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Lee (2222 KP) rated Murder on the Orient Express (2017) in Movies

Nov 6, 2017 (Updated Nov 9, 2017)  
Murder on the Orient Express (2017)
Murder on the Orient Express (2017)
2017 | Drama, Mystery
Kenneth Branagh (1 more)
Stunning cinematography
Wasted all-star cast (1 more)
Not very interesting
All style, no substance
This review is possibly a little unfair, as I actually managed to fall asleep watching Murder On The Orient Express. In a busy cinema, early evening on a Sunday. I've only ever managed to do this a couple of times previously - once, while watching a midnight screening of Star Wars: The Force Awakens (I'm an old man, it was way past my bedtime). Another occasion was during the last Alvin and the Chipmunks movie while watching with my daughter (and I quite rightly got a dig in the ribs from her when she caught me out).

Unfortunately for me though, Kenneth Branaghs lavish retelling of this classic murder mystery is all style and no substance. Branagh himself is actually very good, and hugely entertaining as the worlds greatest detective, Hercule Poirot. However, most of the remaining all star cast just seem wasted in their roles and I just felt like I was watching a big, glossy BBC detective drama on a Sunday evening rather than a thrilling cinematic experience.

I made it through the setup and the murder itself. I also made it through some of the questioning of the many suspects too. But I think that's where my body gave up. I don't think I missed much though, and I was awake again in time for the ridiculous reveal and the explanation as to why whodunit actually dunit, but overall this was just a pretty big disappointment for me.
  
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Awix (3310 KP) rated Ghostwatch in TV

Jul 18, 2018  
Ghostwatch
Ghostwatch
1992 | Horror
10
6.4 (10 Ratings)
TV Show Rating
Don't Have Nightmares
It must have seemed like a good idea at the time: do a properly frightening ghost story for the TV age, by framing it as a live broadcast from a haunted house. The really inspired thing about Ghostwatch is the decision to have well-known and trusted BBC personalities playing themselves throughout. Of course, that was probably where the trouble started - not only did it make people more likely to take the show at face value, but putting a children's TV presenter in the middle of the action ensured a rather-too-young audience was tuning in for what remains, by any objective standard, a genuinely terrifying horror story.

The trappings of live TV are painstakingly reconstructed (and maybe desconstructed); Michael Parkinson in particular gives an astonishingly good performance as a seasoned media pro slowly beginning to realise something has gone horribly wrong and the ghost has got into the TV network. Little touches, such as the ghost quietly hanging around unheralded in the back of crowd scenes, mean this is a very re-watchable show.

You could certainly argue that the makers' claim that they weren't trying to fool anybody ring a little false in view of all the evidence to the contrary, and that there is something very irresponsible about the whole enterprise - the fact that people were genuinely traumatised by a horror story they thought was true is not really something for anyone to be proud of. But that doesn't detract from the fact this is a brilliantly executed, really scary hoax.