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Darren (1599 KP) rated American Graffiti (1973) in Movies
Nov 21, 2019
Thoughts on American Graffiti
Characters – Curt has always enjoyed his time on the strip, he knows everybody and is one of the most popular guys around, he was due to head of the college, but hasn’t made his mind up yet, despite it needing to be read for his next day, he ends up trying to spend his time chasing a mysterious woman around town all night. Steve has always planned his life out, he is going off to college and he is ready to make his relationship more open while they are separated, here he gets to learn about his relationship even if his best friend might not be joining him in college. John is the friend that has always been known for his ability with cars, he has a reputation around town with the police following him around and now he is starting to see the future where his friends are doing a lot more than him and gets stuck with a younger girl for the night, where he starts to see a brighter side to his future. Terry has always been the butt of most of the jokes between the friends, now he gets Steve’s car to look after he spends the night trying to find himself a woman and impress her with his lines.
Performances – When we look at the cast, Richard Dreyfuss is great through the film showing us a character that can get plenty of laughs and is quick on his feet. Ron Howard brings the character we know him for is always going to be easy for him to play. Paul Le Mat brings the typical bad boy to life that does show how he bought us a level of sympathy to the character. Charles Martin Smith brings the geeky sounding character out which become one of the most popular characters in these teen comedies for years to come.
Story – The story here follows four friends on the last day of summer before college is due to start, we see how the four have a different adventure on this night, which will help them discover what they want next in their lives. This is a story that shows just how difficult life is when you take the next step, leaving school is one of the first and biggest anybody will take, with the uncertainty being there for everybody involved, part of you will want to stay close to what you already had, while other sides of this will see you wanting to see what is next. This story mixes all of this together through the film with little effort and makes you believe these people could be real, while certain aspects will have dated here, with a new generation, back n the 1970s this would have been the idea of the house party in the 80s or 90s and wild adventure the modern youth would be having.
Comedy – The comedy in this film would be right up there with any teen comedies, it would have gotten more laughs for when it was released, rather than the ones you would expect to see now.
Settings – The film is set in one hang out location known as the strip, this will be the location where we get all the hang outs you would expect for teens in this generation.
Scene of the Movie – Terry’s attempts to get boozes.
That Moment That Annoyed Me – The world involved does seem to have dated.
Final Thoughts – This is a wonderful look at teenage life in the 70s it shows us just how close the friendships were, how hard the changes coming were and just what was left for the people in life.
Overall: Beautiful Look at the 70s.
Rating
Characters – Curt has always enjoyed his time on the strip, he knows everybody and is one of the most popular guys around, he was due to head of the college, but hasn’t made his mind up yet, despite it needing to be read for his next day, he ends up trying to spend his time chasing a mysterious woman around town all night. Steve has always planned his life out, he is going off to college and he is ready to make his relationship more open while they are separated, here he gets to learn about his relationship even if his best friend might not be joining him in college. John is the friend that has always been known for his ability with cars, he has a reputation around town with the police following him around and now he is starting to see the future where his friends are doing a lot more than him and gets stuck with a younger girl for the night, where he starts to see a brighter side to his future. Terry has always been the butt of most of the jokes between the friends, now he gets Steve’s car to look after he spends the night trying to find himself a woman and impress her with his lines.
Performances – When we look at the cast, Richard Dreyfuss is great through the film showing us a character that can get plenty of laughs and is quick on his feet. Ron Howard brings the character we know him for is always going to be easy for him to play. Paul Le Mat brings the typical bad boy to life that does show how he bought us a level of sympathy to the character. Charles Martin Smith brings the geeky sounding character out which become one of the most popular characters in these teen comedies for years to come.
Story – The story here follows four friends on the last day of summer before college is due to start, we see how the four have a different adventure on this night, which will help them discover what they want next in their lives. This is a story that shows just how difficult life is when you take the next step, leaving school is one of the first and biggest anybody will take, with the uncertainty being there for everybody involved, part of you will want to stay close to what you already had, while other sides of this will see you wanting to see what is next. This story mixes all of this together through the film with little effort and makes you believe these people could be real, while certain aspects will have dated here, with a new generation, back n the 1970s this would have been the idea of the house party in the 80s or 90s and wild adventure the modern youth would be having.
Comedy – The comedy in this film would be right up there with any teen comedies, it would have gotten more laughs for when it was released, rather than the ones you would expect to see now.
Settings – The film is set in one hang out location known as the strip, this will be the location where we get all the hang outs you would expect for teens in this generation.
Scene of the Movie – Terry’s attempts to get boozes.
That Moment That Annoyed Me – The world involved does seem to have dated.
Final Thoughts – This is a wonderful look at teenage life in the 70s it shows us just how close the friendships were, how hard the changes coming were and just what was left for the people in life.
Overall: Beautiful Look at the 70s.
Rating
Darren (1599 KP) rated Starship Troopers 2: Hero of the Federation (2004) in Movies
Nov 26, 2019
Verdict: Noticeable Small Sequel
Story: Starship Troopers 2: Hero of the Federation starts straight after the first film, the humans know have the upper hand in the war against the bugs with more soldiers on the ground ready for battle. We follow a small unit that find themselves surrounded in a night assault, who seek refuge in an abandoned outpost, deep in the bug territory.
The unit finds Captain Dax (Burgi) locked away inside, while the unit gets surrounded Lei Sahara (Porch) does what she can to save her unit against her LT Dill (Monoson) who wants to get involved in paperwork and ranks, when the real enemy is a new threat they have never seen before.
Thoughts on Starship Troopers 2: Hero of the Federation
Characters – Captain VJ Dax is the officer found trapped in the outpost, once a hero of the war now a disgraced man, he is the only one that seems to know how to fight back on a more aggressive way than other soldiers are. He will demand the best from the soldiers no matter how it might see him clash with the others. Pvt Lei Sahara is one of the strongest members of the unit, she is a weak psychic that gets visions that don’t always get taken seriously, she makes the rash decision to release Dax. LT Pavlov Dill is the inexperienced soldier put in a position of power that is more interested in dealing with the ranks and orders than saving the soldier’s lives. Pvt Soda is one of the soldiers saved that needs medical attention, though she isn’t everything she looks like.
Performances – Richard Burgi is the best of the performers here, he does continue the tone of a strong military man, while most of the rest of the cast don’t reach this level. Colleen Porch does handle the serious side of the film well too.
Story – The story continues the war between humans and bugs, only this time we see the soldiers cornered in battle which will see them finding an enemy coming from within. The story here does scale back big time what we are dealing with, giving us a small unit that must battle from within one location instead of different warzones. We do move the story on from the original as we see just how humans once again understatement an enemy, as well as providing more to the bug intelligence that we are seeing. One of the problems with the story though does come from the fact we are making the story more contained, this doesn’t help on the idea of the large scale war going on, this conflicts the audience into seeing almost like a small chapter of the war over the next battle for victory.
Action/Sci-Fi – The action does continue to be large scale shooting between the humans aiming for the bugs that don’t stop, while the sci-fi is more horror based with the idea of the new bug that no human has seen before.
Settings – The film does use the outpost as the main setting, it would be a safehouse for the soldiers during the attack, though just how safe is a different question.
Special Effects – The effects while given a much small budget, don’t look bad at all, they continue to make the bugs look terrifying for anybody that comes across them.
Scene of the Movie – Stand off on the roof.
That Moment That Annoyed Me – We try to swap genres doing an alien to aliens reverse tone for the film, that just doesn’t work.
Final Thoughts – This is a sequel that doesn’t live up to the original, it does try to do something different, though it just fails to make everything hit the heights of the original.
Overall: Simple Sequel.
Story: Starship Troopers 2: Hero of the Federation starts straight after the first film, the humans know have the upper hand in the war against the bugs with more soldiers on the ground ready for battle. We follow a small unit that find themselves surrounded in a night assault, who seek refuge in an abandoned outpost, deep in the bug territory.
The unit finds Captain Dax (Burgi) locked away inside, while the unit gets surrounded Lei Sahara (Porch) does what she can to save her unit against her LT Dill (Monoson) who wants to get involved in paperwork and ranks, when the real enemy is a new threat they have never seen before.
Thoughts on Starship Troopers 2: Hero of the Federation
Characters – Captain VJ Dax is the officer found trapped in the outpost, once a hero of the war now a disgraced man, he is the only one that seems to know how to fight back on a more aggressive way than other soldiers are. He will demand the best from the soldiers no matter how it might see him clash with the others. Pvt Lei Sahara is one of the strongest members of the unit, she is a weak psychic that gets visions that don’t always get taken seriously, she makes the rash decision to release Dax. LT Pavlov Dill is the inexperienced soldier put in a position of power that is more interested in dealing with the ranks and orders than saving the soldier’s lives. Pvt Soda is one of the soldiers saved that needs medical attention, though she isn’t everything she looks like.
Performances – Richard Burgi is the best of the performers here, he does continue the tone of a strong military man, while most of the rest of the cast don’t reach this level. Colleen Porch does handle the serious side of the film well too.
Story – The story continues the war between humans and bugs, only this time we see the soldiers cornered in battle which will see them finding an enemy coming from within. The story here does scale back big time what we are dealing with, giving us a small unit that must battle from within one location instead of different warzones. We do move the story on from the original as we see just how humans once again understatement an enemy, as well as providing more to the bug intelligence that we are seeing. One of the problems with the story though does come from the fact we are making the story more contained, this doesn’t help on the idea of the large scale war going on, this conflicts the audience into seeing almost like a small chapter of the war over the next battle for victory.
Action/Sci-Fi – The action does continue to be large scale shooting between the humans aiming for the bugs that don’t stop, while the sci-fi is more horror based with the idea of the new bug that no human has seen before.
Settings – The film does use the outpost as the main setting, it would be a safehouse for the soldiers during the attack, though just how safe is a different question.
Special Effects – The effects while given a much small budget, don’t look bad at all, they continue to make the bugs look terrifying for anybody that comes across them.
Scene of the Movie – Stand off on the roof.
That Moment That Annoyed Me – We try to swap genres doing an alien to aliens reverse tone for the film, that just doesn’t work.
Final Thoughts – This is a sequel that doesn’t live up to the original, it does try to do something different, though it just fails to make everything hit the heights of the original.
Overall: Simple Sequel.
Darren (1599 KP) rated Hustlers (2019) in Movies
Nov 28, 2019
Verdict: Stylish Crime Story
Story: Hustlers starts as we follow a young stripper Destiny (Wu) who is working to make sure her Grandmother (Ho0 is supported, she sees the more successful dancers in the club as she is trying to find her own place in the club, looking up to the most popular dancer Ramona (Lopez).
Ramona takes Destiny under her wing to teacher her more techniques, which should give her a chance to get more money, let alone showing her about the extra tricks she has been working on for years, getting the credit cards and taking their money, showing the money flying in, taking advantage of the Wall Street clients.
Thoughts on Hustlers
Characters – Destiny is the young woman who just wants to make enough money in her life for her Grandmother who has always supported her. She has a job as a stripper which sees her start small before learning how to bring in the big money, while her life might not go to plan after she has a kid, she returns to the life as a dancer which sees her take advantage of the wall street bankers. Ramona is the experience dancer, she gets most of the attention in the club and takes Destiny under her wing in a mentor role, they have one brilliant year before things change. Once they are out the club, she leads a bigger scheme which takes thousands from the clients bringing the girls together. Elizabeth is a journalist hearing the story from Destiny about what happened with the women, she wants to hear everything to see whether they knew and thought what they did was right. We do meet plenty of the fellow girls that joined in the plan, each has different motivations and different skill levels to be part of it.
Performances – Constance Wu in the leading role is wonderful and such a big change from last years Crazy Rich Asians, proving herself as an actress that can play both sides of the acting range. Jennifer Lopez shines as the confident seductive dancer, she looks the part with ease and steals every scene she is in. Julia Stiles brings the calm reporter that is asking most of the questions that we would be asking. The rest of the cast including the dancers do a great job too.
Story – The story here follows two strippers that start their own business where they look to make massive amounts of money by drugging wall street banks and using their cards to fill their financial needs. The story here shows how the plan starts off small, but soon leads to them going for bigger scores which leads to them taking bigger risks which they didn’t need to be getting involved in. while this is based on a true story, it does show that there wasn’t much of a punishment for the women either. The mentor friendship between Destiny and Ramona is great to see as we can see how they both need each other to get through the problems they might the facing.
Comedy/Crime – The crime side of the film mixes with the comedy which shows how the women were getting away with the crime for so long without being caught in the middle of being a full-blown comedy.
Settings – The film is set in New York which shows where the targets will have too much money for their own good, which makes them an easy target.
Scene of the Movie – The bad party.
That Moment That Annoyed Me – The time jump does take away something from the story.
Final Thoughts – This is a fun crime comedy that showed how a group of hustlers swindled money out of wall street bankers who would spend anything.
Overall: Fun throughout.
Story: Hustlers starts as we follow a young stripper Destiny (Wu) who is working to make sure her Grandmother (Ho0 is supported, she sees the more successful dancers in the club as she is trying to find her own place in the club, looking up to the most popular dancer Ramona (Lopez).
Ramona takes Destiny under her wing to teacher her more techniques, which should give her a chance to get more money, let alone showing her about the extra tricks she has been working on for years, getting the credit cards and taking their money, showing the money flying in, taking advantage of the Wall Street clients.
Thoughts on Hustlers
Characters – Destiny is the young woman who just wants to make enough money in her life for her Grandmother who has always supported her. She has a job as a stripper which sees her start small before learning how to bring in the big money, while her life might not go to plan after she has a kid, she returns to the life as a dancer which sees her take advantage of the wall street bankers. Ramona is the experience dancer, she gets most of the attention in the club and takes Destiny under her wing in a mentor role, they have one brilliant year before things change. Once they are out the club, she leads a bigger scheme which takes thousands from the clients bringing the girls together. Elizabeth is a journalist hearing the story from Destiny about what happened with the women, she wants to hear everything to see whether they knew and thought what they did was right. We do meet plenty of the fellow girls that joined in the plan, each has different motivations and different skill levels to be part of it.
Performances – Constance Wu in the leading role is wonderful and such a big change from last years Crazy Rich Asians, proving herself as an actress that can play both sides of the acting range. Jennifer Lopez shines as the confident seductive dancer, she looks the part with ease and steals every scene she is in. Julia Stiles brings the calm reporter that is asking most of the questions that we would be asking. The rest of the cast including the dancers do a great job too.
Story – The story here follows two strippers that start their own business where they look to make massive amounts of money by drugging wall street banks and using their cards to fill their financial needs. The story here shows how the plan starts off small, but soon leads to them going for bigger scores which leads to them taking bigger risks which they didn’t need to be getting involved in. while this is based on a true story, it does show that there wasn’t much of a punishment for the women either. The mentor friendship between Destiny and Ramona is great to see as we can see how they both need each other to get through the problems they might the facing.
Comedy/Crime – The crime side of the film mixes with the comedy which shows how the women were getting away with the crime for so long without being caught in the middle of being a full-blown comedy.
Settings – The film is set in New York which shows where the targets will have too much money for their own good, which makes them an easy target.
Scene of the Movie – The bad party.
That Moment That Annoyed Me – The time jump does take away something from the story.
Final Thoughts – This is a fun crime comedy that showed how a group of hustlers swindled money out of wall street bankers who would spend anything.
Overall: Fun throughout.
Emma @ The Movies (1786 KP) rated Judy (2019) in Movies
Dec 8, 2019
There's a definite fatigue now with films based on music stars and their works, I was already feeling it earlier in the year with Yesterday and Blinded By The Light. While I wasn't particularly enthusiastic about seeing Judy the trailer had me as soon as I heard "Somewhere over the rainbow".
Judy, once a household name, is short on money and her reputation is making it hard to get the work she needs. As her welcome at hotels is no longer guaranteed and her ex-husband's concern for what sort of life she's giving their children grows she realises she needs to find a way to make enough money to get them a proper home.
Her answer lies in England with nightly sellout performances to the crowds. But as the loneliness and isolation set in it might be that her not so glamorous lifestyle has caught up with her.
As with many real life depictions I came out wanting to know what was true to Garland's actual life and what was added with artistic license. Perhaps the worst thing about this film is just how accurate it is, the bullying, the abuse, the drugs, it shows a shocking side of Hollywood as it brought up its young stars. It was a little sad to find out that my two favourite bits of the film were probably the only bits in the whole thing that weren't based on actual events, but when you think about it that's not a bad statistic.
Renée Zellweger is outstanding. A year of vocal training before even getting to the set and being able to deliver such a stellar singing performance while simultaneously having to act like you're high on pills, exhaustion and drink... I'm genuinely amazed when I think back to some moments in the film.
I didn't get that same rush from listening to her singing in the film as I did in the trailer. She's wonderful performing the songs but I just felt that everything around the songs was too much of a distraction from it.
Yes, there are other people in Judy beyond Renée Zellweger but I'm not sure that there was anything to them that could shine as much as she did. Jessie Buckley felt underused, and after seeing Wild Rose earlier this year it was sad to see her so close to a stage without her getting to sing. I thought Andy Nyman made a good show as Dan, one half of the gay couple Judy befriends, the emotion that ran through his scenes with her had me wrecked.
I felt a little thrown by the flashbacks initially, but the drip feeding of scenes from her life as we progressed through the modern part of the story worked well. Each reveal would make you a little more heartbroken and concerned for adult Judy, the balance was perfect.
From the glamorous hotels to the dark night streets of London I thought all the settings were chosen well. The design overall with the costumes and sets felt spot on too. Seeing images of the cast against their real life counterparts really gives you pause to think about how hard everyone on that film worked to make the perfect shot.
There aren't all that many drawbacks here, apart from the fatigue for this sort of film that I mentioned earlier it felt very much like I've seen this film before. The recent biopic Stan & Ollie has so many similar features and scenarios that Judy ended up feeling like it wasn't such a new release. Despite that I did enjoy it, I just wish there had been more songs in it, I'm a sucker for a good tune.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/judy-movie-review.html
Judy, once a household name, is short on money and her reputation is making it hard to get the work she needs. As her welcome at hotels is no longer guaranteed and her ex-husband's concern for what sort of life she's giving their children grows she realises she needs to find a way to make enough money to get them a proper home.
Her answer lies in England with nightly sellout performances to the crowds. But as the loneliness and isolation set in it might be that her not so glamorous lifestyle has caught up with her.
As with many real life depictions I came out wanting to know what was true to Garland's actual life and what was added with artistic license. Perhaps the worst thing about this film is just how accurate it is, the bullying, the abuse, the drugs, it shows a shocking side of Hollywood as it brought up its young stars. It was a little sad to find out that my two favourite bits of the film were probably the only bits in the whole thing that weren't based on actual events, but when you think about it that's not a bad statistic.
Renée Zellweger is outstanding. A year of vocal training before even getting to the set and being able to deliver such a stellar singing performance while simultaneously having to act like you're high on pills, exhaustion and drink... I'm genuinely amazed when I think back to some moments in the film.
I didn't get that same rush from listening to her singing in the film as I did in the trailer. She's wonderful performing the songs but I just felt that everything around the songs was too much of a distraction from it.
Yes, there are other people in Judy beyond Renée Zellweger but I'm not sure that there was anything to them that could shine as much as she did. Jessie Buckley felt underused, and after seeing Wild Rose earlier this year it was sad to see her so close to a stage without her getting to sing. I thought Andy Nyman made a good show as Dan, one half of the gay couple Judy befriends, the emotion that ran through his scenes with her had me wrecked.
I felt a little thrown by the flashbacks initially, but the drip feeding of scenes from her life as we progressed through the modern part of the story worked well. Each reveal would make you a little more heartbroken and concerned for adult Judy, the balance was perfect.
From the glamorous hotels to the dark night streets of London I thought all the settings were chosen well. The design overall with the costumes and sets felt spot on too. Seeing images of the cast against their real life counterparts really gives you pause to think about how hard everyone on that film worked to make the perfect shot.
There aren't all that many drawbacks here, apart from the fatigue for this sort of film that I mentioned earlier it felt very much like I've seen this film before. The recent biopic Stan & Ollie has so many similar features and scenarios that Judy ended up feeling like it wasn't such a new release. Despite that I did enjoy it, I just wish there had been more songs in it, I'm a sucker for a good tune.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/judy-movie-review.html
Natacha (374 KP) rated Red Rising in Books
Jan 23, 2020
More reviews on my blog: https://natachainreviewland.wordpress.com/
Red Rising is another book that I struggle to rate. I did enjoy the book but it didn't blow my mind. I think it's just an "It's not you, it's me" kind of situation. For the best part of the story, I felt like I was reading a retelling of the Hunger Games (and it was a movie I felt it was just ok, haven't read the books) and mixed with The Punisher (guys loses his wife and needs to get his revenge). I had fun but that's all.
Things I liked:
-The writing was very good. Simple, clear, just the right amount of information and exposition to make us understand the world and characters.
-We have a cast of charters with different and distinct personalities and well fleshed out.
-I really enjoyed the fourth part of the book. At this point, I felt like it lost the Hunger Game vibe. We don't have just one person that needs to take down the system but a whole army that marches against corruption.
-Towards the end, we had two nice twists. One of them had been foreshadowed for a while and the second one I personally saw it coming. Although to be honest when you have 20 pages left you can guess that things will go in a different direction what the author is making you believe. Despite that, I really liked those twists.
-I really like Darrow and Mustang dynamic and relationship. I thought it was well done and it felt natural.
-Now that the Huger Game part of the story is done I'm curious to see what Darrow will do outside in the world and how his plan will unfold.
Things I didn't like
I don't have many negatives. There was nothing wrong with the story but I'll try to point some aspect that bothered me.
-As I mention I didn't care about Hunger Game and throughout a large part of the story I couldn't help but thinking of the similarities.
-I'm a little tired of the "They kill my wife and I need to get revenge and keep her dream alive" trope.
-The story is written in first-person POV and present tense and this is really my least favourite way to tell a story.
-I feel like Darrow is a little bit of a Gary Stu. On so many occasion we have Darrow say things like "I'm stronger, I'm taller, I'm faster than he/she, I know better than them" etc. This is why I don't like first-person POV. When it's the author or another person telling us that the main character is stronger or taller or whatever it feels like an observation. When we have the main character telling us about the fact that they are better than everyone else, for me, they become across as obnoxious and annoying. And because of that, I struggle to really connect with Darrow.
-Rape is used a couple of times to move the plot forward. I don't mind when it's used once but when it's used again and again it feels like the author didn't know what else to do to get the plot going.
So here you have it. It wasn't a bad book there was nothing wrong with it and I understand why so many people rave about it. But personally, I couldn't get into the "this is a great book" place. I'm curious about the rest of the series, I don't feel the need to start right away like with other series, but I will get to the second book eventually.
Red Rising is another book that I struggle to rate. I did enjoy the book but it didn't blow my mind. I think it's just an "It's not you, it's me" kind of situation. For the best part of the story, I felt like I was reading a retelling of the Hunger Games (and it was a movie I felt it was just ok, haven't read the books) and mixed with The Punisher (guys loses his wife and needs to get his revenge). I had fun but that's all.
Things I liked:
-The writing was very good. Simple, clear, just the right amount of information and exposition to make us understand the world and characters.
-We have a cast of charters with different and distinct personalities and well fleshed out.
-I really enjoyed the fourth part of the book. At this point, I felt like it lost the Hunger Game vibe. We don't have just one person that needs to take down the system but a whole army that marches against corruption.
-Towards the end, we had two nice twists. One of them had been foreshadowed for a while and the second one I personally saw it coming. Although to be honest when you have 20 pages left you can guess that things will go in a different direction what the author is making you believe. Despite that, I really liked those twists.
-I really like Darrow and Mustang dynamic and relationship. I thought it was well done and it felt natural.
-Now that the Huger Game part of the story is done I'm curious to see what Darrow will do outside in the world and how his plan will unfold.
Things I didn't like
I don't have many negatives. There was nothing wrong with the story but I'll try to point some aspect that bothered me.
-As I mention I didn't care about Hunger Game and throughout a large part of the story I couldn't help but thinking of the similarities.
-I'm a little tired of the "They kill my wife and I need to get revenge and keep her dream alive" trope.
-The story is written in first-person POV and present tense and this is really my least favourite way to tell a story.
-I feel like Darrow is a little bit of a Gary Stu. On so many occasion we have Darrow say things like "I'm stronger, I'm taller, I'm faster than he/she, I know better than them" etc. This is why I don't like first-person POV. When it's the author or another person telling us that the main character is stronger or taller or whatever it feels like an observation. When we have the main character telling us about the fact that they are better than everyone else, for me, they become across as obnoxious and annoying. And because of that, I struggle to really connect with Darrow.
-Rape is used a couple of times to move the plot forward. I don't mind when it's used once but when it's used again and again it feels like the author didn't know what else to do to get the plot going.
So here you have it. It wasn't a bad book there was nothing wrong with it and I understand why so many people rave about it. But personally, I couldn't get into the "this is a great book" place. I'm curious about the rest of the series, I don't feel the need to start right away like with other series, but I will get to the second book eventually.
Emma @ The Movies (1786 KP) rated The Lodge (2019) in Movies
Mar 14, 2020
The Lodge made my long shortlist for films I wanted to see at the London Film Festival last year and I rounded out the event with this chilling tale.
Mia and Aidan are reluctantly spending time with their step-mom-to-be in a remote cabin for the holidays. Where their father has to leave for work the three of them have to make the best of a bad situation.
A snowstorm sets in and the almost amicable atmosphere they've got starts to change when strange things start happening and the children see a side of Grace they didn't know.
All credit to this film for amazing me right out of the blocks. It hands you such a strong start that it takes your breath away, as hooks go it's a pretty good one and it's well presented.
The story focuses heavily on the mental health of Grace and that's what stopped it from crossing into the horror genre for me. As a decent into madness it does a great job. Grace's attempt at a normal life is hindered by her backstory and the manipulation that moulded her into the person she is, while she might be free of the cult her life still has toxic aspects in it and her inability to truly escape that makes her an easy target. Adding to her woes with paranoia, fear and sadness easily derail her forward progress.
There's a certain point in the film where you work out what is going on, but my mind was telling me I couldn't be right, and looking back on the film I wish I hadn't been. The film throws a few explanations/ideas at you and all could have worked but I think leaving the ending with some uncertainty would have been a much more chilling way to end the story.
Riley Keough as Grace takes most of this film in her stride, the things Grace is being put through are reflected in every scene until she comes full circle, it's a wonderfully strong performance and regardless of my feelings about the outcome of the film it was a great success for her.
Jaeden Martell (Lieberher) playing Aidan and Lia McHugh as Mia both support the story well. Perhaps there was some room for growth but they were consistent throughout until the end of the film, at that point their parts became less believable.
Lastly we've got mum and dad. I would have liked a little more Alicia Silverstone, but as she got the strongest piece of the film I can't be too mad. Richard Armitage as Richard is probably the only role I just shrugged my shoulders at. He's a good actor but I think you could have put one of several different actors in his place and got the same effect. This is not a reflection on Armitage, more on the rather underused nature of the character.
The setting is largely at the lodge in a snowy landscape, it adds a certain bleakness to proceedings, though I'm not sure that it's used all that well. Interactions with it are somewhat cliche and expected. Apart from that there's a strong connection between two of the sets in the film and it gives an extra layer to the mystery but again, it's not great, partly it felt and little abstract and partly the greater meaning for the story. The overall tone of the locations, fit well though and helped develop some of the drama of the piece.
Yes there are flaws in The Lodge but it's still an interesting, and at some points, distressing film. Even with the strong performances from Silverstone and Keough the areas of missed potential can't be overlooked though and I think there really would have been something great in this had it explored some of its possibilities more.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/the-lodge-movie-review.html
Mia and Aidan are reluctantly spending time with their step-mom-to-be in a remote cabin for the holidays. Where their father has to leave for work the three of them have to make the best of a bad situation.
A snowstorm sets in and the almost amicable atmosphere they've got starts to change when strange things start happening and the children see a side of Grace they didn't know.
All credit to this film for amazing me right out of the blocks. It hands you such a strong start that it takes your breath away, as hooks go it's a pretty good one and it's well presented.
The story focuses heavily on the mental health of Grace and that's what stopped it from crossing into the horror genre for me. As a decent into madness it does a great job. Grace's attempt at a normal life is hindered by her backstory and the manipulation that moulded her into the person she is, while she might be free of the cult her life still has toxic aspects in it and her inability to truly escape that makes her an easy target. Adding to her woes with paranoia, fear and sadness easily derail her forward progress.
There's a certain point in the film where you work out what is going on, but my mind was telling me I couldn't be right, and looking back on the film I wish I hadn't been. The film throws a few explanations/ideas at you and all could have worked but I think leaving the ending with some uncertainty would have been a much more chilling way to end the story.
Riley Keough as Grace takes most of this film in her stride, the things Grace is being put through are reflected in every scene until she comes full circle, it's a wonderfully strong performance and regardless of my feelings about the outcome of the film it was a great success for her.
Jaeden Martell (Lieberher) playing Aidan and Lia McHugh as Mia both support the story well. Perhaps there was some room for growth but they were consistent throughout until the end of the film, at that point their parts became less believable.
Lastly we've got mum and dad. I would have liked a little more Alicia Silverstone, but as she got the strongest piece of the film I can't be too mad. Richard Armitage as Richard is probably the only role I just shrugged my shoulders at. He's a good actor but I think you could have put one of several different actors in his place and got the same effect. This is not a reflection on Armitage, more on the rather underused nature of the character.
The setting is largely at the lodge in a snowy landscape, it adds a certain bleakness to proceedings, though I'm not sure that it's used all that well. Interactions with it are somewhat cliche and expected. Apart from that there's a strong connection between two of the sets in the film and it gives an extra layer to the mystery but again, it's not great, partly it felt and little abstract and partly the greater meaning for the story. The overall tone of the locations, fit well though and helped develop some of the drama of the piece.
Yes there are flaws in The Lodge but it's still an interesting, and at some points, distressing film. Even with the strong performances from Silverstone and Keough the areas of missed potential can't be overlooked though and I think there really would have been something great in this had it explored some of its possibilities more.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/the-lodge-movie-review.html
Gareth von Kallenbach (980 KP) rated Beautiful Creatures (2013) in Movies
Aug 7, 2019
Hollywood has seemed to turn to books these days for inspiration to try and bring audiences the latest and greatest to the big screen. Has the industry turned to teen novels to solely follow in the footsteps of the widely known Twilight Saga success to in turn bring more money to the box office? It certainly wouldn’t be a bad idea to do so. With the success of the over saturated archetype of vampires and zombies, the path through the supernatural teen based stories has now led us to witches, or should I say casters. Based on the best selling American young adult series by Kami Garcia and Margaret Stohl, Beautiful Creatures is the first novel in the best selling series. The story is based in a small conservative town of Gatlin, South Carolina and is at first about Ethan Wate (Alden Ehrenreich) a seventeen year old young man who lives with his father that is stuck in morning over the death of his wife and the house keeper Amma (Viola Davis) who is also the towns all knowing librarian. Ethan dreams and hopes that one day he will break free of the small town of Gatlin and go to college far away. Lately though, he has been having a recurring dream of a young woman waiting for him on a Civil War battlefield. Every time he is close to reaching her a lightning bolt strikes just like a gunshot and he dies. Thankfully, it is only a dream but he doesn’t seem to be able to think about anything else other than the woman in his dreams and falls in love with this mystery woman, hoping one day he will be united with the girl of his dreams.
With the beginning of the first day of school a newcomer named Lena Duchannes (Alice Englert) seems to be an outcast because of her families history. Capturing the attention of Ethan he becomes more and more intrigued with her, despite the awful things that the other classmates are saying about her. Lena is the niece of Macon Ravenwood (Jeremy Irons), the owner of the one and only mysterious Gothic Ravenwood Manor. Lena has uncontrollable powers proving that some of what her classmates have been saying is true. Lena has until her sixteenth birthday to undergo the Claiming, a process that throughout the years makes a caster go to the light side or the dark side. The film also features an allstar cast such as: Alden Ehrenreich, (“Tetro”), Emmy Rossum, Thomas Mann, Emma Thompson, Rounding out the cast are Eileen Atkins, Margo Martindale, Zoey Deutch, Tiffany Boone, Rachel Brosnahan, Kyle Gallner, Pruitt Taylor Vince and Sam Gilroy.
The film Beautiful Creatures is a supernatural love story with some of the same ideas and themes as most of these supernatural teen movies based off of best selling novels. However, Beautiful Creatures was a refreshing take on the story of two young lovers, one who is human and the other who is a supernatural being. The scenery and use of the deep southern backdrops added to the mystery of the story. I have not read the book though I plan to, I am unable to comment on how close the movie was to the book. The special effects in the film were not overdone or out of place and were appropriate to each specific scene. Some comedic relief is found throughout the film and is not out of place. The flow of the story is also flawless including the music used for the soundtrack.
This film has been rated PG-13 for violence, scary images and some sexual material. I would recommend this to audiences of a variety of ages from young teen to older adult. Yes this film may have some similarities to other teen/supernatural films but all in all it is a film I definitely would recommend to our readers and I can’t wait for the second installment.
With the beginning of the first day of school a newcomer named Lena Duchannes (Alice Englert) seems to be an outcast because of her families history. Capturing the attention of Ethan he becomes more and more intrigued with her, despite the awful things that the other classmates are saying about her. Lena is the niece of Macon Ravenwood (Jeremy Irons), the owner of the one and only mysterious Gothic Ravenwood Manor. Lena has uncontrollable powers proving that some of what her classmates have been saying is true. Lena has until her sixteenth birthday to undergo the Claiming, a process that throughout the years makes a caster go to the light side or the dark side. The film also features an allstar cast such as: Alden Ehrenreich, (“Tetro”), Emmy Rossum, Thomas Mann, Emma Thompson, Rounding out the cast are Eileen Atkins, Margo Martindale, Zoey Deutch, Tiffany Boone, Rachel Brosnahan, Kyle Gallner, Pruitt Taylor Vince and Sam Gilroy.
The film Beautiful Creatures is a supernatural love story with some of the same ideas and themes as most of these supernatural teen movies based off of best selling novels. However, Beautiful Creatures was a refreshing take on the story of two young lovers, one who is human and the other who is a supernatural being. The scenery and use of the deep southern backdrops added to the mystery of the story. I have not read the book though I plan to, I am unable to comment on how close the movie was to the book. The special effects in the film were not overdone or out of place and were appropriate to each specific scene. Some comedic relief is found throughout the film and is not out of place. The flow of the story is also flawless including the music used for the soundtrack.
This film has been rated PG-13 for violence, scary images and some sexual material. I would recommend this to audiences of a variety of ages from young teen to older adult. Yes this film may have some similarities to other teen/supernatural films but all in all it is a film I definitely would recommend to our readers and I can’t wait for the second installment.
Infected by Scott Sigler
Podcast
Across America a mysterious disease is turning ordinary people into raving, paranoid murderers who...
BankofMarquis (1832 KP) rated Motherless Brooklyn (2019) in Movies
Jan 15, 2021
A little too slow and self-indulgent for my tastes
There is no denying that Edward Norton is a talented performer. Ever since he burst onto the scene with his Oscar nominated performance in PRIMAL FEAR, he has been a presence both on and off the screen as an Actor, Writer, Producer and Director.
With his latest effort, MOTHERLESS BROOKLYN (based on the base selling novel by Jonathan Lethem), Norton puts ALL of his skills to work as he Produced, Directed, Wrote and Starred in this Private Eye thriller from 2019.
If only Norton had handed at least 1 of those jobs over to someone else.
Norton stars as Lionel Essrog, a Private Eye with Tourette’s Syndrome, who’s investigation into the murder of a mentor of his exposes corruption, racism, greed and abuse of power in City Hall in New York City in the 1950’s.
As the star, Norton brings a nice edge to Lionel, who’s Tourette’s causes him to twitch and belt out words randomly, as well as gives him a photographic memory. While the twitching and random swearing are a bit over the top at times, the photographic memory helps Lionel solve the case (of course it does).
And that’s where I have issue with writer Norton - as he cannot resist the urge to showcase Actor Norton’s propensity to go over the top and puts in many, many “Tourette’s moments” as well as putting in long dialogue scenes that tries to show the audience how smart Lionel is.
Unfortunately, Director Norton indulges Writer Norton and Actor Norton so the film has a languid pace that just sits on Lionel’s actions and words. This is a 2 hour movie packed into a 2 1/2 hour run time. Now, to be fair to Director Norton, there are some absolutely gorgeous and interesting pictures put on the screen and the atmosphere (and characters) that are created are interesting (enough) to ALMOST forgive the self-indulgent ways of Writer/Actor/Director Norton.
As for the rest of the cast, Bruce Willis is…Bruce Willis as a Private Eye that works with Lionel and Willem DaFoe is at his “Willem DeFoe-iest” in portraying a critic of New York City Hall with a secret past. It’s as if Director Norton said to both of these 2 fine actors to just “do your thing” while he focused on the myriad of other jobs he had on this film.
Special notice needs to be made of the work of Gugu Mbatha-Raw as Femme Fatale Laura Rose (a part that Norton specifically added to the film - her character was not in the book - and wrote just for her). She is quite good in this role and her scenes with Norton crackle somewhat louder than the rest of the film.
And then there is Alec Baldwin as a corrupt, racist, politician who is looking out for only 1 person - himself. While Baldwin is very good in this 100% serious role, I couldn’t be help but be reminded of a certain comedic character he has played for the past few years on Saturday Night Live.
The music by Daniel Pemberton and the Cinematography by Dick Pope add greatly to the atmosphere of this film - and that is good - for when the story bogs down (and it bogs down A LOT), there usually is something interesting to look at or listen to.
Not a bad film, but it could have been a much better film if someone would have taken at least ONE of the jobs off of Norton (I would vote for Director) and tightened things up and tone down Norton’s tendency to “ham it up” on screen.
Letter Grade: B-
6 Stars (out of 10) and you can take that to the Bank(ofMarquis)
With his latest effort, MOTHERLESS BROOKLYN (based on the base selling novel by Jonathan Lethem), Norton puts ALL of his skills to work as he Produced, Directed, Wrote and Starred in this Private Eye thriller from 2019.
If only Norton had handed at least 1 of those jobs over to someone else.
Norton stars as Lionel Essrog, a Private Eye with Tourette’s Syndrome, who’s investigation into the murder of a mentor of his exposes corruption, racism, greed and abuse of power in City Hall in New York City in the 1950’s.
As the star, Norton brings a nice edge to Lionel, who’s Tourette’s causes him to twitch and belt out words randomly, as well as gives him a photographic memory. While the twitching and random swearing are a bit over the top at times, the photographic memory helps Lionel solve the case (of course it does).
And that’s where I have issue with writer Norton - as he cannot resist the urge to showcase Actor Norton’s propensity to go over the top and puts in many, many “Tourette’s moments” as well as putting in long dialogue scenes that tries to show the audience how smart Lionel is.
Unfortunately, Director Norton indulges Writer Norton and Actor Norton so the film has a languid pace that just sits on Lionel’s actions and words. This is a 2 hour movie packed into a 2 1/2 hour run time. Now, to be fair to Director Norton, there are some absolutely gorgeous and interesting pictures put on the screen and the atmosphere (and characters) that are created are interesting (enough) to ALMOST forgive the self-indulgent ways of Writer/Actor/Director Norton.
As for the rest of the cast, Bruce Willis is…Bruce Willis as a Private Eye that works with Lionel and Willem DaFoe is at his “Willem DeFoe-iest” in portraying a critic of New York City Hall with a secret past. It’s as if Director Norton said to both of these 2 fine actors to just “do your thing” while he focused on the myriad of other jobs he had on this film.
Special notice needs to be made of the work of Gugu Mbatha-Raw as Femme Fatale Laura Rose (a part that Norton specifically added to the film - her character was not in the book - and wrote just for her). She is quite good in this role and her scenes with Norton crackle somewhat louder than the rest of the film.
And then there is Alec Baldwin as a corrupt, racist, politician who is looking out for only 1 person - himself. While Baldwin is very good in this 100% serious role, I couldn’t be help but be reminded of a certain comedic character he has played for the past few years on Saturday Night Live.
The music by Daniel Pemberton and the Cinematography by Dick Pope add greatly to the atmosphere of this film - and that is good - for when the story bogs down (and it bogs down A LOT), there usually is something interesting to look at or listen to.
Not a bad film, but it could have been a much better film if someone would have taken at least ONE of the jobs off of Norton (I would vote for Director) and tightened things up and tone down Norton’s tendency to “ham it up” on screen.
Letter Grade: B-
6 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Kirk Bage (1775 KP) rated Apollo 11 (2019) in Movies
Jan 22, 2021
This extraordinary documentary exploring the build up, launch and landing of the most famous mission in NASA history, and arguably the pinnacle of human space exploration to date, is a mesmeric and unique experience like no other factual film you have ever seen. You can find it tucked away on Netflix, and I urge you to do so if you ever found yourself wondering for one minute about the moon landing of ’69 and what all the fuss was about.
Director Todd Douglas Miller makes the bold choice to do away with all narrative, cutaway interviews and commentaries, and just shows you what happened in gorgeous detail, with a kind of retro super 8 camera vibe, and a very evocative sountrack. The degree of unseen footage of the entire project is jaw-dropping, especially if there is something of a science or even science fiction geek within you.
Some of what you see and hear is, of course, so iconic that when you see or hear them you feel a sense of deja vu that feels like a dream in the context of the full story. The rest is so amazing to contemplate as something that humanity actually achieved that it is tempting to see it as an odd retro sci-fi movie with quite bad effects and a dull plot; the control room, suits, the rocket itself, the sense of endless patience, anticipation and waiting – you just wouldn’t believe it would work if it was a fiction.
At several points I found myself reminding myself that it wasn’t a fiction, and then marvelling at the entire world that existed at the end of the 60s, and how so essentially different it was, and how ancient it feels now. I wasn’t quite born when all this happened, but it has been very much in my imagination all my life. I wanted to be an astronaut, as did most other kids in the Star Wars era of the late 70s and early 80s, and I only really gave up when I realised that meant being as smart and dedicated as Neil Armstrong and not as reckless and cool as Han Solo. Now I am older, I can appreciate things about it that I never could, and in understanding Human history, it is a riveting chapter.
What we see in this film is how detail and hard work and maths and safety precautions and thousands of team members made this happen. Every nut and bolt, and every drop of sweat and fuel is counted, recounted and considered. At times it seems mundane and without drama, boring even, and then the sheer scale of acheivement and wonder overtakes you as you catch yourself realising how incredible it was that any of this was done at all.
There is no political overtone or background here, no conspiracy theory, no other voice questioning the economic impact or wisdom of the entire endeavour, just a childlike but serious minded wonder at doing something because we could if we set our minds to it. And for that it has a beauty and transcendent elegance that rarely accompanies the subject. By the end, there is really only one word to describe the fact that over 50 years ago three men looked down on the Earthrise and beheld every other living thing in existence in one glance. And that word is: wow!
It is slow, for sure, but only because we have become used to pace and forced drama, from our fictions and our documentaries. Apollo 11 won’t be for everyone in that case, and may even be fairly called dull by some who can’t relate to it in any way. For me it was a trance like epiphany I can’t forget. Highly recommended if you are looking for something fascinating, educational and thought provoking out of your comfort zone and out of this world!
Director Todd Douglas Miller makes the bold choice to do away with all narrative, cutaway interviews and commentaries, and just shows you what happened in gorgeous detail, with a kind of retro super 8 camera vibe, and a very evocative sountrack. The degree of unseen footage of the entire project is jaw-dropping, especially if there is something of a science or even science fiction geek within you.
Some of what you see and hear is, of course, so iconic that when you see or hear them you feel a sense of deja vu that feels like a dream in the context of the full story. The rest is so amazing to contemplate as something that humanity actually achieved that it is tempting to see it as an odd retro sci-fi movie with quite bad effects and a dull plot; the control room, suits, the rocket itself, the sense of endless patience, anticipation and waiting – you just wouldn’t believe it would work if it was a fiction.
At several points I found myself reminding myself that it wasn’t a fiction, and then marvelling at the entire world that existed at the end of the 60s, and how so essentially different it was, and how ancient it feels now. I wasn’t quite born when all this happened, but it has been very much in my imagination all my life. I wanted to be an astronaut, as did most other kids in the Star Wars era of the late 70s and early 80s, and I only really gave up when I realised that meant being as smart and dedicated as Neil Armstrong and not as reckless and cool as Han Solo. Now I am older, I can appreciate things about it that I never could, and in understanding Human history, it is a riveting chapter.
What we see in this film is how detail and hard work and maths and safety precautions and thousands of team members made this happen. Every nut and bolt, and every drop of sweat and fuel is counted, recounted and considered. At times it seems mundane and without drama, boring even, and then the sheer scale of acheivement and wonder overtakes you as you catch yourself realising how incredible it was that any of this was done at all.
There is no political overtone or background here, no conspiracy theory, no other voice questioning the economic impact or wisdom of the entire endeavour, just a childlike but serious minded wonder at doing something because we could if we set our minds to it. And for that it has a beauty and transcendent elegance that rarely accompanies the subject. By the end, there is really only one word to describe the fact that over 50 years ago three men looked down on the Earthrise and beheld every other living thing in existence in one glance. And that word is: wow!
It is slow, for sure, but only because we have become used to pace and forced drama, from our fictions and our documentaries. Apollo 11 won’t be for everyone in that case, and may even be fairly called dull by some who can’t relate to it in any way. For me it was a trance like epiphany I can’t forget. Highly recommended if you are looking for something fascinating, educational and thought provoking out of your comfort zone and out of this world!