Search
Search results
Emma @ The Movies (1786 KP) rated The Nutcracker and the Four Realms (2018) in Movies
Sep 25, 2019
I've obviously been living under a rock as I hadn't realised that this was a Disney film. But while it has some Disney traits it didn't feel very Disney. In fact something feels a little off about the whole thing, and I can't say that that is a new feeling about their recent live action offerings. If we're excluding Pixar then the only film I've enjoyed from them recently is A Wrinkle In Time, this did nothing to change that.
Occasionally I come across films that leave me rather unenthusiastic, this is one of them. A seemingly massive budget has delivered an entirely mediocre piece filled with a large and impressive cast given parts that are lacklustre and often awkward. I'm not sure what was worse, Richard E. Grant's chandelier headdress or Keira Knightley's horny overlording and her high pitched whine. At least Helen Mirren with a whip gives you something good to watch.
All the realms have that wondrous quality but somehow don't come with the awe-inducing picture on the screen. Once you get into the Realm Of Amusements things get slightly more comical and you'd be forgiven for thinking you'd accidentally stumbled into a Spy Kids movie.
A welcome diversion came in the form of Misty Copeland's performances. It's just a shame that it was tainted by the rest of the film.
Sadly I can't get excited about this, I'm more annoyed about the fact that in all likelihood this will be hogging screen time until Christmas.
What you should do
Go and watch a ballet of The Nutcracker, it'll be more exciting and beautiful to watch.
Movie thing you wish you could take home
I'd love the skill to create those clockwork marvels.
Occasionally I come across films that leave me rather unenthusiastic, this is one of them. A seemingly massive budget has delivered an entirely mediocre piece filled with a large and impressive cast given parts that are lacklustre and often awkward. I'm not sure what was worse, Richard E. Grant's chandelier headdress or Keira Knightley's horny overlording and her high pitched whine. At least Helen Mirren with a whip gives you something good to watch.
All the realms have that wondrous quality but somehow don't come with the awe-inducing picture on the screen. Once you get into the Realm Of Amusements things get slightly more comical and you'd be forgiven for thinking you'd accidentally stumbled into a Spy Kids movie.
A welcome diversion came in the form of Misty Copeland's performances. It's just a shame that it was tainted by the rest of the film.
Sadly I can't get excited about this, I'm more annoyed about the fact that in all likelihood this will be hogging screen time until Christmas.
What you should do
Go and watch a ballet of The Nutcracker, it'll be more exciting and beautiful to watch.
Movie thing you wish you could take home
I'd love the skill to create those clockwork marvels.
Merissa (11731 KP) rated Shadow Fall (Shadow #2) in Books
Dec 8, 2023
SHADOW FALL is the second book in the Shadow series, continuing two years after Shadow Bound. While it could be read as a standalone, I would recommend you read it as part of a series.
In the last book, Custo died to give his best friend and Talia time to escape. During the torture that preceded his death, he found out that there was a traitor in the midst. It remains on his mind once he gets to heaven, and he finds himself desperate to return to Earth.
Annabella is a ballet dancer who is about to have her first time as a Prima, dancing the role of Giselle. She becomes so focused on her role, she opens a pathway to Earth from the Otherworld. A wolf has her in his sights and wants her for his mate. On his way back to Earth, Custo spots Annabella and the wolf and wants to save her, as well as Adam and Talia.
This was a twisted tale with some amazing descriptions, especially the Giselle parts. There were some parts I found a little confusing though, such as Annabella eating in the Otherworld. Consequences to someone else were mentioned once but never again, and I have no idea what would happen to her because of what she did.
Although I enjoyed the story, it didn't quite hit the same mark as Shadow Bound did, and I can't really tell you why. If I did half-stars, this would be a 3.5-star read. I am still looking forward to continuing with the series though, and finding out where Kathleen has gone to!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Dec 4, 2023
In the last book, Custo died to give his best friend and Talia time to escape. During the torture that preceded his death, he found out that there was a traitor in the midst. It remains on his mind once he gets to heaven, and he finds himself desperate to return to Earth.
Annabella is a ballet dancer who is about to have her first time as a Prima, dancing the role of Giselle. She becomes so focused on her role, she opens a pathway to Earth from the Otherworld. A wolf has her in his sights and wants her for his mate. On his way back to Earth, Custo spots Annabella and the wolf and wants to save her, as well as Adam and Talia.
This was a twisted tale with some amazing descriptions, especially the Giselle parts. There were some parts I found a little confusing though, such as Annabella eating in the Otherworld. Consequences to someone else were mentioned once but never again, and I have no idea what would happen to her because of what she did.
Although I enjoyed the story, it didn't quite hit the same mark as Shadow Bound did, and I can't really tell you why. If I did half-stars, this would be a 3.5-star read. I am still looking forward to continuing with the series though, and finding out where Kathleen has gone to!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Dec 4, 2023
Bob Mann (459 KP) rated The Nutcracker and the Four Realms (2018) in Movies
Sep 28, 2021
A fantasy that’s glossy and beautiful to look at.
Before the heavyweight juggernaut of “Mary Poppins Returns” arrives at Christmas, here’s another Disney live action feature to get everyone in the festive spirit.
The Plot.
It’s Victorian London and Young Clara (Mackenzie Foy) lives with her father (Matthew Macfadyen), her older sister Louise (Ellie Bamber) and her younger brother Fritz (Tom Sweet). It’s Christmas and the family are having a hard time as they are grieving the recent death of wife and mother Marie (Anna Madeley). Like her mother, Clara has an astute mind with an engineering bias and is encouraged in this pursuit by her quirky inventor godfather, Drosselmeyer (Morgan Freeman). At his fabled Christmas ball, Clara asks for his help in accessing a gift Clara’s mother has bequeathed to her. This leads Clara on a magical adventure to a parallel world with four realms, where everything is not quite peace and harmony.
The Review.
This is a film that visually delights from the word go. The film opens with a swooping tour of Victorian London (who knew the Disney castle was in the capital’s suburbs?!) via Westminster bridge and into the Stahlbaum’s attic. It’s a spectacular tour-de-force of special-effects wizardry and sets up the expectation of what’s to come. For every scene that follows is a richly decorated feast for the eyes. Drosselmeyer’s party is a glorious event, full of extras, strong on costume design and with a rich colour palette as filmed by Linus Sandgren (“La La Land“). When we are pitched into the Four Realms – no wardrobe required – the magical visions continue.
The film represents a Narnia-esque take on the four compass-point lands of Oz, and on that basis it’s a bit formulaic. But the good vs evil angles are more subtley portrayed. Of the Four Realms leaders, Keira Knightley as Sugar Plum rather steals the show from the others (played by Richard E. Grant, Eugenio Derbez and Helen Mirren). Mirren in particular is given little to do.
What age kids would this be suitable for? Well, probably a good judge would be the Wizard of Oz. If your kids are not completely freaked out by the Wicked Witch of the West and the flying monkeys, then they will probably cope OK with the scary bits of the “Realm of Entertainment”. Although those who suffer from either musophobia or (especially) coulrophobia might want to give it a miss! All kids are different though, and the “loss of the mother” is also an angle to consider: that might worry and upset young children. It is definitely a “PG” certificate rather than a “U” certificate.
Young people who also enjoy ballet (I nearly fell into a sexist trap there!) will also get a kick out of some of the dance sequences, which are “Fantasia-esque” in their presentation and feature Misty Copeland, famously the first African American Female Principal Dancer with the American Ballet Theatre. (I have no appreciation at all for ballet, but I’m sure it was brilliant!)
As for the moral tone of the film, the female empowerment message is rather ladled on with a trowel, but as it’s a good message I have no great problem with that. I am often appalled at how lacking in confidence young people are in their own abilities. Here is a young lady (an engineer!) learning self-resilience and the confidence to be able to do anything in life she puts her mind to. Well said.
The story is rather generic – child visits a magical other world – but the screenplay is impressive given its the first-feature screenplay for Ashleigh Powell: there is an article on her approach to screenwriting that you might find interesting here.
The film is credited with two directors. This – particularly if there is also an army of screenwriters – is normally a warning sign on a film. (As a case in point, the chaotic 1967 version of “Casino Royale” had six different directors, and it shows!). Here, there clearly were issues with the filming since Disney insisted on reshoots for which the original director, Lasse Hallström, was not available. This is where the “Captain America” director Joe Johnston stepped in.
The turns.
I really enjoyed Mackenzie Foy‘s performance as Clara. Now 18, she is a feisty and believable Disney princess for the modern age. (If, like me, you are struggling to place where you’ve heard her name before, she was the young Murph in Nolan’s “Interstellar“).
Another name I was struggling with was Ellie Bamber as her sister. Ellie was excellent in the traumatic role of the daughter in the brilliant “Nocturnal Animals“, one of my favourite films of 2016. (Hopefully the therapy has worked and Ellie can sleep at night again!).
A newcomer with a big role is Jayden Fowora-Knight as the Nutcracker soldier: Jayden had a bit part in “Ready Player One” but does a great job here in a substantial role in the film. He stands out as a black actor in a Disney feature: notwithstanding the Finn character in “Star Wars”, this is a long-overdue and welcome approach from Disney.
British comedians Omid Djalili and Jack Whitehouse turn up to add some light relief, but the humour seems rather forced and not particularly fitting.
Final thoughts
I wasn’t expecting to enjoy this one much, but I did. Prinicipally because it is such a visual feast and worth going to see just for that alone: I have a prediction that this film will be nominated for production design, costume design and possible special effects.
I think kids of the right age – I would have thought 6 to 10 sort of range – will enjoy this a lot, particularly if they like dance. Young girls in particular will most relate to the lead character. For such kids, I’d rate this a 4*. The rating below reflects my rating as an adult: so I don’t think ‘drag-a-long’ parents in the Christmas holidays (if it is still on by then) will not be totally bored.
The Plot.
It’s Victorian London and Young Clara (Mackenzie Foy) lives with her father (Matthew Macfadyen), her older sister Louise (Ellie Bamber) and her younger brother Fritz (Tom Sweet). It’s Christmas and the family are having a hard time as they are grieving the recent death of wife and mother Marie (Anna Madeley). Like her mother, Clara has an astute mind with an engineering bias and is encouraged in this pursuit by her quirky inventor godfather, Drosselmeyer (Morgan Freeman). At his fabled Christmas ball, Clara asks for his help in accessing a gift Clara’s mother has bequeathed to her. This leads Clara on a magical adventure to a parallel world with four realms, where everything is not quite peace and harmony.
The Review.
This is a film that visually delights from the word go. The film opens with a swooping tour of Victorian London (who knew the Disney castle was in the capital’s suburbs?!) via Westminster bridge and into the Stahlbaum’s attic. It’s a spectacular tour-de-force of special-effects wizardry and sets up the expectation of what’s to come. For every scene that follows is a richly decorated feast for the eyes. Drosselmeyer’s party is a glorious event, full of extras, strong on costume design and with a rich colour palette as filmed by Linus Sandgren (“La La Land“). When we are pitched into the Four Realms – no wardrobe required – the magical visions continue.
The film represents a Narnia-esque take on the four compass-point lands of Oz, and on that basis it’s a bit formulaic. But the good vs evil angles are more subtley portrayed. Of the Four Realms leaders, Keira Knightley as Sugar Plum rather steals the show from the others (played by Richard E. Grant, Eugenio Derbez and Helen Mirren). Mirren in particular is given little to do.
What age kids would this be suitable for? Well, probably a good judge would be the Wizard of Oz. If your kids are not completely freaked out by the Wicked Witch of the West and the flying monkeys, then they will probably cope OK with the scary bits of the “Realm of Entertainment”. Although those who suffer from either musophobia or (especially) coulrophobia might want to give it a miss! All kids are different though, and the “loss of the mother” is also an angle to consider: that might worry and upset young children. It is definitely a “PG” certificate rather than a “U” certificate.
Young people who also enjoy ballet (I nearly fell into a sexist trap there!) will also get a kick out of some of the dance sequences, which are “Fantasia-esque” in their presentation and feature Misty Copeland, famously the first African American Female Principal Dancer with the American Ballet Theatre. (I have no appreciation at all for ballet, but I’m sure it was brilliant!)
As for the moral tone of the film, the female empowerment message is rather ladled on with a trowel, but as it’s a good message I have no great problem with that. I am often appalled at how lacking in confidence young people are in their own abilities. Here is a young lady (an engineer!) learning self-resilience and the confidence to be able to do anything in life she puts her mind to. Well said.
The story is rather generic – child visits a magical other world – but the screenplay is impressive given its the first-feature screenplay for Ashleigh Powell: there is an article on her approach to screenwriting that you might find interesting here.
The film is credited with two directors. This – particularly if there is also an army of screenwriters – is normally a warning sign on a film. (As a case in point, the chaotic 1967 version of “Casino Royale” had six different directors, and it shows!). Here, there clearly were issues with the filming since Disney insisted on reshoots for which the original director, Lasse Hallström, was not available. This is where the “Captain America” director Joe Johnston stepped in.
The turns.
I really enjoyed Mackenzie Foy‘s performance as Clara. Now 18, she is a feisty and believable Disney princess for the modern age. (If, like me, you are struggling to place where you’ve heard her name before, she was the young Murph in Nolan’s “Interstellar“).
Another name I was struggling with was Ellie Bamber as her sister. Ellie was excellent in the traumatic role of the daughter in the brilliant “Nocturnal Animals“, one of my favourite films of 2016. (Hopefully the therapy has worked and Ellie can sleep at night again!).
A newcomer with a big role is Jayden Fowora-Knight as the Nutcracker soldier: Jayden had a bit part in “Ready Player One” but does a great job here in a substantial role in the film. He stands out as a black actor in a Disney feature: notwithstanding the Finn character in “Star Wars”, this is a long-overdue and welcome approach from Disney.
British comedians Omid Djalili and Jack Whitehouse turn up to add some light relief, but the humour seems rather forced and not particularly fitting.
Final thoughts
I wasn’t expecting to enjoy this one much, but I did. Prinicipally because it is such a visual feast and worth going to see just for that alone: I have a prediction that this film will be nominated for production design, costume design and possible special effects.
I think kids of the right age – I would have thought 6 to 10 sort of range – will enjoy this a lot, particularly if they like dance. Young girls in particular will most relate to the lead character. For such kids, I’d rate this a 4*. The rating below reflects my rating as an adult: so I don’t think ‘drag-a-long’ parents in the Christmas holidays (if it is still on by then) will not be totally bored.
Gareth von Kallenbach (971 KP) rated xXx: Return of Xander Cage (2017) in Movies
Jun 19, 2019
It is hard to believe that it has been fifteen years since audiences were introduced to Xander Cage (Vin Diesel) in “XXX”. Ice Cube continued the series with “XXX: State of the Union” in 2005 but since then the series has been dormant with the occasional rumor of a new film arising.
The new film follows the long assumed deceased Xander Cage returning to action in the XXX program when a group of highly skilled operatives attack a meeting and steal a device known as Pandora’s Box which allows the users unlimited access to personal data and satellite control such as being able to use thousands of orbiting devices as weapons of terror by crashing them into cities the world over.
In a race against time, Cage must assemble a team of operatives and discover the location of the device and obtain it at any cost.
Things become more complicated as the investigation unfolds and Cage and his crew soon find themselves battling enemies from multiple sides which results in several over the top action sequences and stunts which have been a staple of the series.
The supporting cast is very strong especially Donnie Yen and Tony Jaa as well as the sadly underused Samuel L. Jackson.
The biggest issue with the film is that it takes insane liberties with the plot even by action film standards and seem little more than a device to get the cast into one action scene after another without any thought to logic or coherency. Even by action film standards it is all over the place and takes some great leaps of logic. The dialogue is often groan inducing at Diesel seems to be at times walking through his performance until he is required to do something of a physical nature.
The action is the saving grace of the film as the cast makes their action scenes a ballet of chaos as they nimbly smash, shoot, and destroy everything in their path which is essentially what fans of the series want in the end.
It has been reported that a new film in the series is already planned by the studio which would be a welcome adventure as it would be nice to see this crew back in action. My only wish is that they are given a script that is worthy of the assembled talent.
http://sknr.net/2017/01/20/xxx-return-xander-cage/
The new film follows the long assumed deceased Xander Cage returning to action in the XXX program when a group of highly skilled operatives attack a meeting and steal a device known as Pandora’s Box which allows the users unlimited access to personal data and satellite control such as being able to use thousands of orbiting devices as weapons of terror by crashing them into cities the world over.
In a race against time, Cage must assemble a team of operatives and discover the location of the device and obtain it at any cost.
Things become more complicated as the investigation unfolds and Cage and his crew soon find themselves battling enemies from multiple sides which results in several over the top action sequences and stunts which have been a staple of the series.
The supporting cast is very strong especially Donnie Yen and Tony Jaa as well as the sadly underused Samuel L. Jackson.
The biggest issue with the film is that it takes insane liberties with the plot even by action film standards and seem little more than a device to get the cast into one action scene after another without any thought to logic or coherency. Even by action film standards it is all over the place and takes some great leaps of logic. The dialogue is often groan inducing at Diesel seems to be at times walking through his performance until he is required to do something of a physical nature.
The action is the saving grace of the film as the cast makes their action scenes a ballet of chaos as they nimbly smash, shoot, and destroy everything in their path which is essentially what fans of the series want in the end.
It has been reported that a new film in the series is already planned by the studio which would be a welcome adventure as it would be nice to see this crew back in action. My only wish is that they are given a script that is worthy of the assembled talent.
http://sknr.net/2017/01/20/xxx-return-xander-cage/
Leanne Crabtree (480 KP) rated The Ballerino and the Biker (The Hedonist, #1) in Books
Jan 11, 2021
This has been borrowed from the Kindle Unlimited Library.
In this one Morgan has just buried his older brother, Jake, who was part of an MC. He was the only family that Morgan had left in the world and now so he focuses on his ballet with the help of his best friend, Nikki. Only Morgan arrives home to someone in his apartment and he struggles against the man. It turns out the man, Zeke, is from Jake's MC and is there to protect him from a rival biker club after Jake died with a female from the other MC. Zeke is drawn to Morgan and vice versa so it's not long before sparks are flying, though Zeke is adamant he's straight.
This definitely felt like a gay-for-you story. Zeke wasn't attracted to any other guys really, though in the end he settled on himself being bisexual. He's the strong silent type and completely opposite to ballerino - Italian for male ballerina - Morgan. They do have an intense attraction for each other and it takes a while for anything to happen but once it does, it quickly turns into more than physical attraction. Opposites attract and all that.
I'm intrigued by some of the other MC members like Blaze and what's going to happen between Dante and Swish.
Speaking of the MC, we didn't really see much of that side of the story. Most of the time Zeke was working on cars in the garage or the guys were settling down to meals together. We know the MC run a business out back that films their own pornography but that's about it. And we had that short bit at the start involving the Hedonist's rivals wanting to hurt Morgan in retaliation for the death of one of theirs but that was it.
That end bit with Morgan's stalker was a bit strange, if you ask me. I wasn't expecting it to take that turn or be that person and it threw me a little but it all worked out in the end due to Morgan's quick thinking
As mentioned above I do think I'll look up this series in the future to see what happens with Dante and Swish and Blaze with his questions on gay sex etc.
In this one Morgan has just buried his older brother, Jake, who was part of an MC. He was the only family that Morgan had left in the world and now so he focuses on his ballet with the help of his best friend, Nikki. Only Morgan arrives home to someone in his apartment and he struggles against the man. It turns out the man, Zeke, is from Jake's MC and is there to protect him from a rival biker club after Jake died with a female from the other MC. Zeke is drawn to Morgan and vice versa so it's not long before sparks are flying, though Zeke is adamant he's straight.
This definitely felt like a gay-for-you story. Zeke wasn't attracted to any other guys really, though in the end he settled on himself being bisexual. He's the strong silent type and completely opposite to ballerino - Italian for male ballerina - Morgan. They do have an intense attraction for each other and it takes a while for anything to happen but once it does, it quickly turns into more than physical attraction. Opposites attract and all that.
I'm intrigued by some of the other MC members like Blaze and what's going to happen between Dante and Swish.
Speaking of the MC, we didn't really see much of that side of the story. Most of the time Zeke was working on cars in the garage or the guys were settling down to meals together. We know the MC run a business out back that films their own pornography but that's about it. And we had that short bit at the start involving the Hedonist's rivals wanting to hurt Morgan in retaliation for the death of one of theirs but that was it.
That end bit with Morgan's stalker was a bit strange, if you ask me. I wasn't expecting it to take that turn or be that person and it threw me a little but it all worked out in the end due to Morgan's quick thinking
As mentioned above I do think I'll look up this series in the future to see what happens with Dante and Swish and Blaze with his questions on gay sex etc.
Hazel (1853 KP) rated But Then I Came Back in Books
Dec 14, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
Estelle Laure’s second Young Adult novel is due for publication with promises of a unique storyline. <i>But Then I Came Back</i> is about life after a near death experience, and the ways it alters your view of the world. Eden was lucky to wake up from a month long coma after being involved in a terrible accident. However, life cannot immediately go back to the way things were. With a mountain of therapy sessions ahead of her to relearn how to swallow and walk, Eden feels her ballet career is over before it even had a chance to start. And, graduating from high school does not seem likely either.
In the hospital, there is another girl in a coma who has not been as lucky as Eden. Not knowing whether she will ever wake up, Eden becomes obsessed with Jasmine, especially as she is certain she saw her in a dream-like state whilst she was unconscious. Eden also becomes fascinated with Jasmine’s only visitor, Joe, and for his sake is desperate to help wake Jasmine up.
Bordering on paranormal, Eden and Joe experiment with ways of reaching Jasmine, wherever she may be. As their relationship blossoms, Jasmine deteriorates, and soon Joe must make a decision: let Jasmine go, or keep trying, knowing she will not be the same person if she wakes.
Eden’s personality will resonate with book lovers as she is forever quoting from literature. On the other hand, her behaviour is initially antagonistic, which makes it hard for the reader to give her any sympathy. As a result, it takes some time to get into the story.
When Eden wakes up, she is obviously confused and unwell, which affects the way she behaves. I did not like her as a person, and therefore was not that interested in the book. It was also difficult to pin point the key theme of the novel. Was the paranormal theme the main concept, or Eden’s recovery and relationship with Joe? Neither of these was explored deeply. There was scope for so much more, especially the prospect of an in between – a limbo between life and death.
<i>But Then I Came Back</i> is a little disappointing; the blurb promises something special, but all we are given is a teen romance, and not a very interesting one. Estelle Laure is a good writer; nevertheless her storyline was underdeveloped.
Estelle Laure’s second Young Adult novel is due for publication with promises of a unique storyline. <i>But Then I Came Back</i> is about life after a near death experience, and the ways it alters your view of the world. Eden was lucky to wake up from a month long coma after being involved in a terrible accident. However, life cannot immediately go back to the way things were. With a mountain of therapy sessions ahead of her to relearn how to swallow and walk, Eden feels her ballet career is over before it even had a chance to start. And, graduating from high school does not seem likely either.
In the hospital, there is another girl in a coma who has not been as lucky as Eden. Not knowing whether she will ever wake up, Eden becomes obsessed with Jasmine, especially as she is certain she saw her in a dream-like state whilst she was unconscious. Eden also becomes fascinated with Jasmine’s only visitor, Joe, and for his sake is desperate to help wake Jasmine up.
Bordering on paranormal, Eden and Joe experiment with ways of reaching Jasmine, wherever she may be. As their relationship blossoms, Jasmine deteriorates, and soon Joe must make a decision: let Jasmine go, or keep trying, knowing she will not be the same person if she wakes.
Eden’s personality will resonate with book lovers as she is forever quoting from literature. On the other hand, her behaviour is initially antagonistic, which makes it hard for the reader to give her any sympathy. As a result, it takes some time to get into the story.
When Eden wakes up, she is obviously confused and unwell, which affects the way she behaves. I did not like her as a person, and therefore was not that interested in the book. It was also difficult to pin point the key theme of the novel. Was the paranormal theme the main concept, or Eden’s recovery and relationship with Joe? Neither of these was explored deeply. There was scope for so much more, especially the prospect of an in between – a limbo between life and death.
<i>But Then I Came Back</i> is a little disappointing; the blurb promises something special, but all we are given is a teen romance, and not a very interesting one. Estelle Laure is a good writer; nevertheless her storyline was underdeveloped.
Andy K (10821 KP) rated John Wick: Chapter 3 - Parabellum (2019) in Movies
Sep 10, 2019
It started with a dog and a car...
If you are expecting to be wowed by unusual plot twists, stray from the formula or an exceptional screenplay then this isn't the film for you. If you are expecting all the elements that worked in the first two Wick tales, then this one will fill you up with a maelstrom of goodness!
I do enjoy when a sequel picks up right when the other film ends which is the case with Wick 3. John has just defied his superiors by performing his usual routine of dispensing the baddies at the Continental hotel which has caused him to now be considered "excommunicado" or free reign for other villains to find and kill him. After a round or two of assassinations, John tries to get his footing and figure out what to do next.
Simultaneously, a strange woman shows up at the hotel telling the Manager he has 7 days to remove himself from the premises since he had allowed Wick to escape and aided him in doing so. The same ultimatum is given to the Bowery King among his rooftop full of birds.
John makes his way to Morocco and meets up with Sofia and her cool two attack dogs who help him get in front of another man who knows where the head of the High Table can be found. Wick ends up back in the US after wandering through the desert to have a final showdown with yet another mega posse of hooligans.
The "Wick" trilogy certainly is gushing with style, great looking facades and non stop action which lets me forgive the repetitive nature of this film of the trilogy especially. The screenplay won't win any awards especially the way Wick seems to wander through the story talking with random bystanders on his "quest" to fulfill his destiny. The Halle Berry character was not really necessary as I enjoyed seeing her killer attack dogs dive at opponents gonads more than seeing her shooting thugs the same as Wick.
The choreography is the reason we watch as it is like a ballet of bullets and this film does not disappoint there. This time we get an impressive knife throwing barrage as well as a sword fight motorcycle chase (both stunning) which keeps things interesting and moving quickly through the lack of an intricate plot.
There really isn't even an assigned antagonist other than maybe the Adjudicator, but even she has others perform her dirty work for her. I am assuming we will see more of her in John Wick 4 - 10.
No real complaints as the 130 minute run time rushed by and I was enthused the entire time other than when I was yelling at my dog every time she jumped down from sitting on me to watch other canines kicking human asses.
I think this was her favorite film of all time!
I do enjoy when a sequel picks up right when the other film ends which is the case with Wick 3. John has just defied his superiors by performing his usual routine of dispensing the baddies at the Continental hotel which has caused him to now be considered "excommunicado" or free reign for other villains to find and kill him. After a round or two of assassinations, John tries to get his footing and figure out what to do next.
Simultaneously, a strange woman shows up at the hotel telling the Manager he has 7 days to remove himself from the premises since he had allowed Wick to escape and aided him in doing so. The same ultimatum is given to the Bowery King among his rooftop full of birds.
John makes his way to Morocco and meets up with Sofia and her cool two attack dogs who help him get in front of another man who knows where the head of the High Table can be found. Wick ends up back in the US after wandering through the desert to have a final showdown with yet another mega posse of hooligans.
The "Wick" trilogy certainly is gushing with style, great looking facades and non stop action which lets me forgive the repetitive nature of this film of the trilogy especially. The screenplay won't win any awards especially the way Wick seems to wander through the story talking with random bystanders on his "quest" to fulfill his destiny. The Halle Berry character was not really necessary as I enjoyed seeing her killer attack dogs dive at opponents gonads more than seeing her shooting thugs the same as Wick.
The choreography is the reason we watch as it is like a ballet of bullets and this film does not disappoint there. This time we get an impressive knife throwing barrage as well as a sword fight motorcycle chase (both stunning) which keeps things interesting and moving quickly through the lack of an intricate plot.
There really isn't even an assigned antagonist other than maybe the Adjudicator, but even she has others perform her dirty work for her. I am assuming we will see more of her in John Wick 4 - 10.
No real complaints as the 130 minute run time rushed by and I was enthused the entire time other than when I was yelling at my dog every time she jumped down from sitting on me to watch other canines kicking human asses.
I think this was her favorite film of all time!
Haley Mathiot (9 KP) rated The Sugarless Plum in Books
Apr 27, 2018
Zippora’s memoir is touching, inspirational, dramatic, and profound. I felt 100% in her shoes through her story, not just because I am a dancer and can relate to a lot of the experiences, but because of the way she has written it. She writes like the whole thing is magic—because Ballet is magic. I just can’t think of words to describe how much I loved this book.
There was a lot of information about Diabetes in the text, and I did skip over a paragraph occasionally. But for the most part it all fit in perfect. She described how she worried about how much Insulin to take before a show so that she wouldn't faint on stage. She told about how she was in complete denial for a while. She told about the horror to find that after she broke down and tested her blood after eating off-diet for so long, and her reading was off the charts—and another time, while she was having short black-outs, her reading was so low she didn’t know that a human’s blood sugar level could get that low… and how she felt in all those situations.
How Zippora felt was a key element running through the book. It wasn’t just “this is my story, hope you enjoy.” No, it was “First this happened. It looked like this, it felt like this, it smelled and tasted like this. Then this happened!”
Would a non-dancer relate to this book? Yes I believe they would. Maybe they wouldn’t have the same respect for what she went through as I do, but they would still relate. I danced through injuries and illnesses and partnered people who could at any moment throw up all over me and had six hour rehearsals en pointe and stayed at the studio from 8:00am to 7:30 pm with only a few crackers and water keeping me alive and ate dinner at 11:30 at night. I remember how it feels. But Zippora’s memoir tells us how it is in the professional world—which is all that I mentioned to a higher degree—and does it in a way that you don’t have to have that background to understand and relate to it and feel it (Although dancers will know what a pirouette or a tendue is without the explanation that she gives. At least the better if they call themselves dancers :).
THE SUGARLESS PLUM wasn’t just for dancers. It’s for anyone who dreams of the stage. Any athlete who suffers from an illness or an injury, either Diabetes or otherwise. It shows people that although they may not be able to overcome or fix a chronic disease, but it is possible to achieve your goal and cope with it and still achieve what you dream of most.
Content: There is one scene with brief mention of sex but no explicit details, and there is no language.
Recommendation: Ages 12+ to anyone who has ever dreamed about the stage, any athlete who suffers from Diabetes and needs encouragement, or anyone who loves a touching and inspirational memoir.
There was a lot of information about Diabetes in the text, and I did skip over a paragraph occasionally. But for the most part it all fit in perfect. She described how she worried about how much Insulin to take before a show so that she wouldn't faint on stage. She told about how she was in complete denial for a while. She told about the horror to find that after she broke down and tested her blood after eating off-diet for so long, and her reading was off the charts—and another time, while she was having short black-outs, her reading was so low she didn’t know that a human’s blood sugar level could get that low… and how she felt in all those situations.
How Zippora felt was a key element running through the book. It wasn’t just “this is my story, hope you enjoy.” No, it was “First this happened. It looked like this, it felt like this, it smelled and tasted like this. Then this happened!”
Would a non-dancer relate to this book? Yes I believe they would. Maybe they wouldn’t have the same respect for what she went through as I do, but they would still relate. I danced through injuries and illnesses and partnered people who could at any moment throw up all over me and had six hour rehearsals en pointe and stayed at the studio from 8:00am to 7:30 pm with only a few crackers and water keeping me alive and ate dinner at 11:30 at night. I remember how it feels. But Zippora’s memoir tells us how it is in the professional world—which is all that I mentioned to a higher degree—and does it in a way that you don’t have to have that background to understand and relate to it and feel it (Although dancers will know what a pirouette or a tendue is without the explanation that she gives. At least the better if they call themselves dancers :).
THE SUGARLESS PLUM wasn’t just for dancers. It’s for anyone who dreams of the stage. Any athlete who suffers from an illness or an injury, either Diabetes or otherwise. It shows people that although they may not be able to overcome or fix a chronic disease, but it is possible to achieve your goal and cope with it and still achieve what you dream of most.
Content: There is one scene with brief mention of sex but no explicit details, and there is no language.
Recommendation: Ages 12+ to anyone who has ever dreamed about the stage, any athlete who suffers from Diabetes and needs encouragement, or anyone who loves a touching and inspirational memoir.
Phillip McSween (751 KP) rated Red Sparrow (2018) in Movies
Mar 26, 2018
Better Than I Hoped
Red Sparrow is one of those films where I respectfully disagree with the overall opinion of the critics. It's not perfect but it gets a lot of things right and is definitely worth your time if you're thinking of checking it out. After Dominika Egrova (Jennifer Lawrence) takes a career-ending fall during a ballet routine, she has to turn to seedier means of keeping her family afloat.
Acting: 10
Beginning: 10
Red Sparrow doesn't take long to take off, giving you just enough to keep you intrigued. You're introduced to Dominika who is just trying to do what she needs to do to take care of her mom. You see the world through her eyes and you feel her struggle.
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
A lot of moving parts succeed as a whole to keep the film's hooks in you. You're trying to piece together just what the hell is happening and you can't turn away in fear you might miss something. The action won't overwhelm you with its frequency, but there is an underlying intensity from the stakes and the possibilities of what could happen.
Genre: 6
As a dramatic film, I've seen better, but I've also seen a lot worse. If I'm comparing this to other films, movies like The Girl With the Dragon Tattoo come to mind. Dragon Tattoo would get the nod for me because of a stronger, cohesive story. I didn't leave saying it was the best drama I had ever seen, but it was pretty solid nonetheless.
Memorability: 10
There is a gritty realism about this film that will probably keep a lot of its images in my head for a long time to come. Its sensual in an unsettling, predatory kind of way. The twists will leave you guessing until the very end. Just when you think you've got something figured out, you're hit from another angle.
Pace: 9
The only time the film really trips over itself is when it starts to overthink things and get too confusing. Those brief moments created a pace slowdown that took me out of the enjoying the film for a bit. For the most part, the film moves at a consistent, solid pace.
Plot: 6
One of the weaker aspects of the film from an entirety standpoint. Not saying there were holes, but certain parts made it hard to figure out what was currently happening. Sure, I figured it out eventually but not before thinking of the number of different ways they could have presented the same information in an easier fashion.
Resolution: 5
Loved the ending. Hated it at the same time. Hard to explain without spoiling it so I won't go into too much detail here, but I'll just say that it connects to tying up loose ends. I felt that, compared to the rest of the film, the ending could have served to be a little less sloppy.
Overall: 86
Red Sparrow currently sits at a 47% on Rotten Tomatoes right now. While it's not the perfect film, there are solid moments of action and intrigue that will keep you engaged from beginning to end. Thumbs up in my book.
Acting: 10
Beginning: 10
Red Sparrow doesn't take long to take off, giving you just enough to keep you intrigued. You're introduced to Dominika who is just trying to do what she needs to do to take care of her mom. You see the world through her eyes and you feel her struggle.
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
A lot of moving parts succeed as a whole to keep the film's hooks in you. You're trying to piece together just what the hell is happening and you can't turn away in fear you might miss something. The action won't overwhelm you with its frequency, but there is an underlying intensity from the stakes and the possibilities of what could happen.
Genre: 6
As a dramatic film, I've seen better, but I've also seen a lot worse. If I'm comparing this to other films, movies like The Girl With the Dragon Tattoo come to mind. Dragon Tattoo would get the nod for me because of a stronger, cohesive story. I didn't leave saying it was the best drama I had ever seen, but it was pretty solid nonetheless.
Memorability: 10
There is a gritty realism about this film that will probably keep a lot of its images in my head for a long time to come. Its sensual in an unsettling, predatory kind of way. The twists will leave you guessing until the very end. Just when you think you've got something figured out, you're hit from another angle.
Pace: 9
The only time the film really trips over itself is when it starts to overthink things and get too confusing. Those brief moments created a pace slowdown that took me out of the enjoying the film for a bit. For the most part, the film moves at a consistent, solid pace.
Plot: 6
One of the weaker aspects of the film from an entirety standpoint. Not saying there were holes, but certain parts made it hard to figure out what was currently happening. Sure, I figured it out eventually but not before thinking of the number of different ways they could have presented the same information in an easier fashion.
Resolution: 5
Loved the ending. Hated it at the same time. Hard to explain without spoiling it so I won't go into too much detail here, but I'll just say that it connects to tying up loose ends. I felt that, compared to the rest of the film, the ending could have served to be a little less sloppy.
Overall: 86
Red Sparrow currently sits at a 47% on Rotten Tomatoes right now. While it's not the perfect film, there are solid moments of action and intrigue that will keep you engaged from beginning to end. Thumbs up in my book.
Gareth von Kallenbach (971 KP) rated Wanted (2009) in Movies
Aug 14, 2019
Wesley Gibson (James Mc Avoy) is a man with issues. He toils away in his office cubicle taking countless amounts of grief from his boss and lamenting the fact that he has gone nowhere with his life. As if this was not bad enough, his best friend is having an affair with his girlfriend, and he has a standing order for anti anxiety medication to deal with his frequent flare ups.
One day while waiting in line for his prescription, Wesley encounters a very attractive lady, and before long, is in a world gone mad as a violent gunfight has erupted all around him. As he attempts to flee the scene, the mysterious woman comes to his aid and whisks him away in dramatic style only to thrust Wesley into a frantic chase through the city streets as they attempt to escape from their mysterious attacker.
Eventually Wesley learns that the woman is named Fox (Angelina Jolie), and that he has been recruited to join a secret society known as The Fraternity.
At first awash in disbelief, Wesley is told that the man who tried to kill him also killed his father. Wesley had thought that his father had abandoned him at childhood and despite initial reservations, joins the group.
Under the leadership of Sloan (Morgan Freeman), Wesley begins to train and learns that he is part of an elite assassin’s guild and has abilities that go beyond the powers of normal men. As the training progresses, Wesley changes from the docile offer drone to an efficient and deadly adversary who is capable of killing with a variety of weapons.
Wesley will soon have to use all of his training and abilities to the fullest extent as the action switches into overdrive leaving a path of death and destruction as this bloody tale of revenge unfolds.
In the new movie “Wanted” Director Timur Bekmambetov, the guiding power behind the highly successful Russian Vampire “Day Watch” trilogy, has crafted a sleek action film that pulls no punches. From edge of your seat action and stunts to graphic violence, the film is a ballet of bullets and blood that mixes in equal amounts of humor with solid FX in a winning formula.
The leads work well with one another, and the story and characters are a cut above the standard genre staples. While the film does drag in the final third, it recovers nicely to conclude with an action filled finale as well as a few unexpected twists.
Angelina Jolie does well with a very physical role as does McAvoy who shows that he is a talent to be watched. The film is based on a graphic novel and as such has a distinctive style that mixes the real world with the unknown to help illustrate the transformation of Wesley from doormat to deadly weapon. The FX is solid, though at times the bullet time may seem a bit repetitive after you see it a few times. That being said, “Wanted” is a solid action film that is not afraid to take chances and step outside the box.
One day while waiting in line for his prescription, Wesley encounters a very attractive lady, and before long, is in a world gone mad as a violent gunfight has erupted all around him. As he attempts to flee the scene, the mysterious woman comes to his aid and whisks him away in dramatic style only to thrust Wesley into a frantic chase through the city streets as they attempt to escape from their mysterious attacker.
Eventually Wesley learns that the woman is named Fox (Angelina Jolie), and that he has been recruited to join a secret society known as The Fraternity.
At first awash in disbelief, Wesley is told that the man who tried to kill him also killed his father. Wesley had thought that his father had abandoned him at childhood and despite initial reservations, joins the group.
Under the leadership of Sloan (Morgan Freeman), Wesley begins to train and learns that he is part of an elite assassin’s guild and has abilities that go beyond the powers of normal men. As the training progresses, Wesley changes from the docile offer drone to an efficient and deadly adversary who is capable of killing with a variety of weapons.
Wesley will soon have to use all of his training and abilities to the fullest extent as the action switches into overdrive leaving a path of death and destruction as this bloody tale of revenge unfolds.
In the new movie “Wanted” Director Timur Bekmambetov, the guiding power behind the highly successful Russian Vampire “Day Watch” trilogy, has crafted a sleek action film that pulls no punches. From edge of your seat action and stunts to graphic violence, the film is a ballet of bullets and blood that mixes in equal amounts of humor with solid FX in a winning formula.
The leads work well with one another, and the story and characters are a cut above the standard genre staples. While the film does drag in the final third, it recovers nicely to conclude with an action filled finale as well as a few unexpected twists.
Angelina Jolie does well with a very physical role as does McAvoy who shows that he is a talent to be watched. The film is based on a graphic novel and as such has a distinctive style that mixes the real world with the unknown to help illustrate the transformation of Wesley from doormat to deadly weapon. The FX is solid, though at times the bullet time may seem a bit repetitive after you see it a few times. That being said, “Wanted” is a solid action film that is not afraid to take chances and step outside the box.