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Haley Mathiot (9 KP) rated Ada: Legend of a Healer in Books
Apr 27, 2018
Ada has the unique ability of being able to heal anything she touches. Having lived in the foster care system her whole life, she finally gets the opportunity to live with her aunt, Jessie, who is also a healer, and explains her special ability. But Ada and Jessie have different viewpoints on a healer's responsibility, and Ada decides she's had enough. She takes off on her own heading to Paris with only an address and a photograph to attempt to find her mother, who she discovers isn't dead.
There's just one problem: There's a man who wants to find her and use her as his personal fountain of youth.
Reviewing self-published books is a tricky business. There's a wide range of them: the really crappy ones that make the editor inside me want to cry, the mediocre ones that are just missing a story, and then the occasional gem that I'm so glad I managed to get my hands on. I've had one or two other gems: Ada makes the list, and is pretty high up on it.
I loved Ada's story. I read it almost completely in one sitting. I liked Ada, and admired her will power and strength. We didn't see eye to eye on everything, and I thought she was immature and disrespectful at times, but I could still relate to her well enough that I couldn't hate her for it. About halfway through the book, some characters were introduced that I didn't expect to stay in the story, simply because of the way they were brought in. But isn't that the way our lives work? We meet someone and aren't sure if we'll ever really see them again, but they end up as our friends, and sometimes it's someone really special? That was Ada and Daniel. Daniel is going to have to be added to my list of literary crushes. Not only is he good looking, he's a "bad boy" and a sweetheart at the same time. And he's got a delicious smile. And he does Parkour. And he's French.
The writing was clear and descriptive and easy to understand. It wasn't perfect and there were a few irritating sections with poor grammar, but it didn't distract from the overall piece enough to bring down the star rating.
One of the things I really liked was the pacing. Sometimes a book has an interesting plot, but it takes way too long for things to actually happen that you fall asleep, or have to read an entire series just to get the same amount of plot you're looking for in a single novel (coughtwilightcough). The pacing was really fast in Ada, almost to the point where I wished it was just a little slower so I could really concentrate on what Ada was thinking and feeling.
There was one very tiny part that I didn't like. At one point, Ada tries to practice healing herself, so she takes a pair of scissors to her arm. I thought this was completely inappropriate and very risky, because through Ada's interior monologue, it almost seemed to show self-cutting in a good light. Yes she was practicing healing herself and learning to ignore pain, and trying to figure out her power, and Ada thought it through well enough that the reader would understand why she was doing it, but it just seemed bold and risky. Because of that, I wouldn't want young young adults to read it—I feel like it would make them uncomfortable. I also can't help but wonder what kind of influence that will have on young readers.
Scattered through the book were some truly beautiful illustrations. I found myself flipping through them and just staring at them. They have a pen-and-ink with watercolor sort of feel to them: very lose and impressionistic, almost dreamlike, but with wild pen and scratches thrown through to add definition. Here are two of my favorites (very poor quality photos, though, so I apologize ahead of time).
All in all, I was very pleased and excited about Ada: Legend of a Healer, and I can't wait for the next book in the series.
Content/Recommendation: Some swearing, small reference to self-abuse. Ages 16+
There's just one problem: There's a man who wants to find her and use her as his personal fountain of youth.
Reviewing self-published books is a tricky business. There's a wide range of them: the really crappy ones that make the editor inside me want to cry, the mediocre ones that are just missing a story, and then the occasional gem that I'm so glad I managed to get my hands on. I've had one or two other gems: Ada makes the list, and is pretty high up on it.
I loved Ada's story. I read it almost completely in one sitting. I liked Ada, and admired her will power and strength. We didn't see eye to eye on everything, and I thought she was immature and disrespectful at times, but I could still relate to her well enough that I couldn't hate her for it. About halfway through the book, some characters were introduced that I didn't expect to stay in the story, simply because of the way they were brought in. But isn't that the way our lives work? We meet someone and aren't sure if we'll ever really see them again, but they end up as our friends, and sometimes it's someone really special? That was Ada and Daniel. Daniel is going to have to be added to my list of literary crushes. Not only is he good looking, he's a "bad boy" and a sweetheart at the same time. And he's got a delicious smile. And he does Parkour. And he's French.
The writing was clear and descriptive and easy to understand. It wasn't perfect and there were a few irritating sections with poor grammar, but it didn't distract from the overall piece enough to bring down the star rating.
One of the things I really liked was the pacing. Sometimes a book has an interesting plot, but it takes way too long for things to actually happen that you fall asleep, or have to read an entire series just to get the same amount of plot you're looking for in a single novel (coughtwilightcough). The pacing was really fast in Ada, almost to the point where I wished it was just a little slower so I could really concentrate on what Ada was thinking and feeling.
There was one very tiny part that I didn't like. At one point, Ada tries to practice healing herself, so she takes a pair of scissors to her arm. I thought this was completely inappropriate and very risky, because through Ada's interior monologue, it almost seemed to show self-cutting in a good light. Yes she was practicing healing herself and learning to ignore pain, and trying to figure out her power, and Ada thought it through well enough that the reader would understand why she was doing it, but it just seemed bold and risky. Because of that, I wouldn't want young young adults to read it—I feel like it would make them uncomfortable. I also can't help but wonder what kind of influence that will have on young readers.
Scattered through the book were some truly beautiful illustrations. I found myself flipping through them and just staring at them. They have a pen-and-ink with watercolor sort of feel to them: very lose and impressionistic, almost dreamlike, but with wild pen and scratches thrown through to add definition. Here are two of my favorites (very poor quality photos, though, so I apologize ahead of time).
All in all, I was very pleased and excited about Ada: Legend of a Healer, and I can't wait for the next book in the series.
Content/Recommendation: Some swearing, small reference to self-abuse. Ages 16+
Lee (2222 KP) rated Happy Death Day 2U (2019) in Movies
Feb 18, 2019 (Updated Feb 21, 2019)
A worthy sequel
Contains spoilers, click to show
The original Happy Death Day was a real pleasant surprise. A cross between Groundhog Day and Scream, with our heroine being killed by a baby face mask wearing killer every day, only to wake up again at the start of the same day. With a long list of potential suspects, and slowly feeling the effects of dying repeatedly, she set about trying to find the killers identity. Much of what made the first movie so enjoyable was largely down to lead character Tree, played by Jessica Rothe and the intensely hilarious way that she approached the whole situation. It wasn't exactly a horror movie, more of a comedy thriller.
In Happy Death Day 2U, we begin by following Ryan. Ryan was also in the first movie, bursting into his campus room each morning, interrupting roommate Carter and Tree after she'd spent the night there. As he makes his way to the room from the car he'd spent the night in - avoiding a barking dog, dodging a man asking for money and a boy riding a skateboard - it's pretty clear that we're setting up a series of events likely to be repeated time and again in a similar way that Tree experienced a very specific series of events each day in the first movie. During his morning at university, we discover that Ryan has been working on a Quantum mechanics experiment along with a bunch of nerdy students - a machine dubbed 'Sissy'. Turns out Sissy has been causing some very high power fluctuations and generated some very high readings the day before, the day in which Tree experienced her loop. Soon after, Ryan is killed by the baby face killer and wakes up in his car once again, experiencing the same events we've just seen encounter on the way to his room. When he explains what just happened to Tree and Carter, Tree sets about trying to help him figure out how Sissy caused the time-loop in the first place, and how it has now transferred to Ryan.
At this point you'd think you've got the rest of the movie pretty much figured out - with Ryan repeating his day, aided by experienced looper Tree. But surprisingly, the movie largely abandons its slasher story-line. Instead, we get a more sc-fi story with a varied mix of slapstick comedy and emotional drama. An accident involving Sissy opens up a portal to the multiverse and Tree finds herself caught up in her original loop once more. Only this time, it's in a slightly different universe to the one she's used to - her mum is now alive, and her boyfriend is dating her best friend. Not only does she need to work with Ryan and his nerd friends each day in order to determine how to put things right, she needs to once again work out who the killer is in this particular universe and, more importantly, make the difficult decision to either stay in the universe where her mum is still alive, or return to the one she knows and has lived in all her life.
Once again, Jessica Rothe as Tree is what makes this movie so enjoyable. From the emotional scenes with her mum, to the frustration of the loop, to the bad ass fighting back against it all, she pulls it all off wonderfully. We even get time to enjoy some very funny death scenes too - a particularly enjoyable one being a sky-dive out of an aeroplane, wearing only a bikini and then landing horizontally in slow motion while giving the finger to the camera!
It's difficult for me to say whether or not I enjoyed this movie more or less than the first. A lot of what made the original so enjoyable is present in this sequel. But there are also a lot of new elements introduced, some that work and some that don't. Overall I had a great time watching with this though - definitely a worthy sequel.
In Happy Death Day 2U, we begin by following Ryan. Ryan was also in the first movie, bursting into his campus room each morning, interrupting roommate Carter and Tree after she'd spent the night there. As he makes his way to the room from the car he'd spent the night in - avoiding a barking dog, dodging a man asking for money and a boy riding a skateboard - it's pretty clear that we're setting up a series of events likely to be repeated time and again in a similar way that Tree experienced a very specific series of events each day in the first movie. During his morning at university, we discover that Ryan has been working on a Quantum mechanics experiment along with a bunch of nerdy students - a machine dubbed 'Sissy'. Turns out Sissy has been causing some very high power fluctuations and generated some very high readings the day before, the day in which Tree experienced her loop. Soon after, Ryan is killed by the baby face killer and wakes up in his car once again, experiencing the same events we've just seen encounter on the way to his room. When he explains what just happened to Tree and Carter, Tree sets about trying to help him figure out how Sissy caused the time-loop in the first place, and how it has now transferred to Ryan.
At this point you'd think you've got the rest of the movie pretty much figured out - with Ryan repeating his day, aided by experienced looper Tree. But surprisingly, the movie largely abandons its slasher story-line. Instead, we get a more sc-fi story with a varied mix of slapstick comedy and emotional drama. An accident involving Sissy opens up a portal to the multiverse and Tree finds herself caught up in her original loop once more. Only this time, it's in a slightly different universe to the one she's used to - her mum is now alive, and her boyfriend is dating her best friend. Not only does she need to work with Ryan and his nerd friends each day in order to determine how to put things right, she needs to once again work out who the killer is in this particular universe and, more importantly, make the difficult decision to either stay in the universe where her mum is still alive, or return to the one she knows and has lived in all her life.
Once again, Jessica Rothe as Tree is what makes this movie so enjoyable. From the emotional scenes with her mum, to the frustration of the loop, to the bad ass fighting back against it all, she pulls it all off wonderfully. We even get time to enjoy some very funny death scenes too - a particularly enjoyable one being a sky-dive out of an aeroplane, wearing only a bikini and then landing horizontally in slow motion while giving the finger to the camera!
It's difficult for me to say whether or not I enjoyed this movie more or less than the first. A lot of what made the original so enjoyable is present in this sequel. But there are also a lot of new elements introduced, some that work and some that don't. Overall I had a great time watching with this though - definitely a worthy sequel.
RəX Regent (349 KP) rated Godzilla (1954) in Movies
Feb 25, 2019
The beginning was inspired...
Contains spoilers, click to show
I was first introduced to Godzilla in cartoon form in the 1980′s as a child, but it wasn't until 1998, with Roland Emmerich's blockbuster reboot that I had seen the infamous beast on the pearl screen. I had also seem bits and bobs of the many original sequels as a child and they had made absolutely no impact on me what so ever! But I became aware of the significance of this, the original, only recently and it was due to this discovery that I hunted down the best copy available.
I ended up with the 2005 Region 1 release, which also includes the U.S. reworking from 1956, Godzilla: King Of The Monsters!. I could not have imagined that a the 1954 version of Godzilla, or more literally, Gojira, could have been so mature, so sombre, or so tempered with its sledgehammer philosophising. Produced just nine years after the devastating nuclear bombings of Hiroshima and Nagasaki, which effectively ended the Second World War, Gojira takes up the mantle on doing what Science Fiction does best, and created the cypher in the form of Godzilla, to represent the devastation left over from the nuking of these cities.
Godzilla is a nuclear beast, affected by U.S. nuclear tests and is now toxically radioactive and upon landfall on Tokyo, rains down, literally, nuclear destruction up on the city, in a manner not dissimilar too that levied upon either of the cities, Hiroshima or Nagasaki. But its not just about that. It about the creation of the next WMD which would ultimately be used against Godzilla but poses and moral dilemma that Robert Oppenheimer himself would appreciate, as to whether such a creation should be allowed to be developed. It also looks quite seriously into establishing the potential evolution of a creature such as Godzilla and uses plausible palaeontological arguments to justify his existence.
The pacing was good and though Godzilla strikes from almost the opening frame, there is a sense of an ongoing crisis rather than an impending apocalypse, with news outlets reporting throughout as plans, both military and civilian are sited.
All in all, this is not just the birth of the massive and largely corny and cheap Godzilla series, it is a striking, intelligent, moving and incredibly well judged masterpiece of 50′s cinema. But I should have known. Most rubbish franchises began with an inspired first movie, something to break the mould and this does the job perfectly.
But it isn't without its flaws. The special effects, though not all bad, are below par even for the time, but effective as for telling the story, some were very good with ALL being well conceived and ambitious. Some were very poor though, such as the model ships, which were unnecessarily below the standards and look like bath toys. But the cinematography was wonderful, with Honda shooting this in a classically manner. Tension was built brilliantly and the action rose to several crescendos and the excellent score by Akira Ifukube was not overused but brought to perfect effect when needed.
The acting was first-rate as well, proving Japanese cinemas reputation. But this was my first real foray into Japanese cinema, and what a treat it was. Many would look at this and see a cheap old film and others will see a film that whist let down by some less that brilliant visual effects and the fact that a lot of people, certainly in the U.K. find subtitles difficult, as a masterpiece not only of Eastern cinema but of cinema full stop. Truly realising its narrative and spirit, its cause and message. This was about a county in mourning not only for the hundreds of thousands lost by Fat Man and Little Boy, but for the war full stop. The 1950′s were a time of great political fear and reconstruction after WW2, and this is a film which taps into the brewing Cold War and fear of annihilation from human behemoths which once released can never be returned.
HIGHLY recommended but not for children as they will bore, miss the point, get put off by the subtitles, black and white and quite frankly its a mature and bleak film and not the 1998 remake. And thank God or Godzilla for that!
I ended up with the 2005 Region 1 release, which also includes the U.S. reworking from 1956, Godzilla: King Of The Monsters!. I could not have imagined that a the 1954 version of Godzilla, or more literally, Gojira, could have been so mature, so sombre, or so tempered with its sledgehammer philosophising. Produced just nine years after the devastating nuclear bombings of Hiroshima and Nagasaki, which effectively ended the Second World War, Gojira takes up the mantle on doing what Science Fiction does best, and created the cypher in the form of Godzilla, to represent the devastation left over from the nuking of these cities.
Godzilla is a nuclear beast, affected by U.S. nuclear tests and is now toxically radioactive and upon landfall on Tokyo, rains down, literally, nuclear destruction up on the city, in a manner not dissimilar too that levied upon either of the cities, Hiroshima or Nagasaki. But its not just about that. It about the creation of the next WMD which would ultimately be used against Godzilla but poses and moral dilemma that Robert Oppenheimer himself would appreciate, as to whether such a creation should be allowed to be developed. It also looks quite seriously into establishing the potential evolution of a creature such as Godzilla and uses plausible palaeontological arguments to justify his existence.
The pacing was good and though Godzilla strikes from almost the opening frame, there is a sense of an ongoing crisis rather than an impending apocalypse, with news outlets reporting throughout as plans, both military and civilian are sited.
All in all, this is not just the birth of the massive and largely corny and cheap Godzilla series, it is a striking, intelligent, moving and incredibly well judged masterpiece of 50′s cinema. But I should have known. Most rubbish franchises began with an inspired first movie, something to break the mould and this does the job perfectly.
But it isn't without its flaws. The special effects, though not all bad, are below par even for the time, but effective as for telling the story, some were very good with ALL being well conceived and ambitious. Some were very poor though, such as the model ships, which were unnecessarily below the standards and look like bath toys. But the cinematography was wonderful, with Honda shooting this in a classically manner. Tension was built brilliantly and the action rose to several crescendos and the excellent score by Akira Ifukube was not overused but brought to perfect effect when needed.
The acting was first-rate as well, proving Japanese cinemas reputation. But this was my first real foray into Japanese cinema, and what a treat it was. Many would look at this and see a cheap old film and others will see a film that whist let down by some less that brilliant visual effects and the fact that a lot of people, certainly in the U.K. find subtitles difficult, as a masterpiece not only of Eastern cinema but of cinema full stop. Truly realising its narrative and spirit, its cause and message. This was about a county in mourning not only for the hundreds of thousands lost by Fat Man and Little Boy, but for the war full stop. The 1950′s were a time of great political fear and reconstruction after WW2, and this is a film which taps into the brewing Cold War and fear of annihilation from human behemoths which once released can never be returned.
HIGHLY recommended but not for children as they will bore, miss the point, get put off by the subtitles, black and white and quite frankly its a mature and bleak film and not the 1998 remake. And thank God or Godzilla for that!
Kyera (8 KP) rated Daughter Of The Burning City in Books
Jan 31, 2018
There were more twists and turns in the story than the labyrinthine paths through the Gomorrah Festival. I was impressed that this was Amanda Foody's debut novel, but that does not mean it was without its faults. Overall, I felt that the Festival itself as a setting was the most intriguing part of the story.
I didn't feel that the magic system was as developed as it should have been, or perhaps it was too developed. It wasn't always clear what people could have as abilities. The added element of being able to have multiple abilities that alter how each other works or each ability manifesting itself completely differently in people made following how the magic worked very difficult. There were also rules or examples that you read that seem to contradict one another. You just had to accept that it wasn't entirely clear and anything could happen.
The setting was certainly the most intriguing part of this story. The Gomorrah Festival, also known as the City of Burning Desires, is a traveling Carnival full of thieves, strumpets, charlatans, performers and fortune tellers. The gates of the city have ever burning flames and the cloying scent of smoke, perfume, and sugar cloak the tents. Amanda Foody's writing brilliantly brings the city to life, although we sadly see very little of the actual Festival. I loved the performance elements of the Night Circus and Caraval, so I was a little disappointed that the locale didn't play a bigger role.
I never really connected with the main character, Sorrina, our thread through the entire story. She is a magic worker who can create illusions with her mind, despite having no eyes to see for herself. Since coming to the Festival, she has begun creating illusions to become her family. They perform with her and despite not being truly real, are quite beloved by Sorrina. Unfortunately, one night a member of her illusion family is killed - but how can illusions be killed?
Sorrina vows to discover who hurt her family and protect the remaining members no matter what. Soon she meets an Up-Mountainer named Luca who is definitely the best character in the book. At first, he seems like the stereotypical sassy, "bad boy" love interest, but he is actually incredibly intelligent. I really enjoyed the dimension he brought to the story and how he balanced out Sorrina's more romantic, unfocused, indecisive character.
Despite the fact that Sorrina's family are illusions, they do feel like real people. Some are more developed than others. You feel for two of her sisters, one who bears the weight of the family on her shoulders and the other who just wants to be a real person. Those two will tug at your heartstrings and make you forget that they are illusions. I didn't feel like I got to know the other family members as well and that was a shame. They were such unique creations that they deserved that connection and time.
The story was fantastical, yet I enjoyed the mystery element as you puzzled through the clues with the characters to discover who killed an illusion, and how. The plot was a little convoluted so at times my attention waned, but overall I enjoyed the book. There were some pacing issues that could have been resolved by some additional editing/culling of scenes. Sometimes when I sat down I was completely engrossed in the plot, but there were also others where I picked the book up and put it down moments later.
I felt that the story was tied up satisfactorily and it didn't leave me with too many questions, but I won't lie and say I wouldn't enjoy another book set in that world with different characters. The level of development is still impressive for a debut novel and I cannot wait to see more from Amanda Foody.
I would definitely recommend this to young adult/teen readers who enjoy fantasy novels with really intriguing worlds, but don't expect too much of the carnival element to be present in the plot.
I didn't feel that the magic system was as developed as it should have been, or perhaps it was too developed. It wasn't always clear what people could have as abilities. The added element of being able to have multiple abilities that alter how each other works or each ability manifesting itself completely differently in people made following how the magic worked very difficult. There were also rules or examples that you read that seem to contradict one another. You just had to accept that it wasn't entirely clear and anything could happen.
The setting was certainly the most intriguing part of this story. The Gomorrah Festival, also known as the City of Burning Desires, is a traveling Carnival full of thieves, strumpets, charlatans, performers and fortune tellers. The gates of the city have ever burning flames and the cloying scent of smoke, perfume, and sugar cloak the tents. Amanda Foody's writing brilliantly brings the city to life, although we sadly see very little of the actual Festival. I loved the performance elements of the Night Circus and Caraval, so I was a little disappointed that the locale didn't play a bigger role.
I never really connected with the main character, Sorrina, our thread through the entire story. She is a magic worker who can create illusions with her mind, despite having no eyes to see for herself. Since coming to the Festival, she has begun creating illusions to become her family. They perform with her and despite not being truly real, are quite beloved by Sorrina. Unfortunately, one night a member of her illusion family is killed - but how can illusions be killed?
Sorrina vows to discover who hurt her family and protect the remaining members no matter what. Soon she meets an Up-Mountainer named Luca who is definitely the best character in the book. At first, he seems like the stereotypical sassy, "bad boy" love interest, but he is actually incredibly intelligent. I really enjoyed the dimension he brought to the story and how he balanced out Sorrina's more romantic, unfocused, indecisive character.
Despite the fact that Sorrina's family are illusions, they do feel like real people. Some are more developed than others. You feel for two of her sisters, one who bears the weight of the family on her shoulders and the other who just wants to be a real person. Those two will tug at your heartstrings and make you forget that they are illusions. I didn't feel like I got to know the other family members as well and that was a shame. They were such unique creations that they deserved that connection and time.
The story was fantastical, yet I enjoyed the mystery element as you puzzled through the clues with the characters to discover who killed an illusion, and how. The plot was a little convoluted so at times my attention waned, but overall I enjoyed the book. There were some pacing issues that could have been resolved by some additional editing/culling of scenes. Sometimes when I sat down I was completely engrossed in the plot, but there were also others where I picked the book up and put it down moments later.
I felt that the story was tied up satisfactorily and it didn't leave me with too many questions, but I won't lie and say I wouldn't enjoy another book set in that world with different characters. The level of development is still impressive for a debut novel and I cannot wait to see more from Amanda Foody.
I would definitely recommend this to young adult/teen readers who enjoy fantasy novels with really intriguing worlds, but don't expect too much of the carnival element to be present in the plot.
Heather Cranmer (2721 KP) rated Fallout (Crank, #3) in Books
Jun 6, 2018
(This review can also be found on my blog at <a href="http://www.themisadventuresofatwentysomething.blogspot.com">The (Mis)Adventures of a Twenty Something Year Old Girl</a>).
Fallout by Ellen Hopkins is the final book in the Crank trilogy. I so wanted and expected this book to be just as great as the first two. However, this wasn't the case. It was alright, but no where near as good as Crank and Glass. Perhaps it was just because I wanted more Kristina, and she wasn't mentioned too much in this book.
Fallout follows the lives of three of Kristina's children. Hunter is the oldest at 19. He is extremely angry at his mother and can't understand why his mother abandoned him. Next is Autumn who lives with her aunt and grandfather. When the stability of her home life falls out beneath her, Autumn turns to drinking and becomes a bit of a wild child. Summer doesn't even know she has any biological siblings. She's been living in and out of foster homes her whole life for the most part. When she meets the boy who seems to love her, things start to go wrong. However, each one of them wants Kristina to acknowledge them.
The title of this book makes sense as all of Kristina's children have fallen out with her. I think it does a great job of giving you a hint about what this book will be about.
The cover of this book doesn't really do it for me. I like how the author stuck with the whole druggy looking title. However, I just didn't care for the ugly yellow background and how plain the cover looked. Perhaps that's just a personal thing as all the covers have been plain looking, but as this was told from the point of view from Kristina's children, I thought this cover would just have a different look.
The world building in Fallout is alright, but it's easy to forget which world you're in. Maybe that's just my bad memory, but I always had to remind myself which setting belonged to what character.
The pacing in this book is slower than the first two books, and is just a bit slow overall. It took me a longer time than usual to read this book because most of the time, I just had trouble getting into it. I just found myself not caring really when it came to everything in Fallout.
There's not much dialogue going on between the characters as with the first two books in the series. I thought the internal dialogue which each character was really good, and I felt like the dialogue between each individual character was appropriate for each of their age. There are a few swear words in this book so be warned if that's not your cup of tea.
I found myself not caring about the characters most of the time. I don't know if this was because I wanted more Kristina or because they weren't as well developed as Kristina. I got Autumn and Summer confused a lot of the time whilst reading since they almost seem to have the same personality. The only way I was able to tell them apart (besides it having their name printed at the top of the page when it was time for their point of view) was because of the setting, and even then it was sometimes difficult. With that said, I started off enjoying reading about Hunter as he seemed to just be a more well defined, more interesting character. About halfway through the book, I even stopped caring about him because he just became a little bit boring.
I enjoyed that Fallout was written in verse like the first two books in the series. Hopkins does a fantastic job putting words in verse and putting it into a story. I just wish this book could've been as good as the first two. Instead Fallout falls a little bit flat with the characters and the plot both leaving me feeling uncaring. Don't get me wrong, it's still an okay book, but I just think that this book didn't need to be written as not much is going on.
I'd recommend this book to those aged 15+ who are interested in learning about Kristina's children since you won't be hearing much about Kristina in this book.
Fallout by Ellen Hopkins is the final book in the Crank trilogy. I so wanted and expected this book to be just as great as the first two. However, this wasn't the case. It was alright, but no where near as good as Crank and Glass. Perhaps it was just because I wanted more Kristina, and she wasn't mentioned too much in this book.
Fallout follows the lives of three of Kristina's children. Hunter is the oldest at 19. He is extremely angry at his mother and can't understand why his mother abandoned him. Next is Autumn who lives with her aunt and grandfather. When the stability of her home life falls out beneath her, Autumn turns to drinking and becomes a bit of a wild child. Summer doesn't even know she has any biological siblings. She's been living in and out of foster homes her whole life for the most part. When she meets the boy who seems to love her, things start to go wrong. However, each one of them wants Kristina to acknowledge them.
The title of this book makes sense as all of Kristina's children have fallen out with her. I think it does a great job of giving you a hint about what this book will be about.
The cover of this book doesn't really do it for me. I like how the author stuck with the whole druggy looking title. However, I just didn't care for the ugly yellow background and how plain the cover looked. Perhaps that's just a personal thing as all the covers have been plain looking, but as this was told from the point of view from Kristina's children, I thought this cover would just have a different look.
The world building in Fallout is alright, but it's easy to forget which world you're in. Maybe that's just my bad memory, but I always had to remind myself which setting belonged to what character.
The pacing in this book is slower than the first two books, and is just a bit slow overall. It took me a longer time than usual to read this book because most of the time, I just had trouble getting into it. I just found myself not caring really when it came to everything in Fallout.
There's not much dialogue going on between the characters as with the first two books in the series. I thought the internal dialogue which each character was really good, and I felt like the dialogue between each individual character was appropriate for each of their age. There are a few swear words in this book so be warned if that's not your cup of tea.
I found myself not caring about the characters most of the time. I don't know if this was because I wanted more Kristina or because they weren't as well developed as Kristina. I got Autumn and Summer confused a lot of the time whilst reading since they almost seem to have the same personality. The only way I was able to tell them apart (besides it having their name printed at the top of the page when it was time for their point of view) was because of the setting, and even then it was sometimes difficult. With that said, I started off enjoying reading about Hunter as he seemed to just be a more well defined, more interesting character. About halfway through the book, I even stopped caring about him because he just became a little bit boring.
I enjoyed that Fallout was written in verse like the first two books in the series. Hopkins does a fantastic job putting words in verse and putting it into a story. I just wish this book could've been as good as the first two. Instead Fallout falls a little bit flat with the characters and the plot both leaving me feeling uncaring. Don't get me wrong, it's still an okay book, but I just think that this book didn't need to be written as not much is going on.
I'd recommend this book to those aged 15+ who are interested in learning about Kristina's children since you won't be hearing much about Kristina in this book.
Darren (1599 KP) rated 28 Weeks Later... (2007) in Movies
Jun 20, 2019
Story: 28 Weeks Later starts by having a group of survivors in a boarded up farm house with tension rising a shock visit from a young boy leads to the infected attack the house and lone survivor Don (Carlyle) escaping leaving his wife behind. We are then lead into a flash-forward telling us how Britain is attempting to rebuild after the rage virus 28 Weeks Later. With Britain still being rebuilt Don’s children Tammy (Poots) and Andy (Muggleton) are the first children to return, even though the safety zone is still run by the military.
We find out that bringing kids back was a bad idea as the two go running off into the city outside the safety zone which leads to them discovering their infected but not turned mother. The mother locked up in quarantine Don goes to visit but this only leads to the virus taking over the safety zone and all hell letting lose. We follow solider Doyle (Renner) and scientist Scarlet (Byrne) as they try to save the children from the infected.
28 Weeks Later does what many sequels fail to do, creates a fresh look at the aftermath of the epidemic without dragging our characters from the original back even though their story is complete. It also takes the idea that the outbreak is over and focusing on the rebuilding works really well too. On its down side it does fall into the same old survivors running from infected because of a stupid mistake. It doesn’t manage to bring the characters into the interesting zone because it goes into the idea of the children needing saving which takes away what was created. It is enjoy action horror but not to the same level as the original. (7/10)
Actor Review
Robert Carlyle: Don the husband who abandons his wife then brings his kids to London to help rebuild the city from within the safe zone. Robert does a solid job and everyone will remember that opening sequence. (7/10)
don
Rose Byrne: Scarlet scientist who is trying to help figure out the virus, she isn’t happy they have bought kids back because they don’t fully understand the virus and once the outbreak happens again she goes out her way to save them. Rose gives a solid performance but doesn’t shine as much as she could. (6/10)
Jeremy Renner: Doyle slick sniper who is one of the protectors of the city but once the outbreak happens he joins in the rescue attempts while the virus ends up with a shoot on site policy that orders demand. Jeremy does a good job and we get early ideas of what he will be like as Hawkeye. (7/10)
renner
Imogen Poots: Tammy daughter of Don who keeps looking after her brother and together they go into the restricted zone which ends up causing all the problems. Imogen does a good job in the early role. (7/10)
poots
Support Cast: 28 Weeks Later has a bigger supporting cast but in the end they all make the typical errors in an infected outbreak.
Director Review: Juan Carlos Fresnadillo – Juan does take the film in a slightly different direction which is good but he loses the suspense the first one had. (7/10)
Horror: 28 Weeks Later continues to use infected as its horror using survivor horror elements. (9/10)
Settings: 28 Weeks Later uses London as its setting well using the more iconic locations for the audience. (8/10)
Special Effects: 28 Weeks Later does take the effects to the next level with the helicopter scene showing how far they have come. (9/10)
Suggestion: 28 Weeks Later is one for all the horror fans to enjoy, it doesn’t quite reach the same levels as its predecessor but is still a good watch. (Horror Fans Watch)
Best Part: Opening sequences is very intense.
Worst Part: typical supporting characters.
Action Scene Of The Film: Opening sequences
Kill Of The Film: Helicopter
Scariest Scene: Locked in the basement.
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: Left open for one but we haven’t had one yet.
Post Credits Scene: No
Oscar Chances: No
Box Office: $64 Million
Runtime: 1 Hour 40 Minutes
Tagline: The Threat Is Everywhere
Overall: Solid Sequel
https://moviesreview101.com/2015/03/15/28-weeks-later-2007/
We find out that bringing kids back was a bad idea as the two go running off into the city outside the safety zone which leads to them discovering their infected but not turned mother. The mother locked up in quarantine Don goes to visit but this only leads to the virus taking over the safety zone and all hell letting lose. We follow solider Doyle (Renner) and scientist Scarlet (Byrne) as they try to save the children from the infected.
28 Weeks Later does what many sequels fail to do, creates a fresh look at the aftermath of the epidemic without dragging our characters from the original back even though their story is complete. It also takes the idea that the outbreak is over and focusing on the rebuilding works really well too. On its down side it does fall into the same old survivors running from infected because of a stupid mistake. It doesn’t manage to bring the characters into the interesting zone because it goes into the idea of the children needing saving which takes away what was created. It is enjoy action horror but not to the same level as the original. (7/10)
Actor Review
Robert Carlyle: Don the husband who abandons his wife then brings his kids to London to help rebuild the city from within the safe zone. Robert does a solid job and everyone will remember that opening sequence. (7/10)
don
Rose Byrne: Scarlet scientist who is trying to help figure out the virus, she isn’t happy they have bought kids back because they don’t fully understand the virus and once the outbreak happens again she goes out her way to save them. Rose gives a solid performance but doesn’t shine as much as she could. (6/10)
Jeremy Renner: Doyle slick sniper who is one of the protectors of the city but once the outbreak happens he joins in the rescue attempts while the virus ends up with a shoot on site policy that orders demand. Jeremy does a good job and we get early ideas of what he will be like as Hawkeye. (7/10)
renner
Imogen Poots: Tammy daughter of Don who keeps looking after her brother and together they go into the restricted zone which ends up causing all the problems. Imogen does a good job in the early role. (7/10)
poots
Support Cast: 28 Weeks Later has a bigger supporting cast but in the end they all make the typical errors in an infected outbreak.
Director Review: Juan Carlos Fresnadillo – Juan does take the film in a slightly different direction which is good but he loses the suspense the first one had. (7/10)
Horror: 28 Weeks Later continues to use infected as its horror using survivor horror elements. (9/10)
Settings: 28 Weeks Later uses London as its setting well using the more iconic locations for the audience. (8/10)
Special Effects: 28 Weeks Later does take the effects to the next level with the helicopter scene showing how far they have come. (9/10)
Suggestion: 28 Weeks Later is one for all the horror fans to enjoy, it doesn’t quite reach the same levels as its predecessor but is still a good watch. (Horror Fans Watch)
Best Part: Opening sequences is very intense.
Worst Part: typical supporting characters.
Action Scene Of The Film: Opening sequences
Kill Of The Film: Helicopter
Scariest Scene: Locked in the basement.
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: Left open for one but we haven’t had one yet.
Post Credits Scene: No
Oscar Chances: No
Box Office: $64 Million
Runtime: 1 Hour 40 Minutes
Tagline: The Threat Is Everywhere
Overall: Solid Sequel
https://moviesreview101.com/2015/03/15/28-weeks-later-2007/
Kayleigh (12 KP) rated Bone Dressing (Book 1) in Books
Jan 2, 2019
I got this as a read to review, and it goes without saying (especially once you've read my review!) that what I am about to write is completely honest. I don't think I can explain my feelings about this book without letting spoilers slip, so please beware!
Unfortunately, unlike the <a href="http://awowords.wordpress.com/2013/04/05/dead-letter-office/">first book</a> I received to review, I really didn't like this story, and I won't be reading the next books in the series. Part of the premise wasn't bad - a 17-year-old girl, Syd, goes back to a previous life and discovers she has an ability to shapeshift into 5 different animals - but there are many flaws that made it a challenge to read.
To start with, the premise I mentioned above was bogged down with so many other storylines trying to demand attention. There's a sexually harassing, paedophile teacher; issues with her dead parents (which never actually goes anywhere); boy issues (which I'll discuss later); and probably several other things I genuinely don't care about.
Then, there's Sydney. I don't think I've ever finished a book with a main character as unlikeable as her. Now, I understand she misses her parents (who died 7 years previously), but from what the story says, she has been with her foster parents ever since, and they treat her as good parents should, so I don't understand the amount of anger that spews from her for about 80% of the time she's appearing as Syd (as opposed to Rachel).
If you've read any of the reviews on my <a href="http://awowords.wordpress.com">blog</a>; before, you may have realised that I hate books that completely devolve from reality, especially when it comes to love. Syd mentions at the beginning of the book that she's had dates with 'hot' guys, but that she's put off as soon as they open their mouths. Then, one day, she's met by Beau (at the friggin' cemetery, by her parents' graves), and despite his stalkerish (and is it just me to think vampiric?) tendencies, she falls head over heels in love with him. Well, duh. She then has her life threatened by a panther, and decides to take that moment to declare how she feels about him. I'm not sure about anyone else, but that's not what I'd do.
When Syd goes back to her previous life, as Rachel, she again is madly in love with a man named Jesse. This section of the book is slightly better written in that Rachel has more vulnerability than Syd, and the events are more exciting and less jumbled. I was intrigued as to how Syd could help Rachel change the events (which was hinted at by Beau), and can't help feeling that if there had been more of this and a LOT less lead-up, I would have enjoyed the book more. The end of the book finished on a cliffhanger, with nothing of importance having been 'tied up', and expecting the reader to buy the next book in order to carry on.
Then there's Mr Askew. I won't waste my breath on this: he is a paedophile that sexually harasses Syd in front of the whole class. Worst student in the world or not, Sydney could get him done - no bargaining. Plus, why have her start at burning down the school only to not refer back to what was already mentioned when it happens at the end?!
In general, an annoyance throughout the book was the amount of metaphors and adjectives used for everything. If there's one word used to describe something, there can be three, appears to be this book's motto! Metaphors can be amazing, but they were taken too far here. (This blogger <a href="http://ashleychristiano.wordpress.com/2011/10/10/bone-dressing-by-michelle-brooks/">here</a>; agrees!) Picture this type of language every other page or so:
<blockquote><i>"I could feel the waves of an overwhelming heartbreak ravaging my body, taking hold as if preparing to replace every part of me with an ache that could never be soothed. Somewhere in the distance I heard agonizing sobbing, sobbing too painful for a mere girl to endure."</i> </blockquote>
Yeah. So, it's safe to say I won't be recommending this one.
Unfortunately, unlike the <a href="http://awowords.wordpress.com/2013/04/05/dead-letter-office/">first book</a> I received to review, I really didn't like this story, and I won't be reading the next books in the series. Part of the premise wasn't bad - a 17-year-old girl, Syd, goes back to a previous life and discovers she has an ability to shapeshift into 5 different animals - but there are many flaws that made it a challenge to read.
To start with, the premise I mentioned above was bogged down with so many other storylines trying to demand attention. There's a sexually harassing, paedophile teacher; issues with her dead parents (which never actually goes anywhere); boy issues (which I'll discuss later); and probably several other things I genuinely don't care about.
Then, there's Sydney. I don't think I've ever finished a book with a main character as unlikeable as her. Now, I understand she misses her parents (who died 7 years previously), but from what the story says, she has been with her foster parents ever since, and they treat her as good parents should, so I don't understand the amount of anger that spews from her for about 80% of the time she's appearing as Syd (as opposed to Rachel).
If you've read any of the reviews on my <a href="http://awowords.wordpress.com">blog</a>; before, you may have realised that I hate books that completely devolve from reality, especially when it comes to love. Syd mentions at the beginning of the book that she's had dates with 'hot' guys, but that she's put off as soon as they open their mouths. Then, one day, she's met by Beau (at the friggin' cemetery, by her parents' graves), and despite his stalkerish (and is it just me to think vampiric?) tendencies, she falls head over heels in love with him. Well, duh. She then has her life threatened by a panther, and decides to take that moment to declare how she feels about him. I'm not sure about anyone else, but that's not what I'd do.
When Syd goes back to her previous life, as Rachel, she again is madly in love with a man named Jesse. This section of the book is slightly better written in that Rachel has more vulnerability than Syd, and the events are more exciting and less jumbled. I was intrigued as to how Syd could help Rachel change the events (which was hinted at by Beau), and can't help feeling that if there had been more of this and a LOT less lead-up, I would have enjoyed the book more. The end of the book finished on a cliffhanger, with nothing of importance having been 'tied up', and expecting the reader to buy the next book in order to carry on.
Then there's Mr Askew. I won't waste my breath on this: he is a paedophile that sexually harasses Syd in front of the whole class. Worst student in the world or not, Sydney could get him done - no bargaining. Plus, why have her start at burning down the school only to not refer back to what was already mentioned when it happens at the end?!
In general, an annoyance throughout the book was the amount of metaphors and adjectives used for everything. If there's one word used to describe something, there can be three, appears to be this book's motto! Metaphors can be amazing, but they were taken too far here. (This blogger <a href="http://ashleychristiano.wordpress.com/2011/10/10/bone-dressing-by-michelle-brooks/">here</a>; agrees!) Picture this type of language every other page or so:
<blockquote><i>"I could feel the waves of an overwhelming heartbreak ravaging my body, taking hold as if preparing to replace every part of me with an ache that could never be soothed. Somewhere in the distance I heard agonizing sobbing, sobbing too painful for a mere girl to endure."</i> </blockquote>
Yeah. So, it's safe to say I won't be recommending this one.
Gareth von Kallenbach (965 KP) rated Harry Potter and the Order of the Phoenix (2007) in Movies
Aug 14, 2019
Life for a teenager is never an easy thing. Between the constant insecurities about appearance, social standing, and other peer pressures,the teen years can be among the most traumatic in a persons life.
However when you are Harry Potter (Daniel Radcliffe), and you have recently survived a one on one confrontation with the evil wizard Voldemort (Ralph Fiennes),
typical teen angst would seem a blessing compared to what is to come.
In the new film, “Harry Potter and the Order of the Phoenix” the classic 5th book in the series by J.K. Rowling has been transfered to the screen by Director David Yates, who shows that he has an affinity for the subject matter, and is not afraid to helm Harry and his friends into the darker chapters of their life.
The film opens with Harry and his cousin Dudley arguing as Harry has taken exception to the taunting over his recent nightmares and his dead parents. When an unexpected attack from dark forces forces Harry to use magic outside of Hogwarts to save their lives. While Harry is successful in his defense, he is shocked to learn that he is to be expelled for the action.
Soon Harry finds his way to a secret locale and is reunited with his friends Ron (Rupert Grint), and Hermione (Emma Watson), as well as his uncle Sirius (Gary Oldman).
Any joy from the reunion is short-lived as Harry learns that the locale is actually a secret lair for the Order of the Phoenix, a secret society dedicated to fighting Lord Voldemort.
Harry has learned that Minister Fudge (Robert Hardy), is using the press to descredit Harry’s tale that Voldemort has returned. In time, Harry is allowed to return to school and returns to find things have changed drastically.
The school has a new defense against the dark arts teacher named Dolores Umbridge (Imelda Staunton), has instituted strict rules and changes at the school and backed by the Ministry, she soon becomes a tyrant to the students, especially Harry whom she punishes severly any time he brings up the fact that Voldemort is back.
As if this were not bad enough, it seems as if a large portion of the school is weary of Harry as they are weary of his claims about Voldemort, and are starting to believe the negative things that have been written about Harry by the Ministry.
Undaunted, Harry and his friends soon begin their own training as Harry instructs them on ways to protect themselves from the dark forces assembling. During this time, Harry also grows closer to fellow student Cho
Chang (Katie Leung), and experiences his first kiss as he transitions from school boy to young man, with the weight of the world upon him.
What follows is an intense adventure as Harry and his friends race against time to save the day from the ever closing darkness, with their very lives hanging in the balance.
This Potter is darker and more mature than previous films and the dark tone and mood of the film is evident from the early scenes.
While there is still some humor in the film, the tone is set by Harry who has become a darker and more torubled individual and the events surrounding him do not
lead to much charm and merriment that was present in the earlier films in the series.
The cast does a good job and the FX work is solid if not spectacular. My biggest issue with the film is that it dragged in many segments and that the finale was not as exciting as I had hoped for. Many times during the film and after, I got the impression that I was watching a two and a half hour commercial for the next film and final book, as there was little in the film for me that drove the story or the mythos forward.
That being said, there were many scenes that I enjoyed in the film, I just wish the pacing of the film could have been better.
The film like Harry transitions into more mature themes and experiences,it just stumbles a bit getting there.
However when you are Harry Potter (Daniel Radcliffe), and you have recently survived a one on one confrontation with the evil wizard Voldemort (Ralph Fiennes),
typical teen angst would seem a blessing compared to what is to come.
In the new film, “Harry Potter and the Order of the Phoenix” the classic 5th book in the series by J.K. Rowling has been transfered to the screen by Director David Yates, who shows that he has an affinity for the subject matter, and is not afraid to helm Harry and his friends into the darker chapters of their life.
The film opens with Harry and his cousin Dudley arguing as Harry has taken exception to the taunting over his recent nightmares and his dead parents. When an unexpected attack from dark forces forces Harry to use magic outside of Hogwarts to save their lives. While Harry is successful in his defense, he is shocked to learn that he is to be expelled for the action.
Soon Harry finds his way to a secret locale and is reunited with his friends Ron (Rupert Grint), and Hermione (Emma Watson), as well as his uncle Sirius (Gary Oldman).
Any joy from the reunion is short-lived as Harry learns that the locale is actually a secret lair for the Order of the Phoenix, a secret society dedicated to fighting Lord Voldemort.
Harry has learned that Minister Fudge (Robert Hardy), is using the press to descredit Harry’s tale that Voldemort has returned. In time, Harry is allowed to return to school and returns to find things have changed drastically.
The school has a new defense against the dark arts teacher named Dolores Umbridge (Imelda Staunton), has instituted strict rules and changes at the school and backed by the Ministry, she soon becomes a tyrant to the students, especially Harry whom she punishes severly any time he brings up the fact that Voldemort is back.
As if this were not bad enough, it seems as if a large portion of the school is weary of Harry as they are weary of his claims about Voldemort, and are starting to believe the negative things that have been written about Harry by the Ministry.
Undaunted, Harry and his friends soon begin their own training as Harry instructs them on ways to protect themselves from the dark forces assembling. During this time, Harry also grows closer to fellow student Cho
Chang (Katie Leung), and experiences his first kiss as he transitions from school boy to young man, with the weight of the world upon him.
What follows is an intense adventure as Harry and his friends race against time to save the day from the ever closing darkness, with their very lives hanging in the balance.
This Potter is darker and more mature than previous films and the dark tone and mood of the film is evident from the early scenes.
While there is still some humor in the film, the tone is set by Harry who has become a darker and more torubled individual and the events surrounding him do not
lead to much charm and merriment that was present in the earlier films in the series.
The cast does a good job and the FX work is solid if not spectacular. My biggest issue with the film is that it dragged in many segments and that the finale was not as exciting as I had hoped for. Many times during the film and after, I got the impression that I was watching a two and a half hour commercial for the next film and final book, as there was little in the film for me that drove the story or the mythos forward.
That being said, there were many scenes that I enjoyed in the film, I just wish the pacing of the film could have been better.
The film like Harry transitions into more mature themes and experiences,it just stumbles a bit getting there.
Darren (1599 KP) rated The Unborn (2009) in Movies
Jun 21, 2019
Story: The Unborn starts when young woman Casey (Annable) starts seeing visions and getting warnings about someone wanting to be born, with her best friend Romy (Good) and her boyfriend Mark (Gigandet) Casey starts to investigate and learns that she did in fact have a twin brother who died in the womb.
When Casey turns to a friend of her mother’s she learns about a spirit that is trying to find his way into the real world and she must turn to Rabbi Sendak (Oldman) for answers and a potential cure from the possession.
Thoughts on The Unborn
Characters – Casey is a young woman that seems to have a normal life until one day she starts seeing visions, getting strange messages, she must research her past to protect her future, a past that is filled with pain and loss as well as a secret she would never be prepared for. We do follow Casey for most part of this film, the problem with her character is that we don’t learn anything about her before the unusual starts happening, is she a good or bad person, we learn nothing, it just starts with her being visited. Rabbi Sendak is the man Casey must turn to for help, he understands how the exorcizing would need to be done while offering the basic advice to Casey before stepping in himself. Mark is the boyfriend, that is about all we learn about him, he isn’t as supportive of the supernatural side of the events. Romy is the best friend, she will help on everything Casey is going through in an attempt to save her friend from the evil haunting her.
Performances – Odette Annable is the perfect fit for the leading role, she is a beautiful woman whose life is falling apart, she has a good horror scream and you believe it when she is scared. Gary Oldman, well the guy needs to make money, he does bring class to the role even in his limited role. Cam Gigandet is fine without doing too much Meagan Good gives us the only laughs in the film without being anything great in the supporting role.
Story – The story here follows one young woman that gets starts getting haunted by visions of a young boy and must figure out how to rid herself of this haunting. This story doesn’t take long to start with us going instantly into the first haunting and this pace doesn’t seem to let off, we are constantly going from moment of scares or explanation to what is causing the haunting. This hinders the story because we don’t get a chance to learn anything about the characters we are meant to be supporting, mostly Casey we know nothing about her or what her everyday life is, making it harder to support her. The story follows the horror genre with ease and is saved by a strong twist ending.
Horror/Mystery – The horror in the film comes from jump scares, well attempted jump scares, most of the horror happens in the dark and is a small child haunting Casey, it does the basics well, though it won’t get the hardcore horror fan to jump. The mystery is more interesting as we must learn the truth about the haunting which goes in direction you wouldn’t see coming.
Settings – The film is set in Chicago which only adds to the horror because of the big city feeling to everything Casey is experience showing that even in the biggest crowd people could suffer possessional activity.
Special Effects – The effects have good moments, we the body folding moments being the highlights of the effects which gives us more towards the horror in the film.
Scene of the Movie – Sofi’s last night.
That Moment That Annoyed Me – Not learning anything about who or what these people do in everyday life.
Final Thoughts – This is a basic horror that gets the scares done simply, gives us weakly written characters and could pass the time simply enough.
Overall: Simple late night horror.
https://moviesreview101.com/2019/06/18/the-unborn-2009/
When Casey turns to a friend of her mother’s she learns about a spirit that is trying to find his way into the real world and she must turn to Rabbi Sendak (Oldman) for answers and a potential cure from the possession.
Thoughts on The Unborn
Characters – Casey is a young woman that seems to have a normal life until one day she starts seeing visions, getting strange messages, she must research her past to protect her future, a past that is filled with pain and loss as well as a secret she would never be prepared for. We do follow Casey for most part of this film, the problem with her character is that we don’t learn anything about her before the unusual starts happening, is she a good or bad person, we learn nothing, it just starts with her being visited. Rabbi Sendak is the man Casey must turn to for help, he understands how the exorcizing would need to be done while offering the basic advice to Casey before stepping in himself. Mark is the boyfriend, that is about all we learn about him, he isn’t as supportive of the supernatural side of the events. Romy is the best friend, she will help on everything Casey is going through in an attempt to save her friend from the evil haunting her.
Performances – Odette Annable is the perfect fit for the leading role, she is a beautiful woman whose life is falling apart, she has a good horror scream and you believe it when she is scared. Gary Oldman, well the guy needs to make money, he does bring class to the role even in his limited role. Cam Gigandet is fine without doing too much Meagan Good gives us the only laughs in the film without being anything great in the supporting role.
Story – The story here follows one young woman that gets starts getting haunted by visions of a young boy and must figure out how to rid herself of this haunting. This story doesn’t take long to start with us going instantly into the first haunting and this pace doesn’t seem to let off, we are constantly going from moment of scares or explanation to what is causing the haunting. This hinders the story because we don’t get a chance to learn anything about the characters we are meant to be supporting, mostly Casey we know nothing about her or what her everyday life is, making it harder to support her. The story follows the horror genre with ease and is saved by a strong twist ending.
Horror/Mystery – The horror in the film comes from jump scares, well attempted jump scares, most of the horror happens in the dark and is a small child haunting Casey, it does the basics well, though it won’t get the hardcore horror fan to jump. The mystery is more interesting as we must learn the truth about the haunting which goes in direction you wouldn’t see coming.
Settings – The film is set in Chicago which only adds to the horror because of the big city feeling to everything Casey is experience showing that even in the biggest crowd people could suffer possessional activity.
Special Effects – The effects have good moments, we the body folding moments being the highlights of the effects which gives us more towards the horror in the film.
Scene of the Movie – Sofi’s last night.
That Moment That Annoyed Me – Not learning anything about who or what these people do in everyday life.
Final Thoughts – This is a basic horror that gets the scares done simply, gives us weakly written characters and could pass the time simply enough.
Overall: Simple late night horror.
https://moviesreview101.com/2019/06/18/the-unborn-2009/
Night Reader Reviews (683 KP) rated Freiyon Fables: A Tail to Remember in Books
Jan 9, 2020
Honest Review for Free Copy of Book
Freiyon Fables: Tail to Remember by Justin Hunt was a book that I could only compare to one other book and that would be Chronicles of Narnia by C. S. Lewis. The Prologue promises an amazing tale, yet I feel as if the book doesn't quite live up to it. So even though I compare it to Narnia in style it is nothing like it when it comes to the actual material. The complete book itself is separated into three smaller books (or parts) that is then spread out into chapters.
In A Tail to Remember a squirrel by the name of Micklang escapes from a zoo and in the process is electrocuted, giving his tail a lightning-bolt shape. He then falls into another world in an Alice in Wonderland – down the rabbit hole style. In this new world, Micklang receives dreams about his warrior-self telling hi how to become that version of himself. During his journey, Micklang makes some surprising new friends and is reunited with some he has met before in the human world. It is with these friends that Micklang travels this new world, mapping it out.
At one point Micklang comes across an island where his traveling companions are captured and must rescue them before their captors harm them. Then after abandoning ship in a bad storm Micklang finds himself on yet another island, but this one is home to only other lightning-tail animals. Towards the end, Micklang goes back to one of the first islands that he visited in this new world, now called Freiyon. It is there that Micklang and his friends fight in the first battle in a war between The Grabbers and King Karel. It is during this battle that Micklang’s story ends but it is not the end of the stories about Freiyon. This is because a little human boy is told about Freiyon by his mother and decides it is time for him to visit this land of talking animals.
What I liked best about this book is that it is a rare occasion when I can honestly say that the ending, specifically the Epilogue is my favorite part. The epilogue tied the entire story together with the prologue when frankly I originally was confused about how it all connected. This actually redeemed the entire book in some ways. What I did not like was that the talking animals and being in a different world or realm gave the book a Chronicles of Narnia feel. Normally that would be a good thing but in this case, the writing style felt simplified and rushed at the same time. Also, this book felt like it was intended for children up until book three. In Book Three: The Switch Between Stories the phrases “What the HELL” and “how the HELL” were both used and that doesn't feel kid-friendly.
It was hard for me to pick a target audience for this book. My best guess would be for early middle school students and late elementary students, age-wise anyway. This is because the length might make it difficult for some elementary students (and some parents may not be thrilled about all the violence, who knows). Yet the simplified writing style may (or may not) appeal to older readers. Most likely it would be dry and boring for anyone out of middle school. That being said I rate this book a 2 out of 4. This is because this story falls in that dangerous zone between being simple enough for young readers and having just enough detail to feel rushed. The action moves from one major event to another without much of a break in between yet the story is still interesting
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In A Tail to Remember a squirrel by the name of Micklang escapes from a zoo and in the process is electrocuted, giving his tail a lightning-bolt shape. He then falls into another world in an Alice in Wonderland – down the rabbit hole style. In this new world, Micklang receives dreams about his warrior-self telling hi how to become that version of himself. During his journey, Micklang makes some surprising new friends and is reunited with some he has met before in the human world. It is with these friends that Micklang travels this new world, mapping it out.
At one point Micklang comes across an island where his traveling companions are captured and must rescue them before their captors harm them. Then after abandoning ship in a bad storm Micklang finds himself on yet another island, but this one is home to only other lightning-tail animals. Towards the end, Micklang goes back to one of the first islands that he visited in this new world, now called Freiyon. It is there that Micklang and his friends fight in the first battle in a war between The Grabbers and King Karel. It is during this battle that Micklang’s story ends but it is not the end of the stories about Freiyon. This is because a little human boy is told about Freiyon by his mother and decides it is time for him to visit this land of talking animals.
What I liked best about this book is that it is a rare occasion when I can honestly say that the ending, specifically the Epilogue is my favorite part. The epilogue tied the entire story together with the prologue when frankly I originally was confused about how it all connected. This actually redeemed the entire book in some ways. What I did not like was that the talking animals and being in a different world or realm gave the book a Chronicles of Narnia feel. Normally that would be a good thing but in this case, the writing style felt simplified and rushed at the same time. Also, this book felt like it was intended for children up until book three. In Book Three: The Switch Between Stories the phrases “What the HELL” and “how the HELL” were both used and that doesn't feel kid-friendly.
It was hard for me to pick a target audience for this book. My best guess would be for early middle school students and late elementary students, age-wise anyway. This is because the length might make it difficult for some elementary students (and some parents may not be thrilled about all the violence, who knows). Yet the simplified writing style may (or may not) appeal to older readers. Most likely it would be dry and boring for anyone out of middle school. That being said I rate this book a 2 out of 4. This is because this story falls in that dangerous zone between being simple enough for young readers and having just enough detail to feel rushed. The action moves from one major event to another without much of a break in between yet the story is still interesting
https://www.facebook.com/nightreaderreviews