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WHEN golden banded honeybees, so often likened to summer and honey sweetness, become the metaphor of a dystopian version of British Government and the Monarchy, what is one left to think?
Established British playwright Laline Paull’s debut novel, The Bees, represents just that. I may just be reading too much into the buzz, but the Oxford alumni who has had two plays performed at the Royal National Theatre must have some of the country in her subconscious as she writes.
The novel follows the life of worker honeybee Flora 717, born of the lowest class of bee society. In a world where mutation and difference is destroyed on sight, the larger-than-average Flora is saved from destruction by opportunities born from austerity in the hive, where ‘the season is deformed by rain, and the flowers shun’ the bees, so they need every available worker.
The life of the honeybee turns out to be symmetrical of Plato’s Republic and his utopia, where children are told what role they will have in life based on their ‘blood’. Plato divided the bronze craftsman, silver guardians and golden philosophers, and Paull divides bees in their ‘kin’ groups, named after flowers, and are priestesses to police, foragers who can fly outside the hive to the sanitation Flora, the lowest, and are given ‘no flower’. ‘A Flora may not make Wax for she is unclean, nor Propolis for she is clumsy, nor ever may she forage for she has no taste, but only may she serve her hive by cleaning,’ but the talented Flora 717 wants more.
Throughout the novel, Paull shows the same attachment to characters as George R R Martin, author of the Game of Thrones novels; the frequent loss deepens the heartbreak Flora must overcome as she fights to defy her set fate and claim the most illegal of desires. No reader will escape the anguish that concludes each new adventure.
The hive is akin to a cult, with leaders keeping their inferiors in check, with fear, intoxication and just a little hypnosis. The cult is complete with its own religion, mantra and even a parody of the Lord’s Prayer, ‘Hallowed be thy womb’, arguably my favourite part. This made the story really exciting, being on the ‘outside looking in’ as the reader, I wanted to encourage Flora to defy, but felt the fear of going against her sisters (this isn’t a cult bond word, they are all blood sisters, for only ‘the queen may breed’).
Paull’s scriptwriting has nurtured the ability to make the reader visualise her words exactly how she writes them, and that is clear within The Bees. I can see the wax panels that Flora 717 scuttles across as she travels around her hive, I can imagine the wax cribs in the nursery and know the deadly yellow and fine lines of the enemy wasp. In the ‘glass cage’ when Flora discovers the Venus Fly Trap, Paull never mentions the plant by name, but speaks only of their ‘red mouths’ with ‘white filaments’ on each ‘inner lip’, they ‘bore no pollen, the only nectar a viscous slick at the join of the petals’. But for all her beautiful imagery seeping off the pages, The Bees was not a book I have felt submerged in.
Full review on <a href="http://www.natari-himi.com">natari-himi.com</a>;
Established British playwright Laline Paull’s debut novel, The Bees, represents just that. I may just be reading too much into the buzz, but the Oxford alumni who has had two plays performed at the Royal National Theatre must have some of the country in her subconscious as she writes.
The novel follows the life of worker honeybee Flora 717, born of the lowest class of bee society. In a world where mutation and difference is destroyed on sight, the larger-than-average Flora is saved from destruction by opportunities born from austerity in the hive, where ‘the season is deformed by rain, and the flowers shun’ the bees, so they need every available worker.
The life of the honeybee turns out to be symmetrical of Plato’s Republic and his utopia, where children are told what role they will have in life based on their ‘blood’. Plato divided the bronze craftsman, silver guardians and golden philosophers, and Paull divides bees in their ‘kin’ groups, named after flowers, and are priestesses to police, foragers who can fly outside the hive to the sanitation Flora, the lowest, and are given ‘no flower’. ‘A Flora may not make Wax for she is unclean, nor Propolis for she is clumsy, nor ever may she forage for she has no taste, but only may she serve her hive by cleaning,’ but the talented Flora 717 wants more.
Throughout the novel, Paull shows the same attachment to characters as George R R Martin, author of the Game of Thrones novels; the frequent loss deepens the heartbreak Flora must overcome as she fights to defy her set fate and claim the most illegal of desires. No reader will escape the anguish that concludes each new adventure.
The hive is akin to a cult, with leaders keeping their inferiors in check, with fear, intoxication and just a little hypnosis. The cult is complete with its own religion, mantra and even a parody of the Lord’s Prayer, ‘Hallowed be thy womb’, arguably my favourite part. This made the story really exciting, being on the ‘outside looking in’ as the reader, I wanted to encourage Flora to defy, but felt the fear of going against her sisters (this isn’t a cult bond word, they are all blood sisters, for only ‘the queen may breed’).
Paull’s scriptwriting has nurtured the ability to make the reader visualise her words exactly how she writes them, and that is clear within The Bees. I can see the wax panels that Flora 717 scuttles across as she travels around her hive, I can imagine the wax cribs in the nursery and know the deadly yellow and fine lines of the enemy wasp. In the ‘glass cage’ when Flora discovers the Venus Fly Trap, Paull never mentions the plant by name, but speaks only of their ‘red mouths’ with ‘white filaments’ on each ‘inner lip’, they ‘bore no pollen, the only nectar a viscous slick at the join of the petals’. But for all her beautiful imagery seeping off the pages, The Bees was not a book I have felt submerged in.
Full review on <a href="http://www.natari-himi.com">natari-himi.com</a>;
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Kristy H (1252 KP) rated Hello, Sunshine in Books
Feb 13, 2018
Sunshine (Sunny) Mackenzie has a great life--a hit YouTube cooking show, several published cookbooks, and the potential for a show on the Food Network. She's also happily married to her husband, Danny. But all it takes is a few Twitter posts from a hacker to destroy Sunny's life. Because, you see, she's been living a life built on lies and subterfuge. Disgraced, alone, and broke, Sunny returns to her childhood home, to a complicated relationship with her sister and a six-year-old niece she barely knows. Sunny has a plan to get her life back, but it involves a new set of lies. Is it worth it--and worth sacrificing a potential relationship with her sister?
This was an interesting novel. I must admit, I was bothered the entire time I was reading it, because it felt like a weirdly familiar story, but I could never place why. You know how something is often in the back of your mind? I don't know if I've just read too many books, have a terrible memory, or if I've truly read a book with a similar plot (disgraced chef returns home): it could be all of the above. But it did affect me sometimes as I was reading.
Sunny was a tough character. It was hard to tell if I liked her. She was terrible to lie about her entire professional life, yet she was backstabbed pretty badly by her hacker. I was willing to let those two equal out, but then after all said events, she still made a chain of pretty awful decisions. Her slow learning--and lack of sense--was a bit frustrating to me, although she did grow on me as the novel progressed. The book falls back on some plot cliches and predictable story turns, though there is one good twist. It's slightly marred by a lame reason for said twist, but still: it did take me by surprise.
The cast of characters in this one is limited, and it was refreshing to read a novel told from just one perspective (Sunny's). Sammy, her niece, is the best. I wanted more Sammy. The funny parts in this novel are just plain funny--there were pieces that made me laugh out loud. I also enjoyed the novel's message related to our society's current trend of living life based on social media. It does a good job of portraying the complicated relationship between sisters as well.
Overall, this one was a little predictable, but still interesting and often fun. A quick, breezy read.
I received a copy of this novel from the publisher and Edelweiss (thank you!); it is available everywhere as of 07/11/2017.
You can read my review of Dave's novel, EIGHT HUNDRED GRAPES, <a href="https://www.goodreads.com/book/show/23492613-eight-hundred-grapes">here</a>;.
<center><a href="https://www.goodreads.com/user/show/126296-kristy/">Goodreads</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
This was an interesting novel. I must admit, I was bothered the entire time I was reading it, because it felt like a weirdly familiar story, but I could never place why. You know how something is often in the back of your mind? I don't know if I've just read too many books, have a terrible memory, or if I've truly read a book with a similar plot (disgraced chef returns home): it could be all of the above. But it did affect me sometimes as I was reading.
Sunny was a tough character. It was hard to tell if I liked her. She was terrible to lie about her entire professional life, yet she was backstabbed pretty badly by her hacker. I was willing to let those two equal out, but then after all said events, she still made a chain of pretty awful decisions. Her slow learning--and lack of sense--was a bit frustrating to me, although she did grow on me as the novel progressed. The book falls back on some plot cliches and predictable story turns, though there is one good twist. It's slightly marred by a lame reason for said twist, but still: it did take me by surprise.
The cast of characters in this one is limited, and it was refreshing to read a novel told from just one perspective (Sunny's). Sammy, her niece, is the best. I wanted more Sammy. The funny parts in this novel are just plain funny--there were pieces that made me laugh out loud. I also enjoyed the novel's message related to our society's current trend of living life based on social media. It does a good job of portraying the complicated relationship between sisters as well.
Overall, this one was a little predictable, but still interesting and often fun. A quick, breezy read.
I received a copy of this novel from the publisher and Edelweiss (thank you!); it is available everywhere as of 07/11/2017.
You can read my review of Dave's novel, EIGHT HUNDRED GRAPES, <a href="https://www.goodreads.com/book/show/23492613-eight-hundred-grapes">here</a>;.
<center><a href="https://www.goodreads.com/user/show/126296-kristy/">Goodreads</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
The Warmth of Other Suns
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Hadley (567 KP) rated Ghostly Tales: Spine-Chilling Stories of the Victorian Age in Books
Jan 20, 2021
Ghost stories (1 more)
Well-written
This collection of tales will transport you to a time when staircases creaked in old manor houses, and a candle could be blown out by a gust of wind, or by a passing ghost. Penned by some of the greatest Victorian novelists and masters of the ghost story genre, these stories come alive alongside exquisitely eerie art in this special illustrated edition.
Since this is a short story collection, I will list the stories with a short synopsis and what I liked and disliked about them.
"Oh, Whistle, and I'll Come to You, My Lad" by M.R. James
A professor decides to go on vacation to work on his golf game while doing a little side work in the town's archaeology, but when he digs up an old whistle and blows into it, he instantly regrets what the whistle brings.
Liked: the buildup to the climax was done masterfully, and the superstition that was used as the premise of the story
Disliked: that the ending is never explained
"The Old Nurse's Story" by Elizabeth Gaskell
When a governess and her ward are taken to a haunted house, they found out that everyone has to pay for their misdeeds.
Liked: the perfect example of what Victorian ghost stories were
Disliked: Nothing; I really enjoyed this one
"The Signalman" by Charles Dickens
A railroad signalman tells a co-worker that he is seeing a ghost that warns him of future accidents, but his co-worker can't tell if he's telling the truth or losing his mind.
Liked: an excellent ghost story; I wish it were an entire novel
Disliked: nothing
"The Body-Snatcher" by Robert Louis Stevenson
When a medical student realizes that the 'donated' bodies are murder victims, he's not so sure he can live with the consequences.
Liked: the ending wasn't predictable
Disliked: at the start, there's a little confusion among who is who
" The Captain of the Pole-Star" by Sir Arthur Conan Doyle
A group of whalers are stuck in the middle of the ocean because of ice burgs, but the ice is the least of their problems when they begin to hear and see supernatural things out on the ice.
Liked: the plot of the story was really good
Disliked: the run-on sentences, some of the accents were hard to decipher, and the ending wasn't explained
"The Phantom Coach" by Amelia B. Edwards
A young man loses his way while on a hunt, but soon finds help with an old man that is convinced the supernatural is real, and when he senses the young man does not, he puts him up against forces from the other side.
Liked: the story never lulled, and the descriptions of the undead were amazing
Disliked: nothing, I thought the story was really good
"The Screaming Skull" by F. Marion Crawford
When the friend of a family finds a skull in the latter's home, he begins to question whether or not the husband murdered his wife.
Liked: I love that this story is actually based off an urban legend
Disliked: the way the author kept breaking away from the story to talk to the audience; it caused the flow of the story to stop
Overall, the Victorian-era authors knew how to write a ghost story. I absolutely loved this collection of short stories. I highly recommend this book to people who love a good 'ol fashioned ghost story (not the gory ones we have today).
Since this is a short story collection, I will list the stories with a short synopsis and what I liked and disliked about them.
"Oh, Whistle, and I'll Come to You, My Lad" by M.R. James
A professor decides to go on vacation to work on his golf game while doing a little side work in the town's archaeology, but when he digs up an old whistle and blows into it, he instantly regrets what the whistle brings.
Liked: the buildup to the climax was done masterfully, and the superstition that was used as the premise of the story
Disliked: that the ending is never explained
"The Old Nurse's Story" by Elizabeth Gaskell
When a governess and her ward are taken to a haunted house, they found out that everyone has to pay for their misdeeds.
Liked: the perfect example of what Victorian ghost stories were
Disliked: Nothing; I really enjoyed this one
"The Signalman" by Charles Dickens
A railroad signalman tells a co-worker that he is seeing a ghost that warns him of future accidents, but his co-worker can't tell if he's telling the truth or losing his mind.
Liked: an excellent ghost story; I wish it were an entire novel
Disliked: nothing
"The Body-Snatcher" by Robert Louis Stevenson
When a medical student realizes that the 'donated' bodies are murder victims, he's not so sure he can live with the consequences.
Liked: the ending wasn't predictable
Disliked: at the start, there's a little confusion among who is who
" The Captain of the Pole-Star" by Sir Arthur Conan Doyle
A group of whalers are stuck in the middle of the ocean because of ice burgs, but the ice is the least of their problems when they begin to hear and see supernatural things out on the ice.
Liked: the plot of the story was really good
Disliked: the run-on sentences, some of the accents were hard to decipher, and the ending wasn't explained
"The Phantom Coach" by Amelia B. Edwards
A young man loses his way while on a hunt, but soon finds help with an old man that is convinced the supernatural is real, and when he senses the young man does not, he puts him up against forces from the other side.
Liked: the story never lulled, and the descriptions of the undead were amazing
Disliked: nothing, I thought the story was really good
"The Screaming Skull" by F. Marion Crawford
When the friend of a family finds a skull in the latter's home, he begins to question whether or not the husband murdered his wife.
Liked: I love that this story is actually based off an urban legend
Disliked: the way the author kept breaking away from the story to talk to the audience; it caused the flow of the story to stop
Overall, the Victorian-era authors knew how to write a ghost story. I absolutely loved this collection of short stories. I highly recommend this book to people who love a good 'ol fashioned ghost story (not the gory ones we have today).
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