least for the BankofMarquis) of pulling his punches - and he pulls many, many punches in this film. But, he also DOESN’T pull punches at times (like in the scene where one guy gets his arms ripped off and then these arms are used as nunchucks on a bevy of bad guys). He doesn’t really know how far or how outlandish he should go. So he filters in a comedic amount of blood and gore - and then reigns Cage in. It’s an odd choice.

If you decide to watch Renfield, you already know what to expect - and for the most part you get it - except in the one spot that you really need it.

Letter Grade: B

7 stars (out of 10) and you can take that to the Bank(ofMarquis)
  
Shang-Chi and the Legend of the Ten Rings (2021)
Shang-Chi and the Legend of the Ten Rings (2021)
2021 | Action, Adventure
See Shang-Chi on the Big Screen
The new Marvel Super Hero film, SHANG-CHI and the LEGEND OF THE TEN RINGS is the kind of film that deserves to be seen on the big screen and Writer/Director Destin Daniel Cretton (JUST MERCY) has crafted a film that earns that statement.

Based on the Marvel comic book character (of course), SHANG-CHI tells the tale of…well…Shang-Chi a financially struggling - but happy - Valet in San Francisco who has a family secret.

Writer/Director Cretton has crafted a whimsical, mythological, mystical and action packed film that settles in at the top end of the Marvel Cinematic Universe family of films.

At the center, newcomer Simu Liu (KIM’S CONVENIENCE) more than holds his own as the newest Super Hero in the MCU. He is grounded, centered and more sure than unsure as he discovers his abilities and his family’s secrets. He is a worthy addition to this world of Superheroes.

Joining him is the remarkable Awkwafina (CRAZY, RICH ASIANS) as his best friend, sidekick who handles the drama comedy and action with aplomb. This film makes some smart choices with this character and Awkwafina shines.

The rest of the cast/characters are equally as strong from Tony Chi-Wai Leung (as Shang-Chi’s father) to Meng’er Zhang (as Shang-Chi’s sister) and good ol’ Michelle Yeoh (as Shang-Chi’s Aunt) bring strong characters to life. They all shine.

This film also brings back a character from a previous MCU film that somewhat redeems the poorly conceived character from his earlier appearance. I won’t spoil it by saying who it is, but I liked what the MCU did with this character.

But, this being a Marvel movie, all of these performances anchor a bigger picture that is filled with action, action and more action - and something else, something mystical.

Here is where Director Cretton really shines. The action scenes are interestingly staged and choreographed well. The first fight (the bus fight that is shown in the trailer) and a fight on scaffolding both particularly work well.

This film does delve into the mystical in the last 1/3 and in Cretton’s hands, this ends up working well instead of being comical or inane. I bought what was going on and was rooting for our heroes to defeat the undefeatable, fantastical creatures.

To be honest, the “final battle” didn’t really live up to the rest of the film so that brings this film down a notch, but this movie did what it needed it to do, it opened up a whole new area of the Marvel Cinematic Universe - in both character and locations - and I am anxious to see where they go from here.

Try to see SHANG-CHI on the Big Screen, the visuals are worth it.

Letter Grade A- (the finale needed to be better)

8 stars (out of 10) and you can take that to the Bank(ofMarquis)
  
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Ang Lee recommended The Farewell (2019) in Movies (curated)

 
The Farewell (2019)
The Farewell (2019)
2019 | Comedy, Drama

"When I watched Lulu Wang’s “The Farewell,” it was a bit like revisiting my own past, as the young director who made “The Wedding Banquet” (1993). Both works center on a family celebration that’s based on a fundamental lie. In “The Wedding Banquet,” the wedding itself is a sham, an attempt to hide the main character’s gay identity from his Taiwanese family. In “The Farewell,” the banquet masks the fact that the grandmother Nai Nai (Shuzhen Zhao) is terminally ill, something that is known to everyone except her: the family hasn’t told her, and so the joyous celebration is also a disguised, melancholy farewell. As a film by an Asian American writer-director, “The Farewell” operates between two cultures, American and Chinese. This awkwardness is embodied in the character of Billi (Awkwafina), who was born in China but moved to the States when she was 6 years old. Her feeling of displacement is at the heart of the film’s two most affecting scenes: first, when Billi reveals to her mother how much she missed growing up in China, how lost she felt as a child in America; and second, Billi’s farewell to her grandmother when she returns to the States. Such a scene could easily have been very sentimental; instead, it’s stoic and moving and quiet — a testimony to Lulu Wang’s control of her material, and a lovely ending to a very heartfelt and personal film."

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