Search
Search results
BankofMarquis (1832 KP) rated The Lighthouse (2019) in Movies
Jan 25, 2021
Weird - and I couldn't look away
I have viewed some really strange films in my day. When asked, I often mention MIRRORMASK (based on a Neil Gaiman story) and mother! (the Darren Aronofsky oddity) as the strangest films I have ever seen.
Add Robert Eggers’ THE LIGHTHOUSE to this list.
Based on a real life tragedy from 1801, THE LIGHTHOUSE follows 2 isolated Lighthouse keepers as they interact with each other, slowly going mad in the process…or did they? Is one of them mad and the other sane? Are they both mad? Or…is it the viewer who is going mad? Eggers let’s you, the viewer, decide.
And…good for him. I have now encountered 2 films directed by former Production Designer Eggers - THE WITCH and now this film. In both cases, the movies are interestingly shot and intriguing to view but almost incomprehensible. The more so with THE LIGHTHOUSE, it is almost as if Eggers heard the criticism of THE WITCH of being incomprehensible and said “hold my beer”.
Besides the production values - which really are quite good (especially Eggers use of Black and White) - what holds this movie in high regards is the acting of the 2 people in film. These 2 characters are the only speaking parts in this movie.
Willem Dafoe portrays the older, veteran Lighthouseman who tells the tales of Mermaids and Curses and has a generally air of foreboding from the start. It is a masterwork by Dafoe - his best work of his career (and that’s saying something). He is unnerving to view from the start. The only thing the viewer needs to figure out is whether he is insane or very, very, very sane.
The surprise for me in this movie is the work of Robert Pattinson, the younger Lighthouseman who is in his first assignment. He is the audience’s eyes into this weird world and he is very much sane at the beginning. At the end…well…you decide. He was able to go toe-to-toe with DaFoe and held his own very well. This young actor has made a conscious choice following the Twilight films and with this movie and with Christopher Nolan's TENANT he is establishing himself as a darn good performer.
As for the film itself, my one recommendation for you is to not be too concerned of making sense of what is going on in the scene you are watching…you’ll drive yourself mad doing this (at least it was driving me mad). After awhile I just sat back and drank in the weirdness - and the quality acting and production values - that was enfolding in front of me and the ending was satisfying (enough).
All in all one of the stranger times I’ve had at the movies.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank (ofMarquis)
Add Robert Eggers’ THE LIGHTHOUSE to this list.
Based on a real life tragedy from 1801, THE LIGHTHOUSE follows 2 isolated Lighthouse keepers as they interact with each other, slowly going mad in the process…or did they? Is one of them mad and the other sane? Are they both mad? Or…is it the viewer who is going mad? Eggers let’s you, the viewer, decide.
And…good for him. I have now encountered 2 films directed by former Production Designer Eggers - THE WITCH and now this film. In both cases, the movies are interestingly shot and intriguing to view but almost incomprehensible. The more so with THE LIGHTHOUSE, it is almost as if Eggers heard the criticism of THE WITCH of being incomprehensible and said “hold my beer”.
Besides the production values - which really are quite good (especially Eggers use of Black and White) - what holds this movie in high regards is the acting of the 2 people in film. These 2 characters are the only speaking parts in this movie.
Willem Dafoe portrays the older, veteran Lighthouseman who tells the tales of Mermaids and Curses and has a generally air of foreboding from the start. It is a masterwork by Dafoe - his best work of his career (and that’s saying something). He is unnerving to view from the start. The only thing the viewer needs to figure out is whether he is insane or very, very, very sane.
The surprise for me in this movie is the work of Robert Pattinson, the younger Lighthouseman who is in his first assignment. He is the audience’s eyes into this weird world and he is very much sane at the beginning. At the end…well…you decide. He was able to go toe-to-toe with DaFoe and held his own very well. This young actor has made a conscious choice following the Twilight films and with this movie and with Christopher Nolan's TENANT he is establishing himself as a darn good performer.
As for the film itself, my one recommendation for you is to not be too concerned of making sense of what is going on in the scene you are watching…you’ll drive yourself mad doing this (at least it was driving me mad). After awhile I just sat back and drank in the weirdness - and the quality acting and production values - that was enfolding in front of me and the ending was satisfying (enough).
All in all one of the stranger times I’ve had at the movies.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank (ofMarquis)
Wintersmith (3 KP) rated Hellboy (2019) in Movies
Jun 11, 2019
After seeing Hellboy my advice unfortunately is don't.
Granted, David Harbour is probably the best substitute for Ron Pearlman- he did a really great job and acrually, i can't fault the acting from any of the cast members yet somehow it ended up like a bad B movie. The shots, the editing, the story...amateur, annoying and rather crap.
They tried too hard to be funny to the point where it was boring, annoying and in places stank of desperation.
In what I can only assume was an attempt to create some affinity for the title character, there was 20mins of a truly pointless tangent that had no conclusion or explanation which had no correlation / baring / connection to the main storyline and don't even get me started on their take of the father / son relationship.
No attempt at any sort of deep relationship which leaves what are supposed to poignant / emotive scenes severely lack lustre.
Unfortunately I was highly disapointed as they actually had a really good cast with a high calibre of acting which leads me to believe that it wasn't the calibre of actors that ruined it, it was the story, the editing and the poor script.
All I can say is well done to the entire cast for managing to maintain their high level of craft in what was a very disappointing film.
Granted, David Harbour is probably the best substitute for Ron Pearlman- he did a really great job and acrually, i can't fault the acting from any of the cast members yet somehow it ended up like a bad B movie. The shots, the editing, the story...amateur, annoying and rather crap.
They tried too hard to be funny to the point where it was boring, annoying and in places stank of desperation.
In what I can only assume was an attempt to create some affinity for the title character, there was 20mins of a truly pointless tangent that had no conclusion or explanation which had no correlation / baring / connection to the main storyline and don't even get me started on their take of the father / son relationship.
No attempt at any sort of deep relationship which leaves what are supposed to poignant / emotive scenes severely lack lustre.
Unfortunately I was highly disapointed as they actually had a really good cast with a high calibre of acting which leads me to believe that it wasn't the calibre of actors that ruined it, it was the story, the editing and the poor script.
All I can say is well done to the entire cast for managing to maintain their high level of craft in what was a very disappointing film.
MelanieTheresa (997 KP) rated The Silent Patient in Books
Jan 22, 2019
Alicia Berenson is an artist who shoots her husband five times in the face, and then never speaks another word.
Theo Faber is the criminal psychotherapist who wants to fix her.
The backstory helps to fill in details about both characters, of course, but at one point early on I found myself wondering if I really needed that much background info about Theo. I'm just going to tell you that yes, you do need that info. Nothing in this book is done by accident. The secondary characters are very much secondary characters, in that they seem to be far less interesting than either Alicia or Theo. They do what they're designed to do and further the plot, not much more. Until.
And I really can't give you much more than that. This is a book that depends upon the reader being fooled by the twist - and what a twist it is! I appreciate a good twist, assuming I didn't see it coming, and in this case I definitely did not.
This is a hell of a debut novel, and I truly hope to read more from this author. The movie rights have already been optioned by Plan B Productions / AnnaPurna Pictures, and I cannot wait to see how this story translates to the big screen.
Thanks to Celadon Books for the ARE!
Theo Faber is the criminal psychotherapist who wants to fix her.
The backstory helps to fill in details about both characters, of course, but at one point early on I found myself wondering if I really needed that much background info about Theo. I'm just going to tell you that yes, you do need that info. Nothing in this book is done by accident. The secondary characters are very much secondary characters, in that they seem to be far less interesting than either Alicia or Theo. They do what they're designed to do and further the plot, not much more. Until.
And I really can't give you much more than that. This is a book that depends upon the reader being fooled by the twist - and what a twist it is! I appreciate a good twist, assuming I didn't see it coming, and in this case I definitely did not.
This is a hell of a debut novel, and I truly hope to read more from this author. The movie rights have already been optioned by Plan B Productions / AnnaPurna Pictures, and I cannot wait to see how this story translates to the big screen.
Thanks to Celadon Books for the ARE!
lux radio theatre
Podcast
Lux Radio Theatre 1934-1955 This was one of few sixty-minute broadcasts and was the most...
City of Nets: A Portrait of Hollywood in the 1940's
Book
In 1939, fifty million Americans went to the movies every week, Louis B. Mayer was the highest-paid...
LeftSideCut (3776 KP) rated Tremors (1990) in Movies
Jan 15, 2021
As far as practical effects driven monster movies go, you can't get much better than Tremors.
It has a wonderful cast for a start - lead by Kevin Bacon and Fred Ward, and featuring the likes of Finn Carter, Michael Gross, and Reba McEntire, every character is likable (apart from that little shit Melvin) and you want them all to survive their ordeal, usually a rarity in this genre!
The chemistry between all of the actors is great, and makes for a frequently funny adventure. It has its fair share of bloodier moments that push into horror territory, and in that regards, the mostly daylit Nevada desert setting is something different to enjoy. The practical effects are extremely B-Movie, but it works so well with the overall tone.
The narrative takes a little while to set everything up, but when things get moving, it doesn't stop, moving from set piece to set piece, that are all memorable as hell, from pole vaulting from boulder to boulder, to fishing with homemade bombs, to a over the top l, laughable amount of guns being fired when a Graboid breaches an underground bunker.
Tremors is fucking great and deserves so much praise for what it is - it's own little pocket of comedy horror, with its own rules. Long live Tremors.
It has a wonderful cast for a start - lead by Kevin Bacon and Fred Ward, and featuring the likes of Finn Carter, Michael Gross, and Reba McEntire, every character is likable (apart from that little shit Melvin) and you want them all to survive their ordeal, usually a rarity in this genre!
The chemistry between all of the actors is great, and makes for a frequently funny adventure. It has its fair share of bloodier moments that push into horror territory, and in that regards, the mostly daylit Nevada desert setting is something different to enjoy. The practical effects are extremely B-Movie, but it works so well with the overall tone.
The narrative takes a little while to set everything up, but when things get moving, it doesn't stop, moving from set piece to set piece, that are all memorable as hell, from pole vaulting from boulder to boulder, to fishing with homemade bombs, to a over the top l, laughable amount of guns being fired when a Graboid breaches an underground bunker.
Tremors is fucking great and deserves so much praise for what it is - it's own little pocket of comedy horror, with its own rules. Long live Tremors.
Birthday SlideShow Maker & Photo Video Clip
Photo & Video and Lifestyle
App
Create unique video story with your pictures! Add music background, pretty photo frames and cool...
TL
Tariff Levels and the Economic Unity of Europe: An Examination of Tariff Policy, Export Movements and the Economic Integration of Europe, 1913-1931
Book
The years between the Wars saw rapid and far-reaching changes to the character and distribution of...
The Dark Side of European Integration: Social Foundations and Cultural Determinants of the Rise of Radical Right Movements in Contemporary Europe
Alina Polyakova and Anton Shekhovtsov
Book
Across Europe, radical right-wing parties are winning increasing electoral support. The Dark Side of...