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On the Steel Breeze
On the Steel Breeze
Alastair Reynolds | 2014 | Fiction & Poetry
8
8.0 (1 Ratings)
Book Rating
On The Steel Breeze is the second in Reynold's Poseidon's Children trilogy and deals with the relationship between humans and artificial intelligence.

Taking up the story several years after Blue Remembered Earth the main (human) protagonist is Chiku Akinya, daughter of Sunday Akinya from the first book. She has cloned herself and the three Chikus pursue different fates but their stories inevitably interact with each other.even across light years of space.

One is lost in space, presumed dead. Another is on a colony ship heading to a planet that images have shown has a clearly alien structure on the surface. The third remains on Earth, presumably in safety.

As the colony ships near the destination planet they are riven by internal strife and politics just as Chiku finds that things are not as they seem. There are secrets both within the colony ship and with the planet itself, secrets that are bound to cause conflict when they are brought to light. On earth it is clear that some important information has been hidden and Chiku must risk her safe existence to uncover the truth, but at a high cost.

The book starts slowly, maybe a little too keen to establish who Chiku is and reinforce how the world she inhabits is different from ours. However once the story moves to the colony ships it moves along at a good pace with enough twists and surprises to keep the reader's interest. There is plenty of intrigue and it really is hard to tell where the story is going next.

We have the usual 'hard physics' at work as should be expected in a Reynolds book. Except for the hand wavium 'Chibesa physics' that powers the ships, the laws of physics are rigidly adhered to. Again we see how a battle across millions of miles of space could be achieved.

I found the ending to be satisfying (I have read reviews criticising it). It ties up the story of the earth based Chiku. The story for the colonists is clearly only beginning and the third book in the series is set up neatly in the epilogue, while at the same time providing closure on the fate of the colonists.

My only real criticism of the book (and it in no way detracted from it) was the cloning-and-memory-merging gimmick used for the Chiku clones. Although this neatly allowed the story to move between the colony ships and the solar system, I felt that this had been explored better (and with more justification) in Reynold's novel House Of Suns. Here it just seems to be a 'sci-fieqsue' way of allowing the main protagonists to communicate and empathise across the vast tracts of space and otherwise seemed superfluous given the complex set up.

Overall another excellent book from Reynolds, definitely up there with the best 'space opera' novels. I am looking forward to the third book immensely.
  
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David McK (3663 KP) rated Bird Box (2018) in Movies

Aug 23, 2020 (Updated Jan 17, 2023)  
Bird Box (2018)
Bird Box (2018)
2018 | Drama, Horror, Sci-Fi
2018 post apocalyptic horror film, that proved to be a big hit for Netflix when it was released on that streaming platform.

Starring Sandra Bullock, this was sold on the (strong) imagery of a blindfolded woman leading two equally blindfolded children through a river journey - the film, later, makes it clear that this is because a mysterious entity has decimated the population, driving whoever sees it (we don't) mad and causing them to commit suicide.

The film is actually told in both the 'now' of the journey and '5 year previously' (when this first started happening), with Sandra Bullock's character of Malorie heavily pregnant and trapped in a house with other survivors - we know, of course (they're not in the 'now'!) that they're all going to be bumped off one by one, but the suspense is in the how and when.

The ending also, apparently, is a lot less dark that the book on which it is based, and I still have little idea why the film is even called Bird Box!
  
Trudi Canavan has been on my 'to read' list for a long time (far too long really). I finally found the time to read The Magicians' Guild - book one of the Black Magician trilogy.

​The story revolves around Sonea, a girl living amongst the poor and near-poor of Imardin. The city is home to the titular guild, where the greatest magicians in the world learn and teach.

Those showing magical talent only come from the ruling classes. But Sonea has magical talent so the guild need to either break tradition and train her or block her powers as unless she is trained they will unleash themselves and kill her. The problem is that Sonea (along with the rest of the less privileged city dwellers) distrusts and fears the guild.

The book is in two parts - the first involves Sonea hiding from the guild and their attempts to find her. This is quite a clever strategy from a story telling point of view since the world and characters can be gradually introduced. We meet Sonea and her friends, and also the Thieves that control the slums. On the magicians' side we find some are sympathetic towards Sonea while others are outraged at the thought of training a slum girl - some for more personal reasons than others.

The second half involves Sonea's initial training at the guild. I do try not to give away major plot direction in these reviews, but I don't think it's much of a spoiler that she does end up in the guild, given the name of the book. In this part we find out more about magic and the guild, plus the plot that forms the core of this book moves forward and is resolved in a satisfactory - and dramatic - style.

Canavan's writing is focused firmly on character, although the world around them is fully realised, with the slums suitably dingy and grubby and the guild grand and opulent. The characters are allowed to develop through the pages. I found the start a little slow going, but I think that was mostly because the previous book I read was for more action based. There is also very little dramatic tension about Sonea ending up in the guild, but I don't think that is the purpose of the first half of the book anyway.

This story is clearly there to set up the characters for the trilogy as a whole - and as the plot progresses Sonea discovers some things that are clearly going to be important in her future. The way the ending is left is therefore very finely balanced between the resolution of the main plot and leaving the threads for the next book, and Canavan is spot on in delivering this.

Overall I really liked this book and will read the other installments as time allows without hesitation. If you are looking for some brutal anti-hero cutting a swathe of destruction through his enemies this is not the book for you. If you want some careful characterisation and a personality driven and human-scale plot, pick up this book. It is also refreshing to have a female main protagonist in the traditionally macho world of fantasy. Recommended.