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Blitz Brigade
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You ready for the gun show? All will be decided in the ultimate MMO first-person shooter, Blitz...
Ali A (82 KP) rated The Extraordinaries in Books
Apr 15, 2020
friendship dynamic (1 more)
teen angst
obviousness (1 more)
stupidity
Feel Good Teen Superheroes
The Extraordinaries is about Nick Bell and his love for his city's Extraordinary, Shadow Star. So much love that he writes he's an online popular fanfiction writer for the Shadow Star fandom. After events occur Nick decides he must change himself into an Extraordinary with the help of his best friends Gibby, Jazz, and his friend who looks super cute in bowties and ascots, Seth.
This is the first book of TJ Klune that I read, and if I remember correctly, this is his first YA release - he did a good job! The Extraordinaries has a little bit of everything. LGBTQ characters, including a badass lesbian couple, we have superheroes, ADHD representation, and well rounded, unique characters.
I loved the friend dynamic of Nick, Seth, Gibby, and Jazz. They're all there to support each other no matter the topic. Which is great, because some of the things that Nick did in the book annoyed me so much. Here his friends are doing everything they can to support him and he'd be very self-centered about it... even doing something that, in all honesty, I don't see anyone doing older than ten, much less sixteen, because of how stupid it was. He remained frustratingly oblivious on a lot of things and it goes from being realistic to just plain stupidity.
The reveal is hinted nearly all the way through the book and I guessed it for the most part, which is what I think Klune was trying to do. There are quite a few twists that I wasn't expecting so that made the novel exciting.
Overall, it was a good YA debut novel. I've already got the sequel on my lists to look out for.
*Thank you BookishFirst and Tor Teen for the ARC of this book in exchange for an honest review
This is the first book of TJ Klune that I read, and if I remember correctly, this is his first YA release - he did a good job! The Extraordinaries has a little bit of everything. LGBTQ characters, including a badass lesbian couple, we have superheroes, ADHD representation, and well rounded, unique characters.
I loved the friend dynamic of Nick, Seth, Gibby, and Jazz. They're all there to support each other no matter the topic. Which is great, because some of the things that Nick did in the book annoyed me so much. Here his friends are doing everything they can to support him and he'd be very self-centered about it... even doing something that, in all honesty, I don't see anyone doing older than ten, much less sixteen, because of how stupid it was. He remained frustratingly oblivious on a lot of things and it goes from being realistic to just plain stupidity.
The reveal is hinted nearly all the way through the book and I guessed it for the most part, which is what I think Klune was trying to do. There are quite a few twists that I wasn't expecting so that made the novel exciting.
Overall, it was a good YA debut novel. I've already got the sequel on my lists to look out for.
*Thank you BookishFirst and Tor Teen for the ARC of this book in exchange for an honest review
LeftSideCut (3776 KP) rated Till Death (2021) in Movies
Oct 6, 2021
Contains spoilers, click to show
Till Death is a pretty middle-of-the-road thriller that somehow manages to both benefit and suffer from its no-nonsense approach to, well everything really. On the one hand, it's premise is an enticing one - after finding out about her affair, Emma's (Megan Fox) husband leads her out to a remote cabin under the false pretense of an anniversary getaway, handcuffs the two of them together by the wrists, and proceeds to shoot himself, leaving her attached to his dead body and fighting for her life when two hitmen come by to finish the job. This setup leads to a decent amount of tension, it's snowy setting exacerbating her survival conditions.
There aren't really any twists or turns to be had, and everything plays out fairly predictably, and quite honestly, it wouldn't work as well without the cast attached to it. Megan Fox has proved with vehicles such as Jennifer's Body that she is more than capable to lead a horror flick with style, and Till Death cements that fact. Her character is pretty badass, and Fox gives us a protagonist that's worth rooting for. On the flip side, the two hitmen-brother actors are great as well. Callan Mulvey in particular cuts an imposing figure as the movies main villain.
The narrative flirts with deeper context here and there but sadly never pulls the trigger. Mulvey's character is a person from Emma's past, having mugged her some years ago. The plot clearly spells out that there was motive behind this, but never explores this aspect, leaving a frustrating and unexplained story thread. The relationship between the brothers is interesting also, and at one point threatens to present a dilemma in who to side with, but again, it never actually goes there, and as such, reeks of a wasted opportunity for a far more interesting story than the one presented.
For what it is though, Till Death is a competent and entertaining enough thriller/horror to add to a spooky season watchlist
There aren't really any twists or turns to be had, and everything plays out fairly predictably, and quite honestly, it wouldn't work as well without the cast attached to it. Megan Fox has proved with vehicles such as Jennifer's Body that she is more than capable to lead a horror flick with style, and Till Death cements that fact. Her character is pretty badass, and Fox gives us a protagonist that's worth rooting for. On the flip side, the two hitmen-brother actors are great as well. Callan Mulvey in particular cuts an imposing figure as the movies main villain.
The narrative flirts with deeper context here and there but sadly never pulls the trigger. Mulvey's character is a person from Emma's past, having mugged her some years ago. The plot clearly spells out that there was motive behind this, but never explores this aspect, leaving a frustrating and unexplained story thread. The relationship between the brothers is interesting also, and at one point threatens to present a dilemma in who to side with, but again, it never actually goes there, and as such, reeks of a wasted opportunity for a far more interesting story than the one presented.
For what it is though, Till Death is a competent and entertaining enough thriller/horror to add to a spooky season watchlist
Dana (24 KP) rated Flame in the Mist in Books
Sep 8, 2017
Enjoyed from beginning to end
Overall, I freaking loved this novel. It's set in feudal Japan and follows a young woman as she is being married off the the emperor's second son. Mariko is a badass, There's no other way to put it. She will take no shit from others which gets her into a lot of trouble. She's also flawed in that aspect too; she's so blinded by her stubbornness to see the actual world around her sometimes. But she's not the only character who gets depth. Her brother, who we see in almost alternating viewpoints in the story, is a character filled with flaws and pride. But that's not all. Several characters get fleshed out back stories (some more in depth than others) and seeing them all grow was a delight to read.
Let's move on to the rich details of the setting. Feudal Japan can be tricky and Renee Ahdieh did it so much justice. It's described so well, I could easily put myself into Mariko's shoes and lose myself in the story. It's so nice to have that level of detail paid attention to in novels set in a different time and place.
And that romance.... oh boy, it was steamy. I must admit my weakness for slow burn romances (especially ones that are hate-to-love) and this did not disappoint. It was a bit awkward; at first I wasn't sure who she was going to get together with, but when it hit it's stride, I was in love. I really don't want to give much away, but it was fantastic to read and fall in love with them.
I am eagerly awaiting the next in the series!
Let's move on to the rich details of the setting. Feudal Japan can be tricky and Renee Ahdieh did it so much justice. It's described so well, I could easily put myself into Mariko's shoes and lose myself in the story. It's so nice to have that level of detail paid attention to in novels set in a different time and place.
And that romance.... oh boy, it was steamy. I must admit my weakness for slow burn romances (especially ones that are hate-to-love) and this did not disappoint. It was a bit awkward; at first I wasn't sure who she was going to get together with, but when it hit it's stride, I was in love. I really don't want to give much away, but it was fantastic to read and fall in love with them.
I am eagerly awaiting the next in the series!
Annie Chanse (15 KP) rated The Last American Vampire in Books
May 25, 2018
A Rare Case of The Sequel Being Better than the First Book
I loved this book. Honestly, I'm not certain that I didn't like it even more than "Abraham Lincoln: Vampire Hunter." One of my favorite things about both of these books is that Smith writes them like history books (complete with footnotes and actual photographs of things like Teddy Roosevelt posing with an elephant he'd just killed and Jack Ruby with his gun jammed into Lee Harvey Oswald's stomach). The facts he uses in his book are so... FACTUAL! I mean, seriously, the only thing keeping a person from reading these books as absolute truth is the fact that s/he doesn't believe vampires actually exist. But if a person DID believe in vampires? Oh yes, everything in these books is absolutely plausible. I can honestly see some confused people who are on the fence about whether or not vampires are real reading this book, finishing it, slamming it down, and saying, "I KNEW IT! I -KNEW- THEY WERE REAL!" Ha. Seriously though, the realism in these books is what makes them so much fun and so wonderful.
The thing I like about this book so much -- the thing that very possibly makes me enjoy this one more than the original -- is all that cameos in the book -- Mark Twain, Howard Hughes, Arthur Conan Doyle, Bram Stoker, Henry Irving, Eliot Ness.... I mean, HELLO?! What a stellar, badass cast of cameo characters. Although, honestly, "cameo" is not the most appropriate word because some of these characters played pretty major roles in the novel. It was fantastic. Viewing Howard Hughes' eccentricities and insanities through vampire-colored glasses is simply... perfect. It doesn't seemed forced at all. Wait, after a plane crash, Howard Hughes was turned into a vampire? ... Yeah, I can see that. That makes perfect sense. And it DOES! It is such an easy transition from mentally ill billionaire to crazy vampire. Not such a stretch. And Rasputin? OH yeah. That guy was TOTALLY a vampire. :-p
Anyway. Now I'm kind of rambling. But seriously, this book was fantastic, so much fun. There wasn't a single part of this book that I didn't love.
The thing I like about this book so much -- the thing that very possibly makes me enjoy this one more than the original -- is all that cameos in the book -- Mark Twain, Howard Hughes, Arthur Conan Doyle, Bram Stoker, Henry Irving, Eliot Ness.... I mean, HELLO?! What a stellar, badass cast of cameo characters. Although, honestly, "cameo" is not the most appropriate word because some of these characters played pretty major roles in the novel. It was fantastic. Viewing Howard Hughes' eccentricities and insanities through vampire-colored glasses is simply... perfect. It doesn't seemed forced at all. Wait, after a plane crash, Howard Hughes was turned into a vampire? ... Yeah, I can see that. That makes perfect sense. And it DOES! It is such an easy transition from mentally ill billionaire to crazy vampire. Not such a stretch. And Rasputin? OH yeah. That guy was TOTALLY a vampire. :-p
Anyway. Now I'm kind of rambling. But seriously, this book was fantastic, so much fun. There wasn't a single part of this book that I didn't love.
Rachel King (13 KP) rated Frostbite in Books
Feb 11, 2019
I enjoyed this book nearly as much as the first one in the series, but I'm getting really frustrated with the lack of progress in Dimitri and Rose's forbidden romance. Instead, it seems to have taken a backseat to other plotlines, such as the turmoil between Rose and her mother and the political climate that Lissa is moving into. I find Rose's mother, Janine, intriguing in that she seems to be what Rose could become if Rose chooses duty over love. I sure wish that Janine would open up more since there seems to be a lot of great plot material there that was not exploited very much - Rose's black eye being a perfect example. The politics that Lissa is dealing with appear to be moving in the direction that I guessed might happen when I read the first book, which is an equalizing between the Moroi and Dhampir classes of their society, especially when it comes to dealing with the Strigoi.
Despite how Rose views Adrian, I actually rather like him. There is always something attractive about the flirty-jokester that entices women - afterall I don't know a woman who doesn't like to laugh. It's obvious that he really likes Rose and I find myself feeling sorry for him since Rose is definitely taken, even if not in the literal sense yet. Mason really ends up in the worst position, though, even if I don't include what happens to him in the end. Rose all but lies to him while he falls for her hard, all the while being the perfect gentlemen. In a way, Mason and Adrian are opposite in styles, and yet Rose is blind to both - not that I blame her, as she likes to say, "Dimitri is a badass." Why is it that female protagonists always seem to have hords of guys going after them? (Think - Twilight saga, Rachel Morgan series, Mercy Thompson series, House of Night series, etc.)
I wish that Rose's nazar could be explained a bit more, as there seems to be more to it than anyone is discussing. Adrian knows things that he is not spilling, and Janine sure is tight-lipped about most of her life, excluding what she does in the line of duty.
Despite how Rose views Adrian, I actually rather like him. There is always something attractive about the flirty-jokester that entices women - afterall I don't know a woman who doesn't like to laugh. It's obvious that he really likes Rose and I find myself feeling sorry for him since Rose is definitely taken, even if not in the literal sense yet. Mason really ends up in the worst position, though, even if I don't include what happens to him in the end. Rose all but lies to him while he falls for her hard, all the while being the perfect gentlemen. In a way, Mason and Adrian are opposite in styles, and yet Rose is blind to both - not that I blame her, as she likes to say, "Dimitri is a badass." Why is it that female protagonists always seem to have hords of guys going after them? (Think - Twilight saga, Rachel Morgan series, Mercy Thompson series, House of Night series, etc.)
I wish that Rose's nazar could be explained a bit more, as there seems to be more to it than anyone is discussing. Adrian knows things that he is not spilling, and Janine sure is tight-lipped about most of her life, excluding what she does in the line of duty.
Saffy Alexandra (89 KP) rated Throne of Glass in Books
May 23, 2019
Characters (5 more)
Fantastical Creatures
Suspense
Sarcasm and Humor
Character Development
Female Lead
Breaking through the glass roof more like!
Contains spoilers, click to show
I went into reading this book with the expectation that it would be like any typical 'heroine' book where the man actually ends up saving the woman. HELLS was I wrong!
A book with a sarcastic, badass Heroine who doesn't need any man to help her ... Yes I am into it!
This book follows the journey of Celaena Sardothien, a teenage assassin (and when I say teenage I mean 18 Years Old) who has been imprisoned and to then becoming the tyrannical King's 'Champion'. From meeting the Crown-Prince to the Captain of the Royal Guard all the way to the horrific King we meet a variety of different characters. Each of these characters bring different traits, difficulties and challenges to Celaena who must over come them all to survive!
Watching Celaena grow from wanting to only trust herself to ending up trusting in the Princess, Prince and Captain of the Guard is heart-wrenching as you go through the motions of this. The way Sarah J. Maas puts across her character's is truly fascinating.
If you are looking for a book that has humor, sarcasm and sass and so much adventure and fighting - this is the book for you!!
Now I would have done 10 however, SPOILERS - I felt the romantic relationship (if you can call it that) between Celaena and the Prince was not needed in this book and was only placed in to appease some of the readers who wanted romance. I felt that this book honestly didn't need that detail, Celaena is baddass enough without having a man yanking on her arm all the time. Without that little detail I would have given this a ten out of ten.
But even with the romance it does not take away from the general plot of the first book and I cannot wait to start reading the rest of the series to see where Celaena's journey goes being the King's Champion and what mysteries are left to be uncovered from her past and now the future!
A book with a sarcastic, badass Heroine who doesn't need any man to help her ... Yes I am into it!
This book follows the journey of Celaena Sardothien, a teenage assassin (and when I say teenage I mean 18 Years Old) who has been imprisoned and to then becoming the tyrannical King's 'Champion'. From meeting the Crown-Prince to the Captain of the Royal Guard all the way to the horrific King we meet a variety of different characters. Each of these characters bring different traits, difficulties and challenges to Celaena who must over come them all to survive!
Watching Celaena grow from wanting to only trust herself to ending up trusting in the Princess, Prince and Captain of the Guard is heart-wrenching as you go through the motions of this. The way Sarah J. Maas puts across her character's is truly fascinating.
If you are looking for a book that has humor, sarcasm and sass and so much adventure and fighting - this is the book for you!!
Now I would have done 10 however, SPOILERS - I felt the romantic relationship (if you can call it that) between Celaena and the Prince was not needed in this book and was only placed in to appease some of the readers who wanted romance. I felt that this book honestly didn't need that detail, Celaena is baddass enough without having a man yanking on her arm all the time. Without that little detail I would have given this a ten out of ten.
But even with the romance it does not take away from the general plot of the first book and I cannot wait to start reading the rest of the series to see where Celaena's journey goes being the King's Champion and what mysteries are left to be uncovered from her past and now the future!
Goddess in the Stacks (553 KP) rated Gentleman's Guide To Vice And Virtue in Books
Jun 8, 2018
This was excellent! First, all the diversity here - between the bisexual main character, his best friend, who is biracial, has an "invisible" disability, and also likes men (or at least likes Monty!) and his seemingly asexual sister - the book covers so many facets, it's great.
Given that it's historical fiction, set in Victorian Europe, Percy's biracial heritage has him just seen as black to most people they encounter. Monty doesn't seem to understand what that means, most of the time, and is a little blinded by his rich white boy privilege. He gets talked to a couple of times about how he's being blind to the problems his friend is facing.
I liked that we got to peek under Monty's playboy facade a few times, when being punched has him flashing back to being beaten by his father for being a "disappointment." An interaction between him and a pirate captain was particularly sweet, teaching him to fight back because he's worth defending.
I LOVE Felicity, Monty's sister, and I'm really eager to read her story in the sequel to this book, The Lady's Guide to Petticoats and Piracy. She is so badass, and incredibly intelligent.
The writing was fun, the action well-paced, and the dialogue clever. I was a little put off at first by the size of the book, but I flew through it quickly. I especially liked Monty's bisexuality - how he just cheerfully perved on practically everyone his age. It definitely reminded me of a few people I know!
Something that I noted, near the end of the book, was Percy not asking Monty to stop his perving. What he said was "if you ever go behind my back..." which implies as long as Percy knows, it's not an issue. Yay for non-monogamy being present in YA! It's nice to see alternative relationship structures being presented, though I wish it had been more than just implied.
This was an excellent read for Pride Month, and I loved the amount of diversity and intersectionality present in it.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Given that it's historical fiction, set in Victorian Europe, Percy's biracial heritage has him just seen as black to most people they encounter. Monty doesn't seem to understand what that means, most of the time, and is a little blinded by his rich white boy privilege. He gets talked to a couple of times about how he's being blind to the problems his friend is facing.
I liked that we got to peek under Monty's playboy facade a few times, when being punched has him flashing back to being beaten by his father for being a "disappointment." An interaction between him and a pirate captain was particularly sweet, teaching him to fight back because he's worth defending.
I LOVE Felicity, Monty's sister, and I'm really eager to read her story in the sequel to this book, The Lady's Guide to Petticoats and Piracy. She is so badass, and incredibly intelligent.
The writing was fun, the action well-paced, and the dialogue clever. I was a little put off at first by the size of the book, but I flew through it quickly. I especially liked Monty's bisexuality - how he just cheerfully perved on practically everyone his age. It definitely reminded me of a few people I know!
Something that I noted, near the end of the book, was Percy not asking Monty to stop his perving. What he said was "if you ever go behind my back..." which implies as long as Percy knows, it's not an issue. Yay for non-monogamy being present in YA! It's nice to see alternative relationship structures being presented, though I wish it had been more than just implied.
This was an excellent read for Pride Month, and I loved the amount of diversity and intersectionality present in it.
You can find all my reviews at http://goddessinthestacks.wordpress.com
JT (287 KP) rated Ready or Not (2019) in Movies
Mar 3, 2020
Original story (1 more)
Solid tension
White wedding goes full bloodshed
Grace (Samara Weaving) is about to marry the man of her dreams, Alex Le Domas (Mark O’Brien). But her new in-laws, as it turns out, are going to be a real nightmare.
After a long sweeping shot through a gothic house 30-years earlier which sets up the back story to what is going to unfold, Grace is tasked with drawing a card from a mysterious mechanical box.
The premise is simple, whatever game is on the card she has to play in order to be accepted into the family – a tradition which must be accepted.
Innocently believing that it is just a harmless game of Hide-and-Seek Grace sets off to hide. The family, however, arming themselves with a variety of antique weaponry, must kill poor Grace before sunrise or they will all perish.
The family is an eclectic mix of batshit crazed parents, eccentric grandparents, troublesome daughters and drunken sons. When merged they come across as a psychopath’s answer to the Keystone Cops, all flair but no clue whatsoever.
Ready or Not manages to balance horror and comedy nicely. It is gory when it needs to be with several grotesque and humorous scenes that will leave viewers squirming in their seats.
The remainder of the film is a tense game of cat and mouse with Grace now realising what the real motives of the family are. She must hold her nerve to see out the night and make it to morning.
The setting is perfect for this type of caper and the gothic mansion provides plenty of twists and turns; from secret doors and passages to outhouses filled with decaying corpses.
Grace turns from the bride in white to the bride in blood as she battles the family – the tension rarely lets up for a second. Ready or Not gets just about everything spot on and it never suffers from horror cliches or boredom.
Weaving gives a good account of herself as a modern-day scream queen turned badass, running around in a torn wedding dress and trainers dispelling the myth ‘till death do us part‘.
After a long sweeping shot through a gothic house 30-years earlier which sets up the back story to what is going to unfold, Grace is tasked with drawing a card from a mysterious mechanical box.
The premise is simple, whatever game is on the card she has to play in order to be accepted into the family – a tradition which must be accepted.
Innocently believing that it is just a harmless game of Hide-and-Seek Grace sets off to hide. The family, however, arming themselves with a variety of antique weaponry, must kill poor Grace before sunrise or they will all perish.
The family is an eclectic mix of batshit crazed parents, eccentric grandparents, troublesome daughters and drunken sons. When merged they come across as a psychopath’s answer to the Keystone Cops, all flair but no clue whatsoever.
Ready or Not manages to balance horror and comedy nicely. It is gory when it needs to be with several grotesque and humorous scenes that will leave viewers squirming in their seats.
The remainder of the film is a tense game of cat and mouse with Grace now realising what the real motives of the family are. She must hold her nerve to see out the night and make it to morning.
The setting is perfect for this type of caper and the gothic mansion provides plenty of twists and turns; from secret doors and passages to outhouses filled with decaying corpses.
Grace turns from the bride in white to the bride in blood as she battles the family – the tension rarely lets up for a second. Ready or Not gets just about everything spot on and it never suffers from horror cliches or boredom.
Weaving gives a good account of herself as a modern-day scream queen turned badass, running around in a torn wedding dress and trainers dispelling the myth ‘till death do us part‘.
Matthew Krueger (10051 KP) rated the Xbox One version of DOOM in Video Games
Mar 20, 2020
Kick Some Ass 2016 Style
Doom 2016- yes i called it this because when you talk about it to people, sometimes their like "which one". So i call this one "Doom 2016". So lets talk about it.
The Gameplay:
According to the game's executive producer Marty Stratton, the key principles of Doom's single-player mode are "badass demons, big effing guns, and moving really fast".
"Glory Kills" is a newly-introduced melee execution system; when enough damage has been dealt to an enemy, the game will highlight it and allow the player to perform a quick and violent melee takedown, rewarding the player with small health recovery.
The game features a large arsenal of weapons which can be collected and freely switched by players throughout the game and require no reloading.
Many enemies also return from the original game, such as the Revenant, Pinky, Mancubus, and Cyberdemon, with many also redesigned. Doom's campaign was made to be at least 13 hours long, and the "Ultra-Nightmare" difficulty level features permadeath, which causes the savegame to be lost once the player dies. The campaign also features 13 levels.
Many of the levels have multiple pathways and open areas, which allow players to explore and find collectibles and secrets throughout the levels. Other pickups include small Doomguy figurines that allow the player to view 3D models of different characters, and data files that expand on the characters and story. Additionally, each of the game's levels contains a hidden lever which opens an area extracted from a classic level in the original Doom or Doom II. Finding each of these areas unlocks them, making them accessible from the game's main menu in a section called Classic Maps.
The Plot:
Players take the role of an unnamed space marine as he battles demonic forces from Hell that have been unleashed by the Union Aerospace Corporation on a future-set colonized planet Mars.
The Thankz:
Thank you id software and Bethesda software for rebooting this game.
Doom 2016- is a epic game and return to the Doom format that once was and adds more new.
The Gameplay:
According to the game's executive producer Marty Stratton, the key principles of Doom's single-player mode are "badass demons, big effing guns, and moving really fast".
"Glory Kills" is a newly-introduced melee execution system; when enough damage has been dealt to an enemy, the game will highlight it and allow the player to perform a quick and violent melee takedown, rewarding the player with small health recovery.
The game features a large arsenal of weapons which can be collected and freely switched by players throughout the game and require no reloading.
Many enemies also return from the original game, such as the Revenant, Pinky, Mancubus, and Cyberdemon, with many also redesigned. Doom's campaign was made to be at least 13 hours long, and the "Ultra-Nightmare" difficulty level features permadeath, which causes the savegame to be lost once the player dies. The campaign also features 13 levels.
Many of the levels have multiple pathways and open areas, which allow players to explore and find collectibles and secrets throughout the levels. Other pickups include small Doomguy figurines that allow the player to view 3D models of different characters, and data files that expand on the characters and story. Additionally, each of the game's levels contains a hidden lever which opens an area extracted from a classic level in the original Doom or Doom II. Finding each of these areas unlocks them, making them accessible from the game's main menu in a section called Classic Maps.
The Plot:
Players take the role of an unnamed space marine as he battles demonic forces from Hell that have been unleashed by the Union Aerospace Corporation on a future-set colonized planet Mars.
The Thankz:
Thank you id software and Bethesda software for rebooting this game.
Doom 2016- is a epic game and return to the Doom format that once was and adds more new.