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The Complete Adventures of Pan (Books 1-7)
Book, Education and Stickers
1.0
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Includes ALL 7 BOOKS of Complete Series The Adventures of Pan (#1 Best Seller in App Store Kids &...
Movie Metropolis (309 KP) rated A Monster Calls (2016) in Movies
Jun 10, 2019
A Masterpiece
J.A. Bayona is one of the most exciting rising stars behind the camera lens. His knack for creating superbly shot, engaging films like The Orphanage and The Impossible has meant many in Hollywood have been keeping an intrigued eye on him.
His hard work paid off last year when it was announced he would be taking over directorial duties on the as yet unnamed Jurassic World sequel. In the meantime, Bayona has been busy working on A Monster Calls, based on the book of the same name by Patrick Ness, but does it continue the director’s brilliant work?
12-year-old Conor (Lewis MacDougall), dealing with his mother’s (Felicity Jones) illness, a less-than-sympathetic grandmother (Sigourney Weaver), and bullying classmates, finds a most unlikely ally when a Monster (Liam Neeson) appears at his bedroom window. Ancient, wild, and relentless, the Monster guides Conor on a journey of courage, faith, and truth through three dramatic tales.
The first thing to say is that the film is visually stunning with detail seeping from every frame. Every shot is breath-taking in its own way and the tall tales in which Liam Neeson’s booming voice narrate are beautiful. Bayona yet again demonstrates his flair for cinematography, but this time his creativeness is set free in Conor’s imagination, where he literally paints pictures with superb animations.
Acting wise, A Monster Calls is sublime. With talent like Liam Neeson, Sigourney Weaver and Felicity Jones making up the bulk of the cast, you’d be forgiven for thinking it’d be easy for newcomer Lewis MacDougall to get lost in the fray, but he doesn’t. His performance throughout the film is exceptional and the chemistry he shares with on-screen mum Felicity is entirely believable, making his plight all the more heart-breaking.
But the real winners here are the special effects. Liam Neeson’s gravelly tone lends itself perfectly to creating ‘the Monster’ in all its woody glory. The incredible CGI used to bring him to life is some of the best I’ve ever seen, all the more remarkable given the film’s relatively modest $43million budget. The effects are better than those in some blockbusters costing three times this.
Then there’s the plot. Essentially a coming of age story as one young man tries desperately to hang on to his youth and escape the tragedies of life; A Monster Calls is one of the most heartfelt and emotionally resonant films in the genre. It is a testament to author and screenwriter Patrick Ness that his novel’s gut-wrenching themes are carried across perfectly to the silver screen; that is by no means an easy thing to accomplish.
Overall, A Monster Calls is a mesmerising 115 minutes that stays with you long after the end credits roll. Everything from the acting to the direction is spot on, with the story being relatable to every single one of us. This time last year I was sat in the cinema watching Daddy’s Home; what a difference 12 months makes.
https://moviemetropolis.net/2017/01/07/a-masterpiece-a-monster-calls-review/
His hard work paid off last year when it was announced he would be taking over directorial duties on the as yet unnamed Jurassic World sequel. In the meantime, Bayona has been busy working on A Monster Calls, based on the book of the same name by Patrick Ness, but does it continue the director’s brilliant work?
12-year-old Conor (Lewis MacDougall), dealing with his mother’s (Felicity Jones) illness, a less-than-sympathetic grandmother (Sigourney Weaver), and bullying classmates, finds a most unlikely ally when a Monster (Liam Neeson) appears at his bedroom window. Ancient, wild, and relentless, the Monster guides Conor on a journey of courage, faith, and truth through three dramatic tales.
The first thing to say is that the film is visually stunning with detail seeping from every frame. Every shot is breath-taking in its own way and the tall tales in which Liam Neeson’s booming voice narrate are beautiful. Bayona yet again demonstrates his flair for cinematography, but this time his creativeness is set free in Conor’s imagination, where he literally paints pictures with superb animations.
Acting wise, A Monster Calls is sublime. With talent like Liam Neeson, Sigourney Weaver and Felicity Jones making up the bulk of the cast, you’d be forgiven for thinking it’d be easy for newcomer Lewis MacDougall to get lost in the fray, but he doesn’t. His performance throughout the film is exceptional and the chemistry he shares with on-screen mum Felicity is entirely believable, making his plight all the more heart-breaking.
But the real winners here are the special effects. Liam Neeson’s gravelly tone lends itself perfectly to creating ‘the Monster’ in all its woody glory. The incredible CGI used to bring him to life is some of the best I’ve ever seen, all the more remarkable given the film’s relatively modest $43million budget. The effects are better than those in some blockbusters costing three times this.
Then there’s the plot. Essentially a coming of age story as one young man tries desperately to hang on to his youth and escape the tragedies of life; A Monster Calls is one of the most heartfelt and emotionally resonant films in the genre. It is a testament to author and screenwriter Patrick Ness that his novel’s gut-wrenching themes are carried across perfectly to the silver screen; that is by no means an easy thing to accomplish.
Overall, A Monster Calls is a mesmerising 115 minutes that stays with you long after the end credits roll. Everything from the acting to the direction is spot on, with the story being relatable to every single one of us. This time last year I was sat in the cinema watching Daddy’s Home; what a difference 12 months makes.
https://moviemetropolis.net/2017/01/07/a-masterpiece-a-monster-calls-review/
TM
The Map of Meaningful Work: A Practical Guide to Sustaining Our Humanity
Lani Morris and Marjolein Lips-Wiersma
Book
This book introduces a "Map of Meaning" called the Holistic Development Model, which provides a...
Kristy H (1252 KP) rated The Nightingale in Books
Aug 12, 2021
A touching portrayal of family and love during wartime
In 1930s France, Vianne says goodbye to her husband, Antoine, as he leaves to fight in the War. She's left behind to care for their daughter Sophie. Her younger sister, Isabelle, is in Paris with their father when the war starts. Reckless and impulsive, Isabelle wants to fight for her country, but their father sends her to stay with Vianne. But soon, after being betrayed by the young man who helped her find her way to Vianne's home, Isabelle is fighting for the Resistance. As for Vianne, she finds herself forced to house Nazi soldiers and make horrible sacrifices to protect her family.
This was an excellent and informational portrayal of World War II. It's haunting and heartbreaking and hopeful all together. Hannah tells the story of the War through our two sisters--looking at how they approach the war, along with their father. Vianne is the practical older sister, who worries for her safety and that of her daughter. Meanwhile, Isabelle has felt betrayed most of her life after the death of their mother and perceived abandonment by her older sister and father. This feeling spurs her to join the Resistance. Following their different paths allows us to see many varied sides of this awful and terrifying War. As you form attachments to the characters, the snatching of Jewish families and children and the concentration camps become even more stark and brutal--it's horrifying.
While I cannot really know what happened during this time period, this book seemed realistic and authentic to me. It made me cry. It's sad and yet somehow sweet at times. It's a vivid look at loss and love--for sisters, family, and your country.
I read this book as part of my new reading project--choosing books off my shelves based on their Goodreads rankings. This is my first book of the project, forcing me out of my comfort zone and to try books in genres I don't usually read!
This was an excellent and informational portrayal of World War II. It's haunting and heartbreaking and hopeful all together. Hannah tells the story of the War through our two sisters--looking at how they approach the war, along with their father. Vianne is the practical older sister, who worries for her safety and that of her daughter. Meanwhile, Isabelle has felt betrayed most of her life after the death of their mother and perceived abandonment by her older sister and father. This feeling spurs her to join the Resistance. Following their different paths allows us to see many varied sides of this awful and terrifying War. As you form attachments to the characters, the snatching of Jewish families and children and the concentration camps become even more stark and brutal--it's horrifying.
While I cannot really know what happened during this time period, this book seemed realistic and authentic to me. It made me cry. It's sad and yet somehow sweet at times. It's a vivid look at loss and love--for sisters, family, and your country.
I read this book as part of my new reading project--choosing books off my shelves based on their Goodreads rankings. This is my first book of the project, forcing me out of my comfort zone and to try books in genres I don't usually read!
See it, Cook it: Easy-To-Do, Fool-Proof Recipes for the Would-be Gourmet
Book
If you've ever shown even the slightest interest in cooking, you've probably accumulated quite a...
Could it be Adult ADHD?: A Clinician's Guide to Recognition, Assessment, and Treatment
Book
One out of every 10 adult psychotherapy clients likely has ADHD. Due to high comorbidities with...
Goddess in the Stacks (553 KP) rated The Priory of the Orange Tree in Books
May 3, 2019
AMAZING epic fantasy.
Holy COW, you guys. I keep saying “I haven’t read much epic fantasy lately” and “I don’t have time to read such long books/series” but I made an exception for Priory, and I’m SO glad I did. Just WOW.
So the basic premise of this world is that The Nameless One (some gigantic evil dragon) was locked away a thousand years ago, and all his minions with him. The exact details of how and who did it have been mostly lost to history. It’s said that as long as the House of Berethnet rules Inys, he’ll never rise again, and Berethnet queens always have one child, a daughter. The current queen, however, is unwed, and minions of The Nameless One have begun rising, and in fact have conquered a few neighboring nations. We have three main factions of countries; The East, who have dragon riders, but make a distinction between their dragons, who are aquatic and identify with the stars, and the evil minions of The Nameless One, who are full of fire. Then we have Virtudom, which is headed by Inys, and is a coalition of countries who have made a religion of the Knightly Virtues. This is the West, and they make no distinction between the draconic servants of The Nameless One and the water dragons of the East. This has forced a split between the West and the East, because Virtudom won’t have anything to do with countries that have anything to do with dragons, because most of what they see is the third faction – the Draconic countries. These are countries conquered by minions of the Nameless One, and they are full of chaos, fire, evil, and plague.
This is the world the book opens on. Most of our main characters – Queen Sabran, her handmaiden Ead, the dragonrider Tané – are women, but we also have Doctor Niclays Roos, an alchemist, and Lord Arteloth Beck, a friend of the Queen. In this world, women are just as capable as men, and are treated as such. There are female knights, and same-sex relationships are just as ordinary as opposite-sex ones. There is a bit too much moral emphasis placed on monogamy/sex within the bounds of marriage, but I guess that’s “Knightly Virtue” for you. Skin color is only mentioned a couple of times, but I seem to remember Lord Arteloth being described as very dark-skinned, and Ead as golden-brown. Rather nice to see a fantasy NOT all caught up in racial and gender differences. Not to say there isn’t a fair amount of bigotry, but in this book it’s based pretty much solely on nationality and religion. And when the biggest sticking point is “do you like evil dragons or not” that kind of makes sense!
I think the only thing I didn’t like about this book was its size. It’s unwieldy to read, at over 800 pages! I’m not sure why they didn’t break it into a duology. Regardless, if you have the choice, I’d read it on Kindle. It would be far easier to handle. I’m not complaining about the amount of text, mind you. Just the sheer physical size. I can’t imagine the story being told in less time. There’s So. Much. Here.
This book goes from Queen Sabran’s court to the dragonrider academy in the East, to the draconic kingdom of Yscalin, to the Abyss where the Nameless One sleeps. We see glittering courts, hidden islands, sweltering tunnels through volcanic mountains, and deep valleys with secret magic trees. We battle wyrms and cockatrices, swim through endless seas with dragonriders, sail through storms with pirate crews, and navigate the trickiest of diplomatic matters with courtiers. The Priory of the Orange Tree paints an elaborate, incredibly complex world and I am absolutely here for it.
Okay, so one tiny quibble – while I liked the romance, I feel like it started kind of oddly. I didn’t see any reason for the initial spark. From there, it progressed perfectly, but I just didn’t get the beginning.
This book has multiple queer couples! There’s at least one same-sex couple mentioned as attending a party; Doctor Roos spends a lot of time mourning his dead lover, and there’s the lesbian romance between a couple of main characters. And one character has at least strong affection for a man before falling in love with a woman; I think she was in love with both. No trans or ace rep, but plenty of gay, lesbian, and bi!
This is hands-down the best book I’ve read so far this year. It took me three days – it’s a big book – but it is absolutely fantastic.
You can find all my reviews at http://goddessinthestacks.com
So the basic premise of this world is that The Nameless One (some gigantic evil dragon) was locked away a thousand years ago, and all his minions with him. The exact details of how and who did it have been mostly lost to history. It’s said that as long as the House of Berethnet rules Inys, he’ll never rise again, and Berethnet queens always have one child, a daughter. The current queen, however, is unwed, and minions of The Nameless One have begun rising, and in fact have conquered a few neighboring nations. We have three main factions of countries; The East, who have dragon riders, but make a distinction between their dragons, who are aquatic and identify with the stars, and the evil minions of The Nameless One, who are full of fire. Then we have Virtudom, which is headed by Inys, and is a coalition of countries who have made a religion of the Knightly Virtues. This is the West, and they make no distinction between the draconic servants of The Nameless One and the water dragons of the East. This has forced a split between the West and the East, because Virtudom won’t have anything to do with countries that have anything to do with dragons, because most of what they see is the third faction – the Draconic countries. These are countries conquered by minions of the Nameless One, and they are full of chaos, fire, evil, and plague.
This is the world the book opens on. Most of our main characters – Queen Sabran, her handmaiden Ead, the dragonrider Tané – are women, but we also have Doctor Niclays Roos, an alchemist, and Lord Arteloth Beck, a friend of the Queen. In this world, women are just as capable as men, and are treated as such. There are female knights, and same-sex relationships are just as ordinary as opposite-sex ones. There is a bit too much moral emphasis placed on monogamy/sex within the bounds of marriage, but I guess that’s “Knightly Virtue” for you. Skin color is only mentioned a couple of times, but I seem to remember Lord Arteloth being described as very dark-skinned, and Ead as golden-brown. Rather nice to see a fantasy NOT all caught up in racial and gender differences. Not to say there isn’t a fair amount of bigotry, but in this book it’s based pretty much solely on nationality and religion. And when the biggest sticking point is “do you like evil dragons or not” that kind of makes sense!
I think the only thing I didn’t like about this book was its size. It’s unwieldy to read, at over 800 pages! I’m not sure why they didn’t break it into a duology. Regardless, if you have the choice, I’d read it on Kindle. It would be far easier to handle. I’m not complaining about the amount of text, mind you. Just the sheer physical size. I can’t imagine the story being told in less time. There’s So. Much. Here.
This book goes from Queen Sabran’s court to the dragonrider academy in the East, to the draconic kingdom of Yscalin, to the Abyss where the Nameless One sleeps. We see glittering courts, hidden islands, sweltering tunnels through volcanic mountains, and deep valleys with secret magic trees. We battle wyrms and cockatrices, swim through endless seas with dragonriders, sail through storms with pirate crews, and navigate the trickiest of diplomatic matters with courtiers. The Priory of the Orange Tree paints an elaborate, incredibly complex world and I am absolutely here for it.
Okay, so one tiny quibble – while I liked the romance, I feel like it started kind of oddly. I didn’t see any reason for the initial spark. From there, it progressed perfectly, but I just didn’t get the beginning.
This book has multiple queer couples! There’s at least one same-sex couple mentioned as attending a party; Doctor Roos spends a lot of time mourning his dead lover, and there’s the lesbian romance between a couple of main characters. And one character has at least strong affection for a man before falling in love with a woman; I think she was in love with both. No trans or ace rep, but plenty of gay, lesbian, and bi!
This is hands-down the best book I’ve read so far this year. It took me three days – it’s a big book – but it is absolutely fantastic.
You can find all my reviews at http://goddessinthestacks.com
Ross (3284 KP) rated Perfect Remains: A Gripping Thriller That Will Leave You Breathless in Books
Aug 30, 2018 (Updated Aug 30, 2018)
Very good, gripping crime novel based in Edinburgh. Recently arrived French detective Luc Callanach finds himself at the wheel of the force's biggest crime, while still trying to find his feet in his new city.
As the reader is made aware of the "murderer"'s identity from very early on, this feels more like an early Mark Billingham book than an Ian Rankin or Ed James. Not a true whodunit, more of a case of watching the story unfold, which is thrilling and you get to see the criminal and the detective's view of the events, but may put others off.
While the story is very well crafted, the pacing is top notch and the action exciting, a few aspects irritated me at times. Luc Callanach seems to have coped very well with his change in circumstances, and at times it is almost like he (or the author) has forgotten he is French completely! And also the attitude and conclusions of what was supposed to be a very experienced psychological profiler just didn't feel plausible. And finally, as so often happens with "detective x crime series" books - if the main character didn't see it, it didn't happen. This means that Callanach has to abandon his massive case and oddly decide to go off with another detective in order to discuss something, purely as a plot device - i.e. he has to be involved in it for it to be an important part of the story. In places this worked, and got to the point, but at other times his actions just seemed so unusual as to be ludicrous, just to meet a plot point. Why the lesser characters can't have a PoV chapter is beyond me. It works perfectly well in fantasy fiction, why not in crime?!
However these were minor quibbles, an otherwise great book.
As the reader is made aware of the "murderer"'s identity from very early on, this feels more like an early Mark Billingham book than an Ian Rankin or Ed James. Not a true whodunit, more of a case of watching the story unfold, which is thrilling and you get to see the criminal and the detective's view of the events, but may put others off.
While the story is very well crafted, the pacing is top notch and the action exciting, a few aspects irritated me at times. Luc Callanach seems to have coped very well with his change in circumstances, and at times it is almost like he (or the author) has forgotten he is French completely! And also the attitude and conclusions of what was supposed to be a very experienced psychological profiler just didn't feel plausible. And finally, as so often happens with "detective x crime series" books - if the main character didn't see it, it didn't happen. This means that Callanach has to abandon his massive case and oddly decide to go off with another detective in order to discuss something, purely as a plot device - i.e. he has to be involved in it for it to be an important part of the story. In places this worked, and got to the point, but at other times his actions just seemed so unusual as to be ludicrous, just to meet a plot point. Why the lesser characters can't have a PoV chapter is beyond me. It works perfectly well in fantasy fiction, why not in crime?!
However these were minor quibbles, an otherwise great book.
Breathing as a Tool for Self-Regulation and Self Reflection
Paivi Lehtinen, Minna Martin, Maila Seppa and Tina Toro
Book
The book describes how to use breathing as a medium for self-regulation and self-reflection and how...
Uncle Tom's Cabin
Harriet Beecher Stowe and Elizabeth Ammons
8.0
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Book
In the nineteenth century, Uncle Tom's Cabin sold more copies than any book in the world except the...