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Gareth von Kallenbach (980 KP) rated In Good Company (2004) in Movies
Aug 14, 2019
Carter Duryea (Topher Grace) is a man with goals. At 26, he is heading his mega-companies cell phone sales, and is being groomed for bigger and better things. A golden opportunity is handed to Carter when his company acquires another mega company resulting in his placement in the recently acquired Sports magazine division.
The Sports publication is seen as the jewel of the newly acquired company, and even though he has zero experience with selling magazine advertisement, Carter is sure he can meet the lofty goals he boss has set.
At what should be his greatest moment, carter is troubled as his 7-month marriage to Kimberly (Selma Blair), is falling apart largely due to his workaholic nature and his inability ever to stop thinking or talking about work even when he is on vacation.
On the other side of the spectrum from Carter is Dan Foreman (Dennis Quaid), a father of two daughters and devoted family man, who has been a salesperson at the magazine for twenty years and until the arrival of Carter, head of the department. At 51, Dan is feeling his years as the younger and ambitious Carter seems to be his polar opposite as well as a reminder that his best years may be behind him. Further complicating matters is that Dan’s wife Ann (Marg Helgenberger), is pregnant with their third child at a time when they both thought children were past them.
Despite their differences, Dan and Carter work with one another, despite conflicts over issues ranging the future of the company to planned layoffs of staff personally picked years ago by Dan. One day after inviting himself to dinner at Dan’s home, Carter meets Dan’s college aged daughter Alex (Scarlett Johansson), who although only 21 catches the eye of Carter.
Months later a chance meeting between Alex and the recently divorced Carter gives rise to a friendship/romance between the two that causes Carter to question his life and envy the family life Dan has been able to create and maintain over the years.
Naturally Dan would not approve of the relationship between carter and Alex so they must keep this a secret as there is enough tension in the workplace due to the ever changing business dynamics.
What follows is a touching, funny, and at times bittersweet look at life, love, business, and friendship that does a remarkable job of making the characters not only real, but sympathetic as for the most part, there are no bad people in this story, only those who are confused and unsure about life.
The strength in the film is mixed well between a good script, solid direction by Paul Weitz, and solid performances by all the leads. The pacing of the film is perfect as it never seems rushed and does not drag in parts. Even when two characters are having a simple discussion over how to best approach a client, the film always holds your interest. It was refreshing to see a movie that did not take the easy way out and try to wrap everything in a pretty bow at the films end, but rather like life, left new opportunities and directions as possibilities as after all, that is what life is.
There is also a very good message to the film about what is really important in life and the need to have priorities rather than title and position as the real measure of success is happiness, security and love rather than position and material goods.
Easily the best film of 2005 and one of the better films in recent memory..
The Sports publication is seen as the jewel of the newly acquired company, and even though he has zero experience with selling magazine advertisement, Carter is sure he can meet the lofty goals he boss has set.
At what should be his greatest moment, carter is troubled as his 7-month marriage to Kimberly (Selma Blair), is falling apart largely due to his workaholic nature and his inability ever to stop thinking or talking about work even when he is on vacation.
On the other side of the spectrum from Carter is Dan Foreman (Dennis Quaid), a father of two daughters and devoted family man, who has been a salesperson at the magazine for twenty years and until the arrival of Carter, head of the department. At 51, Dan is feeling his years as the younger and ambitious Carter seems to be his polar opposite as well as a reminder that his best years may be behind him. Further complicating matters is that Dan’s wife Ann (Marg Helgenberger), is pregnant with their third child at a time when they both thought children were past them.
Despite their differences, Dan and Carter work with one another, despite conflicts over issues ranging the future of the company to planned layoffs of staff personally picked years ago by Dan. One day after inviting himself to dinner at Dan’s home, Carter meets Dan’s college aged daughter Alex (Scarlett Johansson), who although only 21 catches the eye of Carter.
Months later a chance meeting between Alex and the recently divorced Carter gives rise to a friendship/romance between the two that causes Carter to question his life and envy the family life Dan has been able to create and maintain over the years.
Naturally Dan would not approve of the relationship between carter and Alex so they must keep this a secret as there is enough tension in the workplace due to the ever changing business dynamics.
What follows is a touching, funny, and at times bittersweet look at life, love, business, and friendship that does a remarkable job of making the characters not only real, but sympathetic as for the most part, there are no bad people in this story, only those who are confused and unsure about life.
The strength in the film is mixed well between a good script, solid direction by Paul Weitz, and solid performances by all the leads. The pacing of the film is perfect as it never seems rushed and does not drag in parts. Even when two characters are having a simple discussion over how to best approach a client, the film always holds your interest. It was refreshing to see a movie that did not take the easy way out and try to wrap everything in a pretty bow at the films end, but rather like life, left new opportunities and directions as possibilities as after all, that is what life is.
There is also a very good message to the film about what is really important in life and the need to have priorities rather than title and position as the real measure of success is happiness, security and love rather than position and material goods.
Easily the best film of 2005 and one of the better films in recent memory..
Gareth von Kallenbach (980 KP) rated Get Smart (2008) in Movies
Aug 14, 2019
In the post Cold-War era the focus on national security has changed from focusing on Eastern Block adversaries to terror cells and state sponsored terrorism. For the agents of the ultra secret agency Control, the demise of their arch nemesis KAOS was the signal that they had ceased to be important in the world of today and had shut down when in truth they just went further into a cloak of secrecy and continued their mission.
In the new movie “Get Smart” audiences are given a new interpretation of the classic Mel Brooks/Buck Henry series that started Don Adams and Barbra Feldon as a pair of secret agents tasked with saving the world.
This time out Steve Carell and Anne Hathaway star Maxwell Smart and Agent 99 as they are forced to work with one another following a devastating attack on Control headquarters which results in the exposure of their operatives worldwide.
With no agents having the required anonymity needed to perform covert missions, the Chief of Control (Alan Arkin), is forced to promote eager intelligence analyst Smart to the ranks of field agent and pairs him with Agent 99 who is still able to maintain her guise thanks to some prep work she had done for a prior assignment.
To say that 99 is not thrilled to be paired with Smart would be an understatement, as she sees the eager Smart to be an unproven liability and one that would likely cause the failure of the mission and kill both of them.
Since the ultra suave Agent 23 (Dwayne Johnson), is unable to work in the field, Smart and Agent 99 are forced to work with one another as they head off to Russia to get to the bottom of the weapons threat and hopefully follow the trail to the ultimate threat, Siegfried (Terrance Stamp), who is the brains behind an all new wave of terror that only Agent 99 and Smart can stop.
The film starts out slowly, but eventually finds its rhythm and does a decent job of blending comedy and action. Hathaway and Carell do a great job with the material as both roles require a degree of physicality that they have not shown in previous works.
The laughs on the film are constant, but they are off the more dumb humor comedy as nobody will mistake this film as a piece of high comedy. Which is not to say this is a bad thing as Carell is very likeable as Smart and while he portrays the character differently than did the late Don Adams; he maintains the goofy competence that his character requires as despite being a goofball, he does get the job done in the end.
The fine supporting work by Arkin and Johnson as well as a good amount of cameos lead to the fun of the film.
It is important to note that this is not a retelling of the original series that ran from 1965-1970 but a completely new interpretation of the series which has been updated to reflect the modern setting yet contains plenty of winks to the show that inspired it.
While many of the series catch phrases seem out of place in the film, I found myself enjoying the new film despite being a fan of the original series.
Some have leveled criticism that the film has traded locker room humor, stupid comedy, and FX for the wit and inventiveness that made the original series so popular.
I found myself enjoying the new version of the film and enjoyed the performances of the characters and while not side splittingly funny, there were more than enough chuckles along the way to keep me entertained.
Here is hoping 86 and 99 will be back on the big screen for future missions.
In the new movie “Get Smart” audiences are given a new interpretation of the classic Mel Brooks/Buck Henry series that started Don Adams and Barbra Feldon as a pair of secret agents tasked with saving the world.
This time out Steve Carell and Anne Hathaway star Maxwell Smart and Agent 99 as they are forced to work with one another following a devastating attack on Control headquarters which results in the exposure of their operatives worldwide.
With no agents having the required anonymity needed to perform covert missions, the Chief of Control (Alan Arkin), is forced to promote eager intelligence analyst Smart to the ranks of field agent and pairs him with Agent 99 who is still able to maintain her guise thanks to some prep work she had done for a prior assignment.
To say that 99 is not thrilled to be paired with Smart would be an understatement, as she sees the eager Smart to be an unproven liability and one that would likely cause the failure of the mission and kill both of them.
Since the ultra suave Agent 23 (Dwayne Johnson), is unable to work in the field, Smart and Agent 99 are forced to work with one another as they head off to Russia to get to the bottom of the weapons threat and hopefully follow the trail to the ultimate threat, Siegfried (Terrance Stamp), who is the brains behind an all new wave of terror that only Agent 99 and Smart can stop.
The film starts out slowly, but eventually finds its rhythm and does a decent job of blending comedy and action. Hathaway and Carell do a great job with the material as both roles require a degree of physicality that they have not shown in previous works.
The laughs on the film are constant, but they are off the more dumb humor comedy as nobody will mistake this film as a piece of high comedy. Which is not to say this is a bad thing as Carell is very likeable as Smart and while he portrays the character differently than did the late Don Adams; he maintains the goofy competence that his character requires as despite being a goofball, he does get the job done in the end.
The fine supporting work by Arkin and Johnson as well as a good amount of cameos lead to the fun of the film.
It is important to note that this is not a retelling of the original series that ran from 1965-1970 but a completely new interpretation of the series which has been updated to reflect the modern setting yet contains plenty of winks to the show that inspired it.
While many of the series catch phrases seem out of place in the film, I found myself enjoying the new film despite being a fan of the original series.
Some have leveled criticism that the film has traded locker room humor, stupid comedy, and FX for the wit and inventiveness that made the original series so popular.
I found myself enjoying the new version of the film and enjoyed the performances of the characters and while not side splittingly funny, there were more than enough chuckles along the way to keep me entertained.
Here is hoping 86 and 99 will be back on the big screen for future missions.
Darren (1599 KP) rated Child's Play (2019) in Movies
Jun 22, 2019
Thoughts on Child’s Play
Characters – Andy is a young teenager that has just moved to a new city with his mother, he hasn’t made any friends, turning to his phone to keep him busy, he does have a hearing aid, but it is never clear how bad his hearing is, he gets a Buddi doll that will keep him company as he starts to become friends with the doll. Once he learns of the evil inside the doll, he does all he can to make sure his loved ones are safe, as he starts to make friends away from the doll, he never seems to go to school though. Karen is the single mother that is working double shifts to keep Andy happy, she starts dating a new man, which doesn’t please Andy and does all she can to put Andy first when things start getting out of hand. Chucky is the Buddi doll that has been unleashed from his safety restrictions, he is constantly learning from watching people, which brings out his violent side, which will see him going on a killing spree targeting anyone that hurts or tries to replace him as a friend to Andy. Detective Norris visits the apartment building where his mother lives for dinner once a week, he does notice Andy around the apartment building making sure he is safe.
Performances – Aubrey Plaza as the single mother is strong in her role, she does bring added character to a character that could have come off plain. Gabriel Bateman is great too because he shows us the isolation that he is going through during the film. Mark Hamill does voice the character of Chucky well giving us an entertaining character that get plenty of laughs. Brian Tyree Henry does bring comedy to his role, which is usually a more uptight figure in the film.
Story – The story here follows a boy that given a Buddi doll which soon starts to go on a killing rampage after learning from the technology around him. I do have conflicting feelings about this story, on one side I am disappointed we have scrapped the serial killer trying to get his soul into another body, which I feel is the main part of the franchise. On the positive side we do get to dive into the world where people are letting themselves are being controlled by technology, connecting everything to one source where an error could break everything. seeing Chucky learn is interesting to see too because we see how he processing each clip, line and environmental side of the world. it does borrow from a lot of different films from the past which can be picked up on. This des come off very fun, only it could have been its own new doll instead of just using Chucky showing the lack of originality coming out of the Hollywood.
Horror – The horror in the film is mostly slasher material, we see Chucky getting kills with plenty of blood splatter, with some original kills along the way.
Settings – The film keeps the settings looking very similar with the apartment building showing how hard up the family is, the department store does bring us a great showdown location too.
Special Effects – The effects in the film are strong with the Chucky doll being both creepy and moving in a robotic motion which seems nature.
Scene of the Movie – Chucky has a present for Andy.
That Moment That Annoyed Me – No Serial Killer side.
Final Thoughts – This is a fun horror that does get laughs and blood splatter, it does frustrate though by having to use the Chucky doll for what is a completely original idea.
Overall: Blood Splattering fun.
Characters – Andy is a young teenager that has just moved to a new city with his mother, he hasn’t made any friends, turning to his phone to keep him busy, he does have a hearing aid, but it is never clear how bad his hearing is, he gets a Buddi doll that will keep him company as he starts to become friends with the doll. Once he learns of the evil inside the doll, he does all he can to make sure his loved ones are safe, as he starts to make friends away from the doll, he never seems to go to school though. Karen is the single mother that is working double shifts to keep Andy happy, she starts dating a new man, which doesn’t please Andy and does all she can to put Andy first when things start getting out of hand. Chucky is the Buddi doll that has been unleashed from his safety restrictions, he is constantly learning from watching people, which brings out his violent side, which will see him going on a killing spree targeting anyone that hurts or tries to replace him as a friend to Andy. Detective Norris visits the apartment building where his mother lives for dinner once a week, he does notice Andy around the apartment building making sure he is safe.
Performances – Aubrey Plaza as the single mother is strong in her role, she does bring added character to a character that could have come off plain. Gabriel Bateman is great too because he shows us the isolation that he is going through during the film. Mark Hamill does voice the character of Chucky well giving us an entertaining character that get plenty of laughs. Brian Tyree Henry does bring comedy to his role, which is usually a more uptight figure in the film.
Story – The story here follows a boy that given a Buddi doll which soon starts to go on a killing rampage after learning from the technology around him. I do have conflicting feelings about this story, on one side I am disappointed we have scrapped the serial killer trying to get his soul into another body, which I feel is the main part of the franchise. On the positive side we do get to dive into the world where people are letting themselves are being controlled by technology, connecting everything to one source where an error could break everything. seeing Chucky learn is interesting to see too because we see how he processing each clip, line and environmental side of the world. it does borrow from a lot of different films from the past which can be picked up on. This des come off very fun, only it could have been its own new doll instead of just using Chucky showing the lack of originality coming out of the Hollywood.
Horror – The horror in the film is mostly slasher material, we see Chucky getting kills with plenty of blood splatter, with some original kills along the way.
Settings – The film keeps the settings looking very similar with the apartment building showing how hard up the family is, the department store does bring us a great showdown location too.
Special Effects – The effects in the film are strong with the Chucky doll being both creepy and moving in a robotic motion which seems nature.
Scene of the Movie – Chucky has a present for Andy.
That Moment That Annoyed Me – No Serial Killer side.
Final Thoughts – This is a fun horror that does get laughs and blood splatter, it does frustrate though by having to use the Chucky doll for what is a completely original idea.
Overall: Blood Splattering fun.
Emma @ The Movies (1786 KP) rated Long Shot (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Fred Flarksy is a controversial journalist who likes to uncover the evil and corrupt in the world, when his paper is brought by a company that they themselves have uncovered as the "bad guy" he quits on the spot. Lance, his best friend, knows exactly what he needs to feel better, drink, steak, and a fundraiser with Boyz II Men.
It's fair to say that Fred didn't expect leaving his job to lead him to a chance reunion and such a wild ride.
It's fair to say that I wasn't too sure what this one was going to be like. I've never been a massive fan of Seth Rogen, a lot of his roles seem pointlessly crude. I don't mind that particularly, but too much of it just isn't my cup of tea. The line-up of him and Theron seemed a little mad, and a bit off balance, but the trailers looked like they had something to them so I was willing to have my mind changed... and oh boy did I change my mind.
At this point I've seen the movie twice and it really is great fun, and surprisingly heartwarming.
The odd headlining duo actually work wonderfully together, they bounce off each other so well throughout and that chemistry has shot this up into my favourite rom-coms.
Seth Rogen seems to have a knack for the outraged outbursts in films and we get a few of those at the beginning of the film. We quickly see Fred become a loveable character when he first sees Charlotte across the room at the fundraiser. He's sweet, he's vulnerable and he's funny. That's when you really start rooting for him.
Had you asked me to sum up Charlize Theron's previous acting roles I'd have said they were all of the dramatic and action persuasion, and mostly they are, I'd completely forgotten things like Gringo and A Million Ways To Die In The West. I hope we'll see more of her doing this sort of comedy, she's obviously well suited for it.
It's not just the lead roles though, the support cast are brilliant. June Diane Raphael as Charlotte's right-hand woman was so snippy with Fred to great effect, and O'Shea Jackson Jr. as Lance was the sort of supportive friend we all need. The highlight though was Tristan D. Lalla as secret service Agent M, he takes adorable to a whole new level.
My only negative on the casting was Alexander Skarsgård, but that's not because of his acting, it's because of what they did to him... that slurping, that laugh... why would you do that?! Why!!? After the wonder of him in The Aftermath this has ruined the image of him for me.
Long Shot's plot is entirely predictable. Two people are reunited after years, they catch feelings, something gets in the way, they split up, then they get back together. The fact you know where it's leading just means that you can sit back and enjoy it more. I was expecting the funny, but I really wasn't expecting to cry... yes, I know I'm a wreck. There are some surprisingly touching moments involved and the way they brought the film together at the end was perfect.
This probably deserves 5 stars, and I would give it that extra half star in a heartbeat if it wasn't for the Skarsgård thing and the fact that there's no way I could watch this with my parents even though I know dad would find it hilarious.
What you should do
It's definitely one to see, it doesn't need the big screen but you certainly won't be wasting your money if you went and saw it at the cinema.
It's fair to say that Fred didn't expect leaving his job to lead him to a chance reunion and such a wild ride.
It's fair to say that I wasn't too sure what this one was going to be like. I've never been a massive fan of Seth Rogen, a lot of his roles seem pointlessly crude. I don't mind that particularly, but too much of it just isn't my cup of tea. The line-up of him and Theron seemed a little mad, and a bit off balance, but the trailers looked like they had something to them so I was willing to have my mind changed... and oh boy did I change my mind.
At this point I've seen the movie twice and it really is great fun, and surprisingly heartwarming.
The odd headlining duo actually work wonderfully together, they bounce off each other so well throughout and that chemistry has shot this up into my favourite rom-coms.
Seth Rogen seems to have a knack for the outraged outbursts in films and we get a few of those at the beginning of the film. We quickly see Fred become a loveable character when he first sees Charlotte across the room at the fundraiser. He's sweet, he's vulnerable and he's funny. That's when you really start rooting for him.
Had you asked me to sum up Charlize Theron's previous acting roles I'd have said they were all of the dramatic and action persuasion, and mostly they are, I'd completely forgotten things like Gringo and A Million Ways To Die In The West. I hope we'll see more of her doing this sort of comedy, she's obviously well suited for it.
It's not just the lead roles though, the support cast are brilliant. June Diane Raphael as Charlotte's right-hand woman was so snippy with Fred to great effect, and O'Shea Jackson Jr. as Lance was the sort of supportive friend we all need. The highlight though was Tristan D. Lalla as secret service Agent M, he takes adorable to a whole new level.
My only negative on the casting was Alexander Skarsgård, but that's not because of his acting, it's because of what they did to him... that slurping, that laugh... why would you do that?! Why!!? After the wonder of him in The Aftermath this has ruined the image of him for me.
Long Shot's plot is entirely predictable. Two people are reunited after years, they catch feelings, something gets in the way, they split up, then they get back together. The fact you know where it's leading just means that you can sit back and enjoy it more. I was expecting the funny, but I really wasn't expecting to cry... yes, I know I'm a wreck. There are some surprisingly touching moments involved and the way they brought the film together at the end was perfect.
This probably deserves 5 stars, and I would give it that extra half star in a heartbeat if it wasn't for the Skarsgård thing and the fact that there's no way I could watch this with my parents even though I know dad would find it hilarious.
What you should do
It's definitely one to see, it doesn't need the big screen but you certainly won't be wasting your money if you went and saw it at the cinema.
Andy K (10823 KP) rated The Blair Witch Project (1999) in Movies
Oct 18, 2019
While this film is credited as being the first "found footage" film ever made, it is not true. I found several websites even saying the same thing. Not true. That award goes to Cannibal Holocaust (I am pretty sure) which was release almost two decades earlier (1980 vs. 1999).
The film begins with sort of standard documentary fare showing interviews with the Maryland locals discussing if they have heard of the legend of the Blair Witch. For those that had, they recalled their own memories of the stories they had heard from others or from their childhood. Eventually, the documentary filmmakers meet the odd-looking Mary Brown who details her first hand experience with the demon recalling its weird hairy appearance.
Heather, Josh and Michael then decide to go for an outdoor wooded adventure in an attempt to locate and document evidence of the existence of the local legend themselves, not knowing what lies ahead for them. The journey starts out pretty normal with Heather doing most of the onscreen explanations, the other two mostly relegated to replying to her whims or arguing with her about various topics.
Eventually, a few bad thing start to happen including the loss of their woodland map and hearing strange sounds during the blackness of night. They now wander the woods becoming increasingly agitated with each other and their situation when it is revealed they may be walking in circles and are no closer to completing their quest or finding their way out. They see various various stick and rock formations which are not naturally occurring which means someone else is out there with them.
I remember sitting in a darkened theatre in 1999 hearing about this film briefly before its release. Not much was known at the time, and I recall this being one of the first films to have significant internet buzz beforehand. The internet was only a few years old at the time, so this was also a relatively new concept. Modern audiences are spoiled with so much content for every film available online, that everyone almost loses the feeling of being completely surprised by a film you knew virtually nothing about going in.
For Blair Witch, the added element of the "found footage" style was foreign to pretty much everyone which added to the hype and box office success of the film. Virtually the entire viewing public were not completely sure if what they were watching actually happened or this was fiction. It helped that writer/directors Daniel Myrick and Eduardo Sánchez used an unknown cast so seeing someone they recognized onscreen would not ruin the experience of believing its authenticity.
I am down on sloppy modern moviemakers most of the time these days relying so heavily on CGI and making movies look like pretty perfection rather than focusing on the most important thing for a horror film (or any film) a good screenplay and implied tension. For Blair Witch, it has been said some scenes were improvised or given a general direction but not a full script; however, that doesn't detract from the authentic nature of the situation.
The 2nd half of the film has some truly terrifying moments which happen in the background or off-screen showing you don't need to spend all your money on a CGI monster, just make it scary. The scene and keyart for the film showing the top half of Heather's head which she speaks into the camera explaining her terror and anguish is so believable and mesmerizing it send chills down my spine every time I watch it.
The film also get bagged for the ending which might be considered too short or anti-climactic; however, I think it's perfect and really the only way the movie could have gone.
The film begins with sort of standard documentary fare showing interviews with the Maryland locals discussing if they have heard of the legend of the Blair Witch. For those that had, they recalled their own memories of the stories they had heard from others or from their childhood. Eventually, the documentary filmmakers meet the odd-looking Mary Brown who details her first hand experience with the demon recalling its weird hairy appearance.
Heather, Josh and Michael then decide to go for an outdoor wooded adventure in an attempt to locate and document evidence of the existence of the local legend themselves, not knowing what lies ahead for them. The journey starts out pretty normal with Heather doing most of the onscreen explanations, the other two mostly relegated to replying to her whims or arguing with her about various topics.
Eventually, a few bad thing start to happen including the loss of their woodland map and hearing strange sounds during the blackness of night. They now wander the woods becoming increasingly agitated with each other and their situation when it is revealed they may be walking in circles and are no closer to completing their quest or finding their way out. They see various various stick and rock formations which are not naturally occurring which means someone else is out there with them.
I remember sitting in a darkened theatre in 1999 hearing about this film briefly before its release. Not much was known at the time, and I recall this being one of the first films to have significant internet buzz beforehand. The internet was only a few years old at the time, so this was also a relatively new concept. Modern audiences are spoiled with so much content for every film available online, that everyone almost loses the feeling of being completely surprised by a film you knew virtually nothing about going in.
For Blair Witch, the added element of the "found footage" style was foreign to pretty much everyone which added to the hype and box office success of the film. Virtually the entire viewing public were not completely sure if what they were watching actually happened or this was fiction. It helped that writer/directors Daniel Myrick and Eduardo Sánchez used an unknown cast so seeing someone they recognized onscreen would not ruin the experience of believing its authenticity.
I am down on sloppy modern moviemakers most of the time these days relying so heavily on CGI and making movies look like pretty perfection rather than focusing on the most important thing for a horror film (or any film) a good screenplay and implied tension. For Blair Witch, it has been said some scenes were improvised or given a general direction but not a full script; however, that doesn't detract from the authentic nature of the situation.
The 2nd half of the film has some truly terrifying moments which happen in the background or off-screen showing you don't need to spend all your money on a CGI monster, just make it scary. The scene and keyart for the film showing the top half of Heather's head which she speaks into the camera explaining her terror and anguish is so believable and mesmerizing it send chills down my spine every time I watch it.
The film also get bagged for the ending which might be considered too short or anti-climactic; however, I think it's perfect and really the only way the movie could have gone.
Heather Cranmer (2721 KP) rated Recursion in Books
Jul 15, 2019
I want to start this review by saying that science fiction isn't my usual genre that I love to read. However, I loved Dark Matter by Blake Crouch, so I decided that I'd give Recursion by Blake Crouch a read since the synopsis intrigued me. I was absolutely blown away by Recursion!
Helena, a nueroscientist is working on a chair to help people with memory loss like her mother who suffers from Alzheimer's. She has it almost all figured out, but she lacks the funding to make her dream a reality. Funding comes in the form of Marcus Slade. Together, Slade and Helena work together to create a chair that can send people back in the past and change memories. However, when people start suffering from False Memory Syndrome due to the changing of memories, Helena wants to stop. Slade won't allow it. Together with Barry, who was forced to have his memories changed, Helena will stop at nothing to stop her memory chair from being used for bad, even if it means dying again and again.
I'm not a very scientific person. (In fact, science and math were my worse subjects in school.) This book does use a lot of scientific jargon that went way over my head at times, yet I was still very intrigued. There are enough context clues to figure out what's going on without all the scientific speak. I felt the plot was solid for Recursion, and scarily enough, I could actually picture this becoming a reality in the not too distant future. Blake Crouch has a knack for writing books that seem so lifelike and in the moment. There is plenty of action in Recursion, and there's also enough mystery to make the reader wonder what is going to happen next. Due to being able to go back to different memories and plotting different outcomes, Recursion is full of little plot twists. There's no cliff hangers in this book, and all my questions were answered by the last page.
The characters in Recursion were so very lifelike! Barry reminded me at first of a dad who loved his family, especially his daughter, very much. He seems like a down to Earth guy and just very well rounded. I admired tenacity to always want to make things right. I also loved Helena's character. I loved how she was willing to do whatever it took, including death and extreme pain, to try to make things right. Helena was an extremely intelligent woman, but she wasn't conceited about it. I felt like Slade's heart was in the right place, but greed took over. I felt like Slade was the perfect antagonist, and his personality reminded me of many people in power and those with a lot of money. I enjoyed reading about each character's story in each memory. I found that to be extremely interesting.
The pacing for Recursion was perfect. This book held my attention from the very first page until the very last word in the book. Not once did I ever become bored or lost while reading this book. I was hooked from the get-go, and I couldn't wait to read more of Recursion every time I was interrupted.
Trigger warnings for Recursion include profanity, mentions of drug use, alcohol use, profanity, sexual references (non graphic), death, violence, some gore, and murder.
Overall, Recursion is quite the read! It's got a thrilling plot and memorable characters throughout! I would love to see this book made into a movie. I think it would do very well! I would definitely recommend Recursion by Blake Crouch to anyone looking for a book that will keep them hooked from the beginning. Regardless of if you're a science fiction fan or not, Recursion is the kind of book that will please any reader.
Helena, a nueroscientist is working on a chair to help people with memory loss like her mother who suffers from Alzheimer's. She has it almost all figured out, but she lacks the funding to make her dream a reality. Funding comes in the form of Marcus Slade. Together, Slade and Helena work together to create a chair that can send people back in the past and change memories. However, when people start suffering from False Memory Syndrome due to the changing of memories, Helena wants to stop. Slade won't allow it. Together with Barry, who was forced to have his memories changed, Helena will stop at nothing to stop her memory chair from being used for bad, even if it means dying again and again.
I'm not a very scientific person. (In fact, science and math were my worse subjects in school.) This book does use a lot of scientific jargon that went way over my head at times, yet I was still very intrigued. There are enough context clues to figure out what's going on without all the scientific speak. I felt the plot was solid for Recursion, and scarily enough, I could actually picture this becoming a reality in the not too distant future. Blake Crouch has a knack for writing books that seem so lifelike and in the moment. There is plenty of action in Recursion, and there's also enough mystery to make the reader wonder what is going to happen next. Due to being able to go back to different memories and plotting different outcomes, Recursion is full of little plot twists. There's no cliff hangers in this book, and all my questions were answered by the last page.
The characters in Recursion were so very lifelike! Barry reminded me at first of a dad who loved his family, especially his daughter, very much. He seems like a down to Earth guy and just very well rounded. I admired tenacity to always want to make things right. I also loved Helena's character. I loved how she was willing to do whatever it took, including death and extreme pain, to try to make things right. Helena was an extremely intelligent woman, but she wasn't conceited about it. I felt like Slade's heart was in the right place, but greed took over. I felt like Slade was the perfect antagonist, and his personality reminded me of many people in power and those with a lot of money. I enjoyed reading about each character's story in each memory. I found that to be extremely interesting.
The pacing for Recursion was perfect. This book held my attention from the very first page until the very last word in the book. Not once did I ever become bored or lost while reading this book. I was hooked from the get-go, and I couldn't wait to read more of Recursion every time I was interrupted.
Trigger warnings for Recursion include profanity, mentions of drug use, alcohol use, profanity, sexual references (non graphic), death, violence, some gore, and murder.
Overall, Recursion is quite the read! It's got a thrilling plot and memorable characters throughout! I would love to see this book made into a movie. I think it would do very well! I would definitely recommend Recursion by Blake Crouch to anyone looking for a book that will keep them hooked from the beginning. Regardless of if you're a science fiction fan or not, Recursion is the kind of book that will please any reader.
Gareth von Kallenbach (980 KP) rated 2012 (2009) in Movies
Aug 8, 2019
Disaster films and Hollywood have enjoyed a long and successful partnership over the years as box office gold has been found in fictional disasters. Irwin Allen had a string of hits such as “The Towering Inferno” and “The Poseidon Adventure” which in turn lead to the films such as “Dante’s Peak”, “Volcano”, “Deep Impact”, and “Armageddon” who kept the tried and true formula of relatable, regular people forced to cope with extraordinary situations where they must battle against all odds to survive.
In the new film “2012” director Roland Emmerich follows up his other end-of-the world epics “Independence Day” and “The Day After Tomorrow”, with a story about the total devastation of the earth and all life upon it due to an increase of neutrinos from the sun heating the earth’s core causing the displacement of the Earth’s crust.
Keeping to the established formula of the disaster films, 2012 centers around a struggling writer named Jackson Curtis (John Cusack), who learns of the pending catastrophic events while camping at Yellowstone National Park with his children. The presence of forbidden areas and swarms of soldiers and scientists leads Jackson to believe that the local conspiracy radio host Charlie Frost (Woody Harrelson), might be right in his predictions that we are all on borrowed time, and that the increase in earthquakes and fissures along the fault lines are a very bad omen.
Unbeknownst to Jackson, and the majority of the world’s population, U.S. President Wilson (Danny Glover), and his fellow heads of state, are preparing for the coming tragedy. Carl Anheuser (Oliver Platt) and a team of geologists lead by Adrian Helmsley (Chiwetal Ojiofore) are trying to determine exactly how much time they have to save what they can of humanity. Unaware that the fate of mankind is being decided by the politicians and those with money, Jackson and his children soon find themselves rushing to stay alive, with his ex-wife Kate (Amanda Peet), and her boyfriend in tow. Jackson learns of a plan to save select members of the population and pins their very survival on being able to arrive at what they hope is their salvation before time runs out.
Spectacular effects follow as Los Angeles and other cities are swallowed up by massive sinkholes and buried under collapsing bridges and buildings in some of the most amazing sequences of mayhem and destruction ever captured on film. The movie does an amazing job of showing the absolute calamity and chaos and does a passable job with the relationships between the characters. There are some nice supporting performances from Thandie Newton and George Segal. It is just a shame they were not given a bit more to work with. The cookie cutter scenarios that many characters faced seem to have been lifted from the book of disaster film plots.
I did not go into the film expecting realism, as I fully expect the world will go on as normal on December 22, 2012. However, I did have to note some of the absurd developments that strained any semblance of credibility the film may have had. One such scene had the characters being flooded and trapped for an extended period of time by water. Since their locale was near Mt Everest, I had to assume that it was not warm spring water they were submerged in, and had to wonder if hypothermia just went the way of most of the human populace.
Then again, we were dealing with a heated core that was essentially melting the earth’s crust. So maybe the water was warm.
As with all disaster movies, I do have to remember the audience is asked to suspend all disbelief, at least for 160 minutes. While the film does take some vast leaps of logic, there is enough good action, special effects, and strained levity to make this a good distraction, as long as you are willing to check your brain at the door and just enjoy the ride.
In the new film “2012” director Roland Emmerich follows up his other end-of-the world epics “Independence Day” and “The Day After Tomorrow”, with a story about the total devastation of the earth and all life upon it due to an increase of neutrinos from the sun heating the earth’s core causing the displacement of the Earth’s crust.
Keeping to the established formula of the disaster films, 2012 centers around a struggling writer named Jackson Curtis (John Cusack), who learns of the pending catastrophic events while camping at Yellowstone National Park with his children. The presence of forbidden areas and swarms of soldiers and scientists leads Jackson to believe that the local conspiracy radio host Charlie Frost (Woody Harrelson), might be right in his predictions that we are all on borrowed time, and that the increase in earthquakes and fissures along the fault lines are a very bad omen.
Unbeknownst to Jackson, and the majority of the world’s population, U.S. President Wilson (Danny Glover), and his fellow heads of state, are preparing for the coming tragedy. Carl Anheuser (Oliver Platt) and a team of geologists lead by Adrian Helmsley (Chiwetal Ojiofore) are trying to determine exactly how much time they have to save what they can of humanity. Unaware that the fate of mankind is being decided by the politicians and those with money, Jackson and his children soon find themselves rushing to stay alive, with his ex-wife Kate (Amanda Peet), and her boyfriend in tow. Jackson learns of a plan to save select members of the population and pins their very survival on being able to arrive at what they hope is their salvation before time runs out.
Spectacular effects follow as Los Angeles and other cities are swallowed up by massive sinkholes and buried under collapsing bridges and buildings in some of the most amazing sequences of mayhem and destruction ever captured on film. The movie does an amazing job of showing the absolute calamity and chaos and does a passable job with the relationships between the characters. There are some nice supporting performances from Thandie Newton and George Segal. It is just a shame they were not given a bit more to work with. The cookie cutter scenarios that many characters faced seem to have been lifted from the book of disaster film plots.
I did not go into the film expecting realism, as I fully expect the world will go on as normal on December 22, 2012. However, I did have to note some of the absurd developments that strained any semblance of credibility the film may have had. One such scene had the characters being flooded and trapped for an extended period of time by water. Since their locale was near Mt Everest, I had to assume that it was not warm spring water they were submerged in, and had to wonder if hypothermia just went the way of most of the human populace.
Then again, we were dealing with a heated core that was essentially melting the earth’s crust. So maybe the water was warm.
As with all disaster movies, I do have to remember the audience is asked to suspend all disbelief, at least for 160 minutes. While the film does take some vast leaps of logic, there is enough good action, special effects, and strained levity to make this a good distraction, as long as you are willing to check your brain at the door and just enjoy the ride.
Darren (1599 KP) rated Skinwalkers (2007) in Movies
Jul 25, 2019
Story: Skinwalkers starts as Varek (Behr) leads the hunt for a young boy for his werewolf pack, joined by Sonja (Malthe) he learns the location of Timothy (Knight) which takes him to small town to collect him.
Varek didn’t count on Timothy being under the watch of another prepared werewolf pack led by Jonas (Koteas) and his daughter-in-law Rachel (Mitra) who wasn’t ready to learn the truth that on Tim’s 13th birthday everything changes in the battle.
Thoughts on Skinwalkers
Characters – Varek is the leader of the werewolf pack that wants Timothy dead to stop the event he will cause, he hunts calmly through the film knowing how to get ahead of his enemies, though he is unaware of his connection to the child. Jonas has been protecting his nephew for years now, knowing what he means to the species, he has built the team his truss around him to make sure he is safe. Rachel is the mother of Timothy, she thinks he is just a normal kid and that she lives in a normal town, he must learn fast how to cope in this world filled with werewolves and protect her son. Sonja is the deadliest fighter on Varek side of the war, she enjoys hurting people and we see her take pleasure in this.
Performances – Jason Behr as the conflicted werewolf is good to watch, he shines on the bad boy side of this story, though when he must show the other side of the emotions we see him struggle at times. Elias Koteas is strong for his role which is one that we often see him in. Rhona Mitra does well in the reluctant heroes being the strong need to learn to battle mother figure in the film. everyone else in the film is fine without needing to be anything special, they fit their roles well to help the story flow.
Story – The story here follows two warring werewolf packs that know the importance of a child for both their existences, so basically something we have seen before only with a modern style to it. The fact the story does feel like an introduction to a much big world building idea is promising and while it isn’t the film’s fault we didn’t see the next chapter, it does show us how story telling can think ahead of time. If we are being honest this is a by the book storyline, it doesn’t bring us anything new to the werewolf mythology it just tries to keep it in the modern world.
Action/Fantasy/Horror – The action sequences are mixed bag because we have shoot-out which are routine and lack the peril for certain characters, while the fights show the effects that two werewolves fighting would have on each other. The fantasy world of werewolves living among humans is nicely done, showing two sides to them, though the horror does seem weak because we never feel terrified by what we are seeing.
Settings – The film uses the settings in a mix of quality and generic, the small town gets the big surprise with everyone being part of the protection, then we hit the road and its nothing we haven’t seen before.
Special Effects – The effects for the werewolves and wounds look nice, its just most are hidden from the full effect of the shock.
Scene of the Movie – Town stand off.
That Moment That Annoyed Me – There are a few blink and you miss it moments.
Final Thoughts –This is a by the book werewolf film, it has good moments, it has forgettable moments and ends up feeling like the pilot for a television show.
Overall: The werewolf genre done safely.
Varek didn’t count on Timothy being under the watch of another prepared werewolf pack led by Jonas (Koteas) and his daughter-in-law Rachel (Mitra) who wasn’t ready to learn the truth that on Tim’s 13th birthday everything changes in the battle.
Thoughts on Skinwalkers
Characters – Varek is the leader of the werewolf pack that wants Timothy dead to stop the event he will cause, he hunts calmly through the film knowing how to get ahead of his enemies, though he is unaware of his connection to the child. Jonas has been protecting his nephew for years now, knowing what he means to the species, he has built the team his truss around him to make sure he is safe. Rachel is the mother of Timothy, she thinks he is just a normal kid and that she lives in a normal town, he must learn fast how to cope in this world filled with werewolves and protect her son. Sonja is the deadliest fighter on Varek side of the war, she enjoys hurting people and we see her take pleasure in this.
Performances – Jason Behr as the conflicted werewolf is good to watch, he shines on the bad boy side of this story, though when he must show the other side of the emotions we see him struggle at times. Elias Koteas is strong for his role which is one that we often see him in. Rhona Mitra does well in the reluctant heroes being the strong need to learn to battle mother figure in the film. everyone else in the film is fine without needing to be anything special, they fit their roles well to help the story flow.
Story – The story here follows two warring werewolf packs that know the importance of a child for both their existences, so basically something we have seen before only with a modern style to it. The fact the story does feel like an introduction to a much big world building idea is promising and while it isn’t the film’s fault we didn’t see the next chapter, it does show us how story telling can think ahead of time. If we are being honest this is a by the book storyline, it doesn’t bring us anything new to the werewolf mythology it just tries to keep it in the modern world.
Action/Fantasy/Horror – The action sequences are mixed bag because we have shoot-out which are routine and lack the peril for certain characters, while the fights show the effects that two werewolves fighting would have on each other. The fantasy world of werewolves living among humans is nicely done, showing two sides to them, though the horror does seem weak because we never feel terrified by what we are seeing.
Settings – The film uses the settings in a mix of quality and generic, the small town gets the big surprise with everyone being part of the protection, then we hit the road and its nothing we haven’t seen before.
Special Effects – The effects for the werewolves and wounds look nice, its just most are hidden from the full effect of the shock.
Scene of the Movie – Town stand off.
That Moment That Annoyed Me – There are a few blink and you miss it moments.
Final Thoughts –This is a by the book werewolf film, it has good moments, it has forgettable moments and ends up feeling like the pilot for a television show.
Overall: The werewolf genre done safely.
Emma @ The Movies (1786 KP) rated Knives Out (2019) in Movies
Nov 4, 2019
Knives Out was probably my most anticipated film of the festival, so much so that I brought a ticket to see it rather than deal with the hassle of the press screening.
If you take Clue, add some Agatha Christie and maybe a large helping of A-list cast you'll find yourself at the feet of Knives Out. I don't have a problem with any of that at all, the problem I had is that what we got was predictable. That can work, predictable is comforting, but here I watched and felt like I'd seen it before. It felt like I was watching a remake of something. It was Clue without being as fun and Agatha Christie without being as intriguing. Would it have been better had I not been so excited to see it? Potentially, though we'll never know now.
There are definitely things to like though.
We get the classic interview phase with each family member questioned alone, the whole scene has a wonderful flow to it. With the script, the actors and the clips of each character edited together so well you get the perfect comedic timing on everything.
Marta was an interesting character but Ana de Armas (Blade Runner 2049 and No Time To Die) gave what I felt was an almost forgettable performance, which is incredible considering Marta has a severe problem with lying that leads to hilarious situations. It's a solid performance, I don't want to say she did a bad job, but the other characters are larger than life and it would have been nice to see a little more of that in her. I know she's supposed to be the meek and mild help but you see little glimmers of it in there yet it doesn't come to anything.
Benoit Blanc is Knives Out's Poirot, though he's much more of a crossbreed of Poirot and Hastings. Excellent with the deductions and yet just a little oblivious. Daniel Craig plays him just slightly frustrating, which again is something you'd expect in this sort of thing but I wasn't entirely convinced. I did like Blanc's interactions with Marta, though only from his side of things, it did something interesting to his character but somehow made no impact on Marta's.
A brief special mention should go to Lakeith Stanfield and Noah Segan, their appearances felt fleeting but they were always amusing.
I thought the rest of the cast was good, as you'd expect, that might seems rather dismissive but how am I supposed to feel about it? A-listers in main roles... fantastic, A-listers in cameos... fantastic, but the rest of the characters in this was filled with powerful actors all in bit parts. When that went through my head all I could think was "please sir, I want some more." Toni Collette, Chris Evans, Jamie Lee Curtis, Michael Shannon... great performances but I'd happily have had an encore.
I did enjoy it, but as I sat in the audience and everyone around me roared with laughter at things I thought were just okay I had to wonder what I'd missed. Was it because I was so hyped for it in the first place? Was it festival fatigue? Or have I just seen so much of this that I just couldn't appreciate their take on the classic? I wish I knew.
Cineworld are putting on an Unlimited Screening of this a few days before it goes on general release, I'll definitely be checking it out again and I'm hoping that a second viewing will make me feel differently about it. In the meantime though it's nice to see so many people rating this one highly.
Full review originally posted on: https://emmaatthemovies.blogspot.com/2019/11/knives-out-movie-review.html
If you take Clue, add some Agatha Christie and maybe a large helping of A-list cast you'll find yourself at the feet of Knives Out. I don't have a problem with any of that at all, the problem I had is that what we got was predictable. That can work, predictable is comforting, but here I watched and felt like I'd seen it before. It felt like I was watching a remake of something. It was Clue without being as fun and Agatha Christie without being as intriguing. Would it have been better had I not been so excited to see it? Potentially, though we'll never know now.
There are definitely things to like though.
We get the classic interview phase with each family member questioned alone, the whole scene has a wonderful flow to it. With the script, the actors and the clips of each character edited together so well you get the perfect comedic timing on everything.
Marta was an interesting character but Ana de Armas (Blade Runner 2049 and No Time To Die) gave what I felt was an almost forgettable performance, which is incredible considering Marta has a severe problem with lying that leads to hilarious situations. It's a solid performance, I don't want to say she did a bad job, but the other characters are larger than life and it would have been nice to see a little more of that in her. I know she's supposed to be the meek and mild help but you see little glimmers of it in there yet it doesn't come to anything.
Benoit Blanc is Knives Out's Poirot, though he's much more of a crossbreed of Poirot and Hastings. Excellent with the deductions and yet just a little oblivious. Daniel Craig plays him just slightly frustrating, which again is something you'd expect in this sort of thing but I wasn't entirely convinced. I did like Blanc's interactions with Marta, though only from his side of things, it did something interesting to his character but somehow made no impact on Marta's.
A brief special mention should go to Lakeith Stanfield and Noah Segan, their appearances felt fleeting but they were always amusing.
I thought the rest of the cast was good, as you'd expect, that might seems rather dismissive but how am I supposed to feel about it? A-listers in main roles... fantastic, A-listers in cameos... fantastic, but the rest of the characters in this was filled with powerful actors all in bit parts. When that went through my head all I could think was "please sir, I want some more." Toni Collette, Chris Evans, Jamie Lee Curtis, Michael Shannon... great performances but I'd happily have had an encore.
I did enjoy it, but as I sat in the audience and everyone around me roared with laughter at things I thought were just okay I had to wonder what I'd missed. Was it because I was so hyped for it in the first place? Was it festival fatigue? Or have I just seen so much of this that I just couldn't appreciate their take on the classic? I wish I knew.
Cineworld are putting on an Unlimited Screening of this a few days before it goes on general release, I'll definitely be checking it out again and I'm hoping that a second viewing will make me feel differently about it. In the meantime though it's nice to see so many people rating this one highly.
Full review originally posted on: https://emmaatthemovies.blogspot.com/2019/11/knives-out-movie-review.html
Darren (1599 KP) rated The Ring (2002) in Movies
Nov 7, 2019
Characters – Rachel is a single mother and reporter that starts investigating the mysterious death of her niece, this leads her to a VHS tape which puts her in the same seven day warning, forcing her to investigate the tape, she uses her connections and skills as a reporter to unlock this truth, while become more desperate after her son watches the same tape. Noah is the ex-partner and father to Aidan, he is still dating college students, which is why they no longer date, he is however an expect on video, which sees him being used to help break down the tape, which does including him watching it, he doesn’t come off like a nice guy, but we get the scene which shows why he is the way he is. Aidan is the son of the two, he seems to be the most grounded of the three, he is always prepared for the day, knowing that his mother will be late, only he watches the video making him one of the targets for the curse within the video. Richard is the adopted father of Samara, his love for the horses as seen his life destroyed even with his connection to Samara being the reason for the curse.
Performances – Naomi Watts in the leading role is great, she gets to show us just how difficult being a single mother can be, while trying to face a life and death situation with trying to find the answers. Martin Henderson is solid enough in his role which sees him being a bad father that could learn over this week. David Dorfman does give us a creepy kid performance, while Brian Cox in his limited screen time makes a big impact.
Story – The story here follows a reporter that is investigating the death of a family member that is connecting a video tape which will give any viewer seven days to live. This story is a remake of Ringu and does fall into one of my favourite sub-genres of horror, the ghostly haunting investigation one, which is looking to solve a mystery and isn’t afraid to give us a moment of hauntings to push everything in the right direction. It is strange that part of this film has dated with the technology advances which could see the VHS side of the film going over people’s heads, but away from that seeing just how everything is connected, with glimpses of the video appearing through the film needing to be solved by both the character and audience gives this an interesting element for the audience to get involved in.
Horror/Mystery – The horror comes from the horrific imagines we see on the tape, we also know early on what will happen to anybody that watches the tape, by seeing just how the first opening kill looks. The mystery comes from just what we are seeing in the tape, it is a host of clues which will unlock the truth.
Settings – The film shows us the settings through the tape, each one has a connection to everything going on and makes us want to know just what the connection is going to be.
Special Effects – The effects in the film are fantastic to watch, with one of the greatest effects scenes in the closing of the film which will shock and wonder how it was done.
Scene of the Movie – The Horse on the boat is a horrific scene to watch.
That Moment That Annoyed Me – VHS has dated out now.
Final Thoughts – This is one of the greatest horror remakes, it remains scary through the years along with giving us the time scale everything is going to be revealed.
Overall: Wonderful horror remake.
Performances – Naomi Watts in the leading role is great, she gets to show us just how difficult being a single mother can be, while trying to face a life and death situation with trying to find the answers. Martin Henderson is solid enough in his role which sees him being a bad father that could learn over this week. David Dorfman does give us a creepy kid performance, while Brian Cox in his limited screen time makes a big impact.
Story – The story here follows a reporter that is investigating the death of a family member that is connecting a video tape which will give any viewer seven days to live. This story is a remake of Ringu and does fall into one of my favourite sub-genres of horror, the ghostly haunting investigation one, which is looking to solve a mystery and isn’t afraid to give us a moment of hauntings to push everything in the right direction. It is strange that part of this film has dated with the technology advances which could see the VHS side of the film going over people’s heads, but away from that seeing just how everything is connected, with glimpses of the video appearing through the film needing to be solved by both the character and audience gives this an interesting element for the audience to get involved in.
Horror/Mystery – The horror comes from the horrific imagines we see on the tape, we also know early on what will happen to anybody that watches the tape, by seeing just how the first opening kill looks. The mystery comes from just what we are seeing in the tape, it is a host of clues which will unlock the truth.
Settings – The film shows us the settings through the tape, each one has a connection to everything going on and makes us want to know just what the connection is going to be.
Special Effects – The effects in the film are fantastic to watch, with one of the greatest effects scenes in the closing of the film which will shock and wonder how it was done.
Scene of the Movie – The Horse on the boat is a horrific scene to watch.
That Moment That Annoyed Me – VHS has dated out now.
Final Thoughts – This is one of the greatest horror remakes, it remains scary through the years along with giving us the time scale everything is going to be revealed.
Overall: Wonderful horror remake.