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<i>This eBook was provided by the publisher via NetGalley in exchange for an honest</i>
People grieve in many different ways, as Shari Arnold shows in her young adult novel <i>Neverland</i>. It has been four months since seventeen-year-old Livy lost her little sister Jenna to leukemia. Her mother has become a workaholic, her father a ghost, but Livy has become determined to help as many sick children as she can, either by reading to them or becoming a bone marrow donor. Livy’s life revolves solely around the children at the hospital but things begin to change when she meets the mysterious Meyer who takes her out of her comfort zone and challenges her to have fun.
As suggested by the title, <i>Neverland</i> is based upon the well-known story of Peter Pan. Meyer, like Peter, loves an adventure and whisks Livy away to do things she would never have thought to do on her own. By showing Livy how to have fun, Meyer hopes to encourage her to move on, but the big question is, is Livy ready to live without her sister?
The first part of the book has a contemporary setting that makes the story appear to be the typical girl meets boy who makes everything better type of novel, however the second section is completely different. Part two is so full of fantasy and magical ideas that it feels like a completely different book. Initially it was exciting when Meyer was something of an enigma, but suddenly the story becomes childish and fake once his true identity has been revealed, thus making the novel less gripping.
Nonetheless, <i>Neverland</i> is very moving as is anything regarding the death of young children. Arnold provides an interesting retelling of the delightful fairytale giving a totally new meaning to the children who do not grow up. Those who enjoy contemporary and fantasy novels will enjoy both elements however some readers expecting a young adult love story may be disappointed with the unrealistic turn the novel takes part way through.
People grieve in many different ways, as Shari Arnold shows in her young adult novel <i>Neverland</i>. It has been four months since seventeen-year-old Livy lost her little sister Jenna to leukemia. Her mother has become a workaholic, her father a ghost, but Livy has become determined to help as many sick children as she can, either by reading to them or becoming a bone marrow donor. Livy’s life revolves solely around the children at the hospital but things begin to change when she meets the mysterious Meyer who takes her out of her comfort zone and challenges her to have fun.
As suggested by the title, <i>Neverland</i> is based upon the well-known story of Peter Pan. Meyer, like Peter, loves an adventure and whisks Livy away to do things she would never have thought to do on her own. By showing Livy how to have fun, Meyer hopes to encourage her to move on, but the big question is, is Livy ready to live without her sister?
The first part of the book has a contemporary setting that makes the story appear to be the typical girl meets boy who makes everything better type of novel, however the second section is completely different. Part two is so full of fantasy and magical ideas that it feels like a completely different book. Initially it was exciting when Meyer was something of an enigma, but suddenly the story becomes childish and fake once his true identity has been revealed, thus making the novel less gripping.
Nonetheless, <i>Neverland</i> is very moving as is anything regarding the death of young children. Arnold provides an interesting retelling of the delightful fairytale giving a totally new meaning to the children who do not grow up. Those who enjoy contemporary and fantasy novels will enjoy both elements however some readers expecting a young adult love story may be disappointed with the unrealistic turn the novel takes part way through.
Gareth von Kallenbach (977 KP) rated American Sniper (2015) in Movies
Aug 6, 2019
Every once in a while a movie just sneaks up on me. A movie that comes out of nowhere to be one of the best that I have seen in a long while. This is how American Sniper hit me. I had seen previews, and thought that it might end up being a decent flick, but I did not expect it to grab a hold of me and teach me something about myself as well.
American Sniper sees Bradley Cooper as Chris Kyle in his second movie with “American” in the title (see 2013’s American Hustle). Most of us know the story of Chris Kyle, but for those that don’t here’s a quick rundown. Chris Kyle is the most lethal sniper in American history with 160 confirmed kills as a Navy SEAL, and another 95 probable kills. He served four tours, and wrote a book about his life. This film is based on that book. It tells the story of how he was influenced by his father, joined the military, and then went on to serve four tours while trying to balance his life at home with his wife and children. Acting as the true Sheepdog to all in his life, American Sniper looks at the struggle Kyle went through, and tells the story with passion and respect.
Cooper did a fantastic job portraying Texas-native Kyle. He was almost unrecognizable onscreen, as he put in 8 months of prep to get ready for this role, including a 4-hour a day training regime, and another two with a vocal coach. It was even said that some of Kyle’s brothers-in-arms who helped train Cooper and serve as consultants on the movie could feel his presence through Cooper at the end of training and all throughout filming. Sienna Miller was a great compliment to Cooper’s performance as Taya Kyle, Chris’ wife and the mother of his children. And not surprisingly, Clint Eastwood knocked it out of the park in this go at the Director’s chair. This is his best movie in years, though one would hope so with Chris Kyle’s father threatening to unleash hell if the memory of his son was disrespected with the film.
Mr. Kyle’s passing was a tragic event for those that knew him, and even those that did not know him. I think he may rest well knowing that this film, adapted from his own auto-biography, was handled beautifully with such passion and respect. If I have one issue with the film, it was the rapidity at which things progressed. So many different events packed into 15 minute segments with time just seemed to be rushing like a river, and glossing over parts of the story that could really have used some more build up or exploring. But such is the case when adapting a movie from a book. Though I am sure that movie-goers would not have minded lengthy the movie a bit, even with a run-time of 132 minutes.
If you see one movie this month, let it be American Sniper. If you have not heard of Chris Kyle, or his story, go see American Sniper. Hopefully, the Legend will live on through the lives he touched, and saved.
American Sniper sees Bradley Cooper as Chris Kyle in his second movie with “American” in the title (see 2013’s American Hustle). Most of us know the story of Chris Kyle, but for those that don’t here’s a quick rundown. Chris Kyle is the most lethal sniper in American history with 160 confirmed kills as a Navy SEAL, and another 95 probable kills. He served four tours, and wrote a book about his life. This film is based on that book. It tells the story of how he was influenced by his father, joined the military, and then went on to serve four tours while trying to balance his life at home with his wife and children. Acting as the true Sheepdog to all in his life, American Sniper looks at the struggle Kyle went through, and tells the story with passion and respect.
Cooper did a fantastic job portraying Texas-native Kyle. He was almost unrecognizable onscreen, as he put in 8 months of prep to get ready for this role, including a 4-hour a day training regime, and another two with a vocal coach. It was even said that some of Kyle’s brothers-in-arms who helped train Cooper and serve as consultants on the movie could feel his presence through Cooper at the end of training and all throughout filming. Sienna Miller was a great compliment to Cooper’s performance as Taya Kyle, Chris’ wife and the mother of his children. And not surprisingly, Clint Eastwood knocked it out of the park in this go at the Director’s chair. This is his best movie in years, though one would hope so with Chris Kyle’s father threatening to unleash hell if the memory of his son was disrespected with the film.
Mr. Kyle’s passing was a tragic event for those that knew him, and even those that did not know him. I think he may rest well knowing that this film, adapted from his own auto-biography, was handled beautifully with such passion and respect. If I have one issue with the film, it was the rapidity at which things progressed. So many different events packed into 15 minute segments with time just seemed to be rushing like a river, and glossing over parts of the story that could really have used some more build up or exploring. But such is the case when adapting a movie from a book. Though I am sure that movie-goers would not have minded lengthy the movie a bit, even with a run-time of 132 minutes.
If you see one movie this month, let it be American Sniper. If you have not heard of Chris Kyle, or his story, go see American Sniper. Hopefully, the Legend will live on through the lives he touched, and saved.
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Gareth von Kallenbach (977 KP) rated The Revenant (2015) in Movies
Aug 6, 2019
The movie The Revenant is a new release starring Leonardo DiCaprio
(playing Hugh Glass), Tom Hardy (playing John Fitzgerald), Will Poulter
(playing Jim Bridger), and Forrest Goodluck (playing Glass’ half Indian
son Hawk). It is directed by Alejandro G. Inarritu and Mark L Smith.
Based on previews and ads I had seen for the film; I was really looking
forward to screening this movie.
I am a huge DiCaprio fan, and I have liked most of the recent roles I
have seen Tom Hardy in as well.
The story is based off of true events and follows a novel by Michael
Punke about an actual 19th-century incident in the days of the Western
fur trade. It involves Indian attacks, animal attacks, the struggle for
survival and vengeance.
The background and scenery in the move are breathtaking. The acting is
believable, mostly. The emotions of the characters definitely come
shining through.
Some of the camera shots that the director chooses to hone in on, are
not to my taste. There are only so many up close and personal tight
angle shots of snot running from someone’s nose in a movie that I really
care to see. One time is plenty. There are far more than one of those
types of shots though, and it sort of turned me off.
One of the major scenes involves a vicious bear attack. It was gruesome
and believable and horrifying… the entire audience gasped and squirmed
in their seats uncomfortably.
As much as I wanted to like the film, it just seemed like it dragged on
and on for me. I kept wondering when it was going to end. I’m not sure
if that was because I didn’t like some of the gorier close up shots, or
some of the bouncy camera footage (it makes me feel sick to my stomach)
or if each individual piece of the story itself was just a bit too long
which just added up throughout the movie, but I feel like I spent more
time wondering whether it was going to be over soon, than really truly
getting into the movie. In many longer movies, I am so into the story
that I don’t even notice the passage of time, but that was definitely
not the case for this film.
DiCaprio did a great job portraying a broken, beaten man trying to
survive and ultimately seeking vengeance upon the man who did him wrong,
and Tom Hardy did a great job portraying a man sucked in by greed, but
the performances couldn’t overcome the amount of time spent on getting
from one pint to the next in the film.
I would personally give this movie 2.5 out of 5 stars, but can see how
others would give it a higher rating. It just didn’t turn out to be my
cup of tea.
(playing Hugh Glass), Tom Hardy (playing John Fitzgerald), Will Poulter
(playing Jim Bridger), and Forrest Goodluck (playing Glass’ half Indian
son Hawk). It is directed by Alejandro G. Inarritu and Mark L Smith.
Based on previews and ads I had seen for the film; I was really looking
forward to screening this movie.
I am a huge DiCaprio fan, and I have liked most of the recent roles I
have seen Tom Hardy in as well.
The story is based off of true events and follows a novel by Michael
Punke about an actual 19th-century incident in the days of the Western
fur trade. It involves Indian attacks, animal attacks, the struggle for
survival and vengeance.
The background and scenery in the move are breathtaking. The acting is
believable, mostly. The emotions of the characters definitely come
shining through.
Some of the camera shots that the director chooses to hone in on, are
not to my taste. There are only so many up close and personal tight
angle shots of snot running from someone’s nose in a movie that I really
care to see. One time is plenty. There are far more than one of those
types of shots though, and it sort of turned me off.
One of the major scenes involves a vicious bear attack. It was gruesome
and believable and horrifying… the entire audience gasped and squirmed
in their seats uncomfortably.
As much as I wanted to like the film, it just seemed like it dragged on
and on for me. I kept wondering when it was going to end. I’m not sure
if that was because I didn’t like some of the gorier close up shots, or
some of the bouncy camera footage (it makes me feel sick to my stomach)
or if each individual piece of the story itself was just a bit too long
which just added up throughout the movie, but I feel like I spent more
time wondering whether it was going to be over soon, than really truly
getting into the movie. In many longer movies, I am so into the story
that I don’t even notice the passage of time, but that was definitely
not the case for this film.
DiCaprio did a great job portraying a broken, beaten man trying to
survive and ultimately seeking vengeance upon the man who did him wrong,
and Tom Hardy did a great job portraying a man sucked in by greed, but
the performances couldn’t overcome the amount of time spent on getting
from one pint to the next in the film.
I would personally give this movie 2.5 out of 5 stars, but can see how
others would give it a higher rating. It just didn’t turn out to be my
cup of tea.
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Movie Metropolis (309 KP) rated Deepwater Horizon (2016) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
Disaster with feeling
“Based on true events”. I can’t think of anything more disconcerting when I sit down to watch a film. When it comes to blockbusters inspired by real-life situations, the outcome can be a poignant movie that captures the heart and emotion of the episode – a la American Sniper.
Unfortunately, films in this genre can also be a disaster from start to finish with a story barely related to its real-life counterpart. You can forgive me then for going into Deepwater Horizon with an air of scepticism, but was it justified?
Thankfully, director Peter Berg (Hancock, Battleship) strikes the right balance between pleasing the movie-going masses and respecting the events that took the lives of eleven people aboard the Deepwater Horizon oil rig.
Based on the events that occurred in the Gulf of Mexico on April 20, 2010, the story chronicles the courage of those who worked on the Deepwater Horizon and the extreme moments of bravery and survival in the face of what would become one of the biggest man-made disasters in world history.
Mark Wahlberg takes the helm of this intriguing action thriller as Mike Williams, an electrician working on the rig during the explosion. A supporting cast that includes Kurt Russell, Gina Rodriguez, John Malkovich and The Maze Runner’s Dylan O’Brien bolster Wahlberg’s natural charisma and each of the aforementioned actors give first-rate performances.
The acting from all sides is superb. Mark Wahlberg in particular excels, being one of his best roles to date. His work has been decidedly dodgy over the last few years but his performance here shows just how good he is with the right material.
Nevertheless, at its core, Deepwater Horizon is a simple disaster movie, and carries the genre’s traits to a tee; there’s the obligatory hero (Mark Wahlberg), the boss/politician who doesn’t believe anything is wrong (John Malkovich), the bombastic score (courtesy of Steve Jablonsky) and the damsel in distress (Gina Rodriguez). What it does differently however is focus more on the human elements of the plot – something helped by the fact the scriptwriters had factual events to pick from.
The special effects are astounding, aided greatly by Peter Berg’s often hectic camerawork. There’s very little shaky-cam but the claustrophobic nature of the rig itself is beautifully utilised in low angled shots and sweeping exterior sequences. The scenes showing the rig on fire are so intense you can virtually feel the heat radiating from them.
It almost feels like a documentary, and a very good one at that. The audience is given references throughout the film of Deepwater Horizon’s many functions and the scale of the behemoth is apparent throughout.
Overall, to say Deepwater Horizon is a cracking disaster film feels like a slight disservice to the eleven people who died aboard it in 2010. Having Peter Berg direct was a risky move when looking at his back-catalogue but after a viewing, it’s hard to think of anyone else better suited.
This is a disaster movie with feeling and it’s one of the best films of the year.
https://moviemetropolis.net/2016/09/30/disaster-with-feeling-deepwater-horizon-review/
Unfortunately, films in this genre can also be a disaster from start to finish with a story barely related to its real-life counterpart. You can forgive me then for going into Deepwater Horizon with an air of scepticism, but was it justified?
Thankfully, director Peter Berg (Hancock, Battleship) strikes the right balance between pleasing the movie-going masses and respecting the events that took the lives of eleven people aboard the Deepwater Horizon oil rig.
Based on the events that occurred in the Gulf of Mexico on April 20, 2010, the story chronicles the courage of those who worked on the Deepwater Horizon and the extreme moments of bravery and survival in the face of what would become one of the biggest man-made disasters in world history.
Mark Wahlberg takes the helm of this intriguing action thriller as Mike Williams, an electrician working on the rig during the explosion. A supporting cast that includes Kurt Russell, Gina Rodriguez, John Malkovich and The Maze Runner’s Dylan O’Brien bolster Wahlberg’s natural charisma and each of the aforementioned actors give first-rate performances.
The acting from all sides is superb. Mark Wahlberg in particular excels, being one of his best roles to date. His work has been decidedly dodgy over the last few years but his performance here shows just how good he is with the right material.
Nevertheless, at its core, Deepwater Horizon is a simple disaster movie, and carries the genre’s traits to a tee; there’s the obligatory hero (Mark Wahlberg), the boss/politician who doesn’t believe anything is wrong (John Malkovich), the bombastic score (courtesy of Steve Jablonsky) and the damsel in distress (Gina Rodriguez). What it does differently however is focus more on the human elements of the plot – something helped by the fact the scriptwriters had factual events to pick from.
The special effects are astounding, aided greatly by Peter Berg’s often hectic camerawork. There’s very little shaky-cam but the claustrophobic nature of the rig itself is beautifully utilised in low angled shots and sweeping exterior sequences. The scenes showing the rig on fire are so intense you can virtually feel the heat radiating from them.
It almost feels like a documentary, and a very good one at that. The audience is given references throughout the film of Deepwater Horizon’s many functions and the scale of the behemoth is apparent throughout.
Overall, to say Deepwater Horizon is a cracking disaster film feels like a slight disservice to the eleven people who died aboard it in 2010. Having Peter Berg direct was a risky move when looking at his back-catalogue but after a viewing, it’s hard to think of anyone else better suited.
This is a disaster movie with feeling and it’s one of the best films of the year.
https://moviemetropolis.net/2016/09/30/disaster-with-feeling-deepwater-horizon-review/
Zuky the BookBum (15 KP) rated Sarah in Books
Mar 15, 2018
Also read my review here: http://bookbum.weebly.com/book-reviews/sarah-by-jt-leroy
Wow I don't know what to say really.
I think that most people rating this book have judged it based on the author's hoax at claiming this was a true story but if you ignore all that mess, what you find here is a really weird, heart breaking and hilarious novel. I think people need to start looking at this as a stand-alone novel and push the whole scandal to the side to see how brilliant this book actually is.
I wasn't sure why I decided to request this from Netgalley because it's the sort of book I'd normally steer clear of, but I'm glad I left my comfort zone to read this, because it was worth it.
Sarah will take you through every single emotion you can possibly think of, from love to terror to hope and you'll find yourself a bit lost once it's all over. I have another JT LeRoy book to start next, I'm hoping I like it just as much as this.
Thanks to Netgalley and Little Brown Book Group UK for giving me the opportunity to read this in exchange for an honest review.
Wow I don't know what to say really.
I think that most people rating this book have judged it based on the author's hoax at claiming this was a true story but if you ignore all that mess, what you find here is a really weird, heart breaking and hilarious novel. I think people need to start looking at this as a stand-alone novel and push the whole scandal to the side to see how brilliant this book actually is.
I wasn't sure why I decided to request this from Netgalley because it's the sort of book I'd normally steer clear of, but I'm glad I left my comfort zone to read this, because it was worth it.
Sarah will take you through every single emotion you can possibly think of, from love to terror to hope and you'll find yourself a bit lost once it's all over. I have another JT LeRoy book to start next, I'm hoping I like it just as much as this.
Thanks to Netgalley and Little Brown Book Group UK for giving me the opportunity to read this in exchange for an honest review.
Sons of the Seas
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Royal Naval stories and tales of foreign seaports, from 1910-1966. This book follows the career of...