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Charlie Cobra Reviews (1840 KP) rated Shang-Chi and the Legend of the Ten Rings (2021) in Movies
Sep 5, 2021
Superhero Epic With Emotional Family Drama And Gravity-Defying Martial Arts
In the past, Xu Wenwu (Tony Leung), Shang-Chi's father, used the Ten Rings, mystical weapons granting him immortality and power, to amass an army of warriors and topple kingdoms and governments alike. In the present Shang-Chi (Simu Liu) is just a regular guy working a dead end job as a valet with his best friend Katy (Awkwafina) and enjoying life. When he and Katy are attacked by the mysterious Ten Rings Organization, Shang-Chi must confront the past of his former life. A life he thought he left behind.
This movie was really great! I'm so glad I went to go watch it in theaters and on the first day before anybody spoiled anything for me. I hate people who do that. Anyways, this movie was an excellent addition to the MCU and I like the way it went about being it's own thing. It felt like they didn't have to try and adhere to being part of a shared universe and making things fit but at the same time there were plenty of Easter eggs and surprises sprinkled throughout. The film also managed to check a lot of boxes without feeling like they were forced. It had drama, really great action, killer fight scenes, and some comedy mixed in there. The movie felt a lot like the first Guardians of the Galaxy movie, especially in how it balanced the seriousness and lightness throughout the film. I liked the chemistry between the characters and thought the casting was perfect. The bus scene was one of my favorite parts of the movie and all the action that went on. If I had to say that there was a biggest flaw in the film it would probably be that they didn't really go too far into some of the lore involved but ultimately that didn't detract from it enough to be something major.
I liked the way the director chose to portray the events in the story and how it was a pretty cohesive plot and not all over the place. The pacing was done well and there was good use of flashbacks in certain scenes to move the plot. I felt like it was done well without turning into "info dumping" with character dialogue. The cinematography was great and seemed naturalistic and heightened. They definitely took advantage of filming on location in San Francisco with some scenes filmed in famous places such as Russian Hill, Noe Valley, Nob Hill and Fisherman's Wharf. The fight choreography in the movie is phenomenal. It's probably the best that there has ever been in a Marvel film and it shows. They got Brad Allen who had worked with Jackie Chan before, as the supervising stunt coordinator and he brought that physical comedy to the scenes where setups and stakes keep rising as do the payoffs. The tone of the movie was light but definitely had it's moments were it got darker however it never left it's core of being about family. The music was more contemporary and modern but with some musical score in the scenes where it fit really well but there was nothing that really stuck out as unique or compelling. The acting was pretty good with even Awkwafina showing a little bit of range with some dramatic scenes and not just comedy. Simu Liu was very convincing as Shang-Chi, both versions, the "average Joe" and the warrior. His father played by Tony Leung was also very good in his scenes from the ones showing the past to his interactions with Shang-Chi. You could really feel the tension between them. And of course Michelle Yeoh was just awesome!
The writing was good and dialogue never felt like somebody said something that was out of character or didn't fit right. The plot was never weak or boring. Although you could tell where it was going it had a little bit of mystery to it. The editing was done very proper and there were some good cuts of action scenes particularly the bus scene. I liked the one transition in the beginning from the tale of the past to the alarm clock. The costume designs were something that you usually don't remember in some films but this one had some really iconic ones that stuck out. For example that one masked blue ninja's outfit, as well as the other Ten Rings soldiers looked cool. Razor Fist's arm design was inventive also. There were so many outfits that come out later in the movie that just fit really well too. Although as cool and nice looking as Shang-Chi's costume was, I did think it could have been better. There were plenty of really cool set designs from the Ten Rings lair to a underground fight club in Macau but the one set piece that stole the show to me was this really ornate wooden carving that looked really intricate. You'll know the one when you see it. The special effects were really good and I couldn't really complain too much except that the movie did suffer from one of those things that happened towards the end like in Black Panther where they just used too much in a certain sequence and it looked bad in that particular part. I did have a favorite character in the movie but it'd be spoiling it if I said who it was, so I'll just say that they have exceptional "acting" skills. Anyways I give Shang-Chi and the Legend of the Ten Rings a 8/10 and it gets my "Must See Seal of Approval". You need to get out there and check this movie out this Labor Day Weekend.
This movie was really great! I'm so glad I went to go watch it in theaters and on the first day before anybody spoiled anything for me. I hate people who do that. Anyways, this movie was an excellent addition to the MCU and I like the way it went about being it's own thing. It felt like they didn't have to try and adhere to being part of a shared universe and making things fit but at the same time there were plenty of Easter eggs and surprises sprinkled throughout. The film also managed to check a lot of boxes without feeling like they were forced. It had drama, really great action, killer fight scenes, and some comedy mixed in there. The movie felt a lot like the first Guardians of the Galaxy movie, especially in how it balanced the seriousness and lightness throughout the film. I liked the chemistry between the characters and thought the casting was perfect. The bus scene was one of my favorite parts of the movie and all the action that went on. If I had to say that there was a biggest flaw in the film it would probably be that they didn't really go too far into some of the lore involved but ultimately that didn't detract from it enough to be something major.
I liked the way the director chose to portray the events in the story and how it was a pretty cohesive plot and not all over the place. The pacing was done well and there was good use of flashbacks in certain scenes to move the plot. I felt like it was done well without turning into "info dumping" with character dialogue. The cinematography was great and seemed naturalistic and heightened. They definitely took advantage of filming on location in San Francisco with some scenes filmed in famous places such as Russian Hill, Noe Valley, Nob Hill and Fisherman's Wharf. The fight choreography in the movie is phenomenal. It's probably the best that there has ever been in a Marvel film and it shows. They got Brad Allen who had worked with Jackie Chan before, as the supervising stunt coordinator and he brought that physical comedy to the scenes where setups and stakes keep rising as do the payoffs. The tone of the movie was light but definitely had it's moments were it got darker however it never left it's core of being about family. The music was more contemporary and modern but with some musical score in the scenes where it fit really well but there was nothing that really stuck out as unique or compelling. The acting was pretty good with even Awkwafina showing a little bit of range with some dramatic scenes and not just comedy. Simu Liu was very convincing as Shang-Chi, both versions, the "average Joe" and the warrior. His father played by Tony Leung was also very good in his scenes from the ones showing the past to his interactions with Shang-Chi. You could really feel the tension between them. And of course Michelle Yeoh was just awesome!
The writing was good and dialogue never felt like somebody said something that was out of character or didn't fit right. The plot was never weak or boring. Although you could tell where it was going it had a little bit of mystery to it. The editing was done very proper and there were some good cuts of action scenes particularly the bus scene. I liked the one transition in the beginning from the tale of the past to the alarm clock. The costume designs were something that you usually don't remember in some films but this one had some really iconic ones that stuck out. For example that one masked blue ninja's outfit, as well as the other Ten Rings soldiers looked cool. Razor Fist's arm design was inventive also. There were so many outfits that come out later in the movie that just fit really well too. Although as cool and nice looking as Shang-Chi's costume was, I did think it could have been better. There were plenty of really cool set designs from the Ten Rings lair to a underground fight club in Macau but the one set piece that stole the show to me was this really ornate wooden carving that looked really intricate. You'll know the one when you see it. The special effects were really good and I couldn't really complain too much except that the movie did suffer from one of those things that happened towards the end like in Black Panther where they just used too much in a certain sequence and it looked bad in that particular part. I did have a favorite character in the movie but it'd be spoiling it if I said who it was, so I'll just say that they have exceptional "acting" skills. Anyways I give Shang-Chi and the Legend of the Ten Rings a 8/10 and it gets my "Must See Seal of Approval". You need to get out there and check this movie out this Labor Day Weekend.
Bob Mann (459 KP) rated The Farewell (2019) in Movies
Sep 28, 2021
Simply brilliant. Go see it!
The Long Goodbye.
With “Downton Abbey” and now “The Farewell”, the excesses of the summer blockbusters are fading away. (Though I’m sure Rambo might have something to say about that!)
The Plot.
Billi (Awkwafina) is a young Chinese New Yorker struggling to make her way in the world. She has a place of her own to distance herself from her parents – Haiyan (“Arrival“‘s Tzi Ma) and Lu Jian (Diana Lin) – but is struggling to fund it. But despite a typically spiky teenage relationship with her parents, family is important to her.
There’s a big shock then when her beloved “Nai Nai” (Shuzhen Zhao) is diagnosed back in China with terminal cancer. The slight complication is that no-one has told her. Her younger sister (Hong Lu) has taken the decision to keep the news from her. This is in line with the Chinese saying “When people get Cancer they die”. (Based on the rationale that it is not necessarily the disease that kills you, but the fear that destroys your useful life).
The whole extended family sign up – reluctantly – to the decision. They stage a final get together back in China around the pretence of a trumped-up wedding. This is between the comically reluctant grandson Hao Hao (Han Chen) and his new Japanese girlfriend Aiko (Aoi Mizuhara).
Faced with seeing Nai Nai face-to-face, and being forced to “celebrate” together, can the family – and the emotionally attached Billi in particular – hold it together and keep the secret?
A laff a minute then?
You might naturally assume that given the subject matter that this was going to be SERIOUSLY heavy going. And in many ways you would be right. Most of us over 50 will have lost an elderly relative. And, unless it was a sudden event, you have probably been through the mental pain of having to drive away from a nursing home certain that that will be the final time you will see your loved one alive. If you are therefore not affected by this film, you are not human.
So I was frankly bracing myself.
However, the film is so beautifully put together, and the comedy – albeit some of it very dark – so brilliantly inserted that the film is an UTTER DELIGHT from start to end. There are truly insightful scenes that get under the skin of the well-developed social approach in China to family. (Like the illustrious Mrs Movie-Man, they love big family dinners around a round-table!) Although there is always the teen – Bau (Jinhang Liu) in this case – with his face permanently in his phone!
There are also scenes familiar to anyone who’s visited China. The gaggle of “helpful” taxi drivers outside the airport made me laugh out loud.
Also (unintentionally) funny are the multiple company logos at the start of the film. This is reminiscent of the classic “Family Guy” scene (I think “The Simpsons” also did a similar spoof).
Cinematic.
For such a ‘small’ film, the scale is sometimes truly cinematic. Director and writer, Lulu Wang, achieves some gloriously memorable movie moments. A stony-faced, determined march of the key players towards the camera – which could be subtitled “The Magnificent Eight” – is slo-mo’d for about 30 seconds and is utterly mesmeric.
And a scene at a cemetery is a comic masterpiece of Chinese tradition. Bau of course still has his face in his phone throughout!
This is only Lulu Wang‘s second feature, but it makes me now want to check out her first film (“Posthumous”).
Not afraid to offend either country.
What I found particularly interesting is that the film is truly multi-cultural. It’s not an American film with some local content crudely inserted to cater for the Far East markets. The film is an almost equal blend of American language and Mandarin language with subtitles.
Lulu Wang is also not afraid to upset officials in either country. Which is better: US or China? The question keeps getting posed to Billi and discussed among the family. And – as you might expect – there are positives and negatives on each side. The film doesn’t really take sides. It’s a really balanced position to take.
A quirky soundtrack.
The music is by Alex Weston, and its one of the stars of the film. It’s truly quirky with everything as diverse as a vocalised version of Beethoven’s Sonata No. 8 “Pathetique”; a karaoke version of “Killing Me Softly”; and a hugely entertaining Chinese version of Niilson’s “Without You” over the end titles.
A brilliant ensemble cast.
It’s a great ensemble cast (SAG awards, are you listening?), and everyone pulls their weight. Even the minor members of the cast are superb: Aoi Mizuhara in particular displays acute awkwardness brilliantly!
But leading the charge is Awkwafina. She was in the disappointing “Ocean’s 8” but much more memorable in “Crazy Rich Asians” as Rachel’s wacky Singapore friend. Here it’s a bravado performance that is genuinely moving. She IS the slightly sulky but emotionally crushed teen.
Sub-titles? I don’t do sub-titles.
Get a grip! Yes, this is a film that has sub-titles. But it uses them when required (unless you happen to be fluent in Mandarin that is!). There is also a large percentage of the film that is in English. It’s all eminently watchable, even for “sub-title-phobes”.
This is a feelgood film about a tough subject. The ending of the film pulls off the trick of being both devastating and uplifting at the same time.
So get yourself to the cinema and see this film! Without question, it gets my “highly recommended” tag. It’s also firmly placed itself very high up in my “Films of the Year” list.
And it’s all “based on a true lie”!
With “Downton Abbey” and now “The Farewell”, the excesses of the summer blockbusters are fading away. (Though I’m sure Rambo might have something to say about that!)
The Plot.
Billi (Awkwafina) is a young Chinese New Yorker struggling to make her way in the world. She has a place of her own to distance herself from her parents – Haiyan (“Arrival“‘s Tzi Ma) and Lu Jian (Diana Lin) – but is struggling to fund it. But despite a typically spiky teenage relationship with her parents, family is important to her.
There’s a big shock then when her beloved “Nai Nai” (Shuzhen Zhao) is diagnosed back in China with terminal cancer. The slight complication is that no-one has told her. Her younger sister (Hong Lu) has taken the decision to keep the news from her. This is in line with the Chinese saying “When people get Cancer they die”. (Based on the rationale that it is not necessarily the disease that kills you, but the fear that destroys your useful life).
The whole extended family sign up – reluctantly – to the decision. They stage a final get together back in China around the pretence of a trumped-up wedding. This is between the comically reluctant grandson Hao Hao (Han Chen) and his new Japanese girlfriend Aiko (Aoi Mizuhara).
Faced with seeing Nai Nai face-to-face, and being forced to “celebrate” together, can the family – and the emotionally attached Billi in particular – hold it together and keep the secret?
A laff a minute then?
You might naturally assume that given the subject matter that this was going to be SERIOUSLY heavy going. And in many ways you would be right. Most of us over 50 will have lost an elderly relative. And, unless it was a sudden event, you have probably been through the mental pain of having to drive away from a nursing home certain that that will be the final time you will see your loved one alive. If you are therefore not affected by this film, you are not human.
So I was frankly bracing myself.
However, the film is so beautifully put together, and the comedy – albeit some of it very dark – so brilliantly inserted that the film is an UTTER DELIGHT from start to end. There are truly insightful scenes that get under the skin of the well-developed social approach in China to family. (Like the illustrious Mrs Movie-Man, they love big family dinners around a round-table!) Although there is always the teen – Bau (Jinhang Liu) in this case – with his face permanently in his phone!
There are also scenes familiar to anyone who’s visited China. The gaggle of “helpful” taxi drivers outside the airport made me laugh out loud.
Also (unintentionally) funny are the multiple company logos at the start of the film. This is reminiscent of the classic “Family Guy” scene (I think “The Simpsons” also did a similar spoof).
Cinematic.
For such a ‘small’ film, the scale is sometimes truly cinematic. Director and writer, Lulu Wang, achieves some gloriously memorable movie moments. A stony-faced, determined march of the key players towards the camera – which could be subtitled “The Magnificent Eight” – is slo-mo’d for about 30 seconds and is utterly mesmeric.
And a scene at a cemetery is a comic masterpiece of Chinese tradition. Bau of course still has his face in his phone throughout!
This is only Lulu Wang‘s second feature, but it makes me now want to check out her first film (“Posthumous”).
Not afraid to offend either country.
What I found particularly interesting is that the film is truly multi-cultural. It’s not an American film with some local content crudely inserted to cater for the Far East markets. The film is an almost equal blend of American language and Mandarin language with subtitles.
Lulu Wang is also not afraid to upset officials in either country. Which is better: US or China? The question keeps getting posed to Billi and discussed among the family. And – as you might expect – there are positives and negatives on each side. The film doesn’t really take sides. It’s a really balanced position to take.
A quirky soundtrack.
The music is by Alex Weston, and its one of the stars of the film. It’s truly quirky with everything as diverse as a vocalised version of Beethoven’s Sonata No. 8 “Pathetique”; a karaoke version of “Killing Me Softly”; and a hugely entertaining Chinese version of Niilson’s “Without You” over the end titles.
A brilliant ensemble cast.
It’s a great ensemble cast (SAG awards, are you listening?), and everyone pulls their weight. Even the minor members of the cast are superb: Aoi Mizuhara in particular displays acute awkwardness brilliantly!
But leading the charge is Awkwafina. She was in the disappointing “Ocean’s 8” but much more memorable in “Crazy Rich Asians” as Rachel’s wacky Singapore friend. Here it’s a bravado performance that is genuinely moving. She IS the slightly sulky but emotionally crushed teen.
Sub-titles? I don’t do sub-titles.
Get a grip! Yes, this is a film that has sub-titles. But it uses them when required (unless you happen to be fluent in Mandarin that is!). There is also a large percentage of the film that is in English. It’s all eminently watchable, even for “sub-title-phobes”.
This is a feelgood film about a tough subject. The ending of the film pulls off the trick of being both devastating and uplifting at the same time.
So get yourself to the cinema and see this film! Without question, it gets my “highly recommended” tag. It’s also firmly placed itself very high up in my “Films of the Year” list.
And it’s all “based on a true lie”!
Gareth von Kallenbach (965 KP) rated Raya and the Last Dragon (2021) in Movies
Mar 1, 2021
In a magical land known as Kumandra; Humans and Dragons co-exist in harmony. When a threat in the form of creatures known as Druun arrive and threaten to destroy everything; the Dragons combine their power to defeat them but in doing so all but one of the Dragons remains.
In the new Disney animated film “Raya and the Last Dragon”; audiences are introduced to the narrative of the story by Raya (Kelly Marie Tran), who tells that the world has become fractured and she is to blame. A sacred relic that the Dragons used to Defeat the Druun has given her kingdom prosperity but the surrounding kingdoms all named after various parts of a Dragon are envious of their position.
When Raya’s father Chief Benja (Daniel Dae Kim); attempts to unite the other kingdoms, a tragic betrayal results in the relic becoming fractured with each kingdom taking a fragment. As if this situation was not bad enough; the fracturing of the relic ushers in the return of the Druun and they quickly resume turning everything not protected by a barrier of water to stone.
The story then jumps years into the future where Raya and her faithful companion Tuk Tuk (Alan TudyK) are searching the rivers of the kingdoms in an effort to find the location where the last Dragon Sisu (Awkwafina) is rumored to have been sleeping for 500 years.
Raya is eventually able to locate Sisu who is a very playful and animated creature and the two set off to save the day by obtaining the missing fragments through any means necessary. Naturally, their journey will be filled with dangers, adventure, and humor, as the various kingdoms have their own unique visual style and characters; some of whom join with Raya on her quest to provide much-needed support, perspective, and at times; humor.
The movie is visually amazing as the artists clearly were inspired to create a world that combines elements of many Asian cultures yet has its own unique traits. I marveled at the details of the water and ripples and how the railings on a boat showed uneven discoloration and wear in just a casual scene where the characters talked. It is this attention to detail that really adds to the magic of the film as well as the immersion into fantasy.
The supporting cast was great and there are some characters I do not wish to spoil who practically steals every scene in which they are in. My wife and I were captivated from the very start as Disney has created a film that embodies much of their classic themes and yet expands upon them to create a film the entire family will enjoy.
The movie will be released in cinemas and via a paid option for Disney+ subscribers. We attended a press screening at a cinema; our first in almost a year and found the setup to be very safe and it was amazing to see such visual splendor on a big screen.
Disney has once again created a new classic and has given audiences the magic that they are known for at a time when it is most needed.
4 stars out of 5.
In the new Disney animated film “Raya and the Last Dragon”; audiences are introduced to the narrative of the story by Raya (Kelly Marie Tran), who tells that the world has become fractured and she is to blame. A sacred relic that the Dragons used to Defeat the Druun has given her kingdom prosperity but the surrounding kingdoms all named after various parts of a Dragon are envious of their position.
When Raya’s father Chief Benja (Daniel Dae Kim); attempts to unite the other kingdoms, a tragic betrayal results in the relic becoming fractured with each kingdom taking a fragment. As if this situation was not bad enough; the fracturing of the relic ushers in the return of the Druun and they quickly resume turning everything not protected by a barrier of water to stone.
The story then jumps years into the future where Raya and her faithful companion Tuk Tuk (Alan TudyK) are searching the rivers of the kingdoms in an effort to find the location where the last Dragon Sisu (Awkwafina) is rumored to have been sleeping for 500 years.
Raya is eventually able to locate Sisu who is a very playful and animated creature and the two set off to save the day by obtaining the missing fragments through any means necessary. Naturally, their journey will be filled with dangers, adventure, and humor, as the various kingdoms have their own unique visual style and characters; some of whom join with Raya on her quest to provide much-needed support, perspective, and at times; humor.
The movie is visually amazing as the artists clearly were inspired to create a world that combines elements of many Asian cultures yet has its own unique traits. I marveled at the details of the water and ripples and how the railings on a boat showed uneven discoloration and wear in just a casual scene where the characters talked. It is this attention to detail that really adds to the magic of the film as well as the immersion into fantasy.
The supporting cast was great and there are some characters I do not wish to spoil who practically steals every scene in which they are in. My wife and I were captivated from the very start as Disney has created a film that embodies much of their classic themes and yet expands upon them to create a film the entire family will enjoy.
The movie will be released in cinemas and via a paid option for Disney+ subscribers. We attended a press screening at a cinema; our first in almost a year and found the setup to be very safe and it was amazing to see such visual splendor on a big screen.
Disney has once again created a new classic and has given audiences the magic that they are known for at a time when it is most needed.
4 stars out of 5.
Emma @ The Movies (1786 KP) rated Crazy Rich Asians (2018) in Movies
Sep 25, 2019
I was treated to this as an Unlimited Screening at Cineworld, mixing it up with a Saturday night viewing. Just a pre-warning, there is a very minor spoiler below, it's really more of a notice to watch out for something in the film, but if you want to avoid it then you can go over to Letterboxd (link can be found in the left hand menu) and read the review with that omitted.
We have been needing this film for quite some time. It is everything a classic rom-com should be and it feels like we haven't had one of this caliber in quite a while. It has all the ups and downs you want, the emotion and the humour, the serious and the down right ridiculous.
I did wonder if I would feel slightly more disconnected from the film because of the cultural differences... which at the time was mainly because I hadn't really heard much about the film... but the story is that eternal struggle of love that you can just connect with straight away.
The only reason this didn't get the fill five is because of the wacky Goh family. I'm not particularly a fan of Awkwafina or Ken Jeong's characters in it. While funny, I feel that their jokes/situations went on a bit too long taking it from funny to a little irritating.
Despite my issues with the way some of the characters went there's no denying that all of the cast did an amazing job. I particularly loved Gemma Chan as Astrid. The pinnacle of understated grace and kindness but with the side that no one sees apart from Rachel. Her performance was excellent a always and one of the most heartbreaking parts of the movie.
There are so many things to enjoy in this movie. I particularly liked the flashback at the beginning, so well done and really amusing. My second pick of highlights goes to a scene that I'm only partially sure happened. All the way through the film the audience and I seemed to be on the same wave length, laughing and reacting at the same time... but then... I laughed and no one else did. Was I the only one that saw it?! On the boat during the bachelor party when Bernard fires the rocket launcher... did no one else see that model go flying backwards?! Like seriously... why was no one else laughing??
What should you do?
You should definitely go and see this one. Great for a girls night out, and good for a date night too.
You should also probably read the book, it's the first in the Crazy Rich Asians trilogy by Kevin Kwan. Kwan was on board with the film so if the author approves you know you won't be finding massive differences between the two.
Movie thing you wish you could take home
Difficult to say what I'd want from this one. There were some lovely cars, but I think I'd still be happier with an Eleanor over any of these ones. It's probably got to be one of the lavish apartments with the stunning views instead.
We have been needing this film for quite some time. It is everything a classic rom-com should be and it feels like we haven't had one of this caliber in quite a while. It has all the ups and downs you want, the emotion and the humour, the serious and the down right ridiculous.
I did wonder if I would feel slightly more disconnected from the film because of the cultural differences... which at the time was mainly because I hadn't really heard much about the film... but the story is that eternal struggle of love that you can just connect with straight away.
The only reason this didn't get the fill five is because of the wacky Goh family. I'm not particularly a fan of Awkwafina or Ken Jeong's characters in it. While funny, I feel that their jokes/situations went on a bit too long taking it from funny to a little irritating.
Despite my issues with the way some of the characters went there's no denying that all of the cast did an amazing job. I particularly loved Gemma Chan as Astrid. The pinnacle of understated grace and kindness but with the side that no one sees apart from Rachel. Her performance was excellent a always and one of the most heartbreaking parts of the movie.
There are so many things to enjoy in this movie. I particularly liked the flashback at the beginning, so well done and really amusing. My second pick of highlights goes to a scene that I'm only partially sure happened. All the way through the film the audience and I seemed to be on the same wave length, laughing and reacting at the same time... but then... I laughed and no one else did. Was I the only one that saw it?! On the boat during the bachelor party when Bernard fires the rocket launcher... did no one else see that model go flying backwards?! Like seriously... why was no one else laughing??
What should you do?
You should definitely go and see this one. Great for a girls night out, and good for a date night too.
You should also probably read the book, it's the first in the Crazy Rich Asians trilogy by Kevin Kwan. Kwan was on board with the film so if the author approves you know you won't be finding massive differences between the two.
Movie thing you wish you could take home
Difficult to say what I'd want from this one. There were some lovely cars, but I think I'd still be happier with an Eleanor over any of these ones. It's probably got to be one of the lavish apartments with the stunning views instead.
BankofMarquis (1832 KP) rated Crazy Rich Asians (2018) in Movies
Aug 23, 2018
You don't have to be a CRA to enjoy this film
I am not Crazy (debatable), Rich (not even close) or Asian (not going to touch that one). So, it was an interesting test to see if I would be entertained by CRAZY RICH ASIANS, a RomCom focused on groups that I am not a part of.
Surprisingly, the answer is not just "yes", it's "heck, yes!"
Based on the bestselling book by Kevin Kwan, Crazy Rich Asians (CRA from hereout) tells the story of Asian-American College Economics Professor Rachel Chu (Constance Wu) who heads to Singapore for a wedding with her boyfriend, Nick Young (Henry Golding) unknowingly heading into the "belly of the beast" of his ultra-rich family and the various relatives, friends and hangers-on who are not shy about letting Rachel know if they approve of her.
This film is being hailed as a landmark in Cinema, for a mainstream movie is filled with nothing by Asian actors and actresses, and it acquits itself nicely not just as a mainstream film filled with Asian actors and actresses, but as a GOOD film regardless of the nationalities of the people portrayed and the actors portraying them.
For the most part, Director Jon M. Chu has crafted a beautiful, funny film that sends a message and brings the viewer into a world that is, heretofore, not seen on the screen. And he brings this to the viewer with a loving eye and deep, soulful heart that shines throughout.
As the lead couple, Wu and Golding are charming, charismatic and VERY GOOD TO LOOK AT, they are an easy pair of people to spend some time with. Most of the other actors on the screen are very well cast and some standouts include Nico Santos as Oliver and good ol' Ken Jeong as Wye Mun Goh.
But it is the work of three very good, very different, but very PROFESSIONAL actresses that caught my eye. The first is Awkwafina (OCEAN'S 8) as an old College roommate of Rachel's who is the funniest thing in the film (think Melissa McCarthy in Bridesmaids) she brings a much needed level of irreverence to the stodginess of Nick's family. Gemma Chan (TV's HUMANS) carries a good deal of the dramatic and emotional weight of this film as Nick's Sister - a "cool on the outside, emotionally troubled on the inside" soul who steals any scene she is in. I think we have a real star in the making with her.
And then there is Michelle Yeoh (CROUCHING TIGER, HIDDEN DRAGON) as Nick's "Tiger Mom" who disapproves of his girlfriend and her "American ways". She's a traditionalist who gave up quite a bit for her family and expects the same level of familiar commitment from her children. It would be easy to make this character one-dimensional, but in Yeoh's capable hands, it is anything but.
It's not a perfect film - I felt it dragged a bit in the middle - but the beginning and (especially) the last 1/2 hour of this film is funny, poignant and emotional (bring your hankies - you're gonna need them).
Oh...and stay through the first part of the credits, there is a scene about 2 minutes in that sets up the sequel (there are 3 books in this series).
This is a good film for EVERYONE - whether your are a CRA or not!
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
Surprisingly, the answer is not just "yes", it's "heck, yes!"
Based on the bestselling book by Kevin Kwan, Crazy Rich Asians (CRA from hereout) tells the story of Asian-American College Economics Professor Rachel Chu (Constance Wu) who heads to Singapore for a wedding with her boyfriend, Nick Young (Henry Golding) unknowingly heading into the "belly of the beast" of his ultra-rich family and the various relatives, friends and hangers-on who are not shy about letting Rachel know if they approve of her.
This film is being hailed as a landmark in Cinema, for a mainstream movie is filled with nothing by Asian actors and actresses, and it acquits itself nicely not just as a mainstream film filled with Asian actors and actresses, but as a GOOD film regardless of the nationalities of the people portrayed and the actors portraying them.
For the most part, Director Jon M. Chu has crafted a beautiful, funny film that sends a message and brings the viewer into a world that is, heretofore, not seen on the screen. And he brings this to the viewer with a loving eye and deep, soulful heart that shines throughout.
As the lead couple, Wu and Golding are charming, charismatic and VERY GOOD TO LOOK AT, they are an easy pair of people to spend some time with. Most of the other actors on the screen are very well cast and some standouts include Nico Santos as Oliver and good ol' Ken Jeong as Wye Mun Goh.
But it is the work of three very good, very different, but very PROFESSIONAL actresses that caught my eye. The first is Awkwafina (OCEAN'S 8) as an old College roommate of Rachel's who is the funniest thing in the film (think Melissa McCarthy in Bridesmaids) she brings a much needed level of irreverence to the stodginess of Nick's family. Gemma Chan (TV's HUMANS) carries a good deal of the dramatic and emotional weight of this film as Nick's Sister - a "cool on the outside, emotionally troubled on the inside" soul who steals any scene she is in. I think we have a real star in the making with her.
And then there is Michelle Yeoh (CROUCHING TIGER, HIDDEN DRAGON) as Nick's "Tiger Mom" who disapproves of his girlfriend and her "American ways". She's a traditionalist who gave up quite a bit for her family and expects the same level of familiar commitment from her children. It would be easy to make this character one-dimensional, but in Yeoh's capable hands, it is anything but.
It's not a perfect film - I felt it dragged a bit in the middle - but the beginning and (especially) the last 1/2 hour of this film is funny, poignant and emotional (bring your hankies - you're gonna need them).
Oh...and stay through the first part of the credits, there is a scene about 2 minutes in that sets up the sequel (there are 3 books in this series).
This is a good film for EVERYONE - whether your are a CRA or not!
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
Emma @ The Movies (1786 KP) rated Jumanji: The Next Level (2019) in Movies
Jan 9, 2020
Time for more fun in Jumanji? You didn't even need to show me a trailer, I was in.
Life has moved on for everyone since they escaped Jumanji, but Spencer isn't having the same great life that the others are. When he doesn't turn up to their mini-reunion, Martha, Bethany and Fridge head over to his house to check on him. It doesn't seem like he's in but Grandpa Eddie invites them in, nothing seems untoward, that is until they hear the drums that lead them to the basement and the reconstructed remains of the destroyed games console.
I enjoyed the twist of these tales. We went from board game to video game and successfully gave the whole thing a modern update and as the title suggests we go to the next level of the game to freshen up the similar storyline to the last instalment. It felt like a really good way to progress the series but going forward it may cause some issues which I'll mention more later.
This is firmly in the "if it ain't broke don't fix it" camp, Welcome To The Jungle was great fun and so hopes were high for this, it didn't disappoint. Our in-game character actors get to flex their muscles in new ways and it managed to keet the body-swapping element entertaining without feeling like we'd already "been there, done that".
The new characters had me a little worried, DeVito and Glover are great but I wasn't sure how they would translate into Johnson and Hart, and I find Awkwakina to be very Marmite, so when I saw her in a clip I was on the fence. All was well though. Johnson and Hart interacted just right as Eddie and Milo and Awkwafina made a great job of her switched up role. Jack Black brought me the most joy though as he got to take on Fridge's persona.
Jumanji: The Next Level has some fun little touches here and there but my favourite has to be the Bond girl exit, you'll know it when you see it but I don't want to spoil it for you if you haven't seen the film. So much of this film was entertaining and even when I wasn't laughing I was smiling.
The only real drawback was that I worked out fairly early on what was going to happen, it didn't take away from the film though and I thought it ended up giving us an excellent storyline to play out. And damn it if I didn't cry.
Everything comes together really well, the effects were never overly obvious, the sets and costumes were great, and it all gives you a solid, fun film. It's here for entertainment and it delivers.
Where does it go from here? We're left with a solid lay up for a third (fourth depending on how you look at it) film. On the one hand I like what that set up is doing, but on the other, it could be leading us to a dead end. I don't know what the plans were for these films as a series but I don't think that the quality could persist for much longer. Hopefully we won't have to see it overplayed.
I'm hoping to get a rewatch of this in at the weekend, having not already done so, I would say I didn't like it as much as the first outing... but it was still a great adventure.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/01/jumanji-next-level-movie-review.html
Life has moved on for everyone since they escaped Jumanji, but Spencer isn't having the same great life that the others are. When he doesn't turn up to their mini-reunion, Martha, Bethany and Fridge head over to his house to check on him. It doesn't seem like he's in but Grandpa Eddie invites them in, nothing seems untoward, that is until they hear the drums that lead them to the basement and the reconstructed remains of the destroyed games console.
I enjoyed the twist of these tales. We went from board game to video game and successfully gave the whole thing a modern update and as the title suggests we go to the next level of the game to freshen up the similar storyline to the last instalment. It felt like a really good way to progress the series but going forward it may cause some issues which I'll mention more later.
This is firmly in the "if it ain't broke don't fix it" camp, Welcome To The Jungle was great fun and so hopes were high for this, it didn't disappoint. Our in-game character actors get to flex their muscles in new ways and it managed to keet the body-swapping element entertaining without feeling like we'd already "been there, done that".
The new characters had me a little worried, DeVito and Glover are great but I wasn't sure how they would translate into Johnson and Hart, and I find Awkwakina to be very Marmite, so when I saw her in a clip I was on the fence. All was well though. Johnson and Hart interacted just right as Eddie and Milo and Awkwafina made a great job of her switched up role. Jack Black brought me the most joy though as he got to take on Fridge's persona.
Jumanji: The Next Level has some fun little touches here and there but my favourite has to be the Bond girl exit, you'll know it when you see it but I don't want to spoil it for you if you haven't seen the film. So much of this film was entertaining and even when I wasn't laughing I was smiling.
The only real drawback was that I worked out fairly early on what was going to happen, it didn't take away from the film though and I thought it ended up giving us an excellent storyline to play out. And damn it if I didn't cry.
Everything comes together really well, the effects were never overly obvious, the sets and costumes were great, and it all gives you a solid, fun film. It's here for entertainment and it delivers.
Where does it go from here? We're left with a solid lay up for a third (fourth depending on how you look at it) film. On the one hand I like what that set up is doing, but on the other, it could be leading us to a dead end. I don't know what the plans were for these films as a series but I don't think that the quality could persist for much longer. Hopefully we won't have to see it overplayed.
I'm hoping to get a rewatch of this in at the weekend, having not already done so, I would say I didn't like it as much as the first outing... but it was still a great adventure.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/01/jumanji-next-level-movie-review.html
Emma @ The Movies (1786 KP) rated Raya and the Last Dragon (2021) in Movies
Jun 27, 2021
Of course I wasn't paying Premier prices for this! (This is how long ago I wrote this review, you can now watch it on your Disney+ subscription for free.) So instead I made it my first film back to the cinema for 7 months.
Kumandra was once a glorious place inhabited by humans and dragons in harmony. But when an enemy comes to ruin that, the dragons sacrifice themselves to save the humans. 500 years later the humans have learnt nothing from the sacrifice, and when greed takes hold of the tribes, the land is once again put in peril.
Essentially we're given a fantasy treasure hunt, that highlights the need for cooperation and community. That is definitely a strong point throughout the film. While it might not be based on something specific, it plays on a lot of different Asian cultures, the accuracy of which I'm afraid I wouldn't know. The different regions all had their own look and feel which I thought was a nice touch, but something felt like it needed more variety, and I'm not sure if that was something more diverse or different animation styles.
Of all the characters I actually found Raya to be the least engaging. Her eventual personality could be put down to how she''d grown up, but the choice to make her like that left me disliking her. Picking between her and Namaari was easy, Namaari's actions were consistent and she evolved in a positive way, and I really didn't feel that about Raya. I found her actions increasingly frustrating as the films went on.
The character that made this whole film for me was ninja baby and trickster, Noi. Plus her troop, The Ongis. I was roaring, and absolutely loved every scene they were in. The animation involved was so smooth and it perfectly fit their antics.
What I struggled with as I watched was the animation of Sisu. I liked the dragon style, and I liked the human style, but I didn't really like them together. Our human contingent seemed to be more traditional, and the dragons appeared to be more cartoonish in comparison. With Sisu, the mane and colours just stuck out and felt unnatural... yes, I know that's a ridiculous thing to say when talking about an animated dragon.
Voice cast in Raya and the Last Dragon was generally good, there wasn't anyone I would highlight over the others, but Sisu was the one that made me pause again. I'm growing to enjoy Awkwafina in films, but I'm not sure the pairing here was quite right.
I wasn't disappointed when I came out of the cinema, but at the same time I wasn't wowed. It didn't feel like a Disney offering, and I don't think I'll need to revisit it. There wasn't enough in it to hook my interest and keep me focused on anything that was happening. Perhaps it might have been different had Raya been a little less frustrating, but I don't think that would have given much of a boost to the film. I think what took me so long to publish this review was that I was having real trouble deciding on a score. I'm still not convinced by my choice, if I could put a shrug, I probably would.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/06/raya-and-last-dragon-movie-review.html
Kumandra was once a glorious place inhabited by humans and dragons in harmony. But when an enemy comes to ruin that, the dragons sacrifice themselves to save the humans. 500 years later the humans have learnt nothing from the sacrifice, and when greed takes hold of the tribes, the land is once again put in peril.
Essentially we're given a fantasy treasure hunt, that highlights the need for cooperation and community. That is definitely a strong point throughout the film. While it might not be based on something specific, it plays on a lot of different Asian cultures, the accuracy of which I'm afraid I wouldn't know. The different regions all had their own look and feel which I thought was a nice touch, but something felt like it needed more variety, and I'm not sure if that was something more diverse or different animation styles.
Of all the characters I actually found Raya to be the least engaging. Her eventual personality could be put down to how she''d grown up, but the choice to make her like that left me disliking her. Picking between her and Namaari was easy, Namaari's actions were consistent and she evolved in a positive way, and I really didn't feel that about Raya. I found her actions increasingly frustrating as the films went on.
The character that made this whole film for me was ninja baby and trickster, Noi. Plus her troop, The Ongis. I was roaring, and absolutely loved every scene they were in. The animation involved was so smooth and it perfectly fit their antics.
What I struggled with as I watched was the animation of Sisu. I liked the dragon style, and I liked the human style, but I didn't really like them together. Our human contingent seemed to be more traditional, and the dragons appeared to be more cartoonish in comparison. With Sisu, the mane and colours just stuck out and felt unnatural... yes, I know that's a ridiculous thing to say when talking about an animated dragon.
Voice cast in Raya and the Last Dragon was generally good, there wasn't anyone I would highlight over the others, but Sisu was the one that made me pause again. I'm growing to enjoy Awkwafina in films, but I'm not sure the pairing here was quite right.
I wasn't disappointed when I came out of the cinema, but at the same time I wasn't wowed. It didn't feel like a Disney offering, and I don't think I'll need to revisit it. There wasn't enough in it to hook my interest and keep me focused on anything that was happening. Perhaps it might have been different had Raya been a little less frustrating, but I don't think that would have given much of a boost to the film. I think what took me so long to publish this review was that I was having real trouble deciding on a score. I'm still not convinced by my choice, if I could put a shrug, I probably would.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/06/raya-and-last-dragon-movie-review.html
BankofMarquis (1832 KP) rated The little mermaid (2023) in Movies
Sep 20, 2023
You Will Want To Go Under The Sea
Back in 2013, the Baltimore Ravens won the Super Bowl with a QB, Joe Flacco, who was a “game manager”. His reputation was that he was NOT spectacular and wouldn’t win a game for you, but he also wouldn’t take chances and LOSE a game for you.
Such the same can be said of newcomer Halle Bailey as Ariel in Disney’s Live Action remake of THE LITTLE MERMAID. She produces a competent, steady (but unspectacular) performance that doesn’t really add all that much to the film, but (more importantly) it doesn’t detract either.
And that is a GOOD (enough) thing as Director Rob Marshall (Chicago) populates this remake with some wonderful performers/performances to go along with better-than-average CGI and some new songs that actually work well (and don’t just seem like “add-ons”). All of this adds up to a very enjoyable family time at the movies.
Following the plot of the Disney Animated film from 1989, this Little Mermaid does not sway too far from the basic plot, though it does cut down (a bit) on the musical numbers. But when it swings big, it swings BIG and these swings connect.
Daveed Diggs (Broadway’s Hamilton) almost steals the film as the voice of Sebastian the Crab and his UNDER THE SEA number is a visual and audible delight while Awkwafina (CRAZY, RICH ASIANS) fills in very well in the Buddy Hackett role as the bird Scuttle. Surprisingly, young Jacob Trembley (ROOM) more than holds his own in this crazy trio of sidekicks as the young fish Flounder. These three work together quite a bit more in this film than in the previous, animated one and they work well together.
But, make no mistake, this film is Melissa McCarthy’s and as the evil Sea Witch Ursula, she demands you pay attention - and keep paying attention - to her. Her big number, POOR UNFORTUNATE SOULS is deep, rich and powerful while her performance throughout the film is just enough over-the-top to work. Credit needs to go to both McCarthy and Marshall to understand when enough was enough or when they went too far and reigned it in.
Javier Bardem (NO COUNTRY FOR OLD MEN) also populates this film as Ariel’s father, King Triton, and while it looks like Bardem is trying very, very hard to audition for a serious Shakespeare role, it works well here.
Finally, the biggest surprise to me in this film is Jonah Hauer-King (he played Laurie in the Saoirse Ronan/Emma Watson/Florence Pugh LITTLE WOMEN) as Prince Eric. In the animated version of this film, poor Prince Eric has very little to do, except to be Ariel’s “Prince Charming”. In this version, writer David Magee (LIFE OF PI) turns Eric into a real character with some depth - and a song! The 2nd half of this film was as much about Prince Eric as it was about Ariel.
And, that is okay, for the ending of this film needed some energy in addition to Bailey’s to make it rise above the rest of film and with the help of all those other wonderful performers, it rises well above (and not under) the sea.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such the same can be said of newcomer Halle Bailey as Ariel in Disney’s Live Action remake of THE LITTLE MERMAID. She produces a competent, steady (but unspectacular) performance that doesn’t really add all that much to the film, but (more importantly) it doesn’t detract either.
And that is a GOOD (enough) thing as Director Rob Marshall (Chicago) populates this remake with some wonderful performers/performances to go along with better-than-average CGI and some new songs that actually work well (and don’t just seem like “add-ons”). All of this adds up to a very enjoyable family time at the movies.
Following the plot of the Disney Animated film from 1989, this Little Mermaid does not sway too far from the basic plot, though it does cut down (a bit) on the musical numbers. But when it swings big, it swings BIG and these swings connect.
Daveed Diggs (Broadway’s Hamilton) almost steals the film as the voice of Sebastian the Crab and his UNDER THE SEA number is a visual and audible delight while Awkwafina (CRAZY, RICH ASIANS) fills in very well in the Buddy Hackett role as the bird Scuttle. Surprisingly, young Jacob Trembley (ROOM) more than holds his own in this crazy trio of sidekicks as the young fish Flounder. These three work together quite a bit more in this film than in the previous, animated one and they work well together.
But, make no mistake, this film is Melissa McCarthy’s and as the evil Sea Witch Ursula, she demands you pay attention - and keep paying attention - to her. Her big number, POOR UNFORTUNATE SOULS is deep, rich and powerful while her performance throughout the film is just enough over-the-top to work. Credit needs to go to both McCarthy and Marshall to understand when enough was enough or when they went too far and reigned it in.
Javier Bardem (NO COUNTRY FOR OLD MEN) also populates this film as Ariel’s father, King Triton, and while it looks like Bardem is trying very, very hard to audition for a serious Shakespeare role, it works well here.
Finally, the biggest surprise to me in this film is Jonah Hauer-King (he played Laurie in the Saoirse Ronan/Emma Watson/Florence Pugh LITTLE WOMEN) as Prince Eric. In the animated version of this film, poor Prince Eric has very little to do, except to be Ariel’s “Prince Charming”. In this version, writer David Magee (LIFE OF PI) turns Eric into a real character with some depth - and a song! The 2nd half of this film was as much about Prince Eric as it was about Ariel.
And, that is okay, for the ending of this film needed some energy in addition to Bailey’s to make it rise above the rest of film and with the help of all those other wonderful performers, it rises well above (and not under) the sea.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Lee (2222 KP) rated Crazy Rich Asians (2018) in Movies
Sep 3, 2018
Gemma Chan (1 more)
Constance Wu
OK. I don't do books, so I wouldn't have been aware of the best selling book that Crazy Rich Asians is based on. I don't usually do rom coms either, but that only tends to be the ones where they're the typical boy and girl hate each other and are thrown together until they love each other type movies. But, I do love a movie that's done well, regardless of genre. And as Crazy Rich Asians continues to receive much hype and success in the US (I'm in the UK), I thought I'd better go and see what all the fuss is about. So, as part of date night with the wife, we decided to go check it out!
Now, for this movie I think the trailer nailed it in terms of what you see is what you're going to get. And in my opinion, I'd say how you feel after seeing the trailer for this movie is a pretty good gauge for how you'll feel about the movie as a whole. Personally, I watched the trailer and I didn't think it looked that great. The story looked mildly interesting, there were some funny characters and some potentially great performances, but there was nothing in the trailer that grabbed me and stuck with me. And that's exactly how I felt about the movie after I'd seen it.
The story centres around Rachel and Nick, both living in New York and having been dating for a while. Nick is due to head home to Singapore for his best friends wedding and has asked Rachel to join him. The opening scene of the movie, featuring Nick as a young child, gives us some insight into how much wealth and power his family possess. We also see how an innocent photo of Nick and Rachel talking in a bar quickly hits Singapore social media, setting thousands of tongues wagging and giving us a pretty good idea just how big a deal Nick and his family are over there. And how much of a talking point it is that Nick is dating a girl raised in America, rather than Asia. It's only when they land in Singapore that Rachel realises the full extent of what she's let herself in for.
Nick is part of a big, rich family, with each family member having their own set of problems and insecurities to deal with. I actually had trouble keeping track of who's who for a while, but one thing this movie does do is allow sufficient time for all family members to be explored and for some particularly strong performances to blossom. Nicks mother Eleanor (Michelle Yeoh) is the one that Rachel is out to impress though, and although she remains polite at all times, it's clear that she doesn't approve. I thought this was going to be a variation of the boy and girl hate each other at first theme that I spoke about earlier, and while it kind of is in a way, it doesn't make for such a fun, easy ride like standard rom coms do.
For me, those strong performances I spoke about came from Gemma Chan as a millionaire cousin with an insecure cheating husband, and Constance Wu as Rachel. Michelle Yeoh is somebody we're probably a bit more familiar with, and she was also outstanding as Nicks mother Eleanor. There are plenty of characters providing comedy relief and bringing the 'crazy' to the films title. Most notably Awkwafina as Rachel’s best friend and Ken Jeong, who seemed slightly subdued for once.
Overall I didn't not enjoy this movie, but then I didn't enjoy it as much as I'd hoped I would either. I laughed, I was entertained, but I felt the movie dragged and stumbled at times, and didn't really elevate itself above just a standard rom com for me.
Now, for this movie I think the trailer nailed it in terms of what you see is what you're going to get. And in my opinion, I'd say how you feel after seeing the trailer for this movie is a pretty good gauge for how you'll feel about the movie as a whole. Personally, I watched the trailer and I didn't think it looked that great. The story looked mildly interesting, there were some funny characters and some potentially great performances, but there was nothing in the trailer that grabbed me and stuck with me. And that's exactly how I felt about the movie after I'd seen it.
The story centres around Rachel and Nick, both living in New York and having been dating for a while. Nick is due to head home to Singapore for his best friends wedding and has asked Rachel to join him. The opening scene of the movie, featuring Nick as a young child, gives us some insight into how much wealth and power his family possess. We also see how an innocent photo of Nick and Rachel talking in a bar quickly hits Singapore social media, setting thousands of tongues wagging and giving us a pretty good idea just how big a deal Nick and his family are over there. And how much of a talking point it is that Nick is dating a girl raised in America, rather than Asia. It's only when they land in Singapore that Rachel realises the full extent of what she's let herself in for.
Nick is part of a big, rich family, with each family member having their own set of problems and insecurities to deal with. I actually had trouble keeping track of who's who for a while, but one thing this movie does do is allow sufficient time for all family members to be explored and for some particularly strong performances to blossom. Nicks mother Eleanor (Michelle Yeoh) is the one that Rachel is out to impress though, and although she remains polite at all times, it's clear that she doesn't approve. I thought this was going to be a variation of the boy and girl hate each other at first theme that I spoke about earlier, and while it kind of is in a way, it doesn't make for such a fun, easy ride like standard rom coms do.
For me, those strong performances I spoke about came from Gemma Chan as a millionaire cousin with an insecure cheating husband, and Constance Wu as Rachel. Michelle Yeoh is somebody we're probably a bit more familiar with, and she was also outstanding as Nicks mother Eleanor. There are plenty of characters providing comedy relief and bringing the 'crazy' to the films title. Most notably Awkwafina as Rachel’s best friend and Ken Jeong, who seemed slightly subdued for once.
Overall I didn't not enjoy this movie, but then I didn't enjoy it as much as I'd hoped I would either. I laughed, I was entertained, but I felt the movie dragged and stumbled at times, and didn't really elevate itself above just a standard rom com for me.
Bob Mann (459 KP) rated Shang-Chi and the Legend of the Ten Rings (2021) in Movies
Sep 16, 2021
Relationship between Shaun and Katy (1 more)
Great Shakespearean level of story
Ten rings to rule them all
Positives:
- This is Marvel at its best. A script (with Shakespearean undertones) that melds action with good character development and laugh-out-loud feel-good dialogue. The great thing is that you don't need to be a Marvel nerd to enjoy this one. Yes, there are some fabulous Easter Eggs for Marvel fans (and a wonderful return of a character from one of the early films). But it's almost a standalone feature in its own right.
- The action sequences are top-notch, particularly an early fight on a careering San Francisco "bendy-bus". Some great martial-arts reminiscent of "Crouching Tiger, Hidden Dragon", made more exciting by the fact that the impressive Simu Liu did all his own stunts.
- The relationship built between Shaun and Katy is wonderful, and the actors deliver on it brilliantly: no wonder when you have the exceptional Awkwafina on the other end of it. Similarly, the relationship built between Shang-Chi and his father is powerful, thanks to some wonderful acting from Tony Chiu-Wai Leung. So good in the gripping (and erotic) 'Lust, Caution', I believe this is his first English-speaking film.
- With the odd exception (see below), the special effects are top-notch.
Negatives:
- I thought this was 5* all the way until the final reel, when we descended into a CGI-driven "Godzilla vs Kong" finale. I hate CGI that's just a blur of action across the screen where you're struggling to understand what's going on. Less would be more here for me.
- The movie makes extensive use of 'flashbacks' and, for me, there was a bit too much heavy-handedness in their use. I muttered "enough already" to a few of them, since they were taking us out of the movie's current narrative.
- There were a couple of effects that looked like the intern at the special effects company had put them together during a coffee break. An early plunge of a jeep into a forest and some rather obvious green-screen stuff in the finale. Surprised that these weren't caught and redone.
Timeline?: So, it took more of a Marvel nerd than I am (my wonderful daughter-in-law Bronwyn) to point out that although this film is set (largely) in the "Present Day", the events of "Avengers: Endgame" actually happen in 2023. So in the Marvel timeline, this is set in between Thanos's "blip" and "the return". This is the reason why Wong is present but not Doctor Strange, for example.
Summary Thoughts: Marvel goes East! This is a really entertaining addition to the franchise, mixing Marvel action with Eastern mysticism and martial arts. It's an impressive job by director and co-writer Destin Daniel Cretton, in only his second feature (he did "Just Mercy" in 2019).
As a Marvel film, there are of course end-credit scenes ("monkeys" in onemannsmovies speak). A mid-title one is the best, bringing some additional Marvel characters into the mix. And there's a post-credits one which sets up for further sequels but which I found rather irritating.
It's ironic that a Marvel movie so right for the Chinese market - the first to be headlined by an Asian actor and with substantial Mandarin dialogue - might not get a release in China. According to this report, this appears to be for two reasons: firstly that the actor Simu Liu made some derogatory remarks about China in the past, and secondly that in the comics Shang Chi's father is Fu Manchu - a Western-derived character with racial overtones.
This doesn't seem to have hurt it so far. After less than two weeks of opening, it has made $262 million on a budget estimated to be $150-200 million.
(For the full graphical review and video check out #onemannsmovies on the web, Facebook and Tiktok. Thanks).
- This is Marvel at its best. A script (with Shakespearean undertones) that melds action with good character development and laugh-out-loud feel-good dialogue. The great thing is that you don't need to be a Marvel nerd to enjoy this one. Yes, there are some fabulous Easter Eggs for Marvel fans (and a wonderful return of a character from one of the early films). But it's almost a standalone feature in its own right.
- The action sequences are top-notch, particularly an early fight on a careering San Francisco "bendy-bus". Some great martial-arts reminiscent of "Crouching Tiger, Hidden Dragon", made more exciting by the fact that the impressive Simu Liu did all his own stunts.
- The relationship built between Shaun and Katy is wonderful, and the actors deliver on it brilliantly: no wonder when you have the exceptional Awkwafina on the other end of it. Similarly, the relationship built between Shang-Chi and his father is powerful, thanks to some wonderful acting from Tony Chiu-Wai Leung. So good in the gripping (and erotic) 'Lust, Caution', I believe this is his first English-speaking film.
- With the odd exception (see below), the special effects are top-notch.
Negatives:
- I thought this was 5* all the way until the final reel, when we descended into a CGI-driven "Godzilla vs Kong" finale. I hate CGI that's just a blur of action across the screen where you're struggling to understand what's going on. Less would be more here for me.
- The movie makes extensive use of 'flashbacks' and, for me, there was a bit too much heavy-handedness in their use. I muttered "enough already" to a few of them, since they were taking us out of the movie's current narrative.
- There were a couple of effects that looked like the intern at the special effects company had put them together during a coffee break. An early plunge of a jeep into a forest and some rather obvious green-screen stuff in the finale. Surprised that these weren't caught and redone.
Timeline?: So, it took more of a Marvel nerd than I am (my wonderful daughter-in-law Bronwyn) to point out that although this film is set (largely) in the "Present Day", the events of "Avengers: Endgame" actually happen in 2023. So in the Marvel timeline, this is set in between Thanos's "blip" and "the return". This is the reason why Wong is present but not Doctor Strange, for example.
Summary Thoughts: Marvel goes East! This is a really entertaining addition to the franchise, mixing Marvel action with Eastern mysticism and martial arts. It's an impressive job by director and co-writer Destin Daniel Cretton, in only his second feature (he did "Just Mercy" in 2019).
As a Marvel film, there are of course end-credit scenes ("monkeys" in onemannsmovies speak). A mid-title one is the best, bringing some additional Marvel characters into the mix. And there's a post-credits one which sets up for further sequels but which I found rather irritating.
It's ironic that a Marvel movie so right for the Chinese market - the first to be headlined by an Asian actor and with substantial Mandarin dialogue - might not get a release in China. According to this report, this appears to be for two reasons: firstly that the actor Simu Liu made some derogatory remarks about China in the past, and secondly that in the comics Shang Chi's father is Fu Manchu - a Western-derived character with racial overtones.
This doesn't seem to have hurt it so far. After less than two weeks of opening, it has made $262 million on a budget estimated to be $150-200 million.
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