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Kristina (502 KP) rated A Very Large Expanse of Sea in Books
Dec 7, 2020
I figured with today's current events, I'd give this a read. I can't say I've never seen (or heard) acts (or words) of racism, but I will admit that, for the most part, it hasn't truly been directed at me. Reading this hurt my heart and made me angry in a very violent way. Stupidity is everywhere. Unfortunately, racism is everywhere. However, as someone who's been privileged enough to not have true, memorable experience with it, I was shocked and disgusted by the acts of the people in this fictional community. And while the story itself, characters included, may be storybook fake, the feelings and harassment within are likely based on true acts. Hatred is a horrible thing and Shirin is literally so used to it that she feels it's safer to assume everyone is after her, everyone hates her, everyone is wilfully ignorant and therefore deliberately prejudice towards her - it's her coping mechanism; see the absolute worst in others, keep your distance, and maybe it'll hurt less. We need more people like Ocean, who was so adorably awkward and sweet, and genuinely interested in learning more!
Red Velvet
Book
It's like being at a crossroads - a point of absolute, unequivocal change. It makes the blood rush....
Sarah (7798 KP) rated It’s A Sin in TV
Feb 7, 2021
Outstanding drama
It’s A Sin is the latest drama from the mind of Russell T Davies, the man behind Queer as Folk, Cucumber and the revival of Doctor Who back in 2005. It follows a group of gay men and their friends in London from 1981 to 1991, depicting how the developing HIV and AIDS crisis impacted on their lives.
The series concentrates on 5 friends who meet in 1981 and move into a flat together. There’s outgoing and smart Ritchie (Olly Alexander), shy and mild mannered Colin (Callum Scott Howells), flamboyant Nigerian Roscoe (Omari Douglas), sweet Ash (Nathaniel Curtis) and outgoing, responsible Jill (Lydia West). It’s A Sin follows the friends as they party and lead promiscuous lifestyles over the 80s, only for the AIDS crisis to slowly weave its way into their lives and affect friends and colleagues closest to them. Each deals with the developing crisis in their own way: Jill fights for AIDS awareness and help for those that are suffering, whereas Ritchie remains in denial and spreads conspiracy theories about AIDS. But by 1991, the lives of the group and their families have been irrevocably changed.
It’s A Sin is a powerful drama about an emotive and serious subject. While it is not based on a completely true story (only Jill is loosely based on a real person, Jill Nalder, a friend of Davies), Russell T Davies has based this around his and his friends experiences of the AIDS crisis in the 80s and watching this you can really believe that these sorts of events happened across the 80s and 90s. The attitudes and experiences shown here, from the hedonistic lifestyles to the rampant denial and conspiracy theories, are terrifying and sadly a true to life depiction of the attitudes at the time, and make for a rather emotional and sometimes harrowing watch.
Despite the serious subject, It’s A Sin isn’t entirely sombre. It starts out as a story of friendship and fun and there are a lot of heartwarming scenes and a surprising amount of laughs. Some might think the uplifting side of this drama detracts from the seriousness of the AIDS crisis, but personally I found the lighthearted scenes helped balance the rather sobering seriousness, especially as the episodes gradually become more and more grave as the crisis progresses. Even the gay sex scenes are fun and made mostly for laughs rather than any sort of eroticism. It’s impressive that Davies has managed to pull off a series that seamlessly blends lighthearted entertainment with a serious topic, without making light of such a harrowing crisis.
It helps that the cast are fantastic. Olly Alexander, who I knew nothing about other than recognising a few Years and Years songs, is an absolute star and a standout as Ritchie. He’s charismatic and engaging and when he’s on screen, you can’t take your eyes off him. The rest of the main cast too are just as good, especially this being their first major tv role in the case of Howells and Douglas. They’re ably supported by a host of seasoned veterans, including Neil Patrick Harris as Colin’s work colleague, Stephen Fry as a closeted MP that Roscoe meets, and Keeley Hawes and Shaun Dooley as Ritchie’s parents. Hawes and Dooley are especially moving and ultimately surprising in the later episodes, when their true attitudes as parents are revealed. My only real criticism of this series is so minor it’s barely worth mentioning, but I did get a little frustrated that Ritchie’s full name was Ritchie Tozer, as this is the same name as Richie Tozier from Stephen King’s IT. Admittedly a different spelling, but it did grate on me a little throughout the episodes as it’s not exactly a common name.
However despite my reservations on character naming, It’s A Sin is a fantastic heartwarming yet sobering drama that can’t be faulted. It’s been a long time since I’ve seen anything so engaging and emotional.
The series concentrates on 5 friends who meet in 1981 and move into a flat together. There’s outgoing and smart Ritchie (Olly Alexander), shy and mild mannered Colin (Callum Scott Howells), flamboyant Nigerian Roscoe (Omari Douglas), sweet Ash (Nathaniel Curtis) and outgoing, responsible Jill (Lydia West). It’s A Sin follows the friends as they party and lead promiscuous lifestyles over the 80s, only for the AIDS crisis to slowly weave its way into their lives and affect friends and colleagues closest to them. Each deals with the developing crisis in their own way: Jill fights for AIDS awareness and help for those that are suffering, whereas Ritchie remains in denial and spreads conspiracy theories about AIDS. But by 1991, the lives of the group and their families have been irrevocably changed.
It’s A Sin is a powerful drama about an emotive and serious subject. While it is not based on a completely true story (only Jill is loosely based on a real person, Jill Nalder, a friend of Davies), Russell T Davies has based this around his and his friends experiences of the AIDS crisis in the 80s and watching this you can really believe that these sorts of events happened across the 80s and 90s. The attitudes and experiences shown here, from the hedonistic lifestyles to the rampant denial and conspiracy theories, are terrifying and sadly a true to life depiction of the attitudes at the time, and make for a rather emotional and sometimes harrowing watch.
Despite the serious subject, It’s A Sin isn’t entirely sombre. It starts out as a story of friendship and fun and there are a lot of heartwarming scenes and a surprising amount of laughs. Some might think the uplifting side of this drama detracts from the seriousness of the AIDS crisis, but personally I found the lighthearted scenes helped balance the rather sobering seriousness, especially as the episodes gradually become more and more grave as the crisis progresses. Even the gay sex scenes are fun and made mostly for laughs rather than any sort of eroticism. It’s impressive that Davies has managed to pull off a series that seamlessly blends lighthearted entertainment with a serious topic, without making light of such a harrowing crisis.
It helps that the cast are fantastic. Olly Alexander, who I knew nothing about other than recognising a few Years and Years songs, is an absolute star and a standout as Ritchie. He’s charismatic and engaging and when he’s on screen, you can’t take your eyes off him. The rest of the main cast too are just as good, especially this being their first major tv role in the case of Howells and Douglas. They’re ably supported by a host of seasoned veterans, including Neil Patrick Harris as Colin’s work colleague, Stephen Fry as a closeted MP that Roscoe meets, and Keeley Hawes and Shaun Dooley as Ritchie’s parents. Hawes and Dooley are especially moving and ultimately surprising in the later episodes, when their true attitudes as parents are revealed. My only real criticism of this series is so minor it’s barely worth mentioning, but I did get a little frustrated that Ritchie’s full name was Ritchie Tozer, as this is the same name as Richie Tozier from Stephen King’s IT. Admittedly a different spelling, but it did grate on me a little throughout the episodes as it’s not exactly a common name.
However despite my reservations on character naming, It’s A Sin is a fantastic heartwarming yet sobering drama that can’t be faulted. It’s been a long time since I’ve seen anything so engaging and emotional.
Jesters_folly (230 KP) rated Hustlers (2019) in Movies
Sep 22, 2019
Contains spoilers, click to show
Based on a true story, Hustler's is the story of Destiny, an exotic dancer who falls on hard times. Teaming up with other dancers to con a number of rich bankers.
The premise of Hustler, strippers conning bankers, hides the actual depth of the story. At the start of the film, Destiny has just moved to a new strip club, we are shown the politics of the club and how Destiny befriends Ramona, one of the top dancers. Everything changes during the wall street crash, most of the club’s regular customers were bankers, most of whom had been affected by the crash had stopped going out and so a lot of the dancers lost their job. Destiny has a child but soon breaks up with the father and then find it hard to get a new job. Returning to the club, Destiny teams up with Ramona in scamming money out of the old clients.
One of the main themes of Hustlers is family, two of the main characters have children and the films shows what each of them would do to protect them. Beyond that we have the relationship between Destiny and her grandmother and also the family formed between the dancers and shows how these bonds can be formed and broken.
Being about strippers there is some nudity but Hustlers but they handle the sexual side of the dances job quite well.
The film is quite slow with a big part in the centre where not much seems to happen but it is still entertaining.
The premise of Hustler, strippers conning bankers, hides the actual depth of the story. At the start of the film, Destiny has just moved to a new strip club, we are shown the politics of the club and how Destiny befriends Ramona, one of the top dancers. Everything changes during the wall street crash, most of the club’s regular customers were bankers, most of whom had been affected by the crash had stopped going out and so a lot of the dancers lost their job. Destiny has a child but soon breaks up with the father and then find it hard to get a new job. Returning to the club, Destiny teams up with Ramona in scamming money out of the old clients.
One of the main themes of Hustlers is family, two of the main characters have children and the films shows what each of them would do to protect them. Beyond that we have the relationship between Destiny and her grandmother and also the family formed between the dancers and shows how these bonds can be formed and broken.
Being about strippers there is some nudity but Hustlers but they handle the sexual side of the dances job quite well.
The film is quite slow with a big part in the centre where not much seems to happen but it is still entertaining.
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Awix (3310 KP) rated Harry & Meghan: A Royal Romance in TV
May 21, 2018 (Updated May 21, 2018)
I Give It A Year
Mind-bogglingly weird, supposedly based-on-true-events TV movie cashing in on the recent paroxysm of monarchist schmaltz. You know the story: she's on TV, he used to be in the army, hushed intake of breath from the British establishment when it turns out the lad's seeing a lady of her particular type, and so on, and so.
Everything is very clearly presented as the tale of a modern, progressive, independent woman who ain't gonna take no nonsense from this troubled scion of a gaggle of hidebound inbreds; Meghan is the heroine who saves Harry from the crushing oppressiveness of royal tradition. You go, your grace!
Direction is bland, acting mostly indifferent, dialogue execrable. Worth watching for: the scene where Meghan ends up chasing Harry's private jet down the runway after precipitately chucking him. The subplot about Princess Diana being reincarnated as a lion. Some very surprising dialogue ('I love a dirty martini,' says the Duchess of Cornwall). Possibly the least accurate depiction of the Queen ever put on screen - she complains about how she's shown in The Crown, in a nicely meta moment.
Pervasive sense of double-think permeates the production: film is consistently down on the royals, which is odd when you consider that if Harry wasn't a royal it wouldn't actually exist. Media intrusion on the couple is also strongly frowned upon, but if making a whole movie fictionalising their lives isn't an intrusion of some sort, what is? Soon to pass into obscurity, I reckon, but an arresting, mutant production while it's with us.
Everything is very clearly presented as the tale of a modern, progressive, independent woman who ain't gonna take no nonsense from this troubled scion of a gaggle of hidebound inbreds; Meghan is the heroine who saves Harry from the crushing oppressiveness of royal tradition. You go, your grace!
Direction is bland, acting mostly indifferent, dialogue execrable. Worth watching for: the scene where Meghan ends up chasing Harry's private jet down the runway after precipitately chucking him. The subplot about Princess Diana being reincarnated as a lion. Some very surprising dialogue ('I love a dirty martini,' says the Duchess of Cornwall). Possibly the least accurate depiction of the Queen ever put on screen - she complains about how she's shown in The Crown, in a nicely meta moment.
Pervasive sense of double-think permeates the production: film is consistently down on the royals, which is odd when you consider that if Harry wasn't a royal it wouldn't actually exist. Media intrusion on the couple is also strongly frowned upon, but if making a whole movie fictionalising their lives isn't an intrusion of some sort, what is? Soon to pass into obscurity, I reckon, but an arresting, mutant production while it's with us.
Andy K (10821 KP) rated The Wizard of Lies (2017) in Movies
Mar 8, 2018
Captivating...
Bernie Madoff. What can you say? His Ponzi scheme was so complex, far-reaching and of epic proportions, it ruined many people's lives. Tore their life savings from them based on the betrayal of trust.
"Rain Man' director, Barry Levinson, successfully captures the intrigue, suspense, and also the interesting family dynamics in this compelling true story.
If the family dynamics are to be believed as his wife and sons did not know about any of the lies and fraudulent trading, they were either incredibly naive, incredibly stupid or just living the good life..
De Niro gives one of his most memorable recent performances and almost makes you sympathize with him. The actual reporter who wrote the book plays herself well in the film also.
Was Madoff a sociopath?
"Rain Man' director, Barry Levinson, successfully captures the intrigue, suspense, and also the interesting family dynamics in this compelling true story.
If the family dynamics are to be believed as his wife and sons did not know about any of the lies and fraudulent trading, they were either incredibly naive, incredibly stupid or just living the good life..
De Niro gives one of his most memorable recent performances and almost makes you sympathize with him. The actual reporter who wrote the book plays herself well in the film also.
Was Madoff a sociopath?