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LeftSideCut (3776 KP) rated Aliens vs. Predator: Requiem (AVP 2) (2007) in Movies
Jun 28, 2019
A shameless money grab
After the thoroughly underwhelming AVP, we are presented with Requiem, a film that's entices you with it's R rating (after the first films odd PG-13 rating), and it's clear to see why a lot of the advertising was centred around the R rating - because Requiem has little else to offer.
Both of these franchises are beloved, but unfortunately, the bad films have really started to outweigh the good - and Requiem is a film made purely to make money. There's no diving into the lore behind any of the past films, and instead the story is set in a small Colorado town, full of actors that I kind of recognise from various TV shows - which is fitting, because the film plays out like an episode of Dawson's Creek, just with lots of Aliens running around.
The staple violence of both series is present once again, however, it feels like the constant Gore is being thrown at you to distract you from the threadbare plot.
The (singular) Predator looks pretty good, however the Aliens are mostly shrouded in shadow, I don't recall seeing a full body shot of a Xenomorph at any point, and the Predator-Alien hybrid, again, is never really shown properly, and what we do see looks silly.
It's a pretty shoddy movie all in all, and this particular mash up is probably best left to books and graphic novels.
Both of these franchises are beloved, but unfortunately, the bad films have really started to outweigh the good - and Requiem is a film made purely to make money. There's no diving into the lore behind any of the past films, and instead the story is set in a small Colorado town, full of actors that I kind of recognise from various TV shows - which is fitting, because the film plays out like an episode of Dawson's Creek, just with lots of Aliens running around.
The staple violence of both series is present once again, however, it feels like the constant Gore is being thrown at you to distract you from the threadbare plot.
The (singular) Predator looks pretty good, however the Aliens are mostly shrouded in shadow, I don't recall seeing a full body shot of a Xenomorph at any point, and the Predator-Alien hybrid, again, is never really shown properly, and what we do see looks silly.
It's a pretty shoddy movie all in all, and this particular mash up is probably best left to books and graphic novels.
PRO - Lego dimensions Version Guide
Reference and Book
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Assemble an adventure with LEGO® Dimensions. Build your favourite blocky heroes, then bring them to...
Erika (17789 KP) rated Tenet (2020) in Movies
Sep 2, 2020 (Updated Sep 5, 2020)
I saw this film, FINALLY; the first showing in IMAX on the 31st via 'Early Access'. It was completely amazing on IMAX and it definitely needs to be seen that way, since that was the film Nolan shot it on.
I was glad that a movie made me think and I gave all of my attention to it. Honestly, I was able to figure out a lot of it before it was revealed, but that wasn't a bad, Hint, whenever you think something is a weird continuity error, it's not, it's intentional. The in-camera effects (as Nolan calls it) were AMAZING, Only Nolan could convince a working airport to let him crash a real plane into a building. Directors should take note that practical effects will ALWAYS look better than CGI.
The cast was amazing, and John David Washington, holy cow does he have physical prowess. I love Robert Pattinson in almost everything, and I really liked his character.
I can't say at this point whether I absolutely loved it, or just like it. I had this same issue with Dunkirk, where I know I liked it, but not how much (BTW I loved it after the 2nd viewing). I've already booked my ticket to see Tenet again on Friday.
EDIT: I saw Tenet again, and now I know for sure, that I really liked it! I'm pretty sure Robert Pattinson is my favorite character in the whole film.
I was glad that a movie made me think and I gave all of my attention to it. Honestly, I was able to figure out a lot of it before it was revealed, but that wasn't a bad, Hint, whenever you think something is a weird continuity error, it's not, it's intentional. The in-camera effects (as Nolan calls it) were AMAZING, Only Nolan could convince a working airport to let him crash a real plane into a building. Directors should take note that practical effects will ALWAYS look better than CGI.
The cast was amazing, and John David Washington, holy cow does he have physical prowess. I love Robert Pattinson in almost everything, and I really liked his character.
I can't say at this point whether I absolutely loved it, or just like it. I had this same issue with Dunkirk, where I know I liked it, but not how much (BTW I loved it after the 2nd viewing). I've already booked my ticket to see Tenet again on Friday.
EDIT: I saw Tenet again, and now I know for sure, that I really liked it! I'm pretty sure Robert Pattinson is my favorite character in the whole film.
The Cutting Room Floor
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DEZ: If my life were a movie, this would be the pivotal scene: a guy peering through his bedroom...
Merissa (12838 KP) rated Surface Scratch (Neon Scars #1) in Books
May 5, 2023
SURFACE SCRATCH is the first book in the Neon Scars series, and also the first book published by this author. If you're looking for a light and fluffy romance then you've got the wrong book. This one is quite dark so be prepared.
Caleb has had a hard time of it recently. He and his family were in a car accident, leaving him with some major scars. His brother walks out and his mom dies. But then he gets a job at a nightclub and is intrigued by his boss, Marcus. He gets drawn into a world of vampires where, just as with humans, some are "good" and some not so much. There are also hunters who come across more as the bad guys than anything else.
As I said, this is dark. The loving is rough and almost violent (although written incredibly well.) I enjoyed Caleb and Marcus' story but am also looking forward to finding out more from the other characters. Vincent especially made me laugh as every time he called Caleb "Buttercup", I was hearing it said by different characters from The Princess Bride movie!
A great beginning to a series with a fantastic group of characters. Definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 5, 2023
Caleb has had a hard time of it recently. He and his family were in a car accident, leaving him with some major scars. His brother walks out and his mom dies. But then he gets a job at a nightclub and is intrigued by his boss, Marcus. He gets drawn into a world of vampires where, just as with humans, some are "good" and some not so much. There are also hunters who come across more as the bad guys than anything else.
As I said, this is dark. The loving is rough and almost violent (although written incredibly well.) I enjoyed Caleb and Marcus' story but am also looking forward to finding out more from the other characters. Vincent especially made me laugh as every time he called Caleb "Buttercup", I was hearing it said by different characters from The Princess Bride movie!
A great beginning to a series with a fantastic group of characters. Definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 5, 2023
David McK (3557 KP) rated Murder on the Orient Express in Books
Dec 27, 2021
As a general rule, I'm not really big into murder mystery whodunnits, generally finding them boring, (sometimes) obvious and just, well, generally a little bit stale.
That may be why I'd never read perhaps Agatha Christie's most famous murder story before, or even had any interest in which any of the (numerous) films, TV series or plays based around the same.
Which is a long way of saying that I came into this 'cold', as it were, knowing little beyond the fact that it was a Hercule Poirot mystery (thanks to the 2017 Kenneth Branagh movie, which I hadn't seen), and that the murder was on a train (d'uh!) just as it ran into snow whilst on a journey.
Now that I've read it, I have to say: I found little to cause me to revise my opinion of murder mysteries in general.
That's not to say that it is bad, per se, just that it never really hooked me all that much: indeed, at times it felt more like a chore to read than something enjoyable. Indeed, I'm sorry to say, the reveal of just who carried out the crime also completely failed to elicit any form of surprise or emotion at all from me: not that I saw it coming but just that, well, it almost felt like a relief when it did.
All I can say is: sorry, any Poirot fans!
That may be why I'd never read perhaps Agatha Christie's most famous murder story before, or even had any interest in which any of the (numerous) films, TV series or plays based around the same.
Which is a long way of saying that I came into this 'cold', as it were, knowing little beyond the fact that it was a Hercule Poirot mystery (thanks to the 2017 Kenneth Branagh movie, which I hadn't seen), and that the murder was on a train (d'uh!) just as it ran into snow whilst on a journey.
Now that I've read it, I have to say: I found little to cause me to revise my opinion of murder mysteries in general.
That's not to say that it is bad, per se, just that it never really hooked me all that much: indeed, at times it felt more like a chore to read than something enjoyable. Indeed, I'm sorry to say, the reveal of just who carried out the crime also completely failed to elicit any form of surprise or emotion at all from me: not that I saw it coming but just that, well, it almost felt like a relief when it did.
All I can say is: sorry, any Poirot fans!
Kim Pook (101 KP) rated Pitch Perfect 3 (2017) in Movies
Sep 2, 2023
Not as good as first 2
Contains spoilers, click to show
We're back for the third and final installment of Pitch Perfect! The Bellas are singing "toxic" as the movie opens on a boat off the coast of France; however, as Amy enters carrying a fire extinguisher, the boat explodes, and the girls jump off.
Backtrack three weeks, and Rebecca is now making music. Unfortunately, a mediocre band with a horrible attitude makes her reevaluate her work, and she decides to resign. The Bellas attend a reunion, but they are given the short end of the stick since they believe they were invited to sing when in fact they were only there to listen to another group sing. The Bellas realise they need to sing together again upon hearing the other group, so they fly to Spain to perform for the army. However, the performance ends up being a competition as all the bands engage in an extended riff off. The bellas begin to worry when they understand they must compete against bands who play their own instruments.
Similar to the other films in the trilogy, the singing portions in this one are fantastic and infectious, and the last song gave me chills. The storyline wasn't as enjoyable this time around, though. Eliminate the entire Amy and her bad dad plot, which was over the top and inconsistent with the rest of the film; otherwise, the film would have been just as entertaining as the others.
Backtrack three weeks, and Rebecca is now making music. Unfortunately, a mediocre band with a horrible attitude makes her reevaluate her work, and she decides to resign. The Bellas attend a reunion, but they are given the short end of the stick since they believe they were invited to sing when in fact they were only there to listen to another group sing. The Bellas realise they need to sing together again upon hearing the other group, so they fly to Spain to perform for the army. However, the performance ends up being a competition as all the bands engage in an extended riff off. The bellas begin to worry when they understand they must compete against bands who play their own instruments.
Similar to the other films in the trilogy, the singing portions in this one are fantastic and infectious, and the last song gave me chills. The storyline wasn't as enjoyable this time around, though. Eliminate the entire Amy and her bad dad plot, which was over the top and inconsistent with the rest of the film; otherwise, the film would have been just as entertaining as the others.
5 Minute Movie Guy (379 KP) rated Angel Has Fallen (2019) in Movies
Sep 16, 2019
After putting in plenty of years and two prior movies spent protecting the President, Secret Service member Mike Banning is up for promotion. In Angel Has Fallen, the third installment of the Fallen franchise, Banning has been personally hand-picked by President Allan Trumbull to take over as the new Secret Service Director. Trumbull tells him the good news directly during a getaway fishing trip, but then things quickly turn bad when a drone attack attempts to assassinate the President. Banning is able to successfully save himself and the President, but the attack kills all the rest of the Secret Service members on site and the aftermath leaves Trumbull in a coma. Planted DNA evidence linking Banning to an involvement in the attack leads to his arrest, and with the President unconscious, he has no other witness to clear his name. Banning’s obviously been framed and set-up and will have to escape from authorities to find out who is responsible, and to also protect the President from any further attempts on his life.
Directed by Ric Roman Waugh, Angel Has Fallen is a film that starts off pretty well, yet I feel that the whole narrative of Banning being so easily framed is pretty hard to believe, especially given that he’s been the hero of two films already. It’s the driving force of the film’s story and yet it seems highly questionable to me that the intelligence committee would be so quick to blame it all on Banning considering his reputable history. Naturally any attack on the President is taken very seriously, but the FBI is extremely quick to condemn the man that just saved his life. I think it’s the weakest part of the story, although story is not an area this film ever really excels at. I would even say that most of its attempts at being smart usually fall flat. Regardless, this is the kind of movie that would be best enjoyed if you didn’t take it too seriously. It’s in many ways a throwback to the macho action movies of yesteryear, and that’s where it makes up for its shortcomings.
As the first film I’ve seen in this series, I admittedly had low expectations for it. If not for my dad wanting to see it, I probably would have skipped it entirely, but in truth it turned out to be better than I had anticipated. It’s also been the number one movie at the box office for two weeks running, so what do I know? I must confess that ever since seeing Den of Thieves last year, I’ve instantly become a huge fan of Gerard Butler, whose filmography I’ve largely overlooked. I love his energy, his over-the-top acting and his tough guy persona. He’s a great fit here in Angel Has Fallen as Banning and is enjoyable to watch, even if at times it can be a little hard to believe that he’s somehow always the smartest guy in the room.
The rest of the cast in the movie is respectful as well. Morgan Freeman is a comfortable choice as President Trumbull, and he truly makes me long for a time when we had a sane and competent President. It’s a rather reserved role for Freeman, as he spends most of the runtime in a coma. Still, he’s a graceful and welcome presence who has at least a couple moments to shine. Jada Pinkett Smith has the unfortunate role of playing the FBI agent who orders Banning’s arrest, and I wish she had a bit more to work with. Nick Nolte plays Banning’s estranged father Clay, a paranoid war veteran living off the grid, and he’s one of the highlights of the film. I enjoyed his character’s relationship with Banning, and he and Butler play off each other well. Danny Huston also gives a worthwhile performance as Banning’s former military companion Wade Jennings.
Despite having the appearance of a run-of-the-mill, rescue-the-President type of action movie, the action is actually for the most part quite admirable. Right from the get-go, it makes an impressive statement with its tense and exciting introductory scene which feels reminiscent of tactical military-style video games. The movie is heavy on explosions, shootouts, and hand-to-hand combat, and its action is generally fun. There’s also an impressive final stand-off that’s surprisingly well-planned and executed. It’s in moments like this where the movie demonstrates its intelligence and expertise. If not for these strong action sequences, I feel the movie as a whole would have suffered tremendously, but it rightfully delivers on what we came to see. Of course, not all of the action is stellar, and there’s a clunker of a car chase thrown into the mix, but overall I was entertained.
One area where the movie could have used some more improvement was with the special effects. They’re sufficient in the sense that they still clearly convey what the movie is trying to show, but a lot of it looks noticeably fake. It’s unfortunate, but I also don’t believe it was ever a major distraction. Another issue with the film is that its run-time feels a little long and there are some subplots that I really couldn’t care less about. It’s your standard government scheming and political conspiracy stuff, complete with all of the twists you would expect, but it isn’t particularly interesting, even if it does explain the purpose of the initial attack on the President.
Overall, I had a better time with Angel Has Fallen than I would have imagined. It’s far from great, but it’s good enough that I’ll probably now check out the two previous Fallen films at some point. The story might leave a lot to be desired, but the action sequences help fill the void. I would recommend it for fans of action movies, or anyone who likes Gerard Butler. It’s not something anyone needs to rush to the theater to see, but if you’re looking for a little action to end your summer with, it should do the trick.
Directed by Ric Roman Waugh, Angel Has Fallen is a film that starts off pretty well, yet I feel that the whole narrative of Banning being so easily framed is pretty hard to believe, especially given that he’s been the hero of two films already. It’s the driving force of the film’s story and yet it seems highly questionable to me that the intelligence committee would be so quick to blame it all on Banning considering his reputable history. Naturally any attack on the President is taken very seriously, but the FBI is extremely quick to condemn the man that just saved his life. I think it’s the weakest part of the story, although story is not an area this film ever really excels at. I would even say that most of its attempts at being smart usually fall flat. Regardless, this is the kind of movie that would be best enjoyed if you didn’t take it too seriously. It’s in many ways a throwback to the macho action movies of yesteryear, and that’s where it makes up for its shortcomings.
As the first film I’ve seen in this series, I admittedly had low expectations for it. If not for my dad wanting to see it, I probably would have skipped it entirely, but in truth it turned out to be better than I had anticipated. It’s also been the number one movie at the box office for two weeks running, so what do I know? I must confess that ever since seeing Den of Thieves last year, I’ve instantly become a huge fan of Gerard Butler, whose filmography I’ve largely overlooked. I love his energy, his over-the-top acting and his tough guy persona. He’s a great fit here in Angel Has Fallen as Banning and is enjoyable to watch, even if at times it can be a little hard to believe that he’s somehow always the smartest guy in the room.
The rest of the cast in the movie is respectful as well. Morgan Freeman is a comfortable choice as President Trumbull, and he truly makes me long for a time when we had a sane and competent President. It’s a rather reserved role for Freeman, as he spends most of the runtime in a coma. Still, he’s a graceful and welcome presence who has at least a couple moments to shine. Jada Pinkett Smith has the unfortunate role of playing the FBI agent who orders Banning’s arrest, and I wish she had a bit more to work with. Nick Nolte plays Banning’s estranged father Clay, a paranoid war veteran living off the grid, and he’s one of the highlights of the film. I enjoyed his character’s relationship with Banning, and he and Butler play off each other well. Danny Huston also gives a worthwhile performance as Banning’s former military companion Wade Jennings.
Despite having the appearance of a run-of-the-mill, rescue-the-President type of action movie, the action is actually for the most part quite admirable. Right from the get-go, it makes an impressive statement with its tense and exciting introductory scene which feels reminiscent of tactical military-style video games. The movie is heavy on explosions, shootouts, and hand-to-hand combat, and its action is generally fun. There’s also an impressive final stand-off that’s surprisingly well-planned and executed. It’s in moments like this where the movie demonstrates its intelligence and expertise. If not for these strong action sequences, I feel the movie as a whole would have suffered tremendously, but it rightfully delivers on what we came to see. Of course, not all of the action is stellar, and there’s a clunker of a car chase thrown into the mix, but overall I was entertained.
One area where the movie could have used some more improvement was with the special effects. They’re sufficient in the sense that they still clearly convey what the movie is trying to show, but a lot of it looks noticeably fake. It’s unfortunate, but I also don’t believe it was ever a major distraction. Another issue with the film is that its run-time feels a little long and there are some subplots that I really couldn’t care less about. It’s your standard government scheming and political conspiracy stuff, complete with all of the twists you would expect, but it isn’t particularly interesting, even if it does explain the purpose of the initial attack on the President.
Overall, I had a better time with Angel Has Fallen than I would have imagined. It’s far from great, but it’s good enough that I’ll probably now check out the two previous Fallen films at some point. The story might leave a lot to be desired, but the action sequences help fill the void. I would recommend it for fans of action movies, or anyone who likes Gerard Butler. It’s not something anyone needs to rush to the theater to see, but if you’re looking for a little action to end your summer with, it should do the trick.
Emma @ The Movies (1786 KP) rated The Suicide Squad (2021) in Movies
Aug 15, 2021
Much like the recent Justice League redo we have Suicide Squad... sorry, The Suicide Squad.
The bad guys (and gals) club together to protect America... and by default, the world.
So it's not really a sequel, it's not really a reboot, but it's sort of a rebooted sequel while being a standalone film in the same universe. I've got no idea, but what we've got doesn't really bring out the same character dynamics as we've had previously.
Harley, Flag, Boomerang and Waller make repeat visits to the franchise. Harley and Boomerang are their usual, slightly off the wall, selves to bring the outlandish humour element. But Flag and Waller aren't anywhere near the versions they were in their last outing. Flag isn't sceptical, and that could be acceptance after the previous missions, but he's less of a leader and altogether more... bland. Waller on the other hand is still a hardass, but on a much different level. Before, she was sinister evil with a smidge of understated terrifying. Now... she's just shouty. It didn't make for a good viewing experience.
The dynamic change also left me cold. Harley and Boomerang have great chemistry together, what they did to her and Flag though, that was an odd mood. At least last time he was firm and decisive, now we're getting lingering camera shots that feel like they have romantic undertones. They also took Harley out of a lot of group activity, for a storyline that could easily have been summed up in another way.
Supporting the old familiars are a lot of new faces. In fact, there are over a dozen new named characters in The Suicide Squad.
Idris Elba is obviously a big pull in the advertising of this. Bloodsport isn't a character I know well, but it's handy that there are several, almost identical, characters they could swap in for Deadshot in case they want to bring Will Smith back later. But whether or not the comic book characters are the same, the story on the screen comes across almost identical.
And then there's Peacemaker, played by John Cena... another highly trained marksman. But this one with a penchant for tighty-whities. With this and F9, I'm not sure I have enough words. This is the last in a string of roles for him that I really haven't enjoyed. I'm even more distressed now that I know there's an 8 episode Peacemaker series coming in 2022. Heavy "do not want" vibes.
I couldn't go through this review without talking about King Shark... that would be criminal. Sylvester Stallone did this perfectly. Nanaue has humour, vulnerability, anger, wonder... and that was all conveyed with animation and a minimal script. I will not apologise for saying he was the best thing about the whole movie.
The rest of the characters are a steep learning curve. There was a lot of opportunity, but some rash decisions meant there was also a lot of wasted IP.
Our bad guys were a little all over the place. Front and centre we had Peter Capaldi as Thinker. He's not exactly a force to be reckoned with though, and honestly, I kind of expected more considering his prominence in the trailer. Starro was more of a challenger as a baddie, but they did ignore a lot of his abilities and left him as more of a novelty... and those armpits... *shudder*
Effects were as you'd expect for a DC film, not bad, but nothing that blows your mind. Animating a giant starfish is never going to look all that believable though, so there's a certain amount of leeway you need to give them for that.
The vibrant colours felt very on brand for James Gunn, and almost made this a bit of a companion piece to Birds of Prey... but those flowers... Yes, Harley has her hallucinatory moments, those flowers felt entirely pointless and out of place.
While The Suicide Squad was watchable, I really didn't find it to be the redemption that a lot of people are praising it to be. In fact, it felt like a solid step back for some characters and an excessive waste of others. Had they made the entire movie from King Shark's point of view then this obviously would have been a 5 star film, but as it was I didn't like the tone it had, and a lot of the action felt way too lighthearted for me. This wasn't an improvement on the previous iteration.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/08/the-suicide-squad-movie-review.html
The bad guys (and gals) club together to protect America... and by default, the world.
So it's not really a sequel, it's not really a reboot, but it's sort of a rebooted sequel while being a standalone film in the same universe. I've got no idea, but what we've got doesn't really bring out the same character dynamics as we've had previously.
Harley, Flag, Boomerang and Waller make repeat visits to the franchise. Harley and Boomerang are their usual, slightly off the wall, selves to bring the outlandish humour element. But Flag and Waller aren't anywhere near the versions they were in their last outing. Flag isn't sceptical, and that could be acceptance after the previous missions, but he's less of a leader and altogether more... bland. Waller on the other hand is still a hardass, but on a much different level. Before, she was sinister evil with a smidge of understated terrifying. Now... she's just shouty. It didn't make for a good viewing experience.
The dynamic change also left me cold. Harley and Boomerang have great chemistry together, what they did to her and Flag though, that was an odd mood. At least last time he was firm and decisive, now we're getting lingering camera shots that feel like they have romantic undertones. They also took Harley out of a lot of group activity, for a storyline that could easily have been summed up in another way.
Supporting the old familiars are a lot of new faces. In fact, there are over a dozen new named characters in The Suicide Squad.
Idris Elba is obviously a big pull in the advertising of this. Bloodsport isn't a character I know well, but it's handy that there are several, almost identical, characters they could swap in for Deadshot in case they want to bring Will Smith back later. But whether or not the comic book characters are the same, the story on the screen comes across almost identical.
And then there's Peacemaker, played by John Cena... another highly trained marksman. But this one with a penchant for tighty-whities. With this and F9, I'm not sure I have enough words. This is the last in a string of roles for him that I really haven't enjoyed. I'm even more distressed now that I know there's an 8 episode Peacemaker series coming in 2022. Heavy "do not want" vibes.
I couldn't go through this review without talking about King Shark... that would be criminal. Sylvester Stallone did this perfectly. Nanaue has humour, vulnerability, anger, wonder... and that was all conveyed with animation and a minimal script. I will not apologise for saying he was the best thing about the whole movie.
The rest of the characters are a steep learning curve. There was a lot of opportunity, but some rash decisions meant there was also a lot of wasted IP.
Our bad guys were a little all over the place. Front and centre we had Peter Capaldi as Thinker. He's not exactly a force to be reckoned with though, and honestly, I kind of expected more considering his prominence in the trailer. Starro was more of a challenger as a baddie, but they did ignore a lot of his abilities and left him as more of a novelty... and those armpits... *shudder*
Effects were as you'd expect for a DC film, not bad, but nothing that blows your mind. Animating a giant starfish is never going to look all that believable though, so there's a certain amount of leeway you need to give them for that.
The vibrant colours felt very on brand for James Gunn, and almost made this a bit of a companion piece to Birds of Prey... but those flowers... Yes, Harley has her hallucinatory moments, those flowers felt entirely pointless and out of place.
While The Suicide Squad was watchable, I really didn't find it to be the redemption that a lot of people are praising it to be. In fact, it felt like a solid step back for some characters and an excessive waste of others. Had they made the entire movie from King Shark's point of view then this obviously would have been a 5 star film, but as it was I didn't like the tone it had, and a lot of the action felt way too lighthearted for me. This wasn't an improvement on the previous iteration.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/08/the-suicide-squad-movie-review.html
Bob Mann (459 KP) rated Skyscraper (2018) in Movies
Sep 29, 2021
As sponsored by Duck Tape.
I have a fundamental problem with this film. And it’s not that it’s an irrevocably cheesy and derivative action movie, since you could automatically assume that by watching the ridiculously over-the-top trailer. But more on that later.
Dwayne Johnson plays Will Sawyer, a security expert left one-legged after a disastrous FBI operation 10 years previously. Now Will has moved with his wife Sarah (Neve Campbell, “Scream”, “House of Cards”) and two young kids into “The Pearl” in Hong Kong, the tallest building – by several Shards – in the world, designed and constructed by tech billionaire Zhao Long Ji (Chin Han, “Independence Day: Resurgence“). As the first residents, the family live in isolated splendour on a high floor. But in true “Die Hard” fashion, baddies, led by a the unconvincingly evil “Scandinavian” Kores Botha (Roland Møller, “The Commuter“), are intent on controlling and then destroying the high-rise. As fire races up towards his family, Will has to use all his physical capabilities to re-enter the building and save his family.
Now, there are implausible leaps in films and then there are IMPLAUSIBLE leaps!
As a story it’s well-crafted but completely bonkers. There are more ludicrous plot holes than muscles on Johnson’s well-crafted body. Why exactly does Botha needs to implement such a ridiculously convoluted plot to secure his goal? Why wasn’t the lift drop delayed by two minutes? Why don’t critical access controls have two-factor authentication? And – most perplexing of all – why don’t the “heaven cameras” show the building below?!!
Big, bigger, biggest!
Both “Die Hard” and “The Towering Inferno”, of which this is an unsubtle blend, could both be similarly accused of lacking credibility but were fun rides. This is not in the same league as either, but has its moments of vertiginous excitement. Johnson is suitably energetic in the muscular lead but lacks acting nuance. I was trying to analyse why this is, and I came down to his eyeballs! In conversation with Campbell, his eyes dart from left to right and back again, as if an army of ants are running over her face. He needs to take lessons on fixed stares from Michael Caine!
Duck tape! Anyone knows if you put two bits together you never get them apart again!
As the title of this review implies, Duck Tape also plays a key role: not for Johnson the fancy blue light/red light gloves of Tom Cruise! It also derives one of the best of a series of quotable lines from the film: “If it can’t be fixed with Duck Tape, you’re not using enough Duck Tape!”.
Neve Campbell is actually the best actor in the film, proving to be suitably kick-ass in her own right. It’s a shame she’s been rather tagged as ‘the screaming girl from “Scream”… no, not Barrymore, the other one’: she deserves more feature film opportunities like this one.
The best acting in the movie from Neve Campbell, here with a Noah Cottrell and a supremely confident performance by McKenna Roberts.
Rawson Marshall Thurber (“Central Intelligence“, “Dodgeball”) keeps the action to a tight 102 minutes, but needs to keep more control over his Hong Kong extras: there is far too much ‘twenty-second-pointing’ and over exuberant jumping up and down going on that draws the attention away from the principals. This is particularly the case in the Die-Hard rip-off of an ending (“HOOOLLLLLLYYYYYY!!!”).
As a popcorn piece of escapist nonsense, it’s serviceable and delivers as a B-grade movie… it’s not good enough to be a “Die Hard” classic, and not bad enough to be a “so bad it’s good” disaster like “Into the Storm“.
Taiwanese actress Hannah Quinlivan as Xia, the ruthless hit-girl.
You’ll note that I haven’t rubbished the film per se. So why then do I hold a negative view of the flick, and indeed somewhat regret going to see it?
One word – – Grenfell.
I knew the plot on going in, but didn’t equate just how damaging the mental effects of that dreadful night of 14th June 2017 were on my soul. Traumatic incendiary scenes together with some insensitive dialogue (“We’re going to turn that tower into a chimney”) broke through the wall of “entertainment” and left just a sick feeling in my stomach. And my wife had exactly the same feelings as we debriefed afterwards. This is a film that might have benefited from sitting on the shelf for a couple of years before release.
If you can separate in your mind the movie story from the shocking reality of one of life’s most unpleasant recent twists, then good for you: go and enjoy the movie. But I wasn’t so lucky so on a purely personal basis this is one occasion when I will give a film two ratings.
Dwayne Johnson plays Will Sawyer, a security expert left one-legged after a disastrous FBI operation 10 years previously. Now Will has moved with his wife Sarah (Neve Campbell, “Scream”, “House of Cards”) and two young kids into “The Pearl” in Hong Kong, the tallest building – by several Shards – in the world, designed and constructed by tech billionaire Zhao Long Ji (Chin Han, “Independence Day: Resurgence“). As the first residents, the family live in isolated splendour on a high floor. But in true “Die Hard” fashion, baddies, led by a the unconvincingly evil “Scandinavian” Kores Botha (Roland Møller, “The Commuter“), are intent on controlling and then destroying the high-rise. As fire races up towards his family, Will has to use all his physical capabilities to re-enter the building and save his family.
Now, there are implausible leaps in films and then there are IMPLAUSIBLE leaps!
As a story it’s well-crafted but completely bonkers. There are more ludicrous plot holes than muscles on Johnson’s well-crafted body. Why exactly does Botha needs to implement such a ridiculously convoluted plot to secure his goal? Why wasn’t the lift drop delayed by two minutes? Why don’t critical access controls have two-factor authentication? And – most perplexing of all – why don’t the “heaven cameras” show the building below?!!
Big, bigger, biggest!
Both “Die Hard” and “The Towering Inferno”, of which this is an unsubtle blend, could both be similarly accused of lacking credibility but were fun rides. This is not in the same league as either, but has its moments of vertiginous excitement. Johnson is suitably energetic in the muscular lead but lacks acting nuance. I was trying to analyse why this is, and I came down to his eyeballs! In conversation with Campbell, his eyes dart from left to right and back again, as if an army of ants are running over her face. He needs to take lessons on fixed stares from Michael Caine!
Duck tape! Anyone knows if you put two bits together you never get them apart again!
As the title of this review implies, Duck Tape also plays a key role: not for Johnson the fancy blue light/red light gloves of Tom Cruise! It also derives one of the best of a series of quotable lines from the film: “If it can’t be fixed with Duck Tape, you’re not using enough Duck Tape!”.
Neve Campbell is actually the best actor in the film, proving to be suitably kick-ass in her own right. It’s a shame she’s been rather tagged as ‘the screaming girl from “Scream”… no, not Barrymore, the other one’: she deserves more feature film opportunities like this one.
The best acting in the movie from Neve Campbell, here with a Noah Cottrell and a supremely confident performance by McKenna Roberts.
Rawson Marshall Thurber (“Central Intelligence“, “Dodgeball”) keeps the action to a tight 102 minutes, but needs to keep more control over his Hong Kong extras: there is far too much ‘twenty-second-pointing’ and over exuberant jumping up and down going on that draws the attention away from the principals. This is particularly the case in the Die-Hard rip-off of an ending (“HOOOLLLLLLYYYYYY!!!”).
As a popcorn piece of escapist nonsense, it’s serviceable and delivers as a B-grade movie… it’s not good enough to be a “Die Hard” classic, and not bad enough to be a “so bad it’s good” disaster like “Into the Storm“.
Taiwanese actress Hannah Quinlivan as Xia, the ruthless hit-girl.
You’ll note that I haven’t rubbished the film per se. So why then do I hold a negative view of the flick, and indeed somewhat regret going to see it?
One word – – Grenfell.
I knew the plot on going in, but didn’t equate just how damaging the mental effects of that dreadful night of 14th June 2017 were on my soul. Traumatic incendiary scenes together with some insensitive dialogue (“We’re going to turn that tower into a chimney”) broke through the wall of “entertainment” and left just a sick feeling in my stomach. And my wife had exactly the same feelings as we debriefed afterwards. This is a film that might have benefited from sitting on the shelf for a couple of years before release.
If you can separate in your mind the movie story from the shocking reality of one of life’s most unpleasant recent twists, then good for you: go and enjoy the movie. But I wasn’t so lucky so on a purely personal basis this is one occasion when I will give a film two ratings.