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Complete Guide to Open Source Big Data Stack
Book
This book describes the creation of an actual generic open source big data stack, which is an...
Learning Python
Book
Get a comprehensive, in-depth introduction to the core Python language with this hands-on book....
BankofMarquis (1832 KP) rated All the Money in the World (2017) in Movies
Feb 14, 2018
Bland with the exception of Christopher Plummer
By now, almost everyone knows about the last minute switch of Christopher Plummer in place of current-pariah Kevin Spacey as pivotal Billionaire J. Paul Getty in Ridley Scott's ALL THE MONEY IN THE WORLD, so when I checked out Plummer's Oscar nominated turn, I couldn't but help see if I could tell when Scott put in a new scene and where he just "augmented" his scenes with Plummer. And then, a funny thing happened...
I stopped looking at this for I was captivated by Plummer's performance.
A 3 time Oscar nominee (he is the oldest person to win an Academy Award - at the age of 82 - for his Supporting Role in BEGINNERS in 2010), the 88 year old Plummer shows that he can still command a movie for anytime he is on screen this film crackles and becomes interesting.
Unfortunately, the same cannot be said for the rest of the film.
Telling the story of the kidnapping of Getty's grandson, and the "richest man in the world's" refusal to pay the ransom, ALL THE MONEY IN THE WORLD stars Charlie Plummer (no relation) as John Paul Getty III (the kidnapped grandson), Mark Wahlberg as "fixer" Fletcher Chase, who was told by Getty to get his grandson back for "the lowest possible cost", Romain Duris as one of the kidnappers and the great Michelle Williams as the mother of the kidnapped boy - and the daughter-in-law of Getty, Gail Harris. Each one of these performances are good, but not great. Doing what needs to be done in what they are given to do but nothing more.
I think the problem with this film is one of focus. It spends about 50% of the time with William's character - and this is fine, but then it jumps to the kidnapped son, to "the fixer", to "the kidnapper", to the grandson and back to the mother, so no real through-line, continuity or strong character development can occur, with the exception of Christopher Plummer's J. Paul Getty. To be fair to Williams, C. Plummer has the showier role and she is just asked to be the center of this tale, the world in which all else revolves and that, ultimately, makes her character somewhat bland.
I place the blame for this on Screenwriter David Scarpa (based on the book by John Pearson) and Director Scott. I think their reach exceeded their grasp on this one. If they could have focused more on one of the characters - instead of spreading things out - perhaps this film would have become more interesting and less bland. It stays on one note - despite jumping to different people in vastly different situations - throughout it's 2 hour and 15 minute time frame.
All in all, a missed opportunity. It is a decent film that had the potential to be VERY good. The only one who was VERY good was Christopher Plummer - and certainly his performance is worth the price of admission.
Letter Grade: B
7 (out of 10) stars and you can take that to the Bank (OfMarquis)
I stopped looking at this for I was captivated by Plummer's performance.
A 3 time Oscar nominee (he is the oldest person to win an Academy Award - at the age of 82 - for his Supporting Role in BEGINNERS in 2010), the 88 year old Plummer shows that he can still command a movie for anytime he is on screen this film crackles and becomes interesting.
Unfortunately, the same cannot be said for the rest of the film.
Telling the story of the kidnapping of Getty's grandson, and the "richest man in the world's" refusal to pay the ransom, ALL THE MONEY IN THE WORLD stars Charlie Plummer (no relation) as John Paul Getty III (the kidnapped grandson), Mark Wahlberg as "fixer" Fletcher Chase, who was told by Getty to get his grandson back for "the lowest possible cost", Romain Duris as one of the kidnappers and the great Michelle Williams as the mother of the kidnapped boy - and the daughter-in-law of Getty, Gail Harris. Each one of these performances are good, but not great. Doing what needs to be done in what they are given to do but nothing more.
I think the problem with this film is one of focus. It spends about 50% of the time with William's character - and this is fine, but then it jumps to the kidnapped son, to "the fixer", to "the kidnapper", to the grandson and back to the mother, so no real through-line, continuity or strong character development can occur, with the exception of Christopher Plummer's J. Paul Getty. To be fair to Williams, C. Plummer has the showier role and she is just asked to be the center of this tale, the world in which all else revolves and that, ultimately, makes her character somewhat bland.
I place the blame for this on Screenwriter David Scarpa (based on the book by John Pearson) and Director Scott. I think their reach exceeded their grasp on this one. If they could have focused more on one of the characters - instead of spreading things out - perhaps this film would have become more interesting and less bland. It stays on one note - despite jumping to different people in vastly different situations - throughout it's 2 hour and 15 minute time frame.
All in all, a missed opportunity. It is a decent film that had the potential to be VERY good. The only one who was VERY good was Christopher Plummer - and certainly his performance is worth the price of admission.
Letter Grade: B
7 (out of 10) stars and you can take that to the Bank (OfMarquis)
From Shamanism to Sufism: Women, Islam and Culture in Central Asia
Book
Women have traditionally played a vital part in Islam throughout Central Asia - the vast area from...
FishTales - A Fishing Log Book and Journal
Lifestyle and Sports
App
**** Named favorite fishing journal app for iPhone by iMore.com - March 11, 2014 **** FishTales is...
Sassy Brit (97 KP) rated Talon, Come Fly with Me in Books
Jun 5, 2019
I’m reviewing Talon, Come Fly With Me, by Gigi Sedlmayer. Here are my thoughts:
“Talon, Come Fly With Me” is a sweet book, for children, although I’m sure adults would love this, too. This is just the sort of book I would have loved to have read with my son when he was younger.
On the surface this is a story about a nine year old girl called Matica, living among the mountains of Peru with two condors she’s claimed as her own. In as much as you can claim two wild birds. But in fact it’s much more than that. The author, Gigi Sedlmayer, delves into more serious issues in a way which is suitable for children to read and understand. For example, she touches upon what it’s like to be a child with a disability, not fitting in, and feeling socially inadequate. She also covers subjects of which I sense are very close to her own heart; the protection of condors, habitat loss, and their possible extinction.
I totally felt for the condors, Tamo and Tima, when the poachers were coming to steal their egg, and there a few really tense scenes where the poachers are involved, which had me rooting for those birds to protect their young. Especially, after learning they only have one egg every two years. (If I’ve remembered that fact correctly).
But it’s not all doom and gloom. With some great laugh out loud moments, a happy ending and meaningful lessons learned, this book was a treasure of a find for me. To be honest, I wasn’t sure what to expect from a children’s book about condors, which seemed so far removed from my usual reads, but Gigi Sedlmayer is an award winning author, so I hoped it would be good. And it was. Even though I’m not a kid. ?
It was lovely to meet Talon, of whom this series of books is based around. Condors are strange looking creatures. To some these large birds look so ugly, but they’re actually quite beautiful in their own way. In fact, through this book I’ve learned so much more about them, they now have an additional fan. What a great way to introduce children (and adults) to these amazing birds! I love learning real facts in fictional books, especially about wildlife, and the author did this so well, without information dumping.
Overall: For young and the not so young, this book is a lovely introduction to not only condors and their habitat, but of living a totally different life from our own in the Peruvian mountains. (That is, if you’re not actually an Indian who can speak Arawakan, and reading this from your home in Peru! ). On top of that, it’s a positive book, which highlights how we should be more accepting of others, their cultures, and differences, whatever they may be. Whether you’re a monster of a bird, or child with a disability, things are not always as they, at first, may seem. If this sounds like your sort of read, don’t hesitate to buy it. You should love it!
“Talon, Come Fly With Me” is a sweet book, for children, although I’m sure adults would love this, too. This is just the sort of book I would have loved to have read with my son when he was younger.
On the surface this is a story about a nine year old girl called Matica, living among the mountains of Peru with two condors she’s claimed as her own. In as much as you can claim two wild birds. But in fact it’s much more than that. The author, Gigi Sedlmayer, delves into more serious issues in a way which is suitable for children to read and understand. For example, she touches upon what it’s like to be a child with a disability, not fitting in, and feeling socially inadequate. She also covers subjects of which I sense are very close to her own heart; the protection of condors, habitat loss, and their possible extinction.
I totally felt for the condors, Tamo and Tima, when the poachers were coming to steal their egg, and there a few really tense scenes where the poachers are involved, which had me rooting for those birds to protect their young. Especially, after learning they only have one egg every two years. (If I’ve remembered that fact correctly).
But it’s not all doom and gloom. With some great laugh out loud moments, a happy ending and meaningful lessons learned, this book was a treasure of a find for me. To be honest, I wasn’t sure what to expect from a children’s book about condors, which seemed so far removed from my usual reads, but Gigi Sedlmayer is an award winning author, so I hoped it would be good. And it was. Even though I’m not a kid. ?
It was lovely to meet Talon, of whom this series of books is based around. Condors are strange looking creatures. To some these large birds look so ugly, but they’re actually quite beautiful in their own way. In fact, through this book I’ve learned so much more about them, they now have an additional fan. What a great way to introduce children (and adults) to these amazing birds! I love learning real facts in fictional books, especially about wildlife, and the author did this so well, without information dumping.
Overall: For young and the not so young, this book is a lovely introduction to not only condors and their habitat, but of living a totally different life from our own in the Peruvian mountains. (That is, if you’re not actually an Indian who can speak Arawakan, and reading this from your home in Peru! ). On top of that, it’s a positive book, which highlights how we should be more accepting of others, their cultures, and differences, whatever they may be. Whether you’re a monster of a bird, or child with a disability, things are not always as they, at first, may seem. If this sounds like your sort of read, don’t hesitate to buy it. You should love it!
Daniel Boyd (1066 KP) rated Sharp Objects in TV
Oct 4, 2018 (Updated Oct 4, 2018)
Boring and drawn out (1 more)
Terrible ending
Overrated and Slow
Contains spoilers, click to show
I was looking forward to Sharp Objects when it premiered earlier this year. I love a whodunit thriller and am a fan of Gone Girl, Gillian Flynn's other adapted novel. I also read a bunch of glowing reviews before I dove into this series that promised an engaging, gripping story, which just made me more excited to get through the show.
Unfortunately, gripping isn't the word I would choose to describe this show. Engaging maybe, in that even though none of the characters that you are following are very likable, you do have a morbid curiosity to see what is going to happen to them. To be honest though, this series is only 8 episodes long and it was a slog to try and get through. Each episode drags something awful, to the point that 3 episodes in, I was ready to give up on this series. Then my girlfriend reminded me that it is only a limited series and will be worth sticking with to find out who the killer is in the end. Well, she was wrong about that last part, but we'll get back to that later.
I am not a huge Amy Adams fan, I feel that other than Arrival, she pretty much does the exact same thing in any role she is in. In this, she actually puts in a decent performance, it's more the way that her character is written that I take issue with. Camille is a whiney, dour character that is a drag to watch and none of the characters around her are any better. Her mother is a bitter, nasty old cow and her younger sister is an arrogant, immature little shit.
I haven't read the book, so I don't know if the pacing issues that the show has are inherent to the source material or the fault of the filmmakers. Either way, they are present and they are a detriment to this show. Every episode ends on an ambiguously exciting moment in order to keep you watching, then when the following episode picks up, it doesn't address whatever mad shit it just dropped on you at the end of the previous episode, to the point that I was left wondering a few times if I had actually missed out an episode in-between. Then it just drones on for another dull hour before dropping another inexplicable, shocking moment and it rinses and repeats this process throughout the entire series.
*SPOILERS FROM HERE ON*
This also applies to the last episode, which ends with such a nonsensical, out-of-nowhere twist that is never justified or explained. It is a classic example of having a twist, simply for the sake of ending on a twist. A good twist ending makes a reveal that causes everything that the viewer has seen so far click into place, it explains everything at once and that is why endings to stories like Fight Club, Mr Robot and The Sixth Sense are so satisfying. This makes the viewer want to go back and re-watch the film or series again with the new knowledge of what is going to happen in their mind in order to see it from a different perspective and spot the hints that point towards the big reveal. A bad twist ending drops a bomb abruptly and offers no explanation to the bombshell and leaves the viewer baffled and annoyed.
That is what happens with Sharp Objects' ending. There is absolutely no precedent to Amma being the killer. When Adora got arrested, it was underwhelming but there was at least some precedent for Adora to be the killer based on her other messed up behaviour, which provided some explanation, but Amma makes literally no sense. They could honestly have picked any other character on the show to be the killer and it would have made more sense. There is a weird post credits scene that I feel that was put in as a half-arsed explanation for the nonsensical twist, but it really doesn't help matters any. Again, I haven't read the book so I don't know if the ending plays out the same way as the source material, or if it makes any more sense in the book, but in the show it is a mess.
Overall this is a slow burn that isn't even worth the slog of getting through thanks to a hugely disappointing payoff. The ending is the main reason that this only gets a 5. One of the most overrated things I've seen this year.
Unfortunately, gripping isn't the word I would choose to describe this show. Engaging maybe, in that even though none of the characters that you are following are very likable, you do have a morbid curiosity to see what is going to happen to them. To be honest though, this series is only 8 episodes long and it was a slog to try and get through. Each episode drags something awful, to the point that 3 episodes in, I was ready to give up on this series. Then my girlfriend reminded me that it is only a limited series and will be worth sticking with to find out who the killer is in the end. Well, she was wrong about that last part, but we'll get back to that later.
I am not a huge Amy Adams fan, I feel that other than Arrival, she pretty much does the exact same thing in any role she is in. In this, she actually puts in a decent performance, it's more the way that her character is written that I take issue with. Camille is a whiney, dour character that is a drag to watch and none of the characters around her are any better. Her mother is a bitter, nasty old cow and her younger sister is an arrogant, immature little shit.
I haven't read the book, so I don't know if the pacing issues that the show has are inherent to the source material or the fault of the filmmakers. Either way, they are present and they are a detriment to this show. Every episode ends on an ambiguously exciting moment in order to keep you watching, then when the following episode picks up, it doesn't address whatever mad shit it just dropped on you at the end of the previous episode, to the point that I was left wondering a few times if I had actually missed out an episode in-between. Then it just drones on for another dull hour before dropping another inexplicable, shocking moment and it rinses and repeats this process throughout the entire series.
*SPOILERS FROM HERE ON*
This also applies to the last episode, which ends with such a nonsensical, out-of-nowhere twist that is never justified or explained. It is a classic example of having a twist, simply for the sake of ending on a twist. A good twist ending makes a reveal that causes everything that the viewer has seen so far click into place, it explains everything at once and that is why endings to stories like Fight Club, Mr Robot and The Sixth Sense are so satisfying. This makes the viewer want to go back and re-watch the film or series again with the new knowledge of what is going to happen in their mind in order to see it from a different perspective and spot the hints that point towards the big reveal. A bad twist ending drops a bomb abruptly and offers no explanation to the bombshell and leaves the viewer baffled and annoyed.
That is what happens with Sharp Objects' ending. There is absolutely no precedent to Amma being the killer. When Adora got arrested, it was underwhelming but there was at least some precedent for Adora to be the killer based on her other messed up behaviour, which provided some explanation, but Amma makes literally no sense. They could honestly have picked any other character on the show to be the killer and it would have made more sense. There is a weird post credits scene that I feel that was put in as a half-arsed explanation for the nonsensical twist, but it really doesn't help matters any. Again, I haven't read the book so I don't know if the ending plays out the same way as the source material, or if it makes any more sense in the book, but in the show it is a mess.
Overall this is a slow burn that isn't even worth the slog of getting through thanks to a hugely disappointing payoff. The ending is the main reason that this only gets a 5. One of the most overrated things I've seen this year.
YR
Yucatan: Recipes from a Culinary Expedition
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Winner, James Beard Foundation Best Cookbook of the Year Award, 2015 James Beard Foundation Best...
Tramline Trading: A Practical Guide to Swing Trading with Tramlines, Elliott Waves and Fibonacci Levels
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A straightforward, winning trading method. There are certain universal chart patterns that are...
Tasting Wine and Cheese: An Insider's Guide to Mastering the Principles of Pairing
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Broaden your palate and enhance your appreciation for gourmet flavor combinations withTasting Wine...