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Gareth von Kallenbach (971 KP) rated Overlord (2018) in Movies
Jul 2, 2019
June 6, 1944 is the day known around the world as D-Day. This historic day marks the massive invasion of France by the allied forces in an effort to regain the country from the hands of Germany and push back the mighty German war machine all the way to Berlin. There have been many movies, books, and even videogames about the invasion over the years, so even the biggest war buffs might be wondering…really, they made yet another movie about D-Day? Well, the movie Overlord is quite a bit different from anything we have even seen previously. This movie is still about Operation Overlord but does not focus on the amphibious assault and instead shows us the missions leading up to it. Still not unique enough for you? Well, in Overlord we have all the battles, weaponry and Nazis of an excellent war film but in true J.J. Abrams fashion we now also have ZOMBIES!
Overlord focuses on a small unit tasked to take out a radio tower atop a church in a small village in France. The unit led by Corporal Ford (Wyatt Russell) and comprised of fresh out of paratrooper training Privates Boyce (Jovan Adepo), Rosenfeld (Dominic Applewhite) and Tibbet (John Magaro) are the only survivors of the doomed mission, but understand that if they do not complete it, then the allied invasion will be without crucial air support. During their trek to the church they meet a young French woman from the village named Chloe (Mathilde Ollivier) who offers to accompany them and assist in taking out the radio tower.
When the ragtag team reach the village, it immediately becomes apparent that everything is not as it should be. They go to Chloe’s house to formulate their plan and are greeted by howling and grunting coming from a closed door down the hallway. Chloe states that her aunt also lives in the house and is very “sick” after being taken to the church by a German soldier. At the same time, through a series of unfortunate events, Private Boyce discovers a brutal laboratory where other villagers are also being made “sick”.
For those who have seen the preview of Overlord and expect it to be war-based horror movie may be a little disappointed. While there certainly are horrific events, and plenty of scenes fighting the undead, Overlord is much more about the atrocities that the Nazi regime inflicted on innocents in an effort to purse the 1000-year-old Reich. J.J. Abrams spins a tale about how a small group of dedicated soldiers can pull out the impossible, even when there are hordes of Nazi soldiers and undead monsters standing in their way and does this in a spectacular and very believable way. The movie seems far more realistic than it should considering we are talking about zombie soldiers, but the events unfold as if they could actually happen. The movie is less The Walking Dead and more Saving Private Ryan, focusing not so much on the undead creatures themselves, but more the experimentation and mad-scientist efforts to create the ultimate super soldier. The story was outstanding and how they depicted everything from the soldiers to the zombies was top notch.
The movie is beautifully shot, standing tall next to other war epics such as Saving Private Ryan or Dunkirk. Even though the main plot of the film isn’t the invasion itself, it goes to astonishing detail to show how massive the invasion truly was. The opening scene is both epic and terrifying and the horrors of war are explored throughout. The acting was also superb, leading you to immediately care about the team and root for their success in the mission.
If it is not already clear, I absolutely loved this movie! They did a masterful job of blending the war/horror genre in such a way, that it never overly feels like one versus the other. It’s an action packed, edge of your seat thriller, with just enough jump scares included to remind you that it is billed as a horror movie. Overlord is a very unique take on an unfortunate time in history and it is one of the best movies I’ve seen in 2018.
Overlord focuses on a small unit tasked to take out a radio tower atop a church in a small village in France. The unit led by Corporal Ford (Wyatt Russell) and comprised of fresh out of paratrooper training Privates Boyce (Jovan Adepo), Rosenfeld (Dominic Applewhite) and Tibbet (John Magaro) are the only survivors of the doomed mission, but understand that if they do not complete it, then the allied invasion will be without crucial air support. During their trek to the church they meet a young French woman from the village named Chloe (Mathilde Ollivier) who offers to accompany them and assist in taking out the radio tower.
When the ragtag team reach the village, it immediately becomes apparent that everything is not as it should be. They go to Chloe’s house to formulate their plan and are greeted by howling and grunting coming from a closed door down the hallway. Chloe states that her aunt also lives in the house and is very “sick” after being taken to the church by a German soldier. At the same time, through a series of unfortunate events, Private Boyce discovers a brutal laboratory where other villagers are also being made “sick”.
For those who have seen the preview of Overlord and expect it to be war-based horror movie may be a little disappointed. While there certainly are horrific events, and plenty of scenes fighting the undead, Overlord is much more about the atrocities that the Nazi regime inflicted on innocents in an effort to purse the 1000-year-old Reich. J.J. Abrams spins a tale about how a small group of dedicated soldiers can pull out the impossible, even when there are hordes of Nazi soldiers and undead monsters standing in their way and does this in a spectacular and very believable way. The movie seems far more realistic than it should considering we are talking about zombie soldiers, but the events unfold as if they could actually happen. The movie is less The Walking Dead and more Saving Private Ryan, focusing not so much on the undead creatures themselves, but more the experimentation and mad-scientist efforts to create the ultimate super soldier. The story was outstanding and how they depicted everything from the soldiers to the zombies was top notch.
The movie is beautifully shot, standing tall next to other war epics such as Saving Private Ryan or Dunkirk. Even though the main plot of the film isn’t the invasion itself, it goes to astonishing detail to show how massive the invasion truly was. The opening scene is both epic and terrifying and the horrors of war are explored throughout. The acting was also superb, leading you to immediately care about the team and root for their success in the mission.
If it is not already clear, I absolutely loved this movie! They did a masterful job of blending the war/horror genre in such a way, that it never overly feels like one versus the other. It’s an action packed, edge of your seat thriller, with just enough jump scares included to remind you that it is billed as a horror movie. Overlord is a very unique take on an unfortunate time in history and it is one of the best movies I’ve seen in 2018.
Ivana A. | Diary of Difference (1171 KP) rated Close to Home in Books
Oct 2, 2020
Close To Home is, I believe, the first mystery/thriller book I have given one star to. I had very high hopes for this one. And it crashed my hopes quite hard.
Close To Home is the first book in a series called DI Adam Fawley. The books are not related to themselves and can be read as standalones. They all feature the detective Fawley, therefore the series solution. Something similar to Dan Brown's series. I listened to the audio book, and I think that the format might have a little blame on my rating.
In this book, the 8-year-old girl Daisy Mason disappears from her parents's summer party. No one in the neighbourhood saw anything, not even the parents, and the detective is trying to keep an open mind in this whole situation, as someone is clearly lying.
The story begins with an interesting premise, and I loved the initial interviews that are happening, right after the disappearance. And after this initial moment, everything goes downhill.
There are many twists in this book, and they all are happening based on dumn luck or weird circumstances.
I would understand if this happened once or twice, but they have solved the whole mystery with coincidences happening one after another as well as random plot lines being added in the middle of nowhere, just to keep the story going.
Oh - we're running out of clues. Let's add a secret random second family the dad has. Oh - we're running out of clues again. Let's add a suspicious background for the mother. And now, let's make both these events come up at them at the same time, right when we're trying to solve an investigation. And now, let's add a mental issue with the brother. (Despite receiving all doctor's reports at the beginning)...
Too many events that came up afterwards and that I still have trouble to believe could make sense.
And on top of all this, I need to mention that the book doesn't have chapters as such. The parts are split with excerpts from social media. Something which I truly believe I would have enjoyed if I read the book. But instead, I was listening to it. And it is so annoying.
The below excerpt is not a quote, as I don't have the paperback copy. However, it does represent the true format of how this sounded in the audiobook:
Twenty-ninth of October, nine twenty five.
Angela G Bettaton at angela dot g bettaton. I hope they find the person that took Daisy. Hashtag Daisy Mason. Hashtag Find Daisy.
Mike eighty seven at mike dot eight seven The person that did this should take responsibility. Hashtag Find Daisy. Hashtag Missing Girl.
The ending - it just wasn't worth the wait, and it was the most unsatisfying ending I have ever encountered in mystery novels.
I regret picking this book up and I regret reading it. I really wish I love it, as I was looking forward to Cara Hunter's new novel, but now, I am not so sure anymore.
If you think you might enjoy it, please pick it up! Perhaps you might love it, who knows!
Close To Home is the first book in a series called DI Adam Fawley. The books are not related to themselves and can be read as standalones. They all feature the detective Fawley, therefore the series solution. Something similar to Dan Brown's series. I listened to the audio book, and I think that the format might have a little blame on my rating.
In this book, the 8-year-old girl Daisy Mason disappears from her parents's summer party. No one in the neighbourhood saw anything, not even the parents, and the detective is trying to keep an open mind in this whole situation, as someone is clearly lying.
The story begins with an interesting premise, and I loved the initial interviews that are happening, right after the disappearance. And after this initial moment, everything goes downhill.
There are many twists in this book, and they all are happening based on dumn luck or weird circumstances.
I would understand if this happened once or twice, but they have solved the whole mystery with coincidences happening one after another as well as random plot lines being added in the middle of nowhere, just to keep the story going.
Oh - we're running out of clues. Let's add a secret random second family the dad has. Oh - we're running out of clues again. Let's add a suspicious background for the mother. And now, let's make both these events come up at them at the same time, right when we're trying to solve an investigation. And now, let's add a mental issue with the brother. (Despite receiving all doctor's reports at the beginning)...
Too many events that came up afterwards and that I still have trouble to believe could make sense.
And on top of all this, I need to mention that the book doesn't have chapters as such. The parts are split with excerpts from social media. Something which I truly believe I would have enjoyed if I read the book. But instead, I was listening to it. And it is so annoying.
The below excerpt is not a quote, as I don't have the paperback copy. However, it does represent the true format of how this sounded in the audiobook:
Twenty-ninth of October, nine twenty five.
Angela G Bettaton at angela dot g bettaton. I hope they find the person that took Daisy. Hashtag Daisy Mason. Hashtag Find Daisy.
Mike eighty seven at mike dot eight seven The person that did this should take responsibility. Hashtag Find Daisy. Hashtag Missing Girl.
The ending - it just wasn't worth the wait, and it was the most unsatisfying ending I have ever encountered in mystery novels.
I regret picking this book up and I regret reading it. I really wish I love it, as I was looking forward to Cara Hunter's new novel, but now, I am not so sure anymore.
If you think you might enjoy it, please pick it up! Perhaps you might love it, who knows!
Gareth von Kallenbach (971 KP) rated Casino Royale (2006) in Movies
Aug 14, 2019
In an effort to breathe life into franchises, Hollywood, has looked to remaking franchises instead of adding sequels. This is a stark contrast to remaking a film 10-20 years after the original film appeared, rather the new trend is to start series anew, in effect wiping away the previous history and continuity of the past films in the series.
The idea is that rather than let several years pass in a series, or creating another sequel, filmmaker will go back to the beginning and start anew, in order to propel the franchise forward.
While remakes are nothing new in Hollywood, the idea to revamp series that recently had sequels is gaining ground. With the classic Horror film “Halloween” about to be remade, it seems that Hollywood is taking a long hard look at this new trend.
Perhaps the biggest example of this trend is in the new James Bond film Casino Royale, which introduces Daniel Craig as the new 007. The film takes the controversial twist to show the first mission of Bond and how he earned the rank of 00.
The twist is that the film takes place in the modern day and for the most part, casts aside all previous history and continuity that has been established by decades of Bond films.
The story involves bond on the trail of a Le Chiffre (Mads Mikkelsen), a man who makes his living laundering money for various insurgents thus providing them cash for their terrorist and military missions.
In exotic locales ranging from the Caribbean to Montenegro Bond soon finds himself facing off against Le Chiffre in a high-stakes poker game in order to defeat Le Chiffre and thus cripple him and his network.
Of course there are plenty of subplots, and some great action sequences especially a thrilling chase in a construction site and a break neck chase in an airport that underscores that the series still have plenty of life in it and always sets the standards for stunt work in action films.
That being said the film has its issues. First, it is to long, and lengthy sequences past without action or dynamic tension. I know this is a film based on a card game, but I come to a Bond film expecting action, sex, and thrills, not a series of poker games that cover nearly 30 minutes with precious little action between them.
In addition, there is precious little romance in the film. Sure there are gorgeous women and Bond never fails to charm them, but, how many times has Bond ever passed up spending the night with a woman, simply to get out of town fast to pursue a lead. I am sure Sean Connery’s Bond would have found the time to do both with his typical style.
This is not to say that Craig is bad in his role as he does a darker and much grittier Bond than we have previously films which will serve the franchise well in the future.
What concerns me most is that from the books and all previous history, Bond is an orphan of noble birth and is a member of upper society and radiates class, sophistication and nobility, and this was evident from his early years all through his recruitment from the Royal Navy into the ranks of espionage.
Craig’s Bond does not show these qualities but rather comes across as a common Joe who is playing the part of a heavy. The appeal of Bond is underscored by the fact that he is a suave individual who can bend a person to his will as easily as he can kill without mercy or regret.
While I do not like the decision to remake the franchise, I will say that the film was much better than I expected it to be and is one of the better Bonds in recent years. Here is hoping that for the next time out, the reigns are loosed on Craig so we can allow him to interpret Bond in a way that is original and fresh, yet stays true to the source material and history of the character.
The idea is that rather than let several years pass in a series, or creating another sequel, filmmaker will go back to the beginning and start anew, in order to propel the franchise forward.
While remakes are nothing new in Hollywood, the idea to revamp series that recently had sequels is gaining ground. With the classic Horror film “Halloween” about to be remade, it seems that Hollywood is taking a long hard look at this new trend.
Perhaps the biggest example of this trend is in the new James Bond film Casino Royale, which introduces Daniel Craig as the new 007. The film takes the controversial twist to show the first mission of Bond and how he earned the rank of 00.
The twist is that the film takes place in the modern day and for the most part, casts aside all previous history and continuity that has been established by decades of Bond films.
The story involves bond on the trail of a Le Chiffre (Mads Mikkelsen), a man who makes his living laundering money for various insurgents thus providing them cash for their terrorist and military missions.
In exotic locales ranging from the Caribbean to Montenegro Bond soon finds himself facing off against Le Chiffre in a high-stakes poker game in order to defeat Le Chiffre and thus cripple him and his network.
Of course there are plenty of subplots, and some great action sequences especially a thrilling chase in a construction site and a break neck chase in an airport that underscores that the series still have plenty of life in it and always sets the standards for stunt work in action films.
That being said the film has its issues. First, it is to long, and lengthy sequences past without action or dynamic tension. I know this is a film based on a card game, but I come to a Bond film expecting action, sex, and thrills, not a series of poker games that cover nearly 30 minutes with precious little action between them.
In addition, there is precious little romance in the film. Sure there are gorgeous women and Bond never fails to charm them, but, how many times has Bond ever passed up spending the night with a woman, simply to get out of town fast to pursue a lead. I am sure Sean Connery’s Bond would have found the time to do both with his typical style.
This is not to say that Craig is bad in his role as he does a darker and much grittier Bond than we have previously films which will serve the franchise well in the future.
What concerns me most is that from the books and all previous history, Bond is an orphan of noble birth and is a member of upper society and radiates class, sophistication and nobility, and this was evident from his early years all through his recruitment from the Royal Navy into the ranks of espionage.
Craig’s Bond does not show these qualities but rather comes across as a common Joe who is playing the part of a heavy. The appeal of Bond is underscored by the fact that he is a suave individual who can bend a person to his will as easily as he can kill without mercy or regret.
While I do not like the decision to remake the franchise, I will say that the film was much better than I expected it to be and is one of the better Bonds in recent years. Here is hoping that for the next time out, the reigns are loosed on Craig so we can allow him to interpret Bond in a way that is original and fresh, yet stays true to the source material and history of the character.
Emma @ The Movies (1786 KP) rated Valerian and the City of a Thousand Planets (2017) in Movies
Sep 25, 2019
The story of Valerian is a good one. We open on Mül, a idyllic place of peace and a simple life. But this peace is shattered when fire rains from the sky devastating the entire planet. The last moment of Mül sees the Princess, doomed to die in the explosion, release her energy into the universe, through time and space.
Valerian, sunning himself on his ship, is hit with a sudden vision of the cataclysm on Mül. Unsure about it's meaning he goes back to the task at hand, retrieving a relic from some disreputable people on the black market. The "converter" is the last of it's kind in the universe, it will eat anything and rapidly replicate it, and as such is a very valuable commodity.
The mission is to return the converter to Alpha station. But when they arrive they discover that the station has been infected with something right at its heart. It's spreading, and all those that enter do not come back. When events lead to Valerian being drawn into the infected area, Laureline isn't willing to give up hope, and she battles her way in. Once she's reunited with Valerian they work travel to the centre of the station and discover the shocking truth about how the infection began...
The film is based on Valerian and Laureline, a French sci-fi comic series written by Pierre Christin and illustrated by Jean-Claude Mézières. I have got the first one to read, but as is my tradition, I have yet to do so. The first one is available free on Kindle at the moment if anybody is that way inclined. I expect that it will get a much better reaction in Europe than it seem to have done in the States, which is a bit of a shame. Possibly the way to go would have been with bigger stars, but *shrugs shoulders* it's too late now.
As I said, the story itself is a good one, and while people are nit picking and saying there are plot holes... there aren't if you don't look for them. I have this horrible ability to just watch a film for what it is, if you just go and see something to have some fun you don't notice any of that. It's a horribly nice way to be able to live my life, I enjoy a lot more things that way.
What I'm about to say is going to contradict my overall feeling for the film... I didn't really enjoy Dane DeHaan or Cara Delevingne. I had originally thought that I hadn't seen DeHaan in anything before, but was soon getting recollections of The Amazing Spider-Man 2. Scrolling through Delevingne's few years of films I've only seen Suicide Squad, and her acting as a "real person" is quite a small piece in that. While I can't think of anyone who would have perfectly suited either role, I feel like many other actors could have done an equal, or better, performance.
You get a wonderful introduction to what the station is, and has become. And we're treated to the potted history of alien species, several of which would sit quite nicely in the Whoniverse. I'm quite looking forward to reading the graphic novel. I can see stories unfolding in the different sections of the station, and that works. It almost feels like it would have made an amazing TV series, because it is essentially Star Trek with glitzier aliens and ecosystems.
As far as the secondary characters go we're treated to several memorable moments. Including Ethan Hawke as Jolly the Pimp, which is as flamboyant as you'd expect. Clive Owen as Commander Filitt, stern and ruthless, the sort who would stab you in the back (or the front) for his own gain. Sam Spruell as General Okto-Bar, who acted his part incredibly well... I'm honestly surprised I've not seen any of the other things he's been in, but I will be checking them out. Rihanna as Bubble, I'm a little surprised about how much I heard about her being in this considering how short her role is. But the same is true of a few things I've seen recently. We first meet her at Jolly's den of iniquity, where the music video training definitely came in handy.
As a whole the film moves along smoothly, with only a few little bits that seemed like they didn't belong, or could have been cut out. Unlike other films though, these little additions didn't harm the overall product.
Here is where my love for the film takes a steep nose-drive. Imagine crying with joy to resting bitch-face in the space of a few seconds. The 3D was hideous. I can't even think of a nice thing to say about it.
When the scenes were general crowd shots or indoors, everything was fine... although these shots didn't really benefit from the effect. The exterior shots however, in my not so expert opinion, were a terrible idea. I found some of them actually painful to watch, particularly long range shots of Alpha with ships coming in to dock. It was near on impossible to deal with the perspective as there was so much happening. For the last half of the film I took my 3D glasses off every time these shots appeared on screen as my head was rapidly starting to hurt, and I wasn't the only one having trouble.
If it wasn't for the painful exterior shots I honestly would have forgotten I was watching the film in 3D. Unlike other 3D films, you weren't aware that things were coming out of the screen at you. Not once.
I really don't want to be so negative about this film, it was an enjoyable watch (without the optical illusion created by the 3D). I would recommend it to anyone who has a passing interest in sci-fi and adaptations of comics. And I feel like, if nothing else, it might get the graphic novels themselves more circulation outside of Europe.
But please... watch it in 2D.
Valerian, sunning himself on his ship, is hit with a sudden vision of the cataclysm on Mül. Unsure about it's meaning he goes back to the task at hand, retrieving a relic from some disreputable people on the black market. The "converter" is the last of it's kind in the universe, it will eat anything and rapidly replicate it, and as such is a very valuable commodity.
The mission is to return the converter to Alpha station. But when they arrive they discover that the station has been infected with something right at its heart. It's spreading, and all those that enter do not come back. When events lead to Valerian being drawn into the infected area, Laureline isn't willing to give up hope, and she battles her way in. Once she's reunited with Valerian they work travel to the centre of the station and discover the shocking truth about how the infection began...
The film is based on Valerian and Laureline, a French sci-fi comic series written by Pierre Christin and illustrated by Jean-Claude Mézières. I have got the first one to read, but as is my tradition, I have yet to do so. The first one is available free on Kindle at the moment if anybody is that way inclined. I expect that it will get a much better reaction in Europe than it seem to have done in the States, which is a bit of a shame. Possibly the way to go would have been with bigger stars, but *shrugs shoulders* it's too late now.
As I said, the story itself is a good one, and while people are nit picking and saying there are plot holes... there aren't if you don't look for them. I have this horrible ability to just watch a film for what it is, if you just go and see something to have some fun you don't notice any of that. It's a horribly nice way to be able to live my life, I enjoy a lot more things that way.
What I'm about to say is going to contradict my overall feeling for the film... I didn't really enjoy Dane DeHaan or Cara Delevingne. I had originally thought that I hadn't seen DeHaan in anything before, but was soon getting recollections of The Amazing Spider-Man 2. Scrolling through Delevingne's few years of films I've only seen Suicide Squad, and her acting as a "real person" is quite a small piece in that. While I can't think of anyone who would have perfectly suited either role, I feel like many other actors could have done an equal, or better, performance.
You get a wonderful introduction to what the station is, and has become. And we're treated to the potted history of alien species, several of which would sit quite nicely in the Whoniverse. I'm quite looking forward to reading the graphic novel. I can see stories unfolding in the different sections of the station, and that works. It almost feels like it would have made an amazing TV series, because it is essentially Star Trek with glitzier aliens and ecosystems.
As far as the secondary characters go we're treated to several memorable moments. Including Ethan Hawke as Jolly the Pimp, which is as flamboyant as you'd expect. Clive Owen as Commander Filitt, stern and ruthless, the sort who would stab you in the back (or the front) for his own gain. Sam Spruell as General Okto-Bar, who acted his part incredibly well... I'm honestly surprised I've not seen any of the other things he's been in, but I will be checking them out. Rihanna as Bubble, I'm a little surprised about how much I heard about her being in this considering how short her role is. But the same is true of a few things I've seen recently. We first meet her at Jolly's den of iniquity, where the music video training definitely came in handy.
As a whole the film moves along smoothly, with only a few little bits that seemed like they didn't belong, or could have been cut out. Unlike other films though, these little additions didn't harm the overall product.
Here is where my love for the film takes a steep nose-drive. Imagine crying with joy to resting bitch-face in the space of a few seconds. The 3D was hideous. I can't even think of a nice thing to say about it.
When the scenes were general crowd shots or indoors, everything was fine... although these shots didn't really benefit from the effect. The exterior shots however, in my not so expert opinion, were a terrible idea. I found some of them actually painful to watch, particularly long range shots of Alpha with ships coming in to dock. It was near on impossible to deal with the perspective as there was so much happening. For the last half of the film I took my 3D glasses off every time these shots appeared on screen as my head was rapidly starting to hurt, and I wasn't the only one having trouble.
If it wasn't for the painful exterior shots I honestly would have forgotten I was watching the film in 3D. Unlike other 3D films, you weren't aware that things were coming out of the screen at you. Not once.
I really don't want to be so negative about this film, it was an enjoyable watch (without the optical illusion created by the 3D). I would recommend it to anyone who has a passing interest in sci-fi and adaptations of comics. And I feel like, if nothing else, it might get the graphic novels themselves more circulation outside of Europe.
But please... watch it in 2D.
Bob Mann (459 KP) rated Alita: Battle Angel (2019) in Movies
Sep 28, 2021
A Berserk Excursion Down Uncanny Valley.
“I see you”. James Cameron‘s fingerprints are all over this one, as producer ahead of his threatened (and with this movie-goer, entirely unwanted) Avatar sequels. Alita is a huge great smelly CGI mess of a film, but quite fun with it.
The Plot.
Christophe Waltz plays Dr. Dyson (no, not that one), a cyber-surgeon in the 24th century whose job is to give cyber/human crossovers (which just about everyone now seems to be) a ‘service’ to get them back on the road again.
Hanging over Iron City – in just the same way as bricks don’t – is a huge floating cloud city called Zalem (“What keeps it up?”; “Engineering!”). A stream of detritus falls from the city into the scrap yards below, and Dr Dyson scavenges through the mess for parts. He discovers that the best way to get ahead in business is to… get a head! In this case, it’s the head and upper torso of a female ‘teenage’ cyber-girl who he finds to be still alive and who he names “Alita”.
But Alita (Rosa Salazar) isn’t just any teenage girl. When fitted out with a new body, one very precious to Dyson, Alita proves to have massive strength and dexterity which sets her up to trial for the national sport of Motorball: a no-holds-barred race around an arena to capture and keep a ball. Her love interest, Hugo (Keean Johnson), can help her in that department.
But dark forces are also in play and the agents of Nova, the Zalem-overseer, have great interest in destroying Alita before she can damage his plans.
What a mess!
I’ve significantly simplified the plot and reduced the characters referenced. There are so many different things going on here, it’s like they’ve made Back to the Future I, II and III and squeezed them all into one film. There’s Dyson’s ex-wife Chiran (Jennifer Connolly) and her partner in crime Vector (Maherashala Ali); there’s their pet thug called Grewishka (Jackie Earle Haley); there’s a bunch of “Hunter-Warriors” including a vicious sword-wielding guy called Zapan (Ed Skrein); there’s a kind of “Lost Boys” vibe to Hugo’s pals including Alita-hater Tanji (Jorge Lendeborg Jr.); etc. etc. etc. It’s a huge great sprawling mess of a plot.
The movie is also highly derivative, and watching it feels like you are working through a mental set of check-boxes of the films it apes: Wall-E (check); Elysium (check); Terminator (check); Rollerball (if you’re old enough to remember that one) (check); even some Harry Potter quidditch thrown in for good measure.
Urm… berserk dialogue.
The story is based on a Manga work by Yukito Kishiro, but the script by James Cameron, director Robert Rodriquez and Laeta Kalogridis has some bat-shit crazy moments.
Remembering that Cameron in Avatar brought us the mineral ‘unobtainium’ there are similar ‘jolt yourself awake’ moments here. At one point Waltz starts talking about what sounds like “Panda c***s”…. I’m sorry… what?? (This was clearly an episode of David Attenborough’s “Life on Earth” that passed me by! Although frankly, if male pandas took a bit more interest in panda c***s, that wouldn’t necessarily be a bad thing. But I digress….)
The turns.
What stands out if the quality of the cast. Who wouldn’t kill to have Waltz, Connolly and Ali starring in their film? The inclusion of Maherashala Ali in here was a surprise to me. I know he has had a part in “The Hunger Games” series, but this is surely (Marvel must be kicking themselves) his most ‘mainstream’ film to date. And he again really shows his class, bringing a gravitas to all the scenes he’s in.
It was also interesting to see Ed Skrein in a movie for the second time in a month. He was the racist cop in “If Beale Street Could Talk“, and here he plays an equally unpleasant character with a sideline in vanity.
Also good fun is to see the cameo of who plays Nova in the final scene of the film. I was not expecting that.
But the film lives and dies on believing Alita, and after you get used to the rather spooky ‘uncanny valley’ eyes, Rosa Salazar really breathes life into the android character: you can really believe its a teenage android girl developing her understanding of the world and of love. (We’ll gloss over the age thing here which doesn’t make a lot of sense!). One thing’s for sure, when Alita gives her heart to a boy, she really gives her heart to a boy!
Will I like it?
I was not expecting to, but did. It’s a big, brash, loud CGI-stuffed adventure, but well done and visually appealing (as you would expect given the director is Robert Rodriguez of “Sin City” fame). The BBFC have given it a 12A rating in the UK, which feels appropriate: there are some pretty graphic scenes of violence (true they are “mostly involving robots fighting each other” as the BBFC says, but not all). That would make it not very suitable for younger children.
But I was entertained. You might well be too.
The Plot.
Christophe Waltz plays Dr. Dyson (no, not that one), a cyber-surgeon in the 24th century whose job is to give cyber/human crossovers (which just about everyone now seems to be) a ‘service’ to get them back on the road again.
Hanging over Iron City – in just the same way as bricks don’t – is a huge floating cloud city called Zalem (“What keeps it up?”; “Engineering!”). A stream of detritus falls from the city into the scrap yards below, and Dr Dyson scavenges through the mess for parts. He discovers that the best way to get ahead in business is to… get a head! In this case, it’s the head and upper torso of a female ‘teenage’ cyber-girl who he finds to be still alive and who he names “Alita”.
But Alita (Rosa Salazar) isn’t just any teenage girl. When fitted out with a new body, one very precious to Dyson, Alita proves to have massive strength and dexterity which sets her up to trial for the national sport of Motorball: a no-holds-barred race around an arena to capture and keep a ball. Her love interest, Hugo (Keean Johnson), can help her in that department.
But dark forces are also in play and the agents of Nova, the Zalem-overseer, have great interest in destroying Alita before she can damage his plans.
What a mess!
I’ve significantly simplified the plot and reduced the characters referenced. There are so many different things going on here, it’s like they’ve made Back to the Future I, II and III and squeezed them all into one film. There’s Dyson’s ex-wife Chiran (Jennifer Connolly) and her partner in crime Vector (Maherashala Ali); there’s their pet thug called Grewishka (Jackie Earle Haley); there’s a bunch of “Hunter-Warriors” including a vicious sword-wielding guy called Zapan (Ed Skrein); there’s a kind of “Lost Boys” vibe to Hugo’s pals including Alita-hater Tanji (Jorge Lendeborg Jr.); etc. etc. etc. It’s a huge great sprawling mess of a plot.
The movie is also highly derivative, and watching it feels like you are working through a mental set of check-boxes of the films it apes: Wall-E (check); Elysium (check); Terminator (check); Rollerball (if you’re old enough to remember that one) (check); even some Harry Potter quidditch thrown in for good measure.
Urm… berserk dialogue.
The story is based on a Manga work by Yukito Kishiro, but the script by James Cameron, director Robert Rodriquez and Laeta Kalogridis has some bat-shit crazy moments.
Remembering that Cameron in Avatar brought us the mineral ‘unobtainium’ there are similar ‘jolt yourself awake’ moments here. At one point Waltz starts talking about what sounds like “Panda c***s”…. I’m sorry… what?? (This was clearly an episode of David Attenborough’s “Life on Earth” that passed me by! Although frankly, if male pandas took a bit more interest in panda c***s, that wouldn’t necessarily be a bad thing. But I digress….)
The turns.
What stands out if the quality of the cast. Who wouldn’t kill to have Waltz, Connolly and Ali starring in their film? The inclusion of Maherashala Ali in here was a surprise to me. I know he has had a part in “The Hunger Games” series, but this is surely (Marvel must be kicking themselves) his most ‘mainstream’ film to date. And he again really shows his class, bringing a gravitas to all the scenes he’s in.
It was also interesting to see Ed Skrein in a movie for the second time in a month. He was the racist cop in “If Beale Street Could Talk“, and here he plays an equally unpleasant character with a sideline in vanity.
Also good fun is to see the cameo of who plays Nova in the final scene of the film. I was not expecting that.
But the film lives and dies on believing Alita, and after you get used to the rather spooky ‘uncanny valley’ eyes, Rosa Salazar really breathes life into the android character: you can really believe its a teenage android girl developing her understanding of the world and of love. (We’ll gloss over the age thing here which doesn’t make a lot of sense!). One thing’s for sure, when Alita gives her heart to a boy, she really gives her heart to a boy!
Will I like it?
I was not expecting to, but did. It’s a big, brash, loud CGI-stuffed adventure, but well done and visually appealing (as you would expect given the director is Robert Rodriguez of “Sin City” fame). The BBFC have given it a 12A rating in the UK, which feels appropriate: there are some pretty graphic scenes of violence (true they are “mostly involving robots fighting each other” as the BBFC says, but not all). That would make it not very suitable for younger children.
But I was entertained. You might well be too.
Fred (860 KP) rated the PlayStation 4 version of Red Dead Redemption 2 in Video Games
Dec 4, 2018
Beautiful humongous world (5 more)
Tons to do. Hours & hours of stuff.
Great acting and characters
Lots of Easter eggs
Wonderful music
Great story
That feckin robin (2 more)
Big world means lots of riding
New Austin is kind of dead
Rockstar let my mama's baby grow up to be a cowboy
Yes, I'm a little late to this party, but I wanted to play until I completed the game & today, I finally did. I've also played a few hours of the online beta, but I'll get to that later.
Let's start with what this game is about. It's an open world game, set in the old west. It's set before the events of Red Dead Redemption. In that game, you played as John Marston. In that game, John was a man trying to change his life. He was a criminal, a thief, a murderer, but he's gone straight In this game, you play as Arthur Morgan. A criminal in the same gang with John. He is a bad guy, no doubt. But throughout the game, he has many opportunities to do good. Of course, you can play him that way, or you can play him as a heartless bastard. This will effect some of the story, the dialogue & the ending of the game. I played the game as if Arthur was a good guy inside & the ending I got was very satisfying, very emotional.
For most of the story, you're on the run with your gang, setting up different camps throughout the map, evading rival gangs & the law. This is a great way to get to know the world, however, you're free to explore most of the map freely. It is enormous & gorgeous. Some of the best scenery I've seen in a game. Sometimes you will really feel you're living in a real world. And that's the greatest thing about this game. The immersion. You really feel like you're living the life of your character. And Rockstar did that by making you take care of your character. You shave, bathe, eat & take care of your horse. Yes, you name your horse, feed it, brush it, pet it. You get very attached to it, as it is your main way of getting around. If your horse dies, it's gone. And believe me, it hurts to lose your horse.
Rockstar fills the game with so many missions, side activities, random encounters & hidden Easter eggs that it will take you weeks to do them all. I've been playing since day one, an average of 6 to 7 hours a day, & today, 5 & a half weeks later, I finally got 100% in the game. To be honest, when I first started, I spent lots of time just riding around, finding activities & hidden goodies & enjoying the scenery. Like most of their games, there's a supernatural element to some things as well as supernatural encounters. Steampunk, monsters, etc... a little bit of everything. Some encounters are funny, some terrifying, all of them cool.
I think what makes this game different & better than it's predecessor is the characters themselves. I'm not talking about the main characters alone, I'm talking about the people who litter the world. In RDR, some of the characters were silly, off-the-wall & unnatural. They were cartoonish. In RDR2, the people are real. Some may be weird and a bit crazy, but they never feel fake. They never feel like a character. Because of this, the world lives. They breathe life into it with every interaction. From the
Civil War veterans to the blind beggar, to the racist jackass standing on the corner in Saint Denis handing out pro-white pamphlets. They really make you feel like you're there. Again, immersion.
Some of the things you can do besides the missions are rob people, trains, coaches, banks. Another thing is hunting. Hunting can be a great way to make money. During the game, there are many challenges that you can undertake as well. There's are 9 categories with 10 challenges to each that can be done at your leisure. I left a lot of these to do last. I honestly didn't think I'd be able to do some of them. They just seemed ridiculous. But funny enough, I did about 50 of the last challenges within 2 days. And when I finished, I expected my 100% trophy to pop up. But it didn't. I was at 99%. What the? Looking at my completion list, there was something under the collections section that said unknown collection. Searching the internet, I found that most sites didn't have it listed. But I finally found a site that did. The last collection was the hunting challenge. And this brings us to that feckin robin.
Okay, let me explain. The hunting challenge you are given is to kill 5 different lists of animals. Each animal must be a perfect carcass. Which means, they have to be of perfect quality before you kill them & you must not damage them while killing them. Well, all of these animals are small animals. And most of them are small birds. It was fairly easy to get most of these animals. But there was one that was a huge pain in the ass. Can you guess what it was? Yes, a robin. A small, fast bird that is so rare, there are pages & videos galore on finding one. Most of which as total bollocks. How do I know? I spent over 7 hours trying to find one. Going to all these spots, seeing 3 of them total, shooting one & ruining it's carcass, & missing the other 2 based on their disappearance through the trees. I was really going to give up. So close, but so far. Luckily, using some people's hints & coming up with my own, I finally figured out how to get him. And it then took me 15 minutes. Yes, 15 minutes with 7 hours of wasted time. I am putting this as a negative, because it was really ridiculous to try to hunt this thing. So aggrivating. I understand if they want to make something rare, but it's just not nice. I felt like Rockstar was pulling a joke on it's players.
But anyway, this still doesn't bring down my score of the game. It's one of the greatest games I've ever played. But Rockstar has many perfect 10 games under it's belt in my opinion, including RDR. Is this game better. Yes, I think so. But it's oh so close.
A quick word on RDR online. It's only in beta, so I can't give a true review yet. However, I'm finding it so much fun doing missions with other people. Of course, there are jackasses going around shooting people for no reason. It gives no benefit to do so. Not all of the features are in there yet, but I will be playing when it goes to full online & will giv an update.
Let's start with what this game is about. It's an open world game, set in the old west. It's set before the events of Red Dead Redemption. In that game, you played as John Marston. In that game, John was a man trying to change his life. He was a criminal, a thief, a murderer, but he's gone straight In this game, you play as Arthur Morgan. A criminal in the same gang with John. He is a bad guy, no doubt. But throughout the game, he has many opportunities to do good. Of course, you can play him that way, or you can play him as a heartless bastard. This will effect some of the story, the dialogue & the ending of the game. I played the game as if Arthur was a good guy inside & the ending I got was very satisfying, very emotional.
For most of the story, you're on the run with your gang, setting up different camps throughout the map, evading rival gangs & the law. This is a great way to get to know the world, however, you're free to explore most of the map freely. It is enormous & gorgeous. Some of the best scenery I've seen in a game. Sometimes you will really feel you're living in a real world. And that's the greatest thing about this game. The immersion. You really feel like you're living the life of your character. And Rockstar did that by making you take care of your character. You shave, bathe, eat & take care of your horse. Yes, you name your horse, feed it, brush it, pet it. You get very attached to it, as it is your main way of getting around. If your horse dies, it's gone. And believe me, it hurts to lose your horse.
Rockstar fills the game with so many missions, side activities, random encounters & hidden Easter eggs that it will take you weeks to do them all. I've been playing since day one, an average of 6 to 7 hours a day, & today, 5 & a half weeks later, I finally got 100% in the game. To be honest, when I first started, I spent lots of time just riding around, finding activities & hidden goodies & enjoying the scenery. Like most of their games, there's a supernatural element to some things as well as supernatural encounters. Steampunk, monsters, etc... a little bit of everything. Some encounters are funny, some terrifying, all of them cool.
I think what makes this game different & better than it's predecessor is the characters themselves. I'm not talking about the main characters alone, I'm talking about the people who litter the world. In RDR, some of the characters were silly, off-the-wall & unnatural. They were cartoonish. In RDR2, the people are real. Some may be weird and a bit crazy, but they never feel fake. They never feel like a character. Because of this, the world lives. They breathe life into it with every interaction. From the
Civil War veterans to the blind beggar, to the racist jackass standing on the corner in Saint Denis handing out pro-white pamphlets. They really make you feel like you're there. Again, immersion.
Some of the things you can do besides the missions are rob people, trains, coaches, banks. Another thing is hunting. Hunting can be a great way to make money. During the game, there are many challenges that you can undertake as well. There's are 9 categories with 10 challenges to each that can be done at your leisure. I left a lot of these to do last. I honestly didn't think I'd be able to do some of them. They just seemed ridiculous. But funny enough, I did about 50 of the last challenges within 2 days. And when I finished, I expected my 100% trophy to pop up. But it didn't. I was at 99%. What the? Looking at my completion list, there was something under the collections section that said unknown collection. Searching the internet, I found that most sites didn't have it listed. But I finally found a site that did. The last collection was the hunting challenge. And this brings us to that feckin robin.
Okay, let me explain. The hunting challenge you are given is to kill 5 different lists of animals. Each animal must be a perfect carcass. Which means, they have to be of perfect quality before you kill them & you must not damage them while killing them. Well, all of these animals are small animals. And most of them are small birds. It was fairly easy to get most of these animals. But there was one that was a huge pain in the ass. Can you guess what it was? Yes, a robin. A small, fast bird that is so rare, there are pages & videos galore on finding one. Most of which as total bollocks. How do I know? I spent over 7 hours trying to find one. Going to all these spots, seeing 3 of them total, shooting one & ruining it's carcass, & missing the other 2 based on their disappearance through the trees. I was really going to give up. So close, but so far. Luckily, using some people's hints & coming up with my own, I finally figured out how to get him. And it then took me 15 minutes. Yes, 15 minutes with 7 hours of wasted time. I am putting this as a negative, because it was really ridiculous to try to hunt this thing. So aggrivating. I understand if they want to make something rare, but it's just not nice. I felt like Rockstar was pulling a joke on it's players.
But anyway, this still doesn't bring down my score of the game. It's one of the greatest games I've ever played. But Rockstar has many perfect 10 games under it's belt in my opinion, including RDR. Is this game better. Yes, I think so. But it's oh so close.
A quick word on RDR online. It's only in beta, so I can't give a true review yet. However, I'm finding it so much fun doing missions with other people. Of course, there are jackasses going around shooting people for no reason. It gives no benefit to do so. Not all of the features are in there yet, but I will be playing when it goes to full online & will giv an update.
BankofMarquis (1832 KP) rated Black Adam (2022) in Movies
Oct 25, 2022
About As Middle-Of-The-Road As You Can Get
The DC Extended Universe (DCEU) has been criticized by many (including the BankofMarquis) for being too dark, dour and somber. The powers-that-be at DC clearly have heard that criticism and with their latest installment - BLACK ADAM - they ditched that grim tone.
If only they would have spent time on character and plot development instead of blowing things up and dispatching nameless/faceless henchmen.
Based on a DC Comics character the BankofMarquis knew nothing about - and featuring SOME characters from DC that the BankofMarquis had heard of (o’k, one character, Hawkman), BLACK ADAM stars Dwayne “The Rock” Johnson as the titular anti-hero who comes out of hibernation after about 5,000 years to exact vengeance on those who wronged him.
It’s a tricky line to walk when you are working with an anti-hero bent on death and destruction, but it can be done if you bring some humanity and humility to the character and have this anti-hero character go on some sort of journey of discovery along the way.
While this film succeeds for the most part in bringing a lighter tone and some fun to the proceedings, it seems that Director Jaume Collet-Serra (Orphan) and the trio of writers that penned this weak script opted to play it safe and didn’t go too dark (at the beginning) or too “Super-Heroey” (if that is a word) at the end, so what you get is a safe, middle-of-the-road entertainment that is “good enough” and (this is damning with faint praise), one of the better offerings in the DCEU.
Let’s start with the Johnson in the titular role. The film (and film-makers) play down Johnson’s inherent charm throughout the film - to the detriment of all. Johnson plays Black Adam with a focus of purpose and a lack of awareness and humor. While this could have been played with great effect neither Johnson nor Director Collet-Serra leans into this enough to make it a strong part of the offering. True, Johnson’s inherent charisma and screen presence shines through no matter how much it is attempted to be tamped down, but the character just comes off as plain vanilla.
Of course, Johnson’s physical form has never looked better and he excels in the action sequences - which are plentiful and full of explosions and destruction (destruction that is never commented on). These scenes overwhelm the story and the plot - and is one of the reasons that this film doesn’t rise above decent. It has lots of blowing things up and SuperHeroes going “smashy-smashy” with no real emotional resonance or consequence to them.
As for the other actors in this film, Aldis Hodge (ONE NIGHT IN MIAMI) is strong as the only DC Character previous known to the BankofMarquis - Hawkman. He is a welcome addition to this universe and it would be great if he showed up in more DCEU films - including adding him to any Justice League films.
Sarah Shahi (PERSON OF INTEREST on TV) is always a welcome sight in a film - and she more than capably fills in as the representative of the filmgoing audience as the human who is wrapped up the proceedings of these SuperHeroes while Mohammed Amer (the TV series RAMY) provides strong comic relief as Shahi’s brother.
Unfortunately, the film felt the need to put in 2 teenage Superheroes (I guess to appeal to their target audience) in the guise of Atom Smasher, Noah Centineo (THE PERFECT DATE) and Cyclone, Quintessa Swindell (the TV Series IN TREATMENT). These are both decent enough - and good looking enough - performers to put on screen, and they both would look good in a CW TV Series like THE FLASH, but their characters are pointless in this film. They are add-ons that don’t really add anything to the events.
And then there is good ol’ former James Bond Pierce Brosnan as Dr. Fate, a character the BankofMarquis knew nothing about before this film, but now am clamoring for a standalone movie for Brosnan and this character. He was the best thing in this move and this veteran actor understood the assignment, bringing humor and gravitas when needed while doling out sage advice - Obi-Wan style - to both Hawkman and Black Adam throughout the film.
All-in-all, a decent time at the theater (the DCEU has certainly done worse), but, in the end, BLACK ADAM is as disposable as Cotton Candy, fun while it lasts, but not anything that will stay with you for any length of time.
Letter Grade: B (the most solid “B” that a film can have).
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
If only they would have spent time on character and plot development instead of blowing things up and dispatching nameless/faceless henchmen.
Based on a DC Comics character the BankofMarquis knew nothing about - and featuring SOME characters from DC that the BankofMarquis had heard of (o’k, one character, Hawkman), BLACK ADAM stars Dwayne “The Rock” Johnson as the titular anti-hero who comes out of hibernation after about 5,000 years to exact vengeance on those who wronged him.
It’s a tricky line to walk when you are working with an anti-hero bent on death and destruction, but it can be done if you bring some humanity and humility to the character and have this anti-hero character go on some sort of journey of discovery along the way.
While this film succeeds for the most part in bringing a lighter tone and some fun to the proceedings, it seems that Director Jaume Collet-Serra (Orphan) and the trio of writers that penned this weak script opted to play it safe and didn’t go too dark (at the beginning) or too “Super-Heroey” (if that is a word) at the end, so what you get is a safe, middle-of-the-road entertainment that is “good enough” and (this is damning with faint praise), one of the better offerings in the DCEU.
Let’s start with the Johnson in the titular role. The film (and film-makers) play down Johnson’s inherent charm throughout the film - to the detriment of all. Johnson plays Black Adam with a focus of purpose and a lack of awareness and humor. While this could have been played with great effect neither Johnson nor Director Collet-Serra leans into this enough to make it a strong part of the offering. True, Johnson’s inherent charisma and screen presence shines through no matter how much it is attempted to be tamped down, but the character just comes off as plain vanilla.
Of course, Johnson’s physical form has never looked better and he excels in the action sequences - which are plentiful and full of explosions and destruction (destruction that is never commented on). These scenes overwhelm the story and the plot - and is one of the reasons that this film doesn’t rise above decent. It has lots of blowing things up and SuperHeroes going “smashy-smashy” with no real emotional resonance or consequence to them.
As for the other actors in this film, Aldis Hodge (ONE NIGHT IN MIAMI) is strong as the only DC Character previous known to the BankofMarquis - Hawkman. He is a welcome addition to this universe and it would be great if he showed up in more DCEU films - including adding him to any Justice League films.
Sarah Shahi (PERSON OF INTEREST on TV) is always a welcome sight in a film - and she more than capably fills in as the representative of the filmgoing audience as the human who is wrapped up the proceedings of these SuperHeroes while Mohammed Amer (the TV series RAMY) provides strong comic relief as Shahi’s brother.
Unfortunately, the film felt the need to put in 2 teenage Superheroes (I guess to appeal to their target audience) in the guise of Atom Smasher, Noah Centineo (THE PERFECT DATE) and Cyclone, Quintessa Swindell (the TV Series IN TREATMENT). These are both decent enough - and good looking enough - performers to put on screen, and they both would look good in a CW TV Series like THE FLASH, but their characters are pointless in this film. They are add-ons that don’t really add anything to the events.
And then there is good ol’ former James Bond Pierce Brosnan as Dr. Fate, a character the BankofMarquis knew nothing about before this film, but now am clamoring for a standalone movie for Brosnan and this character. He was the best thing in this move and this veteran actor understood the assignment, bringing humor and gravitas when needed while doling out sage advice - Obi-Wan style - to both Hawkman and Black Adam throughout the film.
All-in-all, a decent time at the theater (the DCEU has certainly done worse), but, in the end, BLACK ADAM is as disposable as Cotton Candy, fun while it lasts, but not anything that will stay with you for any length of time.
Letter Grade: B (the most solid “B” that a film can have).
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
BankofMarquis (1832 KP) rated Beautiful Boy (2018) in Movies
Nov 5, 2018
Well acted, directed and written...and dour
The advertisement for BEAUTIFUL BOY says that it is a "heartbreaking and inspiring experience of survival, relapse and recovery of a family coping with addiction".
Heartbreaking, yes. Survival, relapse? Yes. Inspiring? Not so much.
Telling the tale of the true story of David and Nic Sheff (based on their memoirs), BEAUTIFUL BOY stars Steve Carrell as David and the wonderful Timothee Chalamet as Nic. It chronicles their relationship and David's attempt to help his son who has descended into addiction to drugs up to (and including) crystal meth and heroin. This is a tough tale, told rather unflinchingly and with great love and affection. It is also grim and dower. The highs are not really all that high and the lows are really, really, really low.
Which makes for a tough film to watch - it's a very good film - written, directed and acted well - but it's a tough film to sit through.
Let's start with the performances of the two leads. We view most of this film through the eyes of the Father, played by Steve Carrell. We start the film "in progress", meaning that Carrell's character of David has already come to the realization that his child is in the grips of something that he might not be able to get out of. Because of that, Carrell's character starts sad and somber and goes down from there. It is a well acted performance, but he is not asked to do much more than be sad and somber, punctuated by moments of frustration and anger and is somewhat overshadowed by the showier role and performance by Chalamet as the drug-addicted son.
I have now seen Chalamet in 4 films - INTERSTELLAR, LADYBIRD, CALL ME BY YOUR NAME and now BEAUTIFUL BOY, and in each one of these he was an actor that required your attention. He has a way of drawing you into his character's thoughts and feelings without saying or doing much. He is a "quiet" performer with a strength that is appealing and is no different in this film He was nominated for an Oscar for CALL ME BY YOUR NAME and I will not be surprised if his name is called again this year.
Joining Carrell and Chalamet are Amy Ryan and Maura Tierney as Nic's Mother and Step-Mother. Both are equal to the task that is given them - to be supportive, worried and sad - all at the same time. It would have been interesting to flesh out these roles in this tale, but that would have made this film something different than what it is intended to be - a tale of a father's inability to help his son, no matter how hard he tries.
Ultimately, the issue with this film is there is no variety to it. It stays, for the most part, on one emotional note throughout the course of it's 2 hour running time - somber and sad. That constant feeling of dourness makes this rather slow running film seem even slower, causing quite a bit of rustling and shifting in the chairs.
It's an important film about an important subject - I just wish they would have varied the pitch of it from time to time. Well acted, well written - and dour.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
Heartbreaking, yes. Survival, relapse? Yes. Inspiring? Not so much.
Telling the tale of the true story of David and Nic Sheff (based on their memoirs), BEAUTIFUL BOY stars Steve Carrell as David and the wonderful Timothee Chalamet as Nic. It chronicles their relationship and David's attempt to help his son who has descended into addiction to drugs up to (and including) crystal meth and heroin. This is a tough tale, told rather unflinchingly and with great love and affection. It is also grim and dower. The highs are not really all that high and the lows are really, really, really low.
Which makes for a tough film to watch - it's a very good film - written, directed and acted well - but it's a tough film to sit through.
Let's start with the performances of the two leads. We view most of this film through the eyes of the Father, played by Steve Carrell. We start the film "in progress", meaning that Carrell's character of David has already come to the realization that his child is in the grips of something that he might not be able to get out of. Because of that, Carrell's character starts sad and somber and goes down from there. It is a well acted performance, but he is not asked to do much more than be sad and somber, punctuated by moments of frustration and anger and is somewhat overshadowed by the showier role and performance by Chalamet as the drug-addicted son.
I have now seen Chalamet in 4 films - INTERSTELLAR, LADYBIRD, CALL ME BY YOUR NAME and now BEAUTIFUL BOY, and in each one of these he was an actor that required your attention. He has a way of drawing you into his character's thoughts and feelings without saying or doing much. He is a "quiet" performer with a strength that is appealing and is no different in this film He was nominated for an Oscar for CALL ME BY YOUR NAME and I will not be surprised if his name is called again this year.
Joining Carrell and Chalamet are Amy Ryan and Maura Tierney as Nic's Mother and Step-Mother. Both are equal to the task that is given them - to be supportive, worried and sad - all at the same time. It would have been interesting to flesh out these roles in this tale, but that would have made this film something different than what it is intended to be - a tale of a father's inability to help his son, no matter how hard he tries.
Ultimately, the issue with this film is there is no variety to it. It stays, for the most part, on one emotional note throughout the course of it's 2 hour running time - somber and sad. That constant feeling of dourness makes this rather slow running film seem even slower, causing quite a bit of rustling and shifting in the chairs.
It's an important film about an important subject - I just wish they would have varied the pitch of it from time to time. Well acted, well written - and dour.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
Whiskey Cocktails: Rediscovered Classics and Contemporary Craft Drinks Using the World's Most Popular Spirit
5.0
Rate It
Book
Grab your bow tie and a rocks glass, because we're talking all about one of the most classic - and...
Kaysee Hood (83 KP) rated Attachments in Books
Nov 16, 2017
Unconventional Romance (3 more)
Read Life Issues
Movie/Book References
Friendships
Love at First...E-mail?
I've seen some low scored reviews for this book on GR and I realized it may keep some people from reading it, but here are some points I think some should consider before not giving Attachments a chance:
1. This is Rainbow Rowell's first published novel, so of course for some it doesn't hold the magic like Eleanor & Park. Keep in mind many first books never hold against later published works, but are still good or why would the author be allowed to continue?
2. Even though it was published in 2011, it is based in 1999/2000 for plot reasons as to why Lincoln would have his job. This may offset some readers who might not realize how different 1999 is to 2017 Internet use wise for jobs.
3. The lack of reading into who and why the characters are as they are. In a way, it is the adult version of Fangirl, expect the roles are flipped a tad bit.
Anyway, I loved Attachments because it stayed true to Rowell's style, yet it felt raw compared to how she writes now. There is the unconventional love story of a man falling in love with a woman through the e-mails he reads as part of his job to ensure people are working and not nonsense while on the job. There's characters of all sorts with real world problems and real life flaws. There are topics covered of overbearing mothers and mothers who are too cruel both because of their own life. There is men who never want to be tied down, yet one does due to advice and the right woman. The book covers pieces life without taking from the plot whatsoever.
Lincoln O'Neil is a 28-year-old who could have been a successful man with a normal day shift job if a break up had not left him shattered nine years before. Maybe also if his mother had not coddled him, even though she clearly meant well as it is clear him and his sister, Eve, might have been her whole life. Yet we would not have the awkward, shy man working a the swing shift in the IT office as a "security officer" fixing computers in his spare time when he isn't reading through e-mails that come up flagged in the Webfence program. Apparently the security part was ensuring no one at the newspaper office was using the Internet to look at porn, gamble, or idle chit chat instead of working. Not quite was Lincoln had pictured and he doesn't enjoy reading people's exchanges, but the money is good and will grant him the chance to move out his mom's sooner rather than later.
His mundane routine and nothingness during his shift is filled with some enjoyment as Lincoln reads the e-mails flagged from Beth Fremont and Jennifer Scribner-Snyder. There is nothing harmful. Innocent discussions of water cooler talk, life, relationships, and gossip. As much as he knows it is wrong to continue to read their messages about their lives without flagging them as he would anyone else Lincoln cannot help but to get a kick out of the e-mails.
However it soon becomes apparent Lincoln has fallen for Beth despite the fact he has no idea what she looks like or who is she outside of work. Not to mention she has a boyfriend, Chris, who even though she may rant about to Jennifer, she obviously has not intent on breaking ties with. Not for someone like Lincoln anyway. So he spends his time in turmoil trying to decide if a new job is in order, going back to college, or finding a woman to focus his attention on (which are the very things he tries to do). He even tries to ignore the e-mails, yet can't. He cannot help, but feel for Jennifer's worry over having a baby even though her husband wants one. He cannot help, but captivated by their friendship. He cannot help his feelings for Beth for who she is.
It doesn't help Beth has spotted him labeling him as "A Cute Guy" when he never realized she was around. It is like a game of cat and mouse between them then. Beth still unaware he is reading her e-mails. Lincoln unaware of how often she is close to him even when she is going out of her way to find him.
Thus a budding romance is born. But how much of a romance can it be when Beth has Chris and Lincoln can barely look a woman in the eyes?
1. This is Rainbow Rowell's first published novel, so of course for some it doesn't hold the magic like Eleanor & Park. Keep in mind many first books never hold against later published works, but are still good or why would the author be allowed to continue?
2. Even though it was published in 2011, it is based in 1999/2000 for plot reasons as to why Lincoln would have his job. This may offset some readers who might not realize how different 1999 is to 2017 Internet use wise for jobs.
3. The lack of reading into who and why the characters are as they are. In a way, it is the adult version of Fangirl, expect the roles are flipped a tad bit.
Anyway, I loved Attachments because it stayed true to Rowell's style, yet it felt raw compared to how she writes now. There is the unconventional love story of a man falling in love with a woman through the e-mails he reads as part of his job to ensure people are working and not nonsense while on the job. There's characters of all sorts with real world problems and real life flaws. There are topics covered of overbearing mothers and mothers who are too cruel both because of their own life. There is men who never want to be tied down, yet one does due to advice and the right woman. The book covers pieces life without taking from the plot whatsoever.
Lincoln O'Neil is a 28-year-old who could have been a successful man with a normal day shift job if a break up had not left him shattered nine years before. Maybe also if his mother had not coddled him, even though she clearly meant well as it is clear him and his sister, Eve, might have been her whole life. Yet we would not have the awkward, shy man working a the swing shift in the IT office as a "security officer" fixing computers in his spare time when he isn't reading through e-mails that come up flagged in the Webfence program. Apparently the security part was ensuring no one at the newspaper office was using the Internet to look at porn, gamble, or idle chit chat instead of working. Not quite was Lincoln had pictured and he doesn't enjoy reading people's exchanges, but the money is good and will grant him the chance to move out his mom's sooner rather than later.
His mundane routine and nothingness during his shift is filled with some enjoyment as Lincoln reads the e-mails flagged from Beth Fremont and Jennifer Scribner-Snyder. There is nothing harmful. Innocent discussions of water cooler talk, life, relationships, and gossip. As much as he knows it is wrong to continue to read their messages about their lives without flagging them as he would anyone else Lincoln cannot help but to get a kick out of the e-mails.
However it soon becomes apparent Lincoln has fallen for Beth despite the fact he has no idea what she looks like or who is she outside of work. Not to mention she has a boyfriend, Chris, who even though she may rant about to Jennifer, she obviously has not intent on breaking ties with. Not for someone like Lincoln anyway. So he spends his time in turmoil trying to decide if a new job is in order, going back to college, or finding a woman to focus his attention on (which are the very things he tries to do). He even tries to ignore the e-mails, yet can't. He cannot help, but feel for Jennifer's worry over having a baby even though her husband wants one. He cannot help, but captivated by their friendship. He cannot help his feelings for Beth for who she is.
It doesn't help Beth has spotted him labeling him as "A Cute Guy" when he never realized she was around. It is like a game of cat and mouse between them then. Beth still unaware he is reading her e-mails. Lincoln unaware of how often she is close to him even when she is going out of her way to find him.
Thus a budding romance is born. But how much of a romance can it be when Beth has Chris and Lincoln can barely look a woman in the eyes?