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Paul Kellett (118 KP) rated Fallen Land: A Post Apocalyptic Board Game in Tabletop Games
May 9, 2019
Great theme, very immersive (2 more)
Solo playable
Plenty of replayability
A bit fiddly to keep track of things (1 more)
A lot of little rules to remember
An Immersive Post Apocalyptic survival game
I don't know where I was when this launched on Kickstarter, but it totally passed me by until I started seeing a few posts on Facebook groups a couple of weeks ago. My interest was piqued and after watching a few videos and reading the reviews here, I took the plunge and ordered it from Fallen Dominion Studios. I got the base came and the expansion which adds more cards, rules for an epic 6 player game as well as 2 solo variants. Delivery to the UK was super quick, about 10 days and the shipping price was good.
On first opening the box, you are greeted with a few punchboards, the game board and a ton of cards, there is a lot contained in such a small box.
After punching and organising everything, I read the rules, painted the little plastic faction tokens and made some character inventory sleeves to help keep the play area neat.
The rules are really well written and easy to follow & understand with plenty of examples and pictures. there is a helpful index on the inside back page so you can quickly find anything you need mid-game.
The first solo variant is basically just a "reach the victory point win in as few turns as possible" - a great way to quickly learn the basics of the game and very enjoyable. It will be good if you just want to play a fairly quick (60-90 minute) survival/exploration game.
The second solo rule set is where the game really kicks into high gear. You choose a number of opponent factions depending on how much of a challenge you want and during the Town Business Phase, roll a D10 for each faction, comparing the result to a chart in the book to see what each faction does. these results can boost each faction up one or both of the victory point tracks (getting to the top of either one is a win) or more importantly, initiating PvP combat against your faction.
While this is still not the same as playing against real opponents, it offers a great challenge that will test your luck and skill to beat.
So what sets this game out as a solo gem? It's one of the most immersive games I've played. It's part open-world survival boardgame, part rpg and part story book.
You are the leader of a faction of survivors following a devastating war that destroyed the US leaving pockets of survivors trying to eke out a living among the radioactive ruins. As you make your way around the map, trying to secure vital resources or checking out points of interest, you will be drawing encounter cards and trying to complete them.
You control a team of 5 characters plus a vehicle if you are lucky and start the game with 10 items (from assault rifles to baseball bats, med kits to body armour and everything in between) which you can equip to each character any way you see fit. Some characters will get a bonus if they have certain items and some items can grant boosts to your entire party.
Here is where the RPG feel comes in. Each character and Item has a row of skill attribute boxes along the bottom edge of the card with skills such as Combat, Survival, Medical, Mechanics and Diplomacy. Your character card has a maximum carrying capacity and each item a weight so your character can only carry a certain number of items.
Skill checks are simple, you add up the total values in each attribute column of your character plus his/her equipment. Every 10 is an automatic success. Then you roll a D10 and must roll equal to or lower than the unit value. So, if your combat total is 14, then you get 1 success for the 10 and then must roll 4 or less to get a second success. This makes equipping items very important as not only do you want your skills to be as high as possible, it's often preferable to store an item for later if it would result in a lower unit thus making the die roll harder.
On to the encounters. There are a lot of them. Seriously, loads and each one on them has a mini story delving into another aspect of life after 'the war'. These add so much to the feeling of being immersed in a full world and are varied and well written. Each encounter will list a series of skill checks and the number of successes you need to pass. This is Ameritrash at it's finest Read a story, roll a bunch of dice and the deal with the outcome. A successful result will see you off with a new stash of items, victory points or maybe even new characters you can rotate into your team to replace injured members or just improve your chances with better skills.
There is so much in this game, the sheer number of cards is immense. the replayability is sky high as you will never see everything this game can offer. There are character combinations that complement each other if used together (what are the chances of drawing a husband and his wife together out of a deck of over 100 cards?), locations and storylines that trigger bonus effects if you have the right gear and 10 different factions each with their own skills and bonuses.
This game is certainly not for everyone - if you don't like luck-based games then you might not enjoy the amount of dice rolling and card drawing in Fallen Land.
The art is also divisive. It's very stylized and cartoony but it works with the feel of the game. It's not a pretty experience, everything is broken and destroyed, it's a harsh, Mad Max world of brutal survival and the art on the cards kind of fits this feel and to be honest, most of it ends up covered up and you concentrate more on reading the stories and trying to survive.
All in all a great so experience and a fantastic, brutal multiplayer game.
On first opening the box, you are greeted with a few punchboards, the game board and a ton of cards, there is a lot contained in such a small box.
After punching and organising everything, I read the rules, painted the little plastic faction tokens and made some character inventory sleeves to help keep the play area neat.
The rules are really well written and easy to follow & understand with plenty of examples and pictures. there is a helpful index on the inside back page so you can quickly find anything you need mid-game.
The first solo variant is basically just a "reach the victory point win in as few turns as possible" - a great way to quickly learn the basics of the game and very enjoyable. It will be good if you just want to play a fairly quick (60-90 minute) survival/exploration game.
The second solo rule set is where the game really kicks into high gear. You choose a number of opponent factions depending on how much of a challenge you want and during the Town Business Phase, roll a D10 for each faction, comparing the result to a chart in the book to see what each faction does. these results can boost each faction up one or both of the victory point tracks (getting to the top of either one is a win) or more importantly, initiating PvP combat against your faction.
While this is still not the same as playing against real opponents, it offers a great challenge that will test your luck and skill to beat.
So what sets this game out as a solo gem? It's one of the most immersive games I've played. It's part open-world survival boardgame, part rpg and part story book.
You are the leader of a faction of survivors following a devastating war that destroyed the US leaving pockets of survivors trying to eke out a living among the radioactive ruins. As you make your way around the map, trying to secure vital resources or checking out points of interest, you will be drawing encounter cards and trying to complete them.
You control a team of 5 characters plus a vehicle if you are lucky and start the game with 10 items (from assault rifles to baseball bats, med kits to body armour and everything in between) which you can equip to each character any way you see fit. Some characters will get a bonus if they have certain items and some items can grant boosts to your entire party.
Here is where the RPG feel comes in. Each character and Item has a row of skill attribute boxes along the bottom edge of the card with skills such as Combat, Survival, Medical, Mechanics and Diplomacy. Your character card has a maximum carrying capacity and each item a weight so your character can only carry a certain number of items.
Skill checks are simple, you add up the total values in each attribute column of your character plus his/her equipment. Every 10 is an automatic success. Then you roll a D10 and must roll equal to or lower than the unit value. So, if your combat total is 14, then you get 1 success for the 10 and then must roll 4 or less to get a second success. This makes equipping items very important as not only do you want your skills to be as high as possible, it's often preferable to store an item for later if it would result in a lower unit thus making the die roll harder.
On to the encounters. There are a lot of them. Seriously, loads and each one on them has a mini story delving into another aspect of life after 'the war'. These add so much to the feeling of being immersed in a full world and are varied and well written. Each encounter will list a series of skill checks and the number of successes you need to pass. This is Ameritrash at it's finest Read a story, roll a bunch of dice and the deal with the outcome. A successful result will see you off with a new stash of items, victory points or maybe even new characters you can rotate into your team to replace injured members or just improve your chances with better skills.
There is so much in this game, the sheer number of cards is immense. the replayability is sky high as you will never see everything this game can offer. There are character combinations that complement each other if used together (what are the chances of drawing a husband and his wife together out of a deck of over 100 cards?), locations and storylines that trigger bonus effects if you have the right gear and 10 different factions each with their own skills and bonuses.
This game is certainly not for everyone - if you don't like luck-based games then you might not enjoy the amount of dice rolling and card drawing in Fallen Land.
The art is also divisive. It's very stylized and cartoony but it works with the feel of the game. It's not a pretty experience, everything is broken and destroyed, it's a harsh, Mad Max world of brutal survival and the art on the cards kind of fits this feel and to be honest, most of it ends up covered up and you concentrate more on reading the stories and trying to survive.
All in all a great so experience and a fantastic, brutal multiplayer game.
Lottie disney bookworm (1056 KP) rated Part of Your World in Books
Aug 16, 2019
Review by Disney Bookworm
Contains spoilers, click to show
Part of Your World is based five years after Ursula defeats Ariel, yes you heard me right! The whole miraculous, shiny magic being released from the shell, the little mermaid regaining her voice, the whole harpoon, giant octopus, child scarring scene…never happened!
In this twisted tale Ursula succeeded in tricking Eric into marrying Vanessa; she now rules the Kingdom, with Eric remaining under Ursula’s spell and pretty much clueless to his wife’s evil tendencies. Conversely Ariel is Queen of the Sea, ruling Atlantica in her father’s absence. Oh yeah! Spoiler! Ursula still has Triton in her slimy grasp as well.
NB: Just for clarification this isn’t really a spoiler as you find this out on page 20- please don’t send in complaints.
The book includes all of your favourite characters from the classic 1989 movie: Scuttle, Sebastian, Flounder and even Grimsby and Carlotta! Liz Braswell does such a good job in rejuvenating these characters and reminding us why we loved them in the first place. There wasn’t enough Flounder for my liking but a lot of the story takes place above ground so I can’t really complain- maybe he needs his own tale?
The star of the book has to be Ariel though, she is the Little Mermaid after all…or is she? Braswell’s character is much more mature and tougher than the Little Mermaid we remember. After living as a mute Queen for 5 years Ariel has lost the naïve, childish part of her personality and has become a ruler consumed by guilt and melancholy. Nevertheless, this withdrawal into herself has not dampened her courage and when she learns King Triton may still be alive, she immediately begins her quest to save her father. I’m also relieved to say that I got a very sassy and sarcastic vibe from Ariel at points in the book- a woman after my own heart!
Eric too is not the suave, smouldering-before-it-was-cool character he was back in the day. Instead, overpowered by Ursula’s magic, he is distant and confused: still loved by his people but now labelled as “mad”. He loses himself in music, with his latest opera telling a familiar tale that the reader will surely recognise. Can he regain his memory in time to rescue his kingdom from his wife? Will he and Ariel meet again? Can the new Queen of the Sea rescue Triton or is Ursula just too powerful now?
The original characters of The Little Mermaid are welcomed with open arms into this story and, despite the notable differences in our two protagonists, the remaining characters are comforting and familiar. Braswell also takes the opportunity to introduce us to new characters: Jona the gull, provides quite a modern outlook for a “Disney” character, questioning the world around her with a critical eye. Even background characters such as an hilarious old apple vendor and Vareet, a mute servant girl (whom I was sure was going to have a bigger role than she did) do not fade into the pages. Quite the opposite, thanks to the book’s detail, humour and intrigue, these characters will stay with us for just as long as the story itself.
In summary, Liz Braswell’s novel draws us in hook, line and sinker. Part of Your World is impossible to put down. You will find yourself disparaging Ariel’s former lovestruck personality along with her, experiencing the tension and danger associated with Flotsam and Jetsam and exploring Eric’s kingdom through Braswell’s detailed storytelling.
There’s probably a google-defined order to read the twisted tales in but frankly I don’t care. Try this one first- you won’t regret it!
Written by The Disney Bookworm:
https://disneybookworm.home.blog/2019/04/28/part-of-your-world-a-twisted-tale-by-liz-braswell/
In this twisted tale Ursula succeeded in tricking Eric into marrying Vanessa; she now rules the Kingdom, with Eric remaining under Ursula’s spell and pretty much clueless to his wife’s evil tendencies. Conversely Ariel is Queen of the Sea, ruling Atlantica in her father’s absence. Oh yeah! Spoiler! Ursula still has Triton in her slimy grasp as well.
NB: Just for clarification this isn’t really a spoiler as you find this out on page 20- please don’t send in complaints.
The book includes all of your favourite characters from the classic 1989 movie: Scuttle, Sebastian, Flounder and even Grimsby and Carlotta! Liz Braswell does such a good job in rejuvenating these characters and reminding us why we loved them in the first place. There wasn’t enough Flounder for my liking but a lot of the story takes place above ground so I can’t really complain- maybe he needs his own tale?
The star of the book has to be Ariel though, she is the Little Mermaid after all…or is she? Braswell’s character is much more mature and tougher than the Little Mermaid we remember. After living as a mute Queen for 5 years Ariel has lost the naïve, childish part of her personality and has become a ruler consumed by guilt and melancholy. Nevertheless, this withdrawal into herself has not dampened her courage and when she learns King Triton may still be alive, she immediately begins her quest to save her father. I’m also relieved to say that I got a very sassy and sarcastic vibe from Ariel at points in the book- a woman after my own heart!
Eric too is not the suave, smouldering-before-it-was-cool character he was back in the day. Instead, overpowered by Ursula’s magic, he is distant and confused: still loved by his people but now labelled as “mad”. He loses himself in music, with his latest opera telling a familiar tale that the reader will surely recognise. Can he regain his memory in time to rescue his kingdom from his wife? Will he and Ariel meet again? Can the new Queen of the Sea rescue Triton or is Ursula just too powerful now?
The original characters of The Little Mermaid are welcomed with open arms into this story and, despite the notable differences in our two protagonists, the remaining characters are comforting and familiar. Braswell also takes the opportunity to introduce us to new characters: Jona the gull, provides quite a modern outlook for a “Disney” character, questioning the world around her with a critical eye. Even background characters such as an hilarious old apple vendor and Vareet, a mute servant girl (whom I was sure was going to have a bigger role than she did) do not fade into the pages. Quite the opposite, thanks to the book’s detail, humour and intrigue, these characters will stay with us for just as long as the story itself.
In summary, Liz Braswell’s novel draws us in hook, line and sinker. Part of Your World is impossible to put down. You will find yourself disparaging Ariel’s former lovestruck personality along with her, experiencing the tension and danger associated with Flotsam and Jetsam and exploring Eric’s kingdom through Braswell’s detailed storytelling.
There’s probably a google-defined order to read the twisted tales in but frankly I don’t care. Try this one first- you won’t regret it!
Written by The Disney Bookworm:
https://disneybookworm.home.blog/2019/04/28/part-of-your-world-a-twisted-tale-by-liz-braswell/
Kaysee Hood (83 KP) rated Attachments in Books
Nov 16, 2017
Unconventional Romance (3 more)
Read Life Issues
Movie/Book References
Friendships
Love at First...E-mail?
I've seen some low scored reviews for this book on GR and I realized it may keep some people from reading it, but here are some points I think some should consider before not giving Attachments a chance:
1. This is Rainbow Rowell's first published novel, so of course for some it doesn't hold the magic like Eleanor & Park. Keep in mind many first books never hold against later published works, but are still good or why would the author be allowed to continue?
2. Even though it was published in 2011, it is based in 1999/2000 for plot reasons as to why Lincoln would have his job. This may offset some readers who might not realize how different 1999 is to 2017 Internet use wise for jobs.
3. The lack of reading into who and why the characters are as they are. In a way, it is the adult version of Fangirl, expect the roles are flipped a tad bit.
Anyway, I loved Attachments because it stayed true to Rowell's style, yet it felt raw compared to how she writes now. There is the unconventional love story of a man falling in love with a woman through the e-mails he reads as part of his job to ensure people are working and not nonsense while on the job. There's characters of all sorts with real world problems and real life flaws. There are topics covered of overbearing mothers and mothers who are too cruel both because of their own life. There is men who never want to be tied down, yet one does due to advice and the right woman. The book covers pieces life without taking from the plot whatsoever.
Lincoln O'Neil is a 28-year-old who could have been a successful man with a normal day shift job if a break up had not left him shattered nine years before. Maybe also if his mother had not coddled him, even though she clearly meant well as it is clear him and his sister, Eve, might have been her whole life. Yet we would not have the awkward, shy man working a the swing shift in the IT office as a "security officer" fixing computers in his spare time when he isn't reading through e-mails that come up flagged in the Webfence program. Apparently the security part was ensuring no one at the newspaper office was using the Internet to look at porn, gamble, or idle chit chat instead of working. Not quite was Lincoln had pictured and he doesn't enjoy reading people's exchanges, but the money is good and will grant him the chance to move out his mom's sooner rather than later.
His mundane routine and nothingness during his shift is filled with some enjoyment as Lincoln reads the e-mails flagged from Beth Fremont and Jennifer Scribner-Snyder. There is nothing harmful. Innocent discussions of water cooler talk, life, relationships, and gossip. As much as he knows it is wrong to continue to read their messages about their lives without flagging them as he would anyone else Lincoln cannot help but to get a kick out of the e-mails.
However it soon becomes apparent Lincoln has fallen for Beth despite the fact he has no idea what she looks like or who is she outside of work. Not to mention she has a boyfriend, Chris, who even though she may rant about to Jennifer, she obviously has not intent on breaking ties with. Not for someone like Lincoln anyway. So he spends his time in turmoil trying to decide if a new job is in order, going back to college, or finding a woman to focus his attention on (which are the very things he tries to do). He even tries to ignore the e-mails, yet can't. He cannot help, but feel for Jennifer's worry over having a baby even though her husband wants one. He cannot help, but captivated by their friendship. He cannot help his feelings for Beth for who she is.
It doesn't help Beth has spotted him labeling him as "A Cute Guy" when he never realized she was around. It is like a game of cat and mouse between them then. Beth still unaware he is reading her e-mails. Lincoln unaware of how often she is close to him even when she is going out of her way to find him.
Thus a budding romance is born. But how much of a romance can it be when Beth has Chris and Lincoln can barely look a woman in the eyes?
1. This is Rainbow Rowell's first published novel, so of course for some it doesn't hold the magic like Eleanor & Park. Keep in mind many first books never hold against later published works, but are still good or why would the author be allowed to continue?
2. Even though it was published in 2011, it is based in 1999/2000 for plot reasons as to why Lincoln would have his job. This may offset some readers who might not realize how different 1999 is to 2017 Internet use wise for jobs.
3. The lack of reading into who and why the characters are as they are. In a way, it is the adult version of Fangirl, expect the roles are flipped a tad bit.
Anyway, I loved Attachments because it stayed true to Rowell's style, yet it felt raw compared to how she writes now. There is the unconventional love story of a man falling in love with a woman through the e-mails he reads as part of his job to ensure people are working and not nonsense while on the job. There's characters of all sorts with real world problems and real life flaws. There are topics covered of overbearing mothers and mothers who are too cruel both because of their own life. There is men who never want to be tied down, yet one does due to advice and the right woman. The book covers pieces life without taking from the plot whatsoever.
Lincoln O'Neil is a 28-year-old who could have been a successful man with a normal day shift job if a break up had not left him shattered nine years before. Maybe also if his mother had not coddled him, even though she clearly meant well as it is clear him and his sister, Eve, might have been her whole life. Yet we would not have the awkward, shy man working a the swing shift in the IT office as a "security officer" fixing computers in his spare time when he isn't reading through e-mails that come up flagged in the Webfence program. Apparently the security part was ensuring no one at the newspaper office was using the Internet to look at porn, gamble, or idle chit chat instead of working. Not quite was Lincoln had pictured and he doesn't enjoy reading people's exchanges, but the money is good and will grant him the chance to move out his mom's sooner rather than later.
His mundane routine and nothingness during his shift is filled with some enjoyment as Lincoln reads the e-mails flagged from Beth Fremont and Jennifer Scribner-Snyder. There is nothing harmful. Innocent discussions of water cooler talk, life, relationships, and gossip. As much as he knows it is wrong to continue to read their messages about their lives without flagging them as he would anyone else Lincoln cannot help but to get a kick out of the e-mails.
However it soon becomes apparent Lincoln has fallen for Beth despite the fact he has no idea what she looks like or who is she outside of work. Not to mention she has a boyfriend, Chris, who even though she may rant about to Jennifer, she obviously has not intent on breaking ties with. Not for someone like Lincoln anyway. So he spends his time in turmoil trying to decide if a new job is in order, going back to college, or finding a woman to focus his attention on (which are the very things he tries to do). He even tries to ignore the e-mails, yet can't. He cannot help, but feel for Jennifer's worry over having a baby even though her husband wants one. He cannot help, but captivated by their friendship. He cannot help his feelings for Beth for who she is.
It doesn't help Beth has spotted him labeling him as "A Cute Guy" when he never realized she was around. It is like a game of cat and mouse between them then. Beth still unaware he is reading her e-mails. Lincoln unaware of how often she is close to him even when she is going out of her way to find him.
Thus a budding romance is born. But how much of a romance can it be when Beth has Chris and Lincoln can barely look a woman in the eyes?
Darren (1599 KP) rated A Street Cat Named Bob (2016) in Movies
Dec 18, 2019
Verdict: Delightful
Story: A Street Cat Named Bob starts as we meet homeless addict James (Treadaway) who spends his days singing for enough money that could get him a meal and a fix, when he overdoes, Val (Froggatt) gives him a chance to get emergency living to clean up with act. James is willing to make this happen and he ends up meeting a stray cat.
Reluctantly James decides to keep Bob the cat and learns to grab a new lease for life and that as a double act they could achieve things he could only dream of as a musician, as well as finding love in one of the neighbours Betty (Gedmintas).
Thoughts on A Street Cat Named Bob
Characters – James is a homeless drug addict who has an overdose. He is given a big chance to go on the path to recovery with an emergency home, where he meets a cat and suddenly he starts to see his life turn around, his busking lifestyle sees him make money, he meets a new woman and can support himself, he will need to go through the toughest test of his life, if he wants to break free of his addictions. Bob is the ginger cat that turns up in James’ life, he won’t leave his side as he helps him clean up his act. Betty is the neighbour that becomes James only human friend, she will show him about vegan life becoming a love interest, even though she has seen how being an addict has taken away somebody in her life before. Val is the person that pushes James into the program, believing he can change and will change, she supports him through the whole process.
Performances – Luke Treadaway in the leading role is brilliant to watch, he shows us just how desperate James is to turn his life around and what he must go through. Ruta Gedmintas and Joanne Froggatt are both great in the supporting roles in the film too.
Story – The story here follows a homeless drug addict that gets his life turnaround thanks to the help of one person and a mysterious ginger cat that gives him happiness. This is based on the real story of the man James and Bob the real cat, we see the recovery process, just how difficult it can be for somebody who is trying to turn their life around. We can see how the ending will come about because there is a book about the turn around, even though it does become entertaining throughout the film.
Biopic/Comedy – The biopic side of this film does show how James does turn his life around, it is shown in a way that could see the struggle he will be facing. The comedy of the film does give you a couple of laughs with how Bob interacts in life.
Settings – The film is set in London which does show how the culture of the homeless people being able to survive around town that is filled with a drug culture that could end their fight.
Scene of the Movie – First day out with Bob.
That Moment That Annoyed Me – Nothing really.
Final Thoughts – This is a delightful little comedy that brings to life one man’s journey to salvation with his new friend Bob the cat.
Overall: Feel Good Movie.
Story: A Street Cat Named Bob starts as we meet homeless addict James (Treadaway) who spends his days singing for enough money that could get him a meal and a fix, when he overdoes, Val (Froggatt) gives him a chance to get emergency living to clean up with act. James is willing to make this happen and he ends up meeting a stray cat.
Reluctantly James decides to keep Bob the cat and learns to grab a new lease for life and that as a double act they could achieve things he could only dream of as a musician, as well as finding love in one of the neighbours Betty (Gedmintas).
Thoughts on A Street Cat Named Bob
Characters – James is a homeless drug addict who has an overdose. He is given a big chance to go on the path to recovery with an emergency home, where he meets a cat and suddenly he starts to see his life turn around, his busking lifestyle sees him make money, he meets a new woman and can support himself, he will need to go through the toughest test of his life, if he wants to break free of his addictions. Bob is the ginger cat that turns up in James’ life, he won’t leave his side as he helps him clean up his act. Betty is the neighbour that becomes James only human friend, she will show him about vegan life becoming a love interest, even though she has seen how being an addict has taken away somebody in her life before. Val is the person that pushes James into the program, believing he can change and will change, she supports him through the whole process.
Performances – Luke Treadaway in the leading role is brilliant to watch, he shows us just how desperate James is to turn his life around and what he must go through. Ruta Gedmintas and Joanne Froggatt are both great in the supporting roles in the film too.
Story – The story here follows a homeless drug addict that gets his life turnaround thanks to the help of one person and a mysterious ginger cat that gives him happiness. This is based on the real story of the man James and Bob the real cat, we see the recovery process, just how difficult it can be for somebody who is trying to turn their life around. We can see how the ending will come about because there is a book about the turn around, even though it does become entertaining throughout the film.
Biopic/Comedy – The biopic side of this film does show how James does turn his life around, it is shown in a way that could see the struggle he will be facing. The comedy of the film does give you a couple of laughs with how Bob interacts in life.
Settings – The film is set in London which does show how the culture of the homeless people being able to survive around town that is filled with a drug culture that could end their fight.
Scene of the Movie – First day out with Bob.
That Moment That Annoyed Me – Nothing really.
Final Thoughts – This is a delightful little comedy that brings to life one man’s journey to salvation with his new friend Bob the cat.
Overall: Feel Good Movie.
James P. Sumner (65 KP) rated Joker (2019) in Movies
Oct 7, 2019
An unapologetic masterpiece.
I wasn't sure what to expect going into this film. I'm a huge comic book fan, so the controversy and scepticism surrounding this movie, as well as the fact it's based within an established story world, had me doubting how it would work and how good the execution of it would be.
I certainly didn't expect the film I saw.
The basis for this movie is simple and effective: Arthur Fleck (played with a career-defining performance by Joaquin Phoenix) is a mentally unstable and depressed wannabe stand-up comedian working as a clown in a 1980's Gotham City. The movie is set against a backdrop of civil unrest, worker strikes and city-wide poverty, with each being exaggerated to highlight both the severity of each one for the purposes of the film, but also to shine a spotlight on how tough the real world was back then.
A potentially fatal encounter on a late-night subway acts as a catalyst for Fleck, who is shown throughout the first 20 minutes to be a man living on a knife's edge - balancing his own pitiful existence with the way society believes he should act. You get the sense that it would take nothing more than a gentle push to send him one way or the other. The subway was that push.
In a city that very much reflects the character's state of mind, this served to push more than just Arthur Fleck over the edge. Because he happened to be dressed as a clown at the time, and because the *cough* victims *cough* worked for Wayne Enterprises (ran by Thomas Wayne himself), it's seen by many as a vigilante act - someone standing up to the rich elite. This sparks outrage and rioting across the city. The idea of a man dressed as a clown standing up for the little guy becomes the poster child for a civil movement, much in the styling of "V For Vendetta (2005)".
The more Arthur Fleck struggles personally, the worse the streets of Gotham seem to get, as if society's increasing tension and unrest is somehow linked to his own state of mind. He finally realises what he has inadvertently created and begins to transform himself into the vigilante icon people already believe him to be.
Despite the slow pace of the movie, it never seems to drag. The story of Fleck's inevitable descent unfolds patiently, showing you exactly what it wants you to see, when it wants you to see it. It's a very bold and confident step for a movie which would've known how controversial it was going to be before it was even released.
The style of the film is extremely clever. The soundtrack is little more than a low-frequency hum, which plays almost constantly throughout. The camerawork is also exceptional. In every shot of Arthur Fleck, the camera centres on him before very slowly closing in on him. It's subtle, perhaps only a few millimetres per shot, but it's noticeable enough that you feel yourself being pulled in, being legitimately gripped by what you're watching. This contributes to what is, overall, a claustrophobic and sometimes unnerving experience.
There has been initial controversy about the film, with reports of people leaving the cinema during the screening for varying reasons. You see this from time to time, and the cynic in me thinks this is rarely more than clever marketing tactics. And then you see the comments from people who say they were disgusted or sickened or disturbed or whatever. I usually think it's a load of rubbish. That people are just saying that for attention. I don't honestly believe people who are that easily offended by a movie would choose to see something that is clearly going to show you all the things you don't like.
However, with "Joker (2019)", I can actually understand it. This is a truly disturbing film. Not for the violence, which has been the subject of much debate. There's actually very little violence in the movie, but when it's there, it's pretty graphic, admittedly. But honestly, it's not anywhere near as bad as a lot of things you see nowadays. No, it's disturbing because of how believable Arthur Fleck is. Seeing how unstable he is. Seeing how easy he can choose to do terrible things. It's... uncomfortable to watch at times, but only because it's so well done, so well written, you hate yourself for sympathising with him.
If I had to draw comparisons for this movie, I would have to say it's more subtle than "Watchmen (2009)", it's grittier and darker than "Taxi Driver (1976)" or "Fight Club (1999)" and much more uncompromising and unapologetic than "Natural Born Killers (1994)". It is truly a modern-day masterpiece. There are two major plot twists, both occurring in the second act, which really highlight the genius behind the screenplay. This movie is written perfectly, and executed the same way on-screen by Phoenix, who draws from both Jack Nicholson and Heath Ledger to create this unique take on the character which more than holds its own.
Now, before I summarise, we do need to address the whole... y'know... Batman thing. This is the Joker's origin story, after all.
So, first thing's first: this isn't a comic book movie. Not by a long way. This belongs in the same conversation as Goodfellas, not Guardians of the Galaxy. Director Todd Phillips has even stated that this is simply a stand-alone movie telling a story that needed to be told. Yes, it has references to the DC comic universe (which I will omit here for fear of venturing into spolier territory), but it's unlikely to ever cross over with DC's attempt to mimic the MCU.
The nods to the comics are infrequent but clever, touching on themes and events we already know, and in some cases, re-writing them entirely - which definitely will draw controversy with the hardcore comic fans. For example, I did question why they used the civil unrest subplot and backdrop to essentially try and make Wayne Enterprises the villain of the story, but like it or not, it was necessary and it worked like a charm.
I don't know if this was intentional or not, but there was one scene in particular towards the end of the movie where the Joker (as he is now) is riding in the back of a car with his head leaning against the window. The camera was on the wing mirror, focused on his face, and almost frame-for-frame it reminded me of the iconic scene in "The Dark Knight (2008)" where Heath Ledger's Joker is driving with his head out of the window. I'd like to think this was a gracious tribute to the performance of this character that will never be topped.
For a film that breaks the conventions of story-telling by having no real build-up or climactic ending, I have to say I can't remember a time when I was so blown away, so moved, and so affected by a movie. As close to perfect as you'll see this year.
10/10
A quick side note:
The show "13 Reasons Why" has a disclaimer at the beginning of each series from the cast that essentially warns viewers that, due to the sensitive nature of the content, it's inadvisable to watch it if you're struggling with depression or suicidal thoughts. I genuinely think this film should carry a similar notice. It's a dark, grim, unrelenting journey into one man's depressive life. While I won't ever believe listening to Marilyn Manson can make you want to shoot schoolchildren, I do think that if someone is struggling with suicidal thoughts or depression, this movie probably isn't for them. The story focuses on the media glorifying the terrible acts of someone who is mentally unstable. Yes, it's a movie. It's not real. But for someone in a very bad place themselves, this probably isn't the kind of thing you need to, or should, watch.
I certainly didn't expect the film I saw.
The basis for this movie is simple and effective: Arthur Fleck (played with a career-defining performance by Joaquin Phoenix) is a mentally unstable and depressed wannabe stand-up comedian working as a clown in a 1980's Gotham City. The movie is set against a backdrop of civil unrest, worker strikes and city-wide poverty, with each being exaggerated to highlight both the severity of each one for the purposes of the film, but also to shine a spotlight on how tough the real world was back then.
A potentially fatal encounter on a late-night subway acts as a catalyst for Fleck, who is shown throughout the first 20 minutes to be a man living on a knife's edge - balancing his own pitiful existence with the way society believes he should act. You get the sense that it would take nothing more than a gentle push to send him one way or the other. The subway was that push.
In a city that very much reflects the character's state of mind, this served to push more than just Arthur Fleck over the edge. Because he happened to be dressed as a clown at the time, and because the *cough* victims *cough* worked for Wayne Enterprises (ran by Thomas Wayne himself), it's seen by many as a vigilante act - someone standing up to the rich elite. This sparks outrage and rioting across the city. The idea of a man dressed as a clown standing up for the little guy becomes the poster child for a civil movement, much in the styling of "V For Vendetta (2005)".
The more Arthur Fleck struggles personally, the worse the streets of Gotham seem to get, as if society's increasing tension and unrest is somehow linked to his own state of mind. He finally realises what he has inadvertently created and begins to transform himself into the vigilante icon people already believe him to be.
Despite the slow pace of the movie, it never seems to drag. The story of Fleck's inevitable descent unfolds patiently, showing you exactly what it wants you to see, when it wants you to see it. It's a very bold and confident step for a movie which would've known how controversial it was going to be before it was even released.
The style of the film is extremely clever. The soundtrack is little more than a low-frequency hum, which plays almost constantly throughout. The camerawork is also exceptional. In every shot of Arthur Fleck, the camera centres on him before very slowly closing in on him. It's subtle, perhaps only a few millimetres per shot, but it's noticeable enough that you feel yourself being pulled in, being legitimately gripped by what you're watching. This contributes to what is, overall, a claustrophobic and sometimes unnerving experience.
There has been initial controversy about the film, with reports of people leaving the cinema during the screening for varying reasons. You see this from time to time, and the cynic in me thinks this is rarely more than clever marketing tactics. And then you see the comments from people who say they were disgusted or sickened or disturbed or whatever. I usually think it's a load of rubbish. That people are just saying that for attention. I don't honestly believe people who are that easily offended by a movie would choose to see something that is clearly going to show you all the things you don't like.
However, with "Joker (2019)", I can actually understand it. This is a truly disturbing film. Not for the violence, which has been the subject of much debate. There's actually very little violence in the movie, but when it's there, it's pretty graphic, admittedly. But honestly, it's not anywhere near as bad as a lot of things you see nowadays. No, it's disturbing because of how believable Arthur Fleck is. Seeing how unstable he is. Seeing how easy he can choose to do terrible things. It's... uncomfortable to watch at times, but only because it's so well done, so well written, you hate yourself for sympathising with him.
If I had to draw comparisons for this movie, I would have to say it's more subtle than "Watchmen (2009)", it's grittier and darker than "Taxi Driver (1976)" or "Fight Club (1999)" and much more uncompromising and unapologetic than "Natural Born Killers (1994)". It is truly a modern-day masterpiece. There are two major plot twists, both occurring in the second act, which really highlight the genius behind the screenplay. This movie is written perfectly, and executed the same way on-screen by Phoenix, who draws from both Jack Nicholson and Heath Ledger to create this unique take on the character which more than holds its own.
Now, before I summarise, we do need to address the whole... y'know... Batman thing. This is the Joker's origin story, after all.
So, first thing's first: this isn't a comic book movie. Not by a long way. This belongs in the same conversation as Goodfellas, not Guardians of the Galaxy. Director Todd Phillips has even stated that this is simply a stand-alone movie telling a story that needed to be told. Yes, it has references to the DC comic universe (which I will omit here for fear of venturing into spolier territory), but it's unlikely to ever cross over with DC's attempt to mimic the MCU.
The nods to the comics are infrequent but clever, touching on themes and events we already know, and in some cases, re-writing them entirely - which definitely will draw controversy with the hardcore comic fans. For example, I did question why they used the civil unrest subplot and backdrop to essentially try and make Wayne Enterprises the villain of the story, but like it or not, it was necessary and it worked like a charm.
I don't know if this was intentional or not, but there was one scene in particular towards the end of the movie where the Joker (as he is now) is riding in the back of a car with his head leaning against the window. The camera was on the wing mirror, focused on his face, and almost frame-for-frame it reminded me of the iconic scene in "The Dark Knight (2008)" where Heath Ledger's Joker is driving with his head out of the window. I'd like to think this was a gracious tribute to the performance of this character that will never be topped.
For a film that breaks the conventions of story-telling by having no real build-up or climactic ending, I have to say I can't remember a time when I was so blown away, so moved, and so affected by a movie. As close to perfect as you'll see this year.
10/10
A quick side note:
The show "13 Reasons Why" has a disclaimer at the beginning of each series from the cast that essentially warns viewers that, due to the sensitive nature of the content, it's inadvisable to watch it if you're struggling with depression or suicidal thoughts. I genuinely think this film should carry a similar notice. It's a dark, grim, unrelenting journey into one man's depressive life. While I won't ever believe listening to Marilyn Manson can make you want to shoot schoolchildren, I do think that if someone is struggling with suicidal thoughts or depression, this movie probably isn't for them. The story focuses on the media glorifying the terrible acts of someone who is mentally unstable. Yes, it's a movie. It's not real. But for someone in a very bad place themselves, this probably isn't the kind of thing you need to, or should, watch.
Phantasy Star II ™ Classic
Games, Entertainment and Stickers
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An era-defining RPG. SEGA’s landmark sci-fi epic comes to mobile. Play for free and experience one...
My First Bible Stories for Family & Sunday School
Book and Education
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Favourite Bible Stories in simple words & bright pictures to introduce your kids to the Lord. • A...
Kirk Bage (1775 KP) rated The Expanse in TV
Sep 4, 2020 (Updated Feb 11, 2021)
In this particular future, where there exists a cold war tension between the splintered factions of humanity across the solar system, all is not well. Earthers, Dusters (Martians) and Skinnies (Belters) compete for resources and political strength in an ever shifting landscape of trust and betrayal. It is a sci-fi geek’s paradise, full of believable tech, an extensive character list and jargon coming out of the wazoo! It’s all very complicated… and season five just finished airing on Amazon Prime on Wednesday 3rd Feb, so I thought it a good time to talk about it in detail.
Based on the novel series by James S. A. Corey (actually the assumed name of collaborators Ty Franck and Daniel Abraham), which began in 2011 and has produced one book a year since, the TV version has been on the go since 2015, first at SyFy and then at Amazon after being cancelled unfairly, and to mass uproar from the fans, after Season three. It isn’t something you watch casually – either you are into it and make a point of obsessing about it, or you watch a few, feel completely lost and admit it isn’t for you; although you suspect it is good and you just didn’t make the effort to engage enough. Sci-fi this earnest can be like that: a little unforgiving to tourists and passers-by.
Personally, I went through 2 phases with it. The first was watching it late at night with autoplay on, falling in and out of sleep depending on how exciting what was happening was, missing a lot of the detail and feeling largely lost in space. The second was coming back to Season 4 recently (about 3 weeks ago), after taking in a full recap of the story, and becoming a true fan that couldn’t get enough of the complex web of storylines, motives and personalities. Catching up enough to have to wait a week between episodes for the last 4 weeks, which has been tremendously rewarding.
Not that I had a major problem with it from the start. I thought it had a great look and a great mood about it, but lacked some star quality in the cast and was fairly opaque storywise. It always had potential. It was a question of whether you could be bothered to invest in that, knowing that it may go nowhere or even get cancelled very quickly – the TV universe is not known for being kind to sci-fi, as die-hard fans of Firefly still weep about regularly, and quite correctly.
In season one you watch it for the only person onboard that you have heard of, namely Thomas Jane (from The Mist and The Punisher) as det. Joe Miller, a cynical sleuth complete with a great anachronistic hat, who gets wrapped up in a mystery so mysterious it is often hard to work out what he is doing at all, and why… he literally comes and goes, for reasons that become apparent in later seasons. A frustrating and yet fascinating entity that must have been a real test to get right.
The show’s main cast also take a lot of time to warm up, to the point where you wonder who they are and whether they will be in it for long? Steven Strait, Dominique Tipper, Wes Chatham and Cas Anvar, as the ragtag collective of a small ship (they eventually name The Rocinante) that finds itself at the centre of a huge political shitstorm as the last bastion of impartial hope and moral reasoning, exude such little charisma at first it all seems doomed to fail. But, something magical begins to happen, by virtue of being in their presence a lot – you start to care. And the more you care the more the subsequent events have the power to stun you sideways!
More than anything else I can think of in recent years, this is a show that rewards patient investment. You will have definite moments of wanting to quit or take a long break, but the more faith you show in it, the more it will reward you in the long run. For me it was the climax of season 3 when I realised I was 100% into it, and that everything that had happened to that point was now starting to make sense in a larger context. Basically, what you think this is and what you assume it is about early doors, is not where it ends up. It goes somewhere way better!
Perhaps because it has the support of the book series as inspiration, the writing and story arc feels stronger and stronger in time. There are to date 9 books, so there is still scope to let this run for a good few years. And it does start to feel like there is a point where it will all completely tie together. Anyway, I am rambling as much as an average episode seems to do here. The point is, there is something right on the tightrope edge of classic or near miss going on with this. The cast have all really grown into their skins and personalities, and there are some moments in seasons 4 & 5 that left me jaw dropped at their dramatic weight!
Look, this isn’t going to be for everyone. It is very easy to say “I don’t get it” and move on with this show, but I am a sci-fi veteran , if not full geek, and I now absolutely love it. Cult status then is what we are talking about here. There will be a good wait for season six now, but the cliffhanger is mouth-watering, so I am in! It’s far from impossible they will ruin the vibe at some point and it will all fall flat… or, it could become the stuff of legend. I’ll be there to find out either way. No chance I am doing 5 seasons of something to drop out at that point.
Take away the space and the spaceships and this is a story about division and rights, and the hard work it takes to meet a diplomatic solution to the many differences and grievances that exist between different tribes and factions. What will some do to gain power? What will others do to ensure freedom and justice? How easy is it to waste life in the name of a cause? Oh, yeah and there’s also the little detail of an ancient alien civilisation that have been leaving tech and artifacts all over the solar system for us to fight over and try to control. As I say, the main story element of it all still feels like a partial mystery, and I love that!
Based on the novel series by James S. A. Corey (actually the assumed name of collaborators Ty Franck and Daniel Abraham), which began in 2011 and has produced one book a year since, the TV version has been on the go since 2015, first at SyFy and then at Amazon after being cancelled unfairly, and to mass uproar from the fans, after Season three. It isn’t something you watch casually – either you are into it and make a point of obsessing about it, or you watch a few, feel completely lost and admit it isn’t for you; although you suspect it is good and you just didn’t make the effort to engage enough. Sci-fi this earnest can be like that: a little unforgiving to tourists and passers-by.
Personally, I went through 2 phases with it. The first was watching it late at night with autoplay on, falling in and out of sleep depending on how exciting what was happening was, missing a lot of the detail and feeling largely lost in space. The second was coming back to Season 4 recently (about 3 weeks ago), after taking in a full recap of the story, and becoming a true fan that couldn’t get enough of the complex web of storylines, motives and personalities. Catching up enough to have to wait a week between episodes for the last 4 weeks, which has been tremendously rewarding.
Not that I had a major problem with it from the start. I thought it had a great look and a great mood about it, but lacked some star quality in the cast and was fairly opaque storywise. It always had potential. It was a question of whether you could be bothered to invest in that, knowing that it may go nowhere or even get cancelled very quickly – the TV universe is not known for being kind to sci-fi, as die-hard fans of Firefly still weep about regularly, and quite correctly.
In season one you watch it for the only person onboard that you have heard of, namely Thomas Jane (from The Mist and The Punisher) as det. Joe Miller, a cynical sleuth complete with a great anachronistic hat, who gets wrapped up in a mystery so mysterious it is often hard to work out what he is doing at all, and why… he literally comes and goes, for reasons that become apparent in later seasons. A frustrating and yet fascinating entity that must have been a real test to get right.
The show’s main cast also take a lot of time to warm up, to the point where you wonder who they are and whether they will be in it for long? Steven Strait, Dominique Tipper, Wes Chatham and Cas Anvar, as the ragtag collective of a small ship (they eventually name The Rocinante) that finds itself at the centre of a huge political shitstorm as the last bastion of impartial hope and moral reasoning, exude such little charisma at first it all seems doomed to fail. But, something magical begins to happen, by virtue of being in their presence a lot – you start to care. And the more you care the more the subsequent events have the power to stun you sideways!
More than anything else I can think of in recent years, this is a show that rewards patient investment. You will have definite moments of wanting to quit or take a long break, but the more faith you show in it, the more it will reward you in the long run. For me it was the climax of season 3 when I realised I was 100% into it, and that everything that had happened to that point was now starting to make sense in a larger context. Basically, what you think this is and what you assume it is about early doors, is not where it ends up. It goes somewhere way better!
Perhaps because it has the support of the book series as inspiration, the writing and story arc feels stronger and stronger in time. There are to date 9 books, so there is still scope to let this run for a good few years. And it does start to feel like there is a point where it will all completely tie together. Anyway, I am rambling as much as an average episode seems to do here. The point is, there is something right on the tightrope edge of classic or near miss going on with this. The cast have all really grown into their skins and personalities, and there are some moments in seasons 4 & 5 that left me jaw dropped at their dramatic weight!
Look, this isn’t going to be for everyone. It is very easy to say “I don’t get it” and move on with this show, but I am a sci-fi veteran , if not full geek, and I now absolutely love it. Cult status then is what we are talking about here. There will be a good wait for season six now, but the cliffhanger is mouth-watering, so I am in! It’s far from impossible they will ruin the vibe at some point and it will all fall flat… or, it could become the stuff of legend. I’ll be there to find out either way. No chance I am doing 5 seasons of something to drop out at that point.
Take away the space and the spaceships and this is a story about division and rights, and the hard work it takes to meet a diplomatic solution to the many differences and grievances that exist between different tribes and factions. What will some do to gain power? What will others do to ensure freedom and justice? How easy is it to waste life in the name of a cause? Oh, yeah and there’s also the little detail of an ancient alien civilisation that have been leaving tech and artifacts all over the solar system for us to fight over and try to control. As I say, the main story element of it all still feels like a partial mystery, and I love that!
Oxford Handbook of Clinical Diagnosis, 3rd edition
Medical and Health & Fitness
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This Oxford University Press app-book is developed by MedHand Mobile Libraries. Improve your...