Search
Karina Longworth recommended Caught (2015) in Movies (curated)
David McK (3496 KP) rated Infinity Welcomes Careful Drivers (Red Dwarf #1) in Books
Jan 28, 2019 (Updated Sep 1, 2019)
Back in the late 80s/early 90s, there was a TV show on British terrestial channles, that gained a bit of a cult following: 'Red Dwarf'.
Set on a 6-mile long mining ship in deep space, the early years of Red Dwarf were centred around the odd-couple pairing of Dave Lister (the last known Human alive, who was in a stasis booth - released thousands of years later - when a radiation leak wiped out the crew of the eponymous ship) and Arnold J Rimmer: a hologram of his dead bunk-mate, and perhaps the most annoying man in existence. Added to this are the ships now-senile computer Holly and the Cat: a creature evolved from a cat that Lister had smuggle aboard (and why he was in the stasis booth in the first place).
To this, and round about season 3 (although he first made an appearance in season 2), was added Kryten: a mechanoid with an overactive guilt chip.
Some novels based on a TV show seem to pretty much just repeat the episode scene for scene; others seem to share nothing in common with hteir source material except the name. This, I felt, falls somewhere in the middle: while certain segments of the novel do indeed follow (very) closely to their source, others only use that as their starting-off point. It aslo does a better job of tying the episodes together than the TV show ever could!
Set on a 6-mile long mining ship in deep space, the early years of Red Dwarf were centred around the odd-couple pairing of Dave Lister (the last known Human alive, who was in a stasis booth - released thousands of years later - when a radiation leak wiped out the crew of the eponymous ship) and Arnold J Rimmer: a hologram of his dead bunk-mate, and perhaps the most annoying man in existence. Added to this are the ships now-senile computer Holly and the Cat: a creature evolved from a cat that Lister had smuggle aboard (and why he was in the stasis booth in the first place).
To this, and round about season 3 (although he first made an appearance in season 2), was added Kryten: a mechanoid with an overactive guilt chip.
Some novels based on a TV show seem to pretty much just repeat the episode scene for scene; others seem to share nothing in common with hteir source material except the name. This, I felt, falls somewhere in the middle: while certain segments of the novel do indeed follow (very) closely to their source, others only use that as their starting-off point. It aslo does a better job of tying the episodes together than the TV show ever could!
BD
Big Data's Big Potential in Developing Economies: Impact on Agriculture, Health and Environmental Security
Book
Big data involves the use of sophisticated analytics to make decisions based on large-scale data...
ClareR (5779 KP) rated Fourteen Days in Books
Sep 22, 2024
I enjoyed Fourteen Days, and it was a very handy book to read at the time. I was hanging around a hospital (my mum was ill, but recovered now), and the short story style was just what I needed to distract myself when I couldn’t really concentrate.
This is set in New York, and is based around an apartment block during the Covid 19 lockdown at the beginning of the pandemic. The inhabitants meet on the roof, keeping the required distance from one another, and tell stories of their lives pre-Covid.
A constant background is the noise from the ambulances delivering sick people to the nearby hospital.
Fourteen Days was written by several authors, each telling the story of a different inhabitant of the apartment block. The reader isn’t aware of who has written which story until the end. I liked this, because it didn’t give me any preconceived ideas of what the stories would be like - and there are some very different writing styles. The janitor runs throughout the novel, collecting all of the stories, telling her own story and trying to solve an ever-present mystery within the walls of the apartment block.
An enjoyable book, and I can definitely say that its a great book to dip in and out of when you’re short on time (or read all one one go if you can!).
This is set in New York, and is based around an apartment block during the Covid 19 lockdown at the beginning of the pandemic. The inhabitants meet on the roof, keeping the required distance from one another, and tell stories of their lives pre-Covid.
A constant background is the noise from the ambulances delivering sick people to the nearby hospital.
Fourteen Days was written by several authors, each telling the story of a different inhabitant of the apartment block. The reader isn’t aware of who has written which story until the end. I liked this, because it didn’t give me any preconceived ideas of what the stories would be like - and there are some very different writing styles. The janitor runs throughout the novel, collecting all of the stories, telling her own story and trying to solve an ever-present mystery within the walls of the apartment block.
An enjoyable book, and I can definitely say that its a great book to dip in and out of when you’re short on time (or read all one one go if you can!).
Zuky the BookBum (15 KP) rated Sarah in Books
Mar 15, 2018
Also read my review here: http://bookbum.weebly.com/book-reviews/sarah-by-jt-leroy
Wow I don't know what to say really.
I think that most people rating this book have judged it based on the author's hoax at claiming this was a true story but if you ignore all that mess, what you find here is a really weird, heart breaking and hilarious novel. I think people need to start looking at this as a stand-alone novel and push the whole scandal to the side to see how brilliant this book actually is.
I wasn't sure why I decided to request this from Netgalley because it's the sort of book I'd normally steer clear of, but I'm glad I left my comfort zone to read this, because it was worth it.
Sarah will take you through every single emotion you can possibly think of, from love to terror to hope and you'll find yourself a bit lost once it's all over. I have another JT LeRoy book to start next, I'm hoping I like it just as much as this.
Thanks to Netgalley and Little Brown Book Group UK for giving me the opportunity to read this in exchange for an honest review.
Wow I don't know what to say really.
I think that most people rating this book have judged it based on the author's hoax at claiming this was a true story but if you ignore all that mess, what you find here is a really weird, heart breaking and hilarious novel. I think people need to start looking at this as a stand-alone novel and push the whole scandal to the side to see how brilliant this book actually is.
I wasn't sure why I decided to request this from Netgalley because it's the sort of book I'd normally steer clear of, but I'm glad I left my comfort zone to read this, because it was worth it.
Sarah will take you through every single emotion you can possibly think of, from love to terror to hope and you'll find yourself a bit lost once it's all over. I have another JT LeRoy book to start next, I'm hoping I like it just as much as this.
Thanks to Netgalley and Little Brown Book Group UK for giving me the opportunity to read this in exchange for an honest review.
Sphinx
Anne Garreta, Emma Ramadan and Daniel Levin Becker
Book
Nominated for the 2016 PEN Translation Prize One of Flavorwire's Top 50 Independent Books of 2015...
Kristy H (1252 KP) rated Providence: A Novel in Books
Mar 10, 2019
Weirdly fascinating novel
As kids, Jon and Chloe are best friends, even though she realizes that Jon is a little different from the other kids. Then one day Jon vanishes after taking a shortcut on his way to school. The town searches for him, but it's a bit halfhearted they must admit, as he is not one of the popular and beloved kids. But his absence strikes Chloe in the heart. She finds solace in her art and begins fitting in better at school, making more friends. Still, she cannot forget Jon or how much he meant to her. Imagine her shock when Jon turns up four years later, after escaping from a kidnapper, and revealing himself to be viral and strong--everything he wasn't before the kidnapping. He also quickly learns that he has a strange and uncontrollable power over people, especially when he's feeling strongly about something. This power drives Jon into seclusion, isolating him from his beloved Chloe. Jon begins to search for the truth about what has made him this way, while Chloe tries to figure out her place in the world, with or without Jon.
Well, this was an interesting one and nothing like what I expected. Obviously Kepnes is well-known for her novel, You, which is a story of love and obsession gone wrong. Supposedly many reviewers felt that this new book was a far twist from YOU, but I couldn't help but feel that parts of it reminded me of that novel, due to some of Jon's obsession and focus on Chloe. Still, I can understand that feeling, as PROVIDENCE also has a bit of an almost paranormal science fiction twist to it. That is a change. It requires a little suspension of disbelief, but once you go with it, the book is incredibly addictive and hard to put down. I read it in one day while on vacation, completely addicted to the strange and fascinating plot.
There's no denying that Kepnes can write, and you become immersed in her characters. I was intrigued by Jon and a bit by Chloe as well. I didn't adore them, but they were multi-faceted, and their dilemma unique. I'll admit that I didn't even know that Lovecraft--the author on whom Jon's situation is based--was real, so obviously all of those references went right over my head. Ha! I might have gotten into that scenario more if I knew the author, but the whole "turned you into a monster--or did I?" concept isn't exactly difficult to follow, and it's an interesting idea.
The novel is told from the points of view of Jon, Chloe, and a detective named Eggs. I enjoyed Eggs' perspective; he added a much-needed third viewpoint to the tale. Eggs is tracking Jon, but we also get a nuanced look at his relationship with his wife.
In the end, this is a weirdly fascinating novel that is hard to describe. I'm glad I read it, as I can't imagine not reading any of Kepnes' books, truly. It's a story of dysfunctional and potentially misguided love, but I enjoyed how you could feel Jon and Chloe's need for one another stretching and pulling across the pages. Kepnes is just so good at obsession and oddity (and love) that I couldn't stop reading. I enjoyed this one.
I received a copy of this novel from the publisher and Netgalley/Librarything in return for an unbiased review (thank you!).
Well, this was an interesting one and nothing like what I expected. Obviously Kepnes is well-known for her novel, You, which is a story of love and obsession gone wrong. Supposedly many reviewers felt that this new book was a far twist from YOU, but I couldn't help but feel that parts of it reminded me of that novel, due to some of Jon's obsession and focus on Chloe. Still, I can understand that feeling, as PROVIDENCE also has a bit of an almost paranormal science fiction twist to it. That is a change. It requires a little suspension of disbelief, but once you go with it, the book is incredibly addictive and hard to put down. I read it in one day while on vacation, completely addicted to the strange and fascinating plot.
There's no denying that Kepnes can write, and you become immersed in her characters. I was intrigued by Jon and a bit by Chloe as well. I didn't adore them, but they were multi-faceted, and their dilemma unique. I'll admit that I didn't even know that Lovecraft--the author on whom Jon's situation is based--was real, so obviously all of those references went right over my head. Ha! I might have gotten into that scenario more if I knew the author, but the whole "turned you into a monster--or did I?" concept isn't exactly difficult to follow, and it's an interesting idea.
The novel is told from the points of view of Jon, Chloe, and a detective named Eggs. I enjoyed Eggs' perspective; he added a much-needed third viewpoint to the tale. Eggs is tracking Jon, but we also get a nuanced look at his relationship with his wife.
In the end, this is a weirdly fascinating novel that is hard to describe. I'm glad I read it, as I can't imagine not reading any of Kepnes' books, truly. It's a story of dysfunctional and potentially misguided love, but I enjoyed how you could feel Jon and Chloe's need for one another stretching and pulling across the pages. Kepnes is just so good at obsession and oddity (and love) that I couldn't stop reading. I enjoyed this one.
I received a copy of this novel from the publisher and Netgalley/Librarything in return for an unbiased review (thank you!).
Atomic Blonde (2017)
6.9
Rate It
Movie Watch
The crown jewel of Her Majesty’s Secret Intelligence Service, Agent Lorraine Broughton (Theron) is...
Kelly (279 KP) rated Year One: Chronicles of The One in Books
Jan 8, 2019
Interesting characters (1 more)
Use of fantasy mixed into the apocalypse
Post apocalyptic with a sprinkle of fairy dust!
Originally purchasing this based on my previous purchases, I have to honestly confess that I had never heard of Nora Roberts! How I have missed this author, I do not know. I have thoroughly enjoyed this book, and will definitely be reading the remainder of the series.
Year One is the first in the three novel series - The Chronicles of The One. The novel itself definitely has undertones of Stephen Kings ‘The Stand’, and follows a similar format with the bulk of the worlds population being wiped out by a mysterious infection, leaving behind the survivors, who quickly divide into a good/ light side or bad/dark side. Unlike The Stand, which to me had slight biblical undertones, the unique selling point of Year One, is the addition of the uncanny’s, magical beings who have been living amongst us, some knowingly different, others benign until the doom releases their powers. I felt this added a new twist to the common post apocalyptic format.
I felt that the characters were varied and relatable within the story. Nora Toberts clearly spent a lot of time creating a varied population for cast, which helped their reactions within the story become more believable.
There is a lot going on within the story,which jumps between places and people as well as over the course of months, but as a reader I found this was necessary for the plot to develop. Surprisingly, despite all of the jumps, the story is still a relatively easy read. Throughout the narrative, I also find that Roberts gives very clear clues as to the direction that the next books will take, through the dreams/ visions of the characters.
The weakest part of the novel for me was the start, which is why I have only scored this a 9, rather than 10. It is probably me being picky, but I would have preferred another 50-100 pages giving me a little bit more background to some of the characters prior to the doom. I felt the background for some of the characters was there, but for others was a little sketchy, although ultimately this did not stop me engaging with them in the long term.
Overall, I highly recommend this book for anyone who enjoys fantasy and, or post apocalyptic novels. It is an interesting, enjoyable and easy read.
Year One is the first in the three novel series - The Chronicles of The One. The novel itself definitely has undertones of Stephen Kings ‘The Stand’, and follows a similar format with the bulk of the worlds population being wiped out by a mysterious infection, leaving behind the survivors, who quickly divide into a good/ light side or bad/dark side. Unlike The Stand, which to me had slight biblical undertones, the unique selling point of Year One, is the addition of the uncanny’s, magical beings who have been living amongst us, some knowingly different, others benign until the doom releases their powers. I felt this added a new twist to the common post apocalyptic format.
I felt that the characters were varied and relatable within the story. Nora Toberts clearly spent a lot of time creating a varied population for cast, which helped their reactions within the story become more believable.
There is a lot going on within the story,which jumps between places and people as well as over the course of months, but as a reader I found this was necessary for the plot to develop. Surprisingly, despite all of the jumps, the story is still a relatively easy read. Throughout the narrative, I also find that Roberts gives very clear clues as to the direction that the next books will take, through the dreams/ visions of the characters.
The weakest part of the novel for me was the start, which is why I have only scored this a 9, rather than 10. It is probably me being picky, but I would have preferred another 50-100 pages giving me a little bit more background to some of the characters prior to the doom. I felt the background for some of the characters was there, but for others was a little sketchy, although ultimately this did not stop me engaging with them in the long term.
Overall, I highly recommend this book for anyone who enjoys fantasy and, or post apocalyptic novels. It is an interesting, enjoyable and easy read.
Gareth von Kallenbach (980 KP) rated Gone Girl (2014) in Movies
Aug 6, 2019
Let me start by saying that the novel Gone Girl is a fantastic piece of literature. Author Gillian Flynn writes a wickedly deceptive story through the use of characterization and voice that is not only a rousing read, but also a gripping one that allows the reader to understand just exactly who the players are in this thrilling story.
With this in mind, I was concerned that there was no way this film could capture the dark side of the characters and the story being told. I am glad to say that I was wrong. While the typical statement of “the book is better” does apply here, director David Fincher crafts a film that audiences will be able to understand and fill in the blanks of the devious motivations of the characters based on what is seen on screen. This is a refreshing theater experience as I feel that most novel adaptations often lead to lazy filmmaking that assumes the audience is familiar with the source material. Perhaps Fincher is helped by the fact that Gillian Flynn herself wrote the screen adaptation of her novel, keeping the most important elements in play.
Ben Affleck plays Nick Dunne, an introspective “nice” guy who finds himself the primary suspect in the missing persons/murder investigation of his wife Amy, played by Rosamund Pike. The two shine in their performances. They each took their characters from the pages of the book, breathed life into them and embodied Nick and Amy on screen. Combine them with a strong supporting cast of Carrie Coon, Kim Dickens, Neil Patrick Harris and Tyler Perry, who gave performances that were neither lost nor forgettable. This is important as each are needed to provide contrast to the main characters and propel the story forward.
Though this film is not perfect, if there is any one gripe I have about this movie, it’s that a simple line of missed dialogue may cause the theater patron to miss something important to the story, such as the significance of the woodshed. However this is a small gripe as I feel that the pacing of the film and the constant advancement of the story will keep most patrons’ attention and keep them interested in the destiny of the characters.
If you are a reader, I would recommend reading the book first to get into the minds of the characters and truly feel the thrill of this story. However, if you haven’t the time or just don’t like to read, you won’t be disappointed with this strong film adaptation.
With this in mind, I was concerned that there was no way this film could capture the dark side of the characters and the story being told. I am glad to say that I was wrong. While the typical statement of “the book is better” does apply here, director David Fincher crafts a film that audiences will be able to understand and fill in the blanks of the devious motivations of the characters based on what is seen on screen. This is a refreshing theater experience as I feel that most novel adaptations often lead to lazy filmmaking that assumes the audience is familiar with the source material. Perhaps Fincher is helped by the fact that Gillian Flynn herself wrote the screen adaptation of her novel, keeping the most important elements in play.
Ben Affleck plays Nick Dunne, an introspective “nice” guy who finds himself the primary suspect in the missing persons/murder investigation of his wife Amy, played by Rosamund Pike. The two shine in their performances. They each took their characters from the pages of the book, breathed life into them and embodied Nick and Amy on screen. Combine them with a strong supporting cast of Carrie Coon, Kim Dickens, Neil Patrick Harris and Tyler Perry, who gave performances that were neither lost nor forgettable. This is important as each are needed to provide contrast to the main characters and propel the story forward.
Though this film is not perfect, if there is any one gripe I have about this movie, it’s that a simple line of missed dialogue may cause the theater patron to miss something important to the story, such as the significance of the woodshed. However this is a small gripe as I feel that the pacing of the film and the constant advancement of the story will keep most patrons’ attention and keep them interested in the destiny of the characters.
If you are a reader, I would recommend reading the book first to get into the minds of the characters and truly feel the thrill of this story. However, if you haven’t the time or just don’t like to read, you won’t be disappointed with this strong film adaptation.