"The Lady Eve, written and directed by Preston Sturgess, with Henry Fonda and Barbara Stanwyck. That’s a great movie."

"Preston Sturges and Barbara Stanwyck at the height of their respective games. Hilarious, bejeweled with 18-karat dialogue at every turn, and a gleeful assault on the hypocrisy of American sexual mores that persists even now. I still can’t believe this movie ever got made."

"Okay, I’m cheating: no one is murdered, and the confidence men and cardsharps are lovable. Still. This is Preston Sturges’s peak—a comedy that has not dated one whit, for which everyone involved, not least the actors (Henry Fonda and Barbara Stanwyck, supported by a quartet of inspired scene stealers: Charles Coburn, Eugene Pallette, Eric Blore, William Demarest), seems to have been thoroughly stimulated. Demarest’s closing line is perfect."

"Preston Sturges at his best. This was the first of his films I ever saw, in a revival at the Regency in New York, and it was a revelation. You’ve never heard dialogue so funny or move so fast. Barbara Stanwyck and Henry Fonda are hysterical, and it has maybe my favorite line ever in a movie—Fonda asks a fancy old society lady at a dinner party if he’s missed anything. She says, “The fish was a poem.”"

"I’ll choose one of the Preston Sturges comedies. It’s hard to decide between Lady Eve and Sullivan’s Travels. Those are two wonderful films. I’ve seen The Lady Eve maybe six or seven times. It’s Barbara Stanwyck and Henry Fonda, right? It makes me laugh every time. It is a great comedy with some great, wonderful slapstick, and just very clever, very witty, and very sexy, too. She was very sexy in this film. These are all films that I watch more than once."

"Preston Sturges — Lady Eve, with Henry Fonda and Barbara Stanwyck, and that’s just a brilliant film. I could have had any number of Preston Sturges films. He’s the funniest director I think. When I was working with Bridget Fonda, we were talking — we were mucking about doing double-takes and she said, “My grandfather did a quadruple take in the Lady Eve.” I thought, “Your grandfather? Oh, your grandfather! Oh, you mean Henry Fonda. Oh, for God’s sake.” So I went back and she’s right. He does a quadruple take."

"I feel about The Lady Eve the same way I feel about A Hard Day’s Night. Both movies are on my all-time top ten list of favorites. The first time I saw them, I had the same impression of comic density. Enormous energy that I was running to keep up with. I felt like I had to see this movie again, if only to have another shot at laughing at the hundreds of jokes. I love movies that make you feel like you are not getting it all the first time, that there is much more to be had. Eve is my favorite Sturges. I love the chemistry between Barbara Stanwyck and Henry Fonda—like when she takes him back to her stateroom, manipulates him into making a pass, and shuts him down with “Hopsie, you ought to be kept in a cage.” On a pure filmmaking level, the honeymoon night on the train when Eve confesses to all her premarital dalliances is a tour de force of writing, acting, and editing, and it’s one of the best musically scored comic sequences in any movie ever! Sturges’s mother was an adventuress, a confidante, and traveling companion of Isadora Duncan. I like to think there is more than a little of his mother in Eve."