
The Fearless Path: What a Movie Stuntman's Spiritual Awakening Can Teach You About Success
Book
Have you somehow lost direction and drifted off-course? Are you finding that despite your best...
Time and Place are Nonsense: The Films of Seijun Suzuki
Book
Japanese film director Seijun Suzuki began his career making increasingly outrageous B movies for...
Smoke, Ashes, Fable: William Kentridge in Bruges
Till-Holger Borchert, Benjamin H. D. Buchloh and Margaret K. Koerner
Book
The well-known South African artist William Kentridge (b. 1955) has become famous for his time-lapse...
You're Not Dead Until You're Forgotten: A Memoir
John Dunning and Bill Brownstein
Book
Much to his chagrin, John Dunning was born into the movie business. But once he came to accept his...

Feminist Ryan Gosling: Feminist Theory (as Imagined) from Your Favorite Sensitive Movie Dude
Book
What started as a silly way for blogger Danielle Henderson and her classmates to keep track of the...

J.K. Rowling's Wizarding World: Movie Magic: Volume 1: Extraordinary People and Fascinating Places
Book
Featuring all eight Harry Potter movies and the upcoming movie Fantastic Beasts and Where to Find...

Video Lab Pro - Movie collage effects maker plus sound blender tool & camera FX filters editor
Photo & Video and Entertainment
App
Video Lab Pro - Movie editor plus sound effects blender & FX filters maker is the best and the most...

Awix (3310 KP) rated The Abominable Snowman (1957) in Movies
Mar 23, 2018 (Updated Mar 23, 2018)
A bit dated now, especially in terms of the production values - there are some exterior shots filmed in the Pyrenees, but all the dialogue scenes were done on a sound stage. Despite being the main character, Peter Cushing (in only his second film for Hammer) is second-billed to the American Tucker in the hope of flogging the movie to the States (pretty much standard practice at the time). Decent script ticks all the plot boxes; curiously ambiguous ending doesn't hurt either, but the Yeti suits are not much cop, it must be said. Probably worth watching if you like unusually brainy B-movies.

Feeling Normal: Sexuality and Media Criticism in the Digital Age
Book
The explosion of cable networks, cinema distributors, and mobile media companies explicitly designed...

Jesters_folly (230 KP) rated Killer Klowns from Outer Space (1988) in Movies
Sep 10, 2019
Killer Klowns from Outer Space is a goofy B movie from the late 1980’s that really doesn’t take itself too seriously. The effects are actually quite good for a film with such a low budget (Only $2 million) with the Klown costumes being just creepy enough not to come across as being too ridiculous, which takes some doing being as the Klowns are busy cocooning people in candy floss and shooting them with popcorn.
As with most B movies (and a lot of mainstream movies) the plot is quite simple, the Klowns have landed and are killing people and storing them as food and this goes in the films favour. If the plot was overly complicated, then it would not fit the feel of the effects.
Killer Klowns is one of those cult movies that has a few really good stand out scenes. My personal favourite being the encounter between the midget Klown and the biker gang. It also has memorable villains. Clowns as villains are quite common, but these are Klowns with alien technology and an interesting weakness. As the Klowns are alien they don’t speak English but this doesn’t mean they are mute, in fact they have a very creative way of bridging the language barrier and it is good see that the film doesn’t fall back on the old ‘communicator’ trope. It does fall back on other tropes though, we have the old isolated figure as the first victim, making it hard to prove that anyone has died, we have the young cop who is trying to make his way but coming into conflict with the older cop. The older cop doesn’t like the kids, he thinks they are just out to cause trouble. All this is ok though as it fits the low budget flow of the film and makes Killer Klowns feel as a cross between ‘Invasion of the body snatchers’ and ‘night of the living dead’.