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One man with an insatiable hunger: a novel of desire and destruction in Revolutionary France, based...
Historical fiction France
Gareth von Kallenbach (980 KP) rated Whiskey Tango Foxtrot (2016) in Movies
Aug 6, 2019
Based on “The Taliban Shuffle: Strange Days in Afghanistan,” a memoir by Kim Barker, “Whiskey Tango Foxtrot” follows the journey of a copy writer turned war reporter (Tina Fey).
One day Barker is called into a meeting where, because she is unmarried and without children, she is asked to cover the war in Afghanistan. Seeming hesitant, but pulled by a desire to escape her mundane life, she decides to go for it.
When Barker arrives in Afghanistan the journalists that are stationed there basically just party most of the time, which speaks volumes about the ways people may try to avoid the emotional intensity of their surroundings.
Other than that, Barker hangs out with some very calm troops, gets ballsy and captures some crazy footage, and seems to get very wrapped up in the thrill of getting a lead story. It doesn’t seem that Barker ever has any actual interest in the politics of what she is covering. Realizing that it is a comedy, this may be totally fine. But the film is an odd mix. It portrays Barker’s character as somewhat numb to the tragic reality she is immersed in, while at the same time making a joke wherever it can.
I’m not quite sure what genre “Whiskey Tango Foxtrot” fits into. It gets close to drama, and it gets close to comedy but it isn’t that funny and it isn’t that touching. It leaves the impression of a dull and desensitized view of war and the challenges reporters face abroad. Perhaps the film is staying true to the memoir, but it is definitely a different approach to describing such an experience.
That being said, it’s not a bad film or a bad story. It’s interesting. It has funny moments, and it makes you want to know what will happen in the end. A few scenes even get close to developing the characters in a way that might make the audience care about them. But overall, there is really no emotional substance to the film and it leaves no big impression.
Worth a watch on Netflix, I give “Whiskey Tango Foxtrot” 2.5 out of 5 stars.
One day Barker is called into a meeting where, because she is unmarried and without children, she is asked to cover the war in Afghanistan. Seeming hesitant, but pulled by a desire to escape her mundane life, she decides to go for it.
When Barker arrives in Afghanistan the journalists that are stationed there basically just party most of the time, which speaks volumes about the ways people may try to avoid the emotional intensity of their surroundings.
Other than that, Barker hangs out with some very calm troops, gets ballsy and captures some crazy footage, and seems to get very wrapped up in the thrill of getting a lead story. It doesn’t seem that Barker ever has any actual interest in the politics of what she is covering. Realizing that it is a comedy, this may be totally fine. But the film is an odd mix. It portrays Barker’s character as somewhat numb to the tragic reality she is immersed in, while at the same time making a joke wherever it can.
I’m not quite sure what genre “Whiskey Tango Foxtrot” fits into. It gets close to drama, and it gets close to comedy but it isn’t that funny and it isn’t that touching. It leaves the impression of a dull and desensitized view of war and the challenges reporters face abroad. Perhaps the film is staying true to the memoir, but it is definitely a different approach to describing such an experience.
That being said, it’s not a bad film or a bad story. It’s interesting. It has funny moments, and it makes you want to know what will happen in the end. A few scenes even get close to developing the characters in a way that might make the audience care about them. But overall, there is really no emotional substance to the film and it leaves no big impression.
Worth a watch on Netflix, I give “Whiskey Tango Foxtrot” 2.5 out of 5 stars.
Bob Mann (459 KP) rated Dream Horse (2021) in Movies
Jun 12, 2021
Ensemble cast (1 more)
Cinematography of racing scenes
My lovely lovely horse fails to fully engage
An extraordinary story of ambition against all the odds - based on a true story - will Dream Alliance fulfil the town's dreams, or will it all end in tears?
Positives:
- Toni Collette! Without her powerful acting presence at the heart of the piece, I think the movie would have died in a ditch. As for her Welsh accent I (as an Englishman) thought it was pretty good: on my 'Welshometer', using the scale of Richard Burton as a 10 to RDW's "Doctor Dolittle" as a 1, I'd give Ms Collette about an 8. The illustrious Mrs Movie Man (as a Welsh lady) was less impressed, but found her "tolerable" when mixed with the other Welsh-born actors!
- And what a wonderful supporting cast of well know names from all our yesterdays. Just so great to see the great Siân Phillips ("I, Claudius"), Lynda Baron ('Nurse Gladys' from "Open all Hours"), Peter Davison ("Doctor Who") and Nicholas Farrell ("Chariots of Fire") in the cast. It was also (as is traditional in these "true stories") for the actual people to appear alongside their acting counterparts in the end titles: Howard Davies in particular seemed to be chuffed to bits to be singing alongside Damien Lewis!
- Hats off to cinematographer Erik Wilson and Chris Bates (the "drone operator"), for some impressive shots. The camera angles from the turf-pumping racing scenes are very impressive.
Negatives:
- How did it make me feel? Very little at all. Which is a problem. The movie is so utterly predictable that I saw every element of the story play out way before it did. Did this happen in real life? In which case, that's annoying that life was so unrealistically predictable in its ups and downs!
- Elements of the story also felt formulaic: from the token comedy cranky old bloke (Karl Johnson) to Jan's brooding father-with-a-grudge. This latter element seems unnecessarily bolted onto the plot: poorly worked through and pretty superfluous.
Summary Thoughts on "Dream Horse": This is a feature debut for welsh-born Euros Lyn, most familiar (as a peculiar name) for popping up in the end credits of TV shows such as "Doctor Who", "Torchwood" and "His Dark Materials". And, as a great supporter of UK films, I really wanted to like this one. But it just didn't do it for me. It's also unfortunate that some of the subject material makes it unsuitable for the 6-to-8 year old horse fanatics... this is no "International Velvet".
I've seen some social media comments from people who adore the movie. And, to be clear, it's NOT a bad movie. I just personally didn't connect with me. Just goes to show that cinema really is 'horses for courses' sometimes!
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/06/11/dream-horse-%e2%99%abi-want-to-shower-you-in-sugar-lumps-and-ride-you-over-fences%e2%99%ab/ . Thanks).
Positives:
- Toni Collette! Without her powerful acting presence at the heart of the piece, I think the movie would have died in a ditch. As for her Welsh accent I (as an Englishman) thought it was pretty good: on my 'Welshometer', using the scale of Richard Burton as a 10 to RDW's "Doctor Dolittle" as a 1, I'd give Ms Collette about an 8. The illustrious Mrs Movie Man (as a Welsh lady) was less impressed, but found her "tolerable" when mixed with the other Welsh-born actors!
- And what a wonderful supporting cast of well know names from all our yesterdays. Just so great to see the great Siân Phillips ("I, Claudius"), Lynda Baron ('Nurse Gladys' from "Open all Hours"), Peter Davison ("Doctor Who") and Nicholas Farrell ("Chariots of Fire") in the cast. It was also (as is traditional in these "true stories") for the actual people to appear alongside their acting counterparts in the end titles: Howard Davies in particular seemed to be chuffed to bits to be singing alongside Damien Lewis!
- Hats off to cinematographer Erik Wilson and Chris Bates (the "drone operator"), for some impressive shots. The camera angles from the turf-pumping racing scenes are very impressive.
Negatives:
- How did it make me feel? Very little at all. Which is a problem. The movie is so utterly predictable that I saw every element of the story play out way before it did. Did this happen in real life? In which case, that's annoying that life was so unrealistically predictable in its ups and downs!
- Elements of the story also felt formulaic: from the token comedy cranky old bloke (Karl Johnson) to Jan's brooding father-with-a-grudge. This latter element seems unnecessarily bolted onto the plot: poorly worked through and pretty superfluous.
Summary Thoughts on "Dream Horse": This is a feature debut for welsh-born Euros Lyn, most familiar (as a peculiar name) for popping up in the end credits of TV shows such as "Doctor Who", "Torchwood" and "His Dark Materials". And, as a great supporter of UK films, I really wanted to like this one. But it just didn't do it for me. It's also unfortunate that some of the subject material makes it unsuitable for the 6-to-8 year old horse fanatics... this is no "International Velvet".
I've seen some social media comments from people who adore the movie. And, to be clear, it's NOT a bad movie. I just personally didn't connect with me. Just goes to show that cinema really is 'horses for courses' sometimes!
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/06/11/dream-horse-%e2%99%abi-want-to-shower-you-in-sugar-lumps-and-ride-you-over-fences%e2%99%ab/ . Thanks).
LeftSideCut (3776 KP) rated BlacKkKlansman (2018) in Movies
Sep 9, 2020
BlacKkKlansman just ticked all the right boxes for me. Spike Lee has created a piece that is moving, hilarious, horrific, poignant and something truly important.
John David Washington and Adam Driver are a winning leading pair, portraying Ron Stallworth and Flip Zimmerman respectively, two police officers from Colorado Springs who manage to infiltrate a local chapter of the Ku Klux Klan, in an attempt to foil a potentially fatal and racially charged attack, and it's all based on a quite incredible true story.
Washington and Driver are both fantastic, providing this movie with most of it's heart, humour and emotion.
Topher Grace is great as well, as David Duke, a top brass member of the KKK. He's so smarmy, and easy to dislike, much like his real life counter part. This applies to all the racist pieces of shit in this story actualy. The characters are all horrible, but the cast bring them to life in a disturbingly believable way.
The screenplay is nothing but tight from start to finish. It's very funny in places, and heart wrenching in others. A particular highlight is a speech spoken early on by black rights speaker Kwame Ture. It's a lengthy monologue that is so damn powerful. There are multiple scenes that strike hard throughout the runtime - another standout moment is the truly uncomfortable visuals of Ron Stallworth looking on in quiet despair as KKK members cheer loudly whilst watching The Birth of a Nation. Humanity can be extremely ugly, and although BlacKkKlansman veers towards comedy at times, Lee is sure to never stray too far from that fact.
Some of the criticism I've read of this movie are along the lines of "it has an agenda" and "it's being forced down the audiences throat". Well, yeah if course it has an agenda. It's dealing with a topic that shouldn't even exist in the first place, but it's certainly not being force fed. No one is forcing anybody to watch it, but I highly recommend that EVERYONE does watch it.
The inclusion of real life footage of protests in 2017 is a strong statement, it's a director publicly taking a stand for something he believes in. In 2020, these topics feel more important than ever.
BlacKkKlansman is an incredible movie, and nothing can change my mind about that.
John David Washington and Adam Driver are a winning leading pair, portraying Ron Stallworth and Flip Zimmerman respectively, two police officers from Colorado Springs who manage to infiltrate a local chapter of the Ku Klux Klan, in an attempt to foil a potentially fatal and racially charged attack, and it's all based on a quite incredible true story.
Washington and Driver are both fantastic, providing this movie with most of it's heart, humour and emotion.
Topher Grace is great as well, as David Duke, a top brass member of the KKK. He's so smarmy, and easy to dislike, much like his real life counter part. This applies to all the racist pieces of shit in this story actualy. The characters are all horrible, but the cast bring them to life in a disturbingly believable way.
The screenplay is nothing but tight from start to finish. It's very funny in places, and heart wrenching in others. A particular highlight is a speech spoken early on by black rights speaker Kwame Ture. It's a lengthy monologue that is so damn powerful. There are multiple scenes that strike hard throughout the runtime - another standout moment is the truly uncomfortable visuals of Ron Stallworth looking on in quiet despair as KKK members cheer loudly whilst watching The Birth of a Nation. Humanity can be extremely ugly, and although BlacKkKlansman veers towards comedy at times, Lee is sure to never stray too far from that fact.
Some of the criticism I've read of this movie are along the lines of "it has an agenda" and "it's being forced down the audiences throat". Well, yeah if course it has an agenda. It's dealing with a topic that shouldn't even exist in the first place, but it's certainly not being force fed. No one is forcing anybody to watch it, but I highly recommend that EVERYONE does watch it.
The inclusion of real life footage of protests in 2017 is a strong statement, it's a director publicly taking a stand for something he believes in. In 2020, these topics feel more important than ever.
BlacKkKlansman is an incredible movie, and nothing can change my mind about that.
The Bounder: Riotous True-Life Adventures of a Bon Viveur
Book
This merry memoir tells how the author has lurched through a life full of friendship, laughter and...
Bob Mann (459 KP) rated Alone in Berlin (2017) in Movies
Sep 29, 2021
Small Rebellions.
Once again, World War II turns up another true story of quiet valour to turn into a motion picture. At a time when Trump is pontificating about so called “fake news”, here is a timely tale from history which centres on the battle against genuinely fake news: the Nazi propaganda machine.
After losing their only son in the French campaign, Berliners Otto (Brendan Gleeson,”Harry Potter and the Goblet of Fire”) and Anna (Emma Thompson, “Saving Mr Banks“) turn against the regime and in repeated acts of rebellion Otto laboriously hand writes subversive postcards to leave in office blocks around Berlin.
Resistance is futile. Otto (Brendan Gleeson) and Anna (Emma Thompson) out on a new mission.
Out to catch him is local police investigator Escherich (Daniel Brühl) but in an age before CCTV that’s no easy task and with increasing SS pressure the stakes for Escherich steadily increase. For Otto and Anna, the stress is there but both are resigned to their fate: with their son stolen from them for an unjust cause they are an island of indifference in an unholy land. Both are ‘alone in Berlin’.
Daniel Brühl as police detective Escherich getting more than he bargained for from the SS.
After 70 years it still chills the blood to see German locations decked out in Nazi regalia, but one of the joys of this film is this rendering of life in wartime Berlin: starting with jubilation at German progress prior to D-Day and turning to despair and genuine danger as the tide turns towards 1945. In a pretty bleak film there are touches of black comedy now and then: Otto’s carpentry company is being encouraged “by the Fuhrer” to double and triple their output… of coffins.
A (very clean) Berlin, decked out with Nazi regalia.
More joy comes from the star turns of Gleeson and Thompson, both of who deliver on their emotionally challenging roles. Gleeson in particular makes a very believable German with a sour demeanor and a steely determination. But the star acting turn for me goes to the wonderful Daniel Brühl (“Rush“) as the tormented police detective, bullied into an ethical corner by the SS. The finale of the film – whilst not seeming quite believable – makes for a nicely unexpected twist.
The Nazi Womens’ League out on another fund-raising sweep, providing Thompson with one of her best scenes in the film with an Oberführer’s wife.
Based on a novel by Hans Fallada, the lead writing credits for the piece are shared between Achim von Borries and the director Vincent Perez – in a rare directorial outing for the Swiss actor. The script exudes a melancholic gloom and at times expresses beautifully both the grief and love shared by this older couple. But some of the dialogue needs more work and we don’t see enough of Thompson in the early part of the film where her motivations should be being developed. This rather comes down to a lack of focus by the director. While the primary story of the card distribution is slight, it is compelling and a detour into a sub-story about an old Jewish lodger living upstairs is unnecessary and detracts from the overall story arc. I would have far preferred if the running time had been a tight 90 minutes just focused on Otto’s mission. One final comment on the script: did I mishear that Anna claimed to have a 6 year old child during an air raid scene? I know Emma Thompson looks great for her age, but….
Otto and Elise Hampel – the real life characters on which the film’s Otto and Anna Quangel were based.
I can’t finish this without commending the beautiful piano score of Alexandre Desplat. From the first note I knew it was him – he has such a characteristic style – and his clever use of the score complements the film exquisitely. “Small” films like this tend to rather disappear into the woodwork for Oscar consideration, but here’s a soundtrack that I think should be considered: (but what do I know… when “Nocturnal Animals” wasn’t even nominated in one of the Oscar crimes of the century!).
In summary, I found this a thoughtful and thought-provoking film, that – despite some of the mean reviews I’ve seen – I thought was well crafted and with excellent production design by Jean-Vincent Puzos (“Amour”). It will be particularly appreciated by older audiences looking for an untold story from the war, and by all lovers of fine acting performances by the three leads.
After losing their only son in the French campaign, Berliners Otto (Brendan Gleeson,”Harry Potter and the Goblet of Fire”) and Anna (Emma Thompson, “Saving Mr Banks“) turn against the regime and in repeated acts of rebellion Otto laboriously hand writes subversive postcards to leave in office blocks around Berlin.
Resistance is futile. Otto (Brendan Gleeson) and Anna (Emma Thompson) out on a new mission.
Out to catch him is local police investigator Escherich (Daniel Brühl) but in an age before CCTV that’s no easy task and with increasing SS pressure the stakes for Escherich steadily increase. For Otto and Anna, the stress is there but both are resigned to their fate: with their son stolen from them for an unjust cause they are an island of indifference in an unholy land. Both are ‘alone in Berlin’.
Daniel Brühl as police detective Escherich getting more than he bargained for from the SS.
After 70 years it still chills the blood to see German locations decked out in Nazi regalia, but one of the joys of this film is this rendering of life in wartime Berlin: starting with jubilation at German progress prior to D-Day and turning to despair and genuine danger as the tide turns towards 1945. In a pretty bleak film there are touches of black comedy now and then: Otto’s carpentry company is being encouraged “by the Fuhrer” to double and triple their output… of coffins.
A (very clean) Berlin, decked out with Nazi regalia.
More joy comes from the star turns of Gleeson and Thompson, both of who deliver on their emotionally challenging roles. Gleeson in particular makes a very believable German with a sour demeanor and a steely determination. But the star acting turn for me goes to the wonderful Daniel Brühl (“Rush“) as the tormented police detective, bullied into an ethical corner by the SS. The finale of the film – whilst not seeming quite believable – makes for a nicely unexpected twist.
The Nazi Womens’ League out on another fund-raising sweep, providing Thompson with one of her best scenes in the film with an Oberführer’s wife.
Based on a novel by Hans Fallada, the lead writing credits for the piece are shared between Achim von Borries and the director Vincent Perez – in a rare directorial outing for the Swiss actor. The script exudes a melancholic gloom and at times expresses beautifully both the grief and love shared by this older couple. But some of the dialogue needs more work and we don’t see enough of Thompson in the early part of the film where her motivations should be being developed. This rather comes down to a lack of focus by the director. While the primary story of the card distribution is slight, it is compelling and a detour into a sub-story about an old Jewish lodger living upstairs is unnecessary and detracts from the overall story arc. I would have far preferred if the running time had been a tight 90 minutes just focused on Otto’s mission. One final comment on the script: did I mishear that Anna claimed to have a 6 year old child during an air raid scene? I know Emma Thompson looks great for her age, but….
Otto and Elise Hampel – the real life characters on which the film’s Otto and Anna Quangel were based.
I can’t finish this without commending the beautiful piano score of Alexandre Desplat. From the first note I knew it was him – he has such a characteristic style – and his clever use of the score complements the film exquisitely. “Small” films like this tend to rather disappear into the woodwork for Oscar consideration, but here’s a soundtrack that I think should be considered: (but what do I know… when “Nocturnal Animals” wasn’t even nominated in one of the Oscar crimes of the century!).
In summary, I found this a thoughtful and thought-provoking film, that – despite some of the mean reviews I’ve seen – I thought was well crafted and with excellent production design by Jean-Vincent Puzos (“Amour”). It will be particularly appreciated by older audiences looking for an untold story from the war, and by all lovers of fine acting performances by the three leads.
Darren (1599 KP) rated Hustlers (2019) in Movies
Nov 28, 2019
Verdict: Stylish Crime Story
Story: Hustlers starts as we follow a young stripper Destiny (Wu) who is working to make sure her Grandmother (Ho0 is supported, she sees the more successful dancers in the club as she is trying to find her own place in the club, looking up to the most popular dancer Ramona (Lopez).
Ramona takes Destiny under her wing to teacher her more techniques, which should give her a chance to get more money, let alone showing her about the extra tricks she has been working on for years, getting the credit cards and taking their money, showing the money flying in, taking advantage of the Wall Street clients.
Thoughts on Hustlers
Characters – Destiny is the young woman who just wants to make enough money in her life for her Grandmother who has always supported her. She has a job as a stripper which sees her start small before learning how to bring in the big money, while her life might not go to plan after she has a kid, she returns to the life as a dancer which sees her take advantage of the wall street bankers. Ramona is the experience dancer, she gets most of the attention in the club and takes Destiny under her wing in a mentor role, they have one brilliant year before things change. Once they are out the club, she leads a bigger scheme which takes thousands from the clients bringing the girls together. Elizabeth is a journalist hearing the story from Destiny about what happened with the women, she wants to hear everything to see whether they knew and thought what they did was right. We do meet plenty of the fellow girls that joined in the plan, each has different motivations and different skill levels to be part of it.
Performances – Constance Wu in the leading role is wonderful and such a big change from last years Crazy Rich Asians, proving herself as an actress that can play both sides of the acting range. Jennifer Lopez shines as the confident seductive dancer, she looks the part with ease and steals every scene she is in. Julia Stiles brings the calm reporter that is asking most of the questions that we would be asking. The rest of the cast including the dancers do a great job too.
Story – The story here follows two strippers that start their own business where they look to make massive amounts of money by drugging wall street banks and using their cards to fill their financial needs. The story here shows how the plan starts off small, but soon leads to them going for bigger scores which leads to them taking bigger risks which they didn’t need to be getting involved in. while this is based on a true story, it does show that there wasn’t much of a punishment for the women either. The mentor friendship between Destiny and Ramona is great to see as we can see how they both need each other to get through the problems they might the facing.
Comedy/Crime – The crime side of the film mixes with the comedy which shows how the women were getting away with the crime for so long without being caught in the middle of being a full-blown comedy.
Settings – The film is set in New York which shows where the targets will have too much money for their own good, which makes them an easy target.
Scene of the Movie – The bad party.
That Moment That Annoyed Me – The time jump does take away something from the story.
Final Thoughts – This is a fun crime comedy that showed how a group of hustlers swindled money out of wall street bankers who would spend anything.
Overall: Fun throughout.
Story: Hustlers starts as we follow a young stripper Destiny (Wu) who is working to make sure her Grandmother (Ho0 is supported, she sees the more successful dancers in the club as she is trying to find her own place in the club, looking up to the most popular dancer Ramona (Lopez).
Ramona takes Destiny under her wing to teacher her more techniques, which should give her a chance to get more money, let alone showing her about the extra tricks she has been working on for years, getting the credit cards and taking their money, showing the money flying in, taking advantage of the Wall Street clients.
Thoughts on Hustlers
Characters – Destiny is the young woman who just wants to make enough money in her life for her Grandmother who has always supported her. She has a job as a stripper which sees her start small before learning how to bring in the big money, while her life might not go to plan after she has a kid, she returns to the life as a dancer which sees her take advantage of the wall street bankers. Ramona is the experience dancer, she gets most of the attention in the club and takes Destiny under her wing in a mentor role, they have one brilliant year before things change. Once they are out the club, she leads a bigger scheme which takes thousands from the clients bringing the girls together. Elizabeth is a journalist hearing the story from Destiny about what happened with the women, she wants to hear everything to see whether they knew and thought what they did was right. We do meet plenty of the fellow girls that joined in the plan, each has different motivations and different skill levels to be part of it.
Performances – Constance Wu in the leading role is wonderful and such a big change from last years Crazy Rich Asians, proving herself as an actress that can play both sides of the acting range. Jennifer Lopez shines as the confident seductive dancer, she looks the part with ease and steals every scene she is in. Julia Stiles brings the calm reporter that is asking most of the questions that we would be asking. The rest of the cast including the dancers do a great job too.
Story – The story here follows two strippers that start their own business where they look to make massive amounts of money by drugging wall street banks and using their cards to fill their financial needs. The story here shows how the plan starts off small, but soon leads to them going for bigger scores which leads to them taking bigger risks which they didn’t need to be getting involved in. while this is based on a true story, it does show that there wasn’t much of a punishment for the women either. The mentor friendship between Destiny and Ramona is great to see as we can see how they both need each other to get through the problems they might the facing.
Comedy/Crime – The crime side of the film mixes with the comedy which shows how the women were getting away with the crime for so long without being caught in the middle of being a full-blown comedy.
Settings – The film is set in New York which shows where the targets will have too much money for their own good, which makes them an easy target.
Scene of the Movie – The bad party.
That Moment That Annoyed Me – The time jump does take away something from the story.
Final Thoughts – This is a fun crime comedy that showed how a group of hustlers swindled money out of wall street bankers who would spend anything.
Overall: Fun throughout.
The Sweeney Sisters
Book
"This is a big-hearted belly-laugh of a book, told with wit and poignancy. Family secrets, laughter...
Sassy Brit (97 KP) rated The Hunger in Books
Jun 5, 2019
The Hunger by Alma Katsu is based on the true events of Donner Party tragedy where a party of pioneers travelling west came to a crossroads and the leader, George Donner had to make a decision to take the well documented but longer route across the desert towards California, or to take the untested path, which was rumoured to be far shorter. His decision could mean life or death to the families travelling with him.
It’s kind of funny that the first time I heard of the Donner Party was on one of my favourite horror films, The Shining, written by Stephen King and directed Stanley Kubrick. Jack Nicholson acting as the character Jack Torrance, mentions the Donner Party and it’s how the name came about for the Donner Pass on Interstate 80 in Northern California. Since hearing about this in the film I was eager to look it up, so when I read the synopsis of The Hunger, I had to read it!
This book is broken up into monthly sections starting from June 1846 to April 1847. The latter of which is actually the prologue and supplies the details of the findings of one man, Lewis Keseberg, the last known survivor of the Donna Party event. This makes for an intriguing hook for the rest of the book and I couldn’t wait to see what had happened. Why had no one else survived?
The Hunger is an atmospheric re-imagining of the Donner Party disaster, which blends true horror with the supernatural and is ideal for historical, paranormal and even dark horror fans! It’s full of drama, mystery, intrigue and is downright spooky. The tension Alma Katsu adds, it amazing! I really sympathised for the families, those that had no idea what was going on, and even those that were forced to survive the only way they knew how. I don’t think I’ve ever read a story about Westward migration that is so chilling! This is a study of human endurance tested to its very limits – and beyond. How far would YOU go in order to survive?
It’s kind of funny that the first time I heard of the Donner Party was on one of my favourite horror films, The Shining, written by Stephen King and directed Stanley Kubrick. Jack Nicholson acting as the character Jack Torrance, mentions the Donner Party and it’s how the name came about for the Donner Pass on Interstate 80 in Northern California. Since hearing about this in the film I was eager to look it up, so when I read the synopsis of The Hunger, I had to read it!
This book is broken up into monthly sections starting from June 1846 to April 1847. The latter of which is actually the prologue and supplies the details of the findings of one man, Lewis Keseberg, the last known survivor of the Donna Party event. This makes for an intriguing hook for the rest of the book and I couldn’t wait to see what had happened. Why had no one else survived?
The Hunger is an atmospheric re-imagining of the Donner Party disaster, which blends true horror with the supernatural and is ideal for historical, paranormal and even dark horror fans! It’s full of drama, mystery, intrigue and is downright spooky. The tension Alma Katsu adds, it amazing! I really sympathised for the families, those that had no idea what was going on, and even those that were forced to survive the only way they knew how. I don’t think I’ve ever read a story about Westward migration that is so chilling! This is a study of human endurance tested to its very limits – and beyond. How far would YOU go in order to survive?
