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LeftSideCut (3778 KP) rated Blood Red Sky (2021) in Movies
Aug 1, 2021
Blood Red Sky is a movie that has some decent ideas, and some great performances, but is sadly bogged down by a whole lot of waff.
Honestly, it's a shame that the marketing for this gave away the whole vampire aspect. Had it been advertised as a airborne hijack thriller with hints of a supernatural element, then the twist could have hit the same way that it did back in the 90s, when I was but a young boy innocently watching From Dusk Till Dawn, blissfully unaware of what was about to happen.
The pacing is so so. The narrative premise is a good and straightforward one, but it's dragged down by constant flashbacks that feel unnecessary and like padding. Whenever things get interesting, another flashback is thrown in. It's frustrating, mainly because everything surrounding these negatives are solid! The vampires themselves are brutal, and reminiscent of the creatures seen in 30 Days of Night. Lead actor Peri Baumeister puts in a fantastic performance, as does her onscreen son, Carl Anton Koch. The two of them make proceedings relatively impactful, especially during the closing moments. The whole climactic scene is pretty entertaining to be fair, and goes some way to making up for all of the faffing about.
Blood Red Sky isn't half bad overall, but it's could have done with dropping all of the unnecessary exposition and ultimately achieving a shorter runtime.
Honestly, it's a shame that the marketing for this gave away the whole vampire aspect. Had it been advertised as a airborne hijack thriller with hints of a supernatural element, then the twist could have hit the same way that it did back in the 90s, when I was but a young boy innocently watching From Dusk Till Dawn, blissfully unaware of what was about to happen.
The pacing is so so. The narrative premise is a good and straightforward one, but it's dragged down by constant flashbacks that feel unnecessary and like padding. Whenever things get interesting, another flashback is thrown in. It's frustrating, mainly because everything surrounding these negatives are solid! The vampires themselves are brutal, and reminiscent of the creatures seen in 30 Days of Night. Lead actor Peri Baumeister puts in a fantastic performance, as does her onscreen son, Carl Anton Koch. The two of them make proceedings relatively impactful, especially during the closing moments. The whole climactic scene is pretty entertaining to be fair, and goes some way to making up for all of the faffing about.
Blood Red Sky isn't half bad overall, but it's could have done with dropping all of the unnecessary exposition and ultimately achieving a shorter runtime.
Sarah (7798 KP) rated The Witches (2020) in Movies
Mar 6, 2021
Not a patch on the original
The Witches is a 2020 retelling of the Roald Dahl children’s story, from director Robert Zemeckis. Remakes and reboots have been commonplace in the movies for quite some time, so it’s no surprise that The Witches has been given a Hollywood makeover, especially as it has been 30 years since the original film adaptation was released in 1990. I will readily admit that the original film is a childhood favourite, so this remake has very big shows to fill.
This time round, the story has been transported to late 1960s Alabama. It follows a unnamed boy (named in the credits as simply ‘Hero Boy’), played by Jahzir Bruno, and his grandma (Octavia Spencer) as they encounter a witch in their home town, prompting her to whisk him away to a seaside resort. Unbeknownst to them, this seaside resort is also where the Grand High Witch (Anne Hathaway) is due to unveil her dastardly plans to transform the world’s children. In his bids to thwart the witches plans, Hero Boy bumps into some familiar names, greedy English boy Bruno Jenkins (Codie-Lei Eastick) and put-upon hotel manager Mr Stringer (Stanley Tucci).
I was very sceptical about this in general, and while I think my scepticism was most definitely warranted, I was at least pleasantly surprised that moving the action from England to 60s America worked. It gives the film a different vibe with a new setting (with some very good costume and set design too), yet still keeping the same base story. However I’m afraid that’s the only good change that they’ve made in this entire remake. The 60s setting works, but the hotel itself lacks the beauty and grandeur of the hotel in the original. Gone are the imposing shots of a beautiful old hotel set on top of a cliff with its gorgeous landscapes (which incidentally is a real life hotel called The Headland which is on my travel wish list), and instead replaced with something that looks good on the surface, but is sadly lacking in realism and has obviously been entirely computer generated.
And this is the major problem with The Witches (2020), it’s over reliance and overuse of CGI. Everything in this, from the mice to the hotel exteriors to the witches true appearance, are all computer generated, and not particularly well at that. The mice look pretty bad and unrealistic, but the worst of all is what they’ve done to the witches. The changes themselves may have worked had this used practical effects, but sadly the CGI only serves to highlight how ridiculous the changes are. From the missing two fingers on each hand to the elongated mouths with demon like tongues, the witches to begin with seem creepy but after this initial shock, you see how absurd and laughable they really are.
Unfortunately even the performances can’t save this adaptation. Octavia Spencer is as reliable as always and Jazhir Bruno and Codie-Lei Eastick are quite adorable, but the rest of the fairly decent cast are sadly misplaced. The usually loveable Stanley Tucci is given absolutely nothing to work with, not even giving him a chance to try and match up to Rowan Atkinson’s original Mr Stringer, and Chris Rock is sadly out of place as the voice of older Hero Mouse. However the worst offender here is Anne Hathaway. Admittedly she isn’t helped much by the poor transformations to the witches appearance, but all the CGI in the world couldn’t fix her questionable Eastern European accent and hammy performance. The fact that Angelica Huston put in a more sinister and believable performance with 90s facial prosthetics and practical effects is a credit to her and only highlights how bad a choice Hathaway was for this role.
While parts of this remake aren’t entirely condemnable, as some aspects do stick closer to Dahl’s original source material, overall it is a far inferior adaptation that loses everything that made the 1990 film such a classic. Gone are the sinister witches and the dark stories of missing children (the girl stuck in the picture is an image that has always stuck with me), instead replaced with a far too lighthearted story with an over reliance on CGI. The most worrying thing of all is that even Robert Zemeckis and Guillermo Del Toro being involved couldn’t save this.
This time round, the story has been transported to late 1960s Alabama. It follows a unnamed boy (named in the credits as simply ‘Hero Boy’), played by Jahzir Bruno, and his grandma (Octavia Spencer) as they encounter a witch in their home town, prompting her to whisk him away to a seaside resort. Unbeknownst to them, this seaside resort is also where the Grand High Witch (Anne Hathaway) is due to unveil her dastardly plans to transform the world’s children. In his bids to thwart the witches plans, Hero Boy bumps into some familiar names, greedy English boy Bruno Jenkins (Codie-Lei Eastick) and put-upon hotel manager Mr Stringer (Stanley Tucci).
I was very sceptical about this in general, and while I think my scepticism was most definitely warranted, I was at least pleasantly surprised that moving the action from England to 60s America worked. It gives the film a different vibe with a new setting (with some very good costume and set design too), yet still keeping the same base story. However I’m afraid that’s the only good change that they’ve made in this entire remake. The 60s setting works, but the hotel itself lacks the beauty and grandeur of the hotel in the original. Gone are the imposing shots of a beautiful old hotel set on top of a cliff with its gorgeous landscapes (which incidentally is a real life hotel called The Headland which is on my travel wish list), and instead replaced with something that looks good on the surface, but is sadly lacking in realism and has obviously been entirely computer generated.
And this is the major problem with The Witches (2020), it’s over reliance and overuse of CGI. Everything in this, from the mice to the hotel exteriors to the witches true appearance, are all computer generated, and not particularly well at that. The mice look pretty bad and unrealistic, but the worst of all is what they’ve done to the witches. The changes themselves may have worked had this used practical effects, but sadly the CGI only serves to highlight how ridiculous the changes are. From the missing two fingers on each hand to the elongated mouths with demon like tongues, the witches to begin with seem creepy but after this initial shock, you see how absurd and laughable they really are.
Unfortunately even the performances can’t save this adaptation. Octavia Spencer is as reliable as always and Jazhir Bruno and Codie-Lei Eastick are quite adorable, but the rest of the fairly decent cast are sadly misplaced. The usually loveable Stanley Tucci is given absolutely nothing to work with, not even giving him a chance to try and match up to Rowan Atkinson’s original Mr Stringer, and Chris Rock is sadly out of place as the voice of older Hero Mouse. However the worst offender here is Anne Hathaway. Admittedly she isn’t helped much by the poor transformations to the witches appearance, but all the CGI in the world couldn’t fix her questionable Eastern European accent and hammy performance. The fact that Angelica Huston put in a more sinister and believable performance with 90s facial prosthetics and practical effects is a credit to her and only highlights how bad a choice Hathaway was for this role.
While parts of this remake aren’t entirely condemnable, as some aspects do stick closer to Dahl’s original source material, overall it is a far inferior adaptation that loses everything that made the 1990 film such a classic. Gone are the sinister witches and the dark stories of missing children (the girl stuck in the picture is an image that has always stuck with me), instead replaced with a far too lighthearted story with an over reliance on CGI. The most worrying thing of all is that even Robert Zemeckis and Guillermo Del Toro being involved couldn’t save this.
Leigh J (71 KP) rated A Serbian Film (2010) in Movies
Nov 8, 2019
Be Prepared to Cry...
Contains spoilers, click to show
Milos is a successful Porn Star who is now retired with a small Family of a Wife and little Boy. As with any Family, they have everyday expenses that are soon racking up and eating into what little savings they have left. In need of cash, Milos meets up with an old friend and Co-Worker, who tells him about a new Director in the Industry who wants to work with Milos. Milos of course seizes this opportunity, and goes to meet with the Director in question, Vukmir.
Vukmir, it turns out, is eccentric to say the least, and offers Milos an amount that would set his Family up financially for the rest of their lives... on the condition that Milos comes, has sex with whomever (or whatever) and then leaves. Milos signs, thinking "how bad can it be?!"... yeah, BAD idea. His first job with Vukmir turns out to be in an abandoned Orphanage, recieving Oral Sex from a Woman, whilst he is forced to watch a young girl eating a Lolly on multiple screens. Distressed and wierded out by his first job, Milos confronts Vukmir about what type of Movies he's actually doing... to which Vukmir shows him an abhorrent "Movie" that leaves Milos understandably sick to his stomach, and extremely distressed that he has entered into work with this type of person. Milos decides to try and leave the business again, disgusted by what he's seen, but Vukmir hasn't finished with Milos, or his Family, yet. And what he has in mind for Milos to do next is going to possibly destroy Milos and his Family forever...
I'd just like to make a point before I go on that A Serbian Film is a Drama, and is not intended to be a Horror at all. It's regularly dumped into the Horror genre, and there are definitely some scenes us Horror fans can appreciate, but I believe this Movie really is a Drama and should be watched as such. I personally liked Milos and his little Family, and felt incredibly saddened that this was happening to them. The end made me ugly cry, it's an extremely tragic Movie.
Ignore all the hype around ASF, and just watch it for the tense, shocking, heartbreaking Drama that is truly is. The scenes that are horrible are put across as such, and are put across to be the vile and cruel situations that they are (there's a lot of hype around these scenes... normally from people who've never even seen the Movie) and the plot speaks volumes about the politics in Serbia, how the poor are treated and what lengths people will go to to provide for themselves and/or their families. You've been warned, but give it a watch. It's the Drama to end all Dramas.
Vukmir, it turns out, is eccentric to say the least, and offers Milos an amount that would set his Family up financially for the rest of their lives... on the condition that Milos comes, has sex with whomever (or whatever) and then leaves. Milos signs, thinking "how bad can it be?!"... yeah, BAD idea. His first job with Vukmir turns out to be in an abandoned Orphanage, recieving Oral Sex from a Woman, whilst he is forced to watch a young girl eating a Lolly on multiple screens. Distressed and wierded out by his first job, Milos confronts Vukmir about what type of Movies he's actually doing... to which Vukmir shows him an abhorrent "Movie" that leaves Milos understandably sick to his stomach, and extremely distressed that he has entered into work with this type of person. Milos decides to try and leave the business again, disgusted by what he's seen, but Vukmir hasn't finished with Milos, or his Family, yet. And what he has in mind for Milos to do next is going to possibly destroy Milos and his Family forever...
I'd just like to make a point before I go on that A Serbian Film is a Drama, and is not intended to be a Horror at all. It's regularly dumped into the Horror genre, and there are definitely some scenes us Horror fans can appreciate, but I believe this Movie really is a Drama and should be watched as such. I personally liked Milos and his little Family, and felt incredibly saddened that this was happening to them. The end made me ugly cry, it's an extremely tragic Movie.
Ignore all the hype around ASF, and just watch it for the tense, shocking, heartbreaking Drama that is truly is. The scenes that are horrible are put across as such, and are put across to be the vile and cruel situations that they are (there's a lot of hype around these scenes... normally from people who've never even seen the Movie) and the plot speaks volumes about the politics in Serbia, how the poor are treated and what lengths people will go to to provide for themselves and/or their families. You've been warned, but give it a watch. It's the Drama to end all Dramas.
Haley Mathiot (9 KP) rated Lockdown (Escape from Furnace, #1) in Books
Apr 27, 2018
<b> My summary: </b> Alex was like any other boy. Go to school, hang out with his group, and control the monkey bars. But when he started stealing, his life changed for the worse. Out of nowhere, his best friend is murdered, and he is framed for it. he is sent to the child prison: a Hell hole. Worse than Hell. Furnace. When he’s there, he is disgusted with the way people live. Kids do hard labor like chipping rock. Gangs kill kids. and he isn’t the only innocent person who was framed. But there’s no hope of escape. Nobody can escape furnace. Or at least, that’s what they all say. <i> But that’s only because nobody ever has… </i>
<b> What I felt: </b> Personally, the first time I looked at the cover, I found it just a little disturbing. I thought “eh, I doubt very seriously I’ll like that book. But hey—they want to send me a free book? I’ll take a free book.” So no, I didn’t really like the cover. They could have done much better, either artistically or graphically or even with the colors. But that’s just me as an artist and a girl :D so I did judge it. boy was that a mistake.
The first sentence of this book seemed to grab me by the neck: “If I stopped running, I was dead.” From there, the entire book held me and wouldn’t let me go, from that first sentence to the very end. In fact, it held me after the end, too. I distinctly remember my blood racing, heart beating, sweating, adrenalin searing through my veins while I read this book! It was breathtaking and riveting to the last word. And even after the last word. I sat there, staring at the blank page, gasping and panting like a dog from lack of oxygen from reading a book. (that doesn’t happen very often, people.)
<b> Characters: </b> The characters in this book were very relatable. They weren’t super people, they were real. They handled the horrific experiences of Furnace the same way I would have—screaming in their sleep, crying, throwing up from the horrors.
<b> Writing: </b> the writing was very good—not one of those books where the author just says what he wants to say. Alexander Gordon Smith followed my creative writing teachers’ first rule: Show, don’t tell. It was an amazing thing to read, the language was very full in vocabulary, and it had good prose. There wasn’t any really bad foul language either, like some of the other teen books I’ve been reading lately.
Recommendation: this book is a thriller, not a horror book, even though it’s mildly graphic (mildly. Not really that bad. Descriptive enough to be kinda gross at times… but hey, it could be just because I’m a girl.). It’s not the most horrific book I’ve ever read, but it’s certainly not for an eight-year-old. Personally I’d recommend it for anyone fourteen and up (but that’s just me).
Here is a link for a giveaway for this book! http://haleymathiot.blogspot.com/2009/09/win-lockdown.html
<b> What I felt: </b> Personally, the first time I looked at the cover, I found it just a little disturbing. I thought “eh, I doubt very seriously I’ll like that book. But hey—they want to send me a free book? I’ll take a free book.” So no, I didn’t really like the cover. They could have done much better, either artistically or graphically or even with the colors. But that’s just me as an artist and a girl :D so I did judge it. boy was that a mistake.
The first sentence of this book seemed to grab me by the neck: “If I stopped running, I was dead.” From there, the entire book held me and wouldn’t let me go, from that first sentence to the very end. In fact, it held me after the end, too. I distinctly remember my blood racing, heart beating, sweating, adrenalin searing through my veins while I read this book! It was breathtaking and riveting to the last word. And even after the last word. I sat there, staring at the blank page, gasping and panting like a dog from lack of oxygen from reading a book. (that doesn’t happen very often, people.)
<b> Characters: </b> The characters in this book were very relatable. They weren’t super people, they were real. They handled the horrific experiences of Furnace the same way I would have—screaming in their sleep, crying, throwing up from the horrors.
<b> Writing: </b> the writing was very good—not one of those books where the author just says what he wants to say. Alexander Gordon Smith followed my creative writing teachers’ first rule: Show, don’t tell. It was an amazing thing to read, the language was very full in vocabulary, and it had good prose. There wasn’t any really bad foul language either, like some of the other teen books I’ve been reading lately.
Recommendation: this book is a thriller, not a horror book, even though it’s mildly graphic (mildly. Not really that bad. Descriptive enough to be kinda gross at times… but hey, it could be just because I’m a girl.). It’s not the most horrific book I’ve ever read, but it’s certainly not for an eight-year-old. Personally I’d recommend it for anyone fourteen and up (but that’s just me).
Here is a link for a giveaway for this book! http://haleymathiot.blogspot.com/2009/09/win-lockdown.html
Elizabeth (1521 KP) rated The Alchemist in Books
Apr 24, 2019
I struggled through the first half of the book. It wasn't bad, just not what I was expecting after all of the positive reviews I'd heard or following an interview I had seen with Paulo Coelho that had me intrigued.
Despite my apprehension, I kept reading and I'm glad I did. Once the boy set out on his adventure and began to learn and understand the language of the world, I understood what all the fuss was about. This is one of those books, that if read at the right time in your life, can have a profound impact. I found myself bookmarking every other page at one point, for some pearl of wisdom or a lesson that I had only recently learned myself and held so much relevance in my life.
I can relate to the boy because I feel like I'm on a similar sort of journey right now, learning the same lessons about life and being open and aware of what it is trying to tell us. It is not always easy to listen to our hearts or follow our dreams. Many of us go through life like the shopkeeper, holding on to our dreams to motivate us to get through the mundane lives we live, but never having the courage to go after them for fear of having nothing left to live for once the dream is reached or perhaps even fear of failure.
Even after I got past the first half, I took my time reading, letting the words sink in. Too often, I fly through books and months later if someone asks me about a particular scene I have trouble recalling it. I wanted to retain what I was reading. And for the first time in my life I wanted to buy the book just so that I could highlight passages and make notes in the margins. I had always thought of this as defamation before, like it was a sacrilege to mark up a book like that.
I would recommend this book to anyone that is feeling like there has to be more to life; someone who feels the potential of their destiny but is at a loss as to how to achieve it. The book doesn't have all of the answers, but it helps you understand that the only thing truly standing in your way is you.
Despite my apprehension, I kept reading and I'm glad I did. Once the boy set out on his adventure and began to learn and understand the language of the world, I understood what all the fuss was about. This is one of those books, that if read at the right time in your life, can have a profound impact. I found myself bookmarking every other page at one point, for some pearl of wisdom or a lesson that I had only recently learned myself and held so much relevance in my life.
I can relate to the boy because I feel like I'm on a similar sort of journey right now, learning the same lessons about life and being open and aware of what it is trying to tell us. It is not always easy to listen to our hearts or follow our dreams. Many of us go through life like the shopkeeper, holding on to our dreams to motivate us to get through the mundane lives we live, but never having the courage to go after them for fear of having nothing left to live for once the dream is reached or perhaps even fear of failure.
Even after I got past the first half, I took my time reading, letting the words sink in. Too often, I fly through books and months later if someone asks me about a particular scene I have trouble recalling it. I wanted to retain what I was reading. And for the first time in my life I wanted to buy the book just so that I could highlight passages and make notes in the margins. I had always thought of this as defamation before, like it was a sacrilege to mark up a book like that.
I would recommend this book to anyone that is feeling like there has to be more to life; someone who feels the potential of their destiny but is at a loss as to how to achieve it. The book doesn't have all of the answers, but it helps you understand that the only thing truly standing in your way is you.
Phil Leader (619 KP) rated IA: Union (IA #3) in Books
Nov 15, 2019
With great power comes great responsibility. That's particularly true of Naz, a boy who has been given amazing mental and physical abilities thanks the the unorthodox, controversial and groundbreaking training given by his genius father.
Initially keen to use his powers to find and punish those responsible for his sister's death, he soon doubts both his motives and abilities. Together with his best friend Harvis they plot to be removed from the prestigious International Academy and return to their former friends - and enemies - at Union High School in the Exclave.
Things start to settle down for both of them and Naz is able to rekindle his relationship with the equally mysterious D, but just as daily life starts to get comfortable, his world is turned upside down, his abilities making him, and those around him, the subject of unwanted attention. Despite his reluctance he must face danger and use his powers to save them.
There are so many good things about not only this third instalment of the IA series but the series as a whole. The first is Naz, a very well developed character who is believable despite his incredible powers. His very human self-doubt and reluctance to be anything other than just one of the crowd make him a very interesting hero. In this book in particular it is up to others like Harvis or D to actually persuade him that he needs to do the right thing and help him along.
The school setting is also a very big plus, with all of the good and bad parts of school life present. The first half of the book spends time building up the description of Union as well as showing at, at the end of the day, Naz is just a teenage boy with all of the troubles and insecurities that can bring.
What is impressive is that even here in the third book both the reader and Naz are still discovering exactly what his abilities and past mean. Like a carefully constructed onion each book has removed layer after layer, revealing conspiracies and conflicting motives of those around Naz.
Each book goes from strength to strength (as does Naz). There really aren't many 'young adult' books that engage and involve as well as the IA series. It is something very special indeed.
Initially keen to use his powers to find and punish those responsible for his sister's death, he soon doubts both his motives and abilities. Together with his best friend Harvis they plot to be removed from the prestigious International Academy and return to their former friends - and enemies - at Union High School in the Exclave.
Things start to settle down for both of them and Naz is able to rekindle his relationship with the equally mysterious D, but just as daily life starts to get comfortable, his world is turned upside down, his abilities making him, and those around him, the subject of unwanted attention. Despite his reluctance he must face danger and use his powers to save them.
There are so many good things about not only this third instalment of the IA series but the series as a whole. The first is Naz, a very well developed character who is believable despite his incredible powers. His very human self-doubt and reluctance to be anything other than just one of the crowd make him a very interesting hero. In this book in particular it is up to others like Harvis or D to actually persuade him that he needs to do the right thing and help him along.
The school setting is also a very big plus, with all of the good and bad parts of school life present. The first half of the book spends time building up the description of Union as well as showing at, at the end of the day, Naz is just a teenage boy with all of the troubles and insecurities that can bring.
What is impressive is that even here in the third book both the reader and Naz are still discovering exactly what his abilities and past mean. Like a carefully constructed onion each book has removed layer after layer, revealing conspiracies and conflicting motives of those around Naz.
Each book goes from strength to strength (as does Naz). There really aren't many 'young adult' books that engage and involve as well as the IA series. It is something very special indeed.
Gareth von Kallenbach (971 KP) rated The Marksman (2021) in Movies
Jan 12, 2021
Liam Neeson is back in “The Marksman” and despite some flaws; the film provides what his fans want and is an engaging and topical film.
Neeson plays Jim; a widower who spends his time on a tiny and struggling ranch in Arizona near the border. Jim is facing foreclosure from the bank after dealing with devastating medical bills for his late wife and feels that as a former Marine he has been given a bad deal by the system.
Jim often drives along the border fence and radios in suspected crossings but is willing to provide aid to those who finds in distress.
When Jim encounters a young woman and her son Miguel (Jacob Perez); he is drawn into conflict when they are pursued by some dangerous people which forces Jim to shoot when weapons are drawn killing one of the group in the process as well as the boy’s mother.
Jim turns the boy over to the Border Patrol where his daughter Sarah (Katheryn Winnick), is in charge of the local office and is concerned when he learns the boy is to be sent back to family. Seeing the individuals he had previously had a gunfight with waiting for Miguel to cross; Jim decides to honor the dying wish of Miguel’s mother to take him to family in Chicago; even when that means abducting Miguel from custody.
The trip not only puts Jim at odds with his daughter but as well as Miguel who wants to return home and causes the dangerous individuals to cross into the U.S. to ruthlessly track Jim and Miguel to exact their revenge.
The film moves at a steady and deliberate pace until the finale gives fans a taste of the action that they would come to expect. It does take some patience as I saw numerous opportunities for a person of Jim’s skill to attempt to set an ambush, trap, or counter the dangers facing them but the final resolutions are enjoyable and satisfying.
While the film does not have the action and intensity of some of Neeson’s recent works; it does provide enough entertainment to make it worth a watch and does contain content based on some very volatile and controversial topics which would spur intense debate.
3 stars out of 5
Neeson plays Jim; a widower who spends his time on a tiny and struggling ranch in Arizona near the border. Jim is facing foreclosure from the bank after dealing with devastating medical bills for his late wife and feels that as a former Marine he has been given a bad deal by the system.
Jim often drives along the border fence and radios in suspected crossings but is willing to provide aid to those who finds in distress.
When Jim encounters a young woman and her son Miguel (Jacob Perez); he is drawn into conflict when they are pursued by some dangerous people which forces Jim to shoot when weapons are drawn killing one of the group in the process as well as the boy’s mother.
Jim turns the boy over to the Border Patrol where his daughter Sarah (Katheryn Winnick), is in charge of the local office and is concerned when he learns the boy is to be sent back to family. Seeing the individuals he had previously had a gunfight with waiting for Miguel to cross; Jim decides to honor the dying wish of Miguel’s mother to take him to family in Chicago; even when that means abducting Miguel from custody.
The trip not only puts Jim at odds with his daughter but as well as Miguel who wants to return home and causes the dangerous individuals to cross into the U.S. to ruthlessly track Jim and Miguel to exact their revenge.
The film moves at a steady and deliberate pace until the finale gives fans a taste of the action that they would come to expect. It does take some patience as I saw numerous opportunities for a person of Jim’s skill to attempt to set an ambush, trap, or counter the dangers facing them but the final resolutions are enjoyable and satisfying.
While the film does not have the action and intensity of some of Neeson’s recent works; it does provide enough entertainment to make it worth a watch and does contain content based on some very volatile and controversial topics which would spur intense debate.
3 stars out of 5
Becs (244 KP) rated Too Hot To Touch in Books
Oct 2, 2019
Style: Extensive reading.
Point of View: Third person.
Difficulty Reading: Too Hot To Touch was a pretty easy read. I flew through the book but I also enjoy reading erotic romance books and tend to finish them in a short matter of time.
Promise: Lore Leigh promises a hot and steamy read that involves Breeds (like a shapeshifter) and humans falling in love (eventually…).
Quality: Too Hot To Touch was a quality read and in my book is worth a reread. Maybe not the type of book that you would reread over and over again as your go-to reread. But more of a when your craving a quick steamy romance.
Insights: So when I first received the book, I was like ‘Oh yea! This is going to be something like Twilight werewolves!!’ But as I started reading more and more I realized that it wasn’t. If that’s what you’re looking for, don’t read this. This is more of certain characters having an animal gene that doesn’t turn them into animals but gives them the ability to tap into the hunger and lust that animals get. Don’t get me wrong! It was still a very well written and catchy book. But if you’re not a fan of erotic romances, I would choose a different book.
Ah-Ha Moment: I mean any of the sexy scenes! But other than that not really a moment in the book that actually stood out to me.
Favorite Quote: “Every good girl loved a bad boy. It was a fact of life, a quirk of nature. Opposites attracts, and the badder the boy, the more attractive he was to that good girl who couldn’t help but be drawn to him.” – I mean it’s not wrong.
What will you gain: A well-written erotic romance that will leave you wanting to read Lora Leigh’s other novels.
Aesthetics: The cover was cool but didn’t really seem to go with the book. What I like most was how there were three novellas inside of the one book. Gave me a longer read instead of a simple, 100-page read.
“They were created, they weren’t born. They were trained, they weren’t raised. They were taught to kill, and now they’ll use their training to ensure their freedom.”
Point of View: Third person.
Difficulty Reading: Too Hot To Touch was a pretty easy read. I flew through the book but I also enjoy reading erotic romance books and tend to finish them in a short matter of time.
Promise: Lore Leigh promises a hot and steamy read that involves Breeds (like a shapeshifter) and humans falling in love (eventually…).
Quality: Too Hot To Touch was a quality read and in my book is worth a reread. Maybe not the type of book that you would reread over and over again as your go-to reread. But more of a when your craving a quick steamy romance.
Insights: So when I first received the book, I was like ‘Oh yea! This is going to be something like Twilight werewolves!!’ But as I started reading more and more I realized that it wasn’t. If that’s what you’re looking for, don’t read this. This is more of certain characters having an animal gene that doesn’t turn them into animals but gives them the ability to tap into the hunger and lust that animals get. Don’t get me wrong! It was still a very well written and catchy book. But if you’re not a fan of erotic romances, I would choose a different book.
Ah-Ha Moment: I mean any of the sexy scenes! But other than that not really a moment in the book that actually stood out to me.
Favorite Quote: “Every good girl loved a bad boy. It was a fact of life, a quirk of nature. Opposites attracts, and the badder the boy, the more attractive he was to that good girl who couldn’t help but be drawn to him.” – I mean it’s not wrong.
What will you gain: A well-written erotic romance that will leave you wanting to read Lora Leigh’s other novels.
Aesthetics: The cover was cool but didn’t really seem to go with the book. What I like most was how there were three novellas inside of the one book. Gave me a longer read instead of a simple, 100-page read.
“They were created, they weren’t born. They were trained, they weren’t raised. They were taught to kill, and now they’ll use their training to ensure their freedom.”
Dana (24 KP) rated Deliverance in Books
Mar 23, 2018
Holy crap, this book was very intense. When I started reading it for my writing class, I had no idea what it was about. Having just read stories about Wyoming, I thought it would be about cowboys again, but boy was I wrong.
You don't really feel the tension at the beginning, but as you read it more, you feel it creep up on you. This is a really terrifying thing to have happen to you while you are reading if you haven't experienced it before. When I was in the middle of the first part of the book, I had to put it down because I had to get to work. Once I closed the book, I noticed how tense I had gotten. It was like my whole body was waiting for something bad to happen and I hadn't even noticed.
The character development was amazing as well. You could really see the change from the beginning of the story just to the half way point. Though I didn't like the characters as human beings, some of them were very cold and not the nicest, I could respect them as characters. It just shows how well they were written.
For me, there were a few things that I thought could have been played into more, but I don't want to give away what happens in the novel, so I will leave it at that.
If you like suspenseful books, this is definitely a read for you. It is not for the faint of heart.
You don't really feel the tension at the beginning, but as you read it more, you feel it creep up on you. This is a really terrifying thing to have happen to you while you are reading if you haven't experienced it before. When I was in the middle of the first part of the book, I had to put it down because I had to get to work. Once I closed the book, I noticed how tense I had gotten. It was like my whole body was waiting for something bad to happen and I hadn't even noticed.
The character development was amazing as well. You could really see the change from the beginning of the story just to the half way point. Though I didn't like the characters as human beings, some of them were very cold and not the nicest, I could respect them as characters. It just shows how well they were written.
For me, there were a few things that I thought could have been played into more, but I don't want to give away what happens in the novel, so I will leave it at that.
If you like suspenseful books, this is definitely a read for you. It is not for the faint of heart.
ClareR (5603 KP) rated The Scarlet Letter in Books
Sep 29, 2018
Not a book I'd normally choose to read...
This book came up on the list of recommended reading for my 14 year old son in preparation for his GCSE English course. What a way to make a child hate reading - I was in danger of it myself! It's long-winded, convoluted (same thing, I know), dreary and the language is so complicate! How can anyone actually read this with even an ounce of enjoyment?!
It's interesting to see how times have changed: Hester Prynne (rhymes with 'sin' - you'll see what I mean in a minute) is forced to wear a bright red 'A' for 'Adulterer' on her dress for the rest of her life, for the crime that is/ was sex out of marriage. And she had the cheek to have a baby. But where I though her life would be made unbearable, she is ignored and eventually, even accepted. Not very '17th century Puritan' I feel. Not that I wanted blood and gore, you understand, but a bit of accuracy wouldn't have gone amiss. It would've been a much shorter book though - and that's not a bad thing. I got caught up with reading the authors introduction, which was interminable, and time that I'll never get back.
So, in conclusion, I won't be forcing the 14 year old boy to read this. I'm not that cruel. I have however noticed that Good Omens is on the list. Now that IS a book he'll probably like when he gets over the fact that it's a book recommended by a teacher!
It's interesting to see how times have changed: Hester Prynne (rhymes with 'sin' - you'll see what I mean in a minute) is forced to wear a bright red 'A' for 'Adulterer' on her dress for the rest of her life, for the crime that is/ was sex out of marriage. And she had the cheek to have a baby. But where I though her life would be made unbearable, she is ignored and eventually, even accepted. Not very '17th century Puritan' I feel. Not that I wanted blood and gore, you understand, but a bit of accuracy wouldn't have gone amiss. It would've been a much shorter book though - and that's not a bad thing. I got caught up with reading the authors introduction, which was interminable, and time that I'll never get back.
So, in conclusion, I won't be forcing the 14 year old boy to read this. I'm not that cruel. I have however noticed that Good Omens is on the list. Now that IS a book he'll probably like when he gets over the fact that it's a book recommended by a teacher!