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Hazel (1853 KP) rated A Piece Of The World in Books
Dec 14, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Until reading Christina Baker Kline’s note at the end of the book, it is impossible to guess that it is based on real people, although, admittedly, it is a little strange to name the main character after oneself. In fact, <i>A Piece of the World</i> is written around a single painting in the Museum of Modern Art, New York: <i>Christina’s World</i> (1948) by Andrew Wyeth, a man who appears and paints this work in the story.
Baker Cline researched thoroughly into the background story of the painting. Christina Olson, the main character of this book, was a real person who posed for Wyeth as he painted this striking picture. Although the overall story is a work of fiction, the dates and key characters are biographically accurate. Beginning in 1939, the narrative weaves too and fro, from Christina’s present day to her childhood and back again. Christina is an ageing woman who can barely walk and lives in a dilapidated cottage with her brother on a hill in the village of Cushing, Maine. Having lived in this state for so long, it is a welcome surprise to be visited by the young Andrew Wyeth who falls in love with the cottage and regularly comes to work on his canvases in their upper rooms. Through their peaceful relationship and flashbacks to her past, Christina’s character development is investigated and knitted together to explain why she has become this recluse on a hill.
Christina had problems from a very young age. After almost dying from a fever, she developed an undiagnosed degenerative disease that slowly ate away at the nerves in her arms and legs. Today, neurologists believe this to be <i>Charcot-Marie-Tooth</i> disease but there were no doctors able to provide this diagnosis at the time. Christina suffered aches and pains growing up and could barely walk in a straight line. Her determination to keep going is admirable and makes her a strong female protagonist.
One day in her early twenties, Christina meets a boy who pays her the kind of attention that she has never received before. Believing his promises that they will be together forever, she dares to dream of having a normal life. The reader, however, knows that the future Christina is alone with only her brother for company, making it heartbreaking to read of their developing romance knowing that it is not going to last.
There is no “happy-ever-after” to this story, nor is there a sad ending. It is an account of a woman who had been dealt a raw deal in life but continued getting on despite it. The end result, the painting <i>Christina’s World</i>, shows Christina as she sees herself. She may not be able to walk but she is still a woman; she made the most of her childhood, she never complained. This painting is her “letter to the World that never wrote to [Her].”
<i>A Piece of the World</i> is a powerful novel about purpose and determination. Christina may not have had a typical, successful life or become famous but she had her daily achievements: crawling through a field for an hour to visit a friend, cooking dinners despite not being able to stand up, carrying on after the end of a romantic relationship …
Written as gracefully as the brushstrokes of a painting with elements of Emily Dickinson thrown in here and there, </i>A Piece of the World</i> is a beautiful piece of work. It is something that can be enjoyed as you are mentally drawn into the storyline, leaving you wondering what happens to Christina and her brother after the completion of the painting. It is a novel the author can be proud of.
<imgsrc="https://www.moma.org/media/W1siZiIsIjE2NTQ1NyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDIwMDB4MjAwMFx1MDAzZSJdXQ.jpg?sha=33c151dba7f8de4c"width="100"height="40"alt="ChristinasWorld"/>;
Until reading Christina Baker Kline’s note at the end of the book, it is impossible to guess that it is based on real people, although, admittedly, it is a little strange to name the main character after oneself. In fact, <i>A Piece of the World</i> is written around a single painting in the Museum of Modern Art, New York: <i>Christina’s World</i> (1948) by Andrew Wyeth, a man who appears and paints this work in the story.
Baker Cline researched thoroughly into the background story of the painting. Christina Olson, the main character of this book, was a real person who posed for Wyeth as he painted this striking picture. Although the overall story is a work of fiction, the dates and key characters are biographically accurate. Beginning in 1939, the narrative weaves too and fro, from Christina’s present day to her childhood and back again. Christina is an ageing woman who can barely walk and lives in a dilapidated cottage with her brother on a hill in the village of Cushing, Maine. Having lived in this state for so long, it is a welcome surprise to be visited by the young Andrew Wyeth who falls in love with the cottage and regularly comes to work on his canvases in their upper rooms. Through their peaceful relationship and flashbacks to her past, Christina’s character development is investigated and knitted together to explain why she has become this recluse on a hill.
Christina had problems from a very young age. After almost dying from a fever, she developed an undiagnosed degenerative disease that slowly ate away at the nerves in her arms and legs. Today, neurologists believe this to be <i>Charcot-Marie-Tooth</i> disease but there were no doctors able to provide this diagnosis at the time. Christina suffered aches and pains growing up and could barely walk in a straight line. Her determination to keep going is admirable and makes her a strong female protagonist.
One day in her early twenties, Christina meets a boy who pays her the kind of attention that she has never received before. Believing his promises that they will be together forever, she dares to dream of having a normal life. The reader, however, knows that the future Christina is alone with only her brother for company, making it heartbreaking to read of their developing romance knowing that it is not going to last.
There is no “happy-ever-after” to this story, nor is there a sad ending. It is an account of a woman who had been dealt a raw deal in life but continued getting on despite it. The end result, the painting <i>Christina’s World</i>, shows Christina as she sees herself. She may not be able to walk but she is still a woman; she made the most of her childhood, she never complained. This painting is her “letter to the World that never wrote to [Her].”
<i>A Piece of the World</i> is a powerful novel about purpose and determination. Christina may not have had a typical, successful life or become famous but she had her daily achievements: crawling through a field for an hour to visit a friend, cooking dinners despite not being able to stand up, carrying on after the end of a romantic relationship …
Written as gracefully as the brushstrokes of a painting with elements of Emily Dickinson thrown in here and there, </i>A Piece of the World</i> is a beautiful piece of work. It is something that can be enjoyed as you are mentally drawn into the storyline, leaving you wondering what happens to Christina and her brother after the completion of the painting. It is a novel the author can be proud of.
<imgsrc="https://www.moma.org/media/W1siZiIsIjE2NTQ1NyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDIwMDB4MjAwMFx1MDAzZSJdXQ.jpg?sha=33c151dba7f8de4c"width="100"height="40"alt="ChristinasWorld"/>;
JT (287 KP) rated The Time Traveler's Wife (2009) in Movies
Mar 10, 2020
It’s hard to do something different with romance these days. Girl meets boy or vice versa. Boy falls in love with girl or vice versa. So every now and then it needs to do something a little different in order to give it a unique twist.
Patrick Swayze and Demi Moore had Ghost, Sandra Bullock and Keanu Reeves, The Lake House so The Time Traveller’s Wife had to go one step further. Special collections librarian Henry DeTamble (Eric Bana) has a genetic anomaly that allows him to time travel; however, he is not able to control the moment or the destiny of his voyages.
The film is based on the novel by Audrey Niffenegger and not having read the book it’s hard to say whether or not the film did it justice? That said, it’s elegantly shot and Bana and fellow on screen love interest Clare (Rachel McAdams) seem perfectly suited to their roles.
Bana is a likeable actor and has been portrayed in some pretty powerful films including Chopper, Black Hawk Down and Munich
A man who only has the love for one woman but is unable to control his ability in disappearing, he is desperate to find a cure and won’t let anything stand in his way. The time travelling plot is a little stupid. Henry is unable to control when he goes but always seems to pop up in similar places both in the past and the future, and always naked?
In the beginning he visits his wife Clare on more than one occasion as a child and as she grows older. Certainly it’s a better directed film than the Butterfly Effect in which Ashton Kutcher time travelled more often than a gas meter reader pops into your house.
The Time Traveller’s Wife is a film with nagging questions and at times head scratching conclusions but this is a love story of beauty, and for that it’s worth a watch.
Patrick Swayze and Demi Moore had Ghost, Sandra Bullock and Keanu Reeves, The Lake House so The Time Traveller’s Wife had to go one step further. Special collections librarian Henry DeTamble (Eric Bana) has a genetic anomaly that allows him to time travel; however, he is not able to control the moment or the destiny of his voyages.
The film is based on the novel by Audrey Niffenegger and not having read the book it’s hard to say whether or not the film did it justice? That said, it’s elegantly shot and Bana and fellow on screen love interest Clare (Rachel McAdams) seem perfectly suited to their roles.
Bana is a likeable actor and has been portrayed in some pretty powerful films including Chopper, Black Hawk Down and Munich
A man who only has the love for one woman but is unable to control his ability in disappearing, he is desperate to find a cure and won’t let anything stand in his way. The time travelling plot is a little stupid. Henry is unable to control when he goes but always seems to pop up in similar places both in the past and the future, and always naked?
In the beginning he visits his wife Clare on more than one occasion as a child and as she grows older. Certainly it’s a better directed film than the Butterfly Effect in which Ashton Kutcher time travelled more often than a gas meter reader pops into your house.
The Time Traveller’s Wife is a film with nagging questions and at times head scratching conclusions but this is a love story of beauty, and for that it’s worth a watch.
Kristy H (1252 KP) rated Playing Nice in Books
Sep 17, 2020
Fast-paced thriller that plays on your emotions
Pete Riley, his wife Maddie, and young son Theo have their lives upended one day when two strangers show up on their doorstep. One claims to be Theo's biological father, Miles Lambert. He tells Pete that Theo and another baby, David--whom the Lamberts have been raising--were switched at the hospital and sent home with the unsuspecting families. Suddenly Pete and Maddie have been raising "the wrong" child for the past two years. The families form a friendship based on their shock, agreeing not to upend the children's lives. But as the Lamberts prepare to the sue hospital, questions are raised, and soon Pete and Maddie start to wonder how much they can trust Miles and his wife, Lucy. What are they hiding--and how far will they go to get Theo back?
"'I'm sorry to have to tell you that Theo isn't your son. He's mine.'"
Delaney's latest is a fast and compulsive read. Told in alternating perspectives from Maddie and Pete, with some flashes to the past, the book is stressful and makes you think. What would I do in this situation? And what a terrible situation to be in. With both boys being two-years-old, they are already comfortable in their family lives. At first, each family is determined not to switch the children back. But it soon becomes clear that Theo is progressing better than David, who requires more specialized care. Is that what's affecting Miles out-sized affection for his newfound son? His constant, unannounced appearances on Pete and Maddie's doorstep? Meanwhile, Maddie feels wracked with guilt at leaving David behind. The emotions and decisions are clearly complicated.
I myself was fascinated that Delaney brought up a "baby switch" case in Charlottesville, VA at the hospital where I was born, though far earlier. If I had known about this case, I must have forgotten; I would have been in my mid-teens and probably not caring about such things at the time. Anyway, it was intriguing to hear a local reference, and it totally pushed me down the rabbit hole of researching that case (which is completely tragic).
It's hard to truly like any of these characters, even Maddie and Pete, who are initially sympathetic. Let's not even get started on Miles, who truly plays the villain well. But I appreciated that the characters and their feelings are complicated and well-portrayed here. While much of the story is character-driven, it's also a mystery, unraveling what happened when the boys were switched, and it's quite interesting.
The plot in this one moves quickly, escalating fast. I predicted the ending, but it didn't do much to diminish my enjoyment of the book. If you're looking for a different and fast-paced thriller, which also gets you thinking about emotional family dilemmas, definitely recommend. 3.5 stars.
"'I'm sorry to have to tell you that Theo isn't your son. He's mine.'"
Delaney's latest is a fast and compulsive read. Told in alternating perspectives from Maddie and Pete, with some flashes to the past, the book is stressful and makes you think. What would I do in this situation? And what a terrible situation to be in. With both boys being two-years-old, they are already comfortable in their family lives. At first, each family is determined not to switch the children back. But it soon becomes clear that Theo is progressing better than David, who requires more specialized care. Is that what's affecting Miles out-sized affection for his newfound son? His constant, unannounced appearances on Pete and Maddie's doorstep? Meanwhile, Maddie feels wracked with guilt at leaving David behind. The emotions and decisions are clearly complicated.
I myself was fascinated that Delaney brought up a "baby switch" case in Charlottesville, VA at the hospital where I was born, though far earlier. If I had known about this case, I must have forgotten; I would have been in my mid-teens and probably not caring about such things at the time. Anyway, it was intriguing to hear a local reference, and it totally pushed me down the rabbit hole of researching that case (which is completely tragic).
It's hard to truly like any of these characters, even Maddie and Pete, who are initially sympathetic. Let's not even get started on Miles, who truly plays the villain well. But I appreciated that the characters and their feelings are complicated and well-portrayed here. While much of the story is character-driven, it's also a mystery, unraveling what happened when the boys were switched, and it's quite interesting.
The plot in this one moves quickly, escalating fast. I predicted the ending, but it didn't do much to diminish my enjoyment of the book. If you're looking for a different and fast-paced thriller, which also gets you thinking about emotional family dilemmas, definitely recommend. 3.5 stars.
We Have Your Daughter: The Unsolved Murder of Jonbenet Ramsey Twenty Years Later
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Kristy H (1252 KP) rated Only Ever Her in Books
Jun 21, 2019
Annie Taft is 26, ready to marry Scott Hanson, and move somewhere fresh. Away from the town of Ludlow, where she is known as the daughter of the murdered woman. Cordell Lewis was sentenced to life without parole for the murder of Annie's mother, Lydia Taft--largely on the word of Annie, who was only three. But his lawyer is advocating for a new trial--and Cordell's release. It's now four days before Annie's wedding; Cordell is out of jail, and Annie has disappeared. At first, Annie's aunt, Faye, who has raised her niece since the age of three, thinks she has hidden away due to nerves. But as the wedding date inches closer, Faye and her daughter, Clary, realize something is amiss. Was it Cordell, seeking revenge after all this time? Or someone who knows Annie well?
"Some people hear their mother's voices in their heads, but Annie hears her aunt's, the closest thing she has to a mother."
This book wasn't anything like what I was expecting, and honestly, it was a rather strange tale, but it was still rather interesting. It's a character-driven read, not a suspense novel, but wow, I got really attached to some of these characters. I picked this one up based solely on the strength of the last Marybeth Mayhew Whalen novel I read, WHEN WE WERE WORTHY. She has a real knack for capturing her characters: they jump off they page and stick with you. In particular, I fell hard for Faye and Clary in this one. And, of course, there was Annie, who was always there, motivating nearly every character:
"She has to make the town happy, like she always has. It is her act of service, her offering on behalf of the greater good. When you're the only survivor of the town's darkest moment, you do whatever you can to bring light."
There are a lot of narrators in the novel, but together they expertly show the web and ties of a small town, where it seems everyone has a secret of some sorts. I thought the beginning of the book was a bit slow, but it picked up in the second half, becoming rather dramatic and suspenseful. It's also an emotional read, as you become more and more invested in the characters. I expected more with Annie's storyline and disappearance--the ending sort of fizzled there for me. The more compelling piece is truly her mother's murder and its aftermath, especially on Faye.
Still, this was an interesting and poignant read featuring some excellent characters. While it was a bit slow to start, I found myself quite immersed in the second half. I really enjoy what Whalen can do with her small town personalities. 3.5 stars.
"Some people hear their mother's voices in their heads, but Annie hears her aunt's, the closest thing she has to a mother."
This book wasn't anything like what I was expecting, and honestly, it was a rather strange tale, but it was still rather interesting. It's a character-driven read, not a suspense novel, but wow, I got really attached to some of these characters. I picked this one up based solely on the strength of the last Marybeth Mayhew Whalen novel I read, WHEN WE WERE WORTHY. She has a real knack for capturing her characters: they jump off they page and stick with you. In particular, I fell hard for Faye and Clary in this one. And, of course, there was Annie, who was always there, motivating nearly every character:
"She has to make the town happy, like she always has. It is her act of service, her offering on behalf of the greater good. When you're the only survivor of the town's darkest moment, you do whatever you can to bring light."
There are a lot of narrators in the novel, but together they expertly show the web and ties of a small town, where it seems everyone has a secret of some sorts. I thought the beginning of the book was a bit slow, but it picked up in the second half, becoming rather dramatic and suspenseful. It's also an emotional read, as you become more and more invested in the characters. I expected more with Annie's storyline and disappearance--the ending sort of fizzled there for me. The more compelling piece is truly her mother's murder and its aftermath, especially on Faye.
Still, this was an interesting and poignant read featuring some excellent characters. While it was a bit slow to start, I found myself quite immersed in the second half. I really enjoy what Whalen can do with her small town personalities. 3.5 stars.
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Kristy H (1252 KP) rated The Night Before in Books
Jun 21, 2019
Laura Lochner has returned to her hometown, a bit disgraced, after falling in love with the wrong man yet again. This is a pattern with Laura--always seeking the wrong guys. Her last breakup has hit her particularly hard, causing her to leave her job and apartment and return home to live with her sister, Rosie, Rosie's husband, Joe, and their young son, Mason. Rosie has worried about her sister since they were kids. Laura's always been a little angry and damaged. Both Rosie and Joe feel protective of Laura, especially as she leaves to go on a blind date with a man she "met" on a dating website. So when Laura isn't back the next morning and not responding to texts or calls, Rosie jumps to the worst conclusions. Rosie and Joe begin a frantic search to find Laura. Are they too late?
So this wasn't exactly what I was expecting, and I have to admit, it was a slightly strange and weird--almost trippy--read. The book alternates between Laura and Rosie's viewpoints, with Laura's leading up to and covering her blind date, while Rosie's cover the "after" period, when she searches for her sister. No matter what, I will emphasize that the book mainly held my interest, and while I didn't love it as much as many other reviewers, it was an interesting read, for sure. It's different, too, which is always fun and sometimes hard to find when it comes to thrillers. I just wasn't as "wowed" as I'd hoped, based on some of the reviews I'd read.
The premise here is that Laura has a horrible track record with men. And that she has a bit of a history with violence and unpredictability. The first part you will certainly get, as it's hammered over and over. And over. A bit too much for my taste. We get it. She has bad taste in men and makes poor choices. The second part--her unreliability and potential for violence--is a bit more intriguing. Instead of Rosie thinking that something might have happened to Laura, she almost fears Laura might have done something to her date. I liked this premise: it goes back to the fact that the book was different. A lot of this stemmed to Laura's past and a mysterious encounter with an old boyfriend, which was slowly revealed.
"It was in my hand. The weapon that killed him. But that night didn't change me. That night made me see what I've always been."
There are definitely some interesting twists in this one. Some, eh, while others were very unexpected. But, more in the far-fetched unexpected realm, versus whoa!, which led to a little bit of my letdown feeling. I wasn't particularly impressed with the big reveal of whodunnit and had no real attachment to any of the characters, including Laura, which was a bit disappointing.
Still, as I said, this one definitely held my interest, especially in the last 1/2 - 1/3 of the book. It's different and a little weird and dark. Some of the twists didn't really do it for me, but there are a ton of people who really liked this one, so take my review with a grain of salt. I'm still glad I read this book, and I will definitely continue to seek out Wendy Walker's books, as they are always a fun read. 3+ stars.
So this wasn't exactly what I was expecting, and I have to admit, it was a slightly strange and weird--almost trippy--read. The book alternates between Laura and Rosie's viewpoints, with Laura's leading up to and covering her blind date, while Rosie's cover the "after" period, when she searches for her sister. No matter what, I will emphasize that the book mainly held my interest, and while I didn't love it as much as many other reviewers, it was an interesting read, for sure. It's different, too, which is always fun and sometimes hard to find when it comes to thrillers. I just wasn't as "wowed" as I'd hoped, based on some of the reviews I'd read.
The premise here is that Laura has a horrible track record with men. And that she has a bit of a history with violence and unpredictability. The first part you will certainly get, as it's hammered over and over. And over. A bit too much for my taste. We get it. She has bad taste in men and makes poor choices. The second part--her unreliability and potential for violence--is a bit more intriguing. Instead of Rosie thinking that something might have happened to Laura, she almost fears Laura might have done something to her date. I liked this premise: it goes back to the fact that the book was different. A lot of this stemmed to Laura's past and a mysterious encounter with an old boyfriend, which was slowly revealed.
"It was in my hand. The weapon that killed him. But that night didn't change me. That night made me see what I've always been."
There are definitely some interesting twists in this one. Some, eh, while others were very unexpected. But, more in the far-fetched unexpected realm, versus whoa!, which led to a little bit of my letdown feeling. I wasn't particularly impressed with the big reveal of whodunnit and had no real attachment to any of the characters, including Laura, which was a bit disappointing.
Still, as I said, this one definitely held my interest, especially in the last 1/2 - 1/3 of the book. It's different and a little weird and dark. Some of the twists didn't really do it for me, but there are a ton of people who really liked this one, so take my review with a grain of salt. I'm still glad I read this book, and I will definitely continue to seek out Wendy Walker's books, as they are always a fun read. 3+ stars.
Purple Phoenix Games (2266 KP) rated Nations: The Dice Game in Tabletop Games
Aug 16, 2019 (Updated Jul 17, 2021)
If you have been around board games over the past several years you will notice trends here and there. Some games came out with smaller, easier to digest, versions of themselves as card games, or roll-and-writes, or in this case: dice games. The goal is to get the same kind of feeling and experience as playing the older sibling in a much smaller and time-friendly spin-off. I have played Nations (the original big game) before, but does Nations: The Dice Game give a similar feel?
Nations: The Dice Game (can I please just call it Nations for this review as we know I am not talking about the original? Thanks.) is a civilization building, upgrade tile drafting, dice game for one to four players. Players will be upgrading their civilizations over four game rounds to compete for Books and VPs. The player with the most VP at the end of the game is the winner.
Disclaimer: The photos shown here is for a solo game, as I took them during my learning game using the solo rules. Normally the purple d4 is not used in multiplayer games. -T
To setup, each player will choose a starter civilization mat, receive five white dice, a gold chit, and a re-roll chit. Player order will be determined by cards and each player will receive their player order card which doubles as a reference card (great idea). The Progress Board will be set on the table and populated with randomized Age I Progress tiles according to the rule book. The Score Board will also be placed on the table to track Books, Events, and final VPs. The game begins with each player rolling their five dice.
Nations (TDG) is played over four ages with multiple rounds per age. At the beginning of each age old tiles will be removed from the Progress Board and new ones for the current age added. Also an Event tile will be drawn and placed on the Score Board to signify goals for Famine and War at the end of the age. On a player’s turn they will take one action from the following: Re-Roll (any or all unused dice by spending a re-roll chit), Buy tile (from the Progress Board to upgrade player mat spaces and dice), or Build Wonder (tile using Stone dice or chits for VP). When a player has taken as many turns/actions they wish for the age, they turn their player order card to the side to indicate they have passed for the remainder of the age.
Once all players have passed, they will tally their unused dice and any chits showing Books to be recorded on the Book track. Players will score points for Books based on how many opponents they have outscored for Books. Then players will consult the face-up Event tile that was revealed at the beginning of the round. The top portion displays VP earned when players discard unused dice and chits showing Famine leaf icons matching or exceeding what is on the Event tile. Similarly, for War players will consult the Event tile and use the sword icons on unused dice and chits to score any VPs for War. Play continues in this way across all four ages and once the fourth age has been scored the game ends and winner named victorious!
Components. I have mostly good news here. The dice in this dice game are wonderful. They are all easy to read and understand, and feel great when rolling nine or ten of them at once. The chits are fine, the Progress and Event tiles are nice and thick. The player mats, Score Board, and Progress Board are very thin though. I was going to give that a negative remark, but you know, players don’t really handle them during the game so there is no real need for them to be any thicker. The art is similar as in Nations, and while it does not resonate with me, it is fine. I won’t be playing Nations for the art.
All in all the game is fine. It didn’t blow me away or completely replace Nations (the big game) for me. It IS a pretty quick game to play, so there is one definite improvement over the big brother game; 10-15 minutes per player is pretty spot on. I usually do not prefer dice games to the originals (BANG! The Dice Game being the obvious improvement), and this one is really just on par with the big game. While it takes up less space on the shelf, I wouldn’t necessarily recommend it over its sibling. I feel the same way about each game, so my recommendation is get the version you feel would be played more often. Purple Phoenix Games gives Nations: The Dice Game a Montezuma-should-be-in-Age-IV 6 / 12. Give it a shot if you are into dice games, but grab the original if you want something meatier.
Nations: The Dice Game (can I please just call it Nations for this review as we know I am not talking about the original? Thanks.) is a civilization building, upgrade tile drafting, dice game for one to four players. Players will be upgrading their civilizations over four game rounds to compete for Books and VPs. The player with the most VP at the end of the game is the winner.
Disclaimer: The photos shown here is for a solo game, as I took them during my learning game using the solo rules. Normally the purple d4 is not used in multiplayer games. -T
To setup, each player will choose a starter civilization mat, receive five white dice, a gold chit, and a re-roll chit. Player order will be determined by cards and each player will receive their player order card which doubles as a reference card (great idea). The Progress Board will be set on the table and populated with randomized Age I Progress tiles according to the rule book. The Score Board will also be placed on the table to track Books, Events, and final VPs. The game begins with each player rolling their five dice.
Nations (TDG) is played over four ages with multiple rounds per age. At the beginning of each age old tiles will be removed from the Progress Board and new ones for the current age added. Also an Event tile will be drawn and placed on the Score Board to signify goals for Famine and War at the end of the age. On a player’s turn they will take one action from the following: Re-Roll (any or all unused dice by spending a re-roll chit), Buy tile (from the Progress Board to upgrade player mat spaces and dice), or Build Wonder (tile using Stone dice or chits for VP). When a player has taken as many turns/actions they wish for the age, they turn their player order card to the side to indicate they have passed for the remainder of the age.
Once all players have passed, they will tally their unused dice and any chits showing Books to be recorded on the Book track. Players will score points for Books based on how many opponents they have outscored for Books. Then players will consult the face-up Event tile that was revealed at the beginning of the round. The top portion displays VP earned when players discard unused dice and chits showing Famine leaf icons matching or exceeding what is on the Event tile. Similarly, for War players will consult the Event tile and use the sword icons on unused dice and chits to score any VPs for War. Play continues in this way across all four ages and once the fourth age has been scored the game ends and winner named victorious!
Components. I have mostly good news here. The dice in this dice game are wonderful. They are all easy to read and understand, and feel great when rolling nine or ten of them at once. The chits are fine, the Progress and Event tiles are nice and thick. The player mats, Score Board, and Progress Board are very thin though. I was going to give that a negative remark, but you know, players don’t really handle them during the game so there is no real need for them to be any thicker. The art is similar as in Nations, and while it does not resonate with me, it is fine. I won’t be playing Nations for the art.
All in all the game is fine. It didn’t blow me away or completely replace Nations (the big game) for me. It IS a pretty quick game to play, so there is one definite improvement over the big brother game; 10-15 minutes per player is pretty spot on. I usually do not prefer dice games to the originals (BANG! The Dice Game being the obvious improvement), and this one is really just on par with the big game. While it takes up less space on the shelf, I wouldn’t necessarily recommend it over its sibling. I feel the same way about each game, so my recommendation is get the version you feel would be played more often. Purple Phoenix Games gives Nations: The Dice Game a Montezuma-should-be-in-Age-IV 6 / 12. Give it a shot if you are into dice games, but grab the original if you want something meatier.
