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Man of Peace: The Illustrated Life Story of the Dalai Lama of Tibet
William Meyers, Robert Thurman and Michael Burbank
Book
Since the age of 15, the Dalai Lama has defended the Tibetan people against one of the last great...
Healing Springs
10.0
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Book
Falling out of love is one thing, but purposefully forgetting it is another. Selene McAlister is...
Lesbian Romance Self Discovery
A Wise Use of Time
Games and Book
App
With the power to freeze time, you can ransack a casino, rescue a celebrity, or cheat death itself! ...
Emma @ The Movies (1786 KP) rated The Little Stranger (2018) in Movies
Sep 25, 2019
I can't say that this is a horror. It's a little bit creepy. It's also somehow engaging, despite it not having that horror aspect you're expecting.
Domhnall Gleeson is an interesting leading actor. He plays the roll well and it feels fitting for the period. But for me Will Poulter really was the best performance. Entirely believable and quite possibly the best thing I've seen him do. I can't say that I was particularly excited about anyone else in this.
The music, or the lack thereof, is very atmospheric. It's really noticable and brings that creepy sense just when it's needed. The visuals get the atmosphere just right too. There's a fantastic slightly out of focus (lets call it squiggly feeling) shot that was used when the supernatural was in the air and it worked intriguingly well.
At the time of writing this I have been out of the screening for six hours... and for six hours I've been annoyed with how the film ended. I've been scouring the internet for a full synopsis of the novel, and while the whole thing seems to match up well, the ending does have a slightly different spin... or it is just handled really weirdly in the film... I really don't know but what I can say is that I came out feeling incredibly unsatisfied.
Based on the book The Little Stranger by Sarah Walters.
What should you do?
I'm tempted to say read the book instead of going to see this one.
Movie thing you wish you could take home
Can I take home Will Poulter?
Domhnall Gleeson is an interesting leading actor. He plays the roll well and it feels fitting for the period. But for me Will Poulter really was the best performance. Entirely believable and quite possibly the best thing I've seen him do. I can't say that I was particularly excited about anyone else in this.
The music, or the lack thereof, is very atmospheric. It's really noticable and brings that creepy sense just when it's needed. The visuals get the atmosphere just right too. There's a fantastic slightly out of focus (lets call it squiggly feeling) shot that was used when the supernatural was in the air and it worked intriguingly well.
At the time of writing this I have been out of the screening for six hours... and for six hours I've been annoyed with how the film ended. I've been scouring the internet for a full synopsis of the novel, and while the whole thing seems to match up well, the ending does have a slightly different spin... or it is just handled really weirdly in the film... I really don't know but what I can say is that I came out feeling incredibly unsatisfied.
Based on the book The Little Stranger by Sarah Walters.
What should you do?
I'm tempted to say read the book instead of going to see this one.
Movie thing you wish you could take home
Can I take home Will Poulter?
Lee (2222 KP) rated Greyhound (2020) in Movies
Sep 2, 2020
Snore...
Based on a C.S. Forester novel The Good Shepherd, and a screenplay by Mr Tom Hanks himself, Greyhound is the latest movie to feature Hanks in the role of brave Captain, returning once more to World War II territory. Any hopes that this might be a return to the grand heights of Saving Private Ryan though are soon laid to rest.
Set in 1942, Hanks plays Captain Ernest Krause, responsible for one of only a handful of warships as they escort and protect an even larger number of merchant vessels making the journey across the Atlantic Ocean with vital supplies for England. They will be entering what’s known as ‘the black pit’ – a stretch of Ocean too far out at sea for any aerial cover to be provided by the countries on either side. For a few days, they will be on their own, and at the mercy of any German U-boats they may encounter.
Greyhound wastes no time in landing us right in the thick of it all, joining the crew as they enter the black pit, and sticking with them while they attempt to make it to relative safety on the other side. Obviously, it’s not long before a number of U-boats target the fleet of vessels and begin trying to pick them off in a tense game of cat and mouse at sea.
There is a LOT of nautical jargon in Greyhound and twenty minutes in, I was already feeling exhausted just trying to follow it all and gain any kind of enjoyment out of the movie. Despite throwing the occasion title up on screen to tell us which vessel we’re looking at out on the gloomy CGI seas, it’s also not always clear which ship is which, or who’s firing at who either. That attention to detailed dialogue really doesn’t let up one bit either, making what is only a 91 minute movie feel so much longer.
By throwing us straight into the action, we’re also given no time to learn or even care about any of the characters. Krause is only given a couple of brief flashback scenes, showing us with his partner two months earlier, played by Elizabeth Shue. Other than knowing this is his first Atlantic crossing, and that he is fully committed to the job in hand, refusing to eat any of the hot meals regularly brought to him by the ship’s cook, we’re provided very little information about our Captain.
The crew are also there just to fire off updates to their Captain and respond to his commands, providing no character development whatsoever for them either and giving us nothing to feel invested in, other than a desire for them all to make it safely to England.
With the focus of the movie entirely on the crew and setting of the Greyhound, we only hear from other characters via radio – calls for support from the other vessels, or psychological jaunts from the Germans on the U-boat. Again, by not giving us the viewpoint of any other side or vessel, it all makes for a very one dimensional and dull ride. Definitely not one of Tom Hanks finest.
Set in 1942, Hanks plays Captain Ernest Krause, responsible for one of only a handful of warships as they escort and protect an even larger number of merchant vessels making the journey across the Atlantic Ocean with vital supplies for England. They will be entering what’s known as ‘the black pit’ – a stretch of Ocean too far out at sea for any aerial cover to be provided by the countries on either side. For a few days, they will be on their own, and at the mercy of any German U-boats they may encounter.
Greyhound wastes no time in landing us right in the thick of it all, joining the crew as they enter the black pit, and sticking with them while they attempt to make it to relative safety on the other side. Obviously, it’s not long before a number of U-boats target the fleet of vessels and begin trying to pick them off in a tense game of cat and mouse at sea.
There is a LOT of nautical jargon in Greyhound and twenty minutes in, I was already feeling exhausted just trying to follow it all and gain any kind of enjoyment out of the movie. Despite throwing the occasion title up on screen to tell us which vessel we’re looking at out on the gloomy CGI seas, it’s also not always clear which ship is which, or who’s firing at who either. That attention to detailed dialogue really doesn’t let up one bit either, making what is only a 91 minute movie feel so much longer.
By throwing us straight into the action, we’re also given no time to learn or even care about any of the characters. Krause is only given a couple of brief flashback scenes, showing us with his partner two months earlier, played by Elizabeth Shue. Other than knowing this is his first Atlantic crossing, and that he is fully committed to the job in hand, refusing to eat any of the hot meals regularly brought to him by the ship’s cook, we’re provided very little information about our Captain.
The crew are also there just to fire off updates to their Captain and respond to his commands, providing no character development whatsoever for them either and giving us nothing to feel invested in, other than a desire for them all to make it safely to England.
With the focus of the movie entirely on the crew and setting of the Greyhound, we only hear from other characters via radio – calls for support from the other vessels, or psychological jaunts from the Germans on the U-boat. Again, by not giving us the viewpoint of any other side or vessel, it all makes for a very one dimensional and dull ride. Definitely not one of Tom Hanks finest.
The Science of Discworld
Terry Pratchett, Ian Stewart and Jack Cohen
8.5
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Book
This is the fantastic first book in the Sunday Times bestselling Science of Discworld series. When a...
Leanne Crabtree (480 KP) rated The Last Piece of My Heart in Books
Aug 26, 2019 (Updated Sep 3, 2019)
Paige Toon has always been an author I'll buy. I've pretty much read all of her books apart from her last two or three--which I own but haven't gotten around to reading yet. I always tend to find Toon's books easy to get through and once I start, it's a case of full steam ahead.
So Bridget is a travel journalist who is also writing a blog about reclaiming the pieces of her heart that she lost to past boyfriends who she fell in love with, flying all over the world to meet up with them and asking for the pieces back. At the same time, she's been tasked with finishing writing a sequel to a bestselling novel after the author died suddenly half way through writing it.
It was interesting to read the authors journals and to see that a lot of her story was based on her own experiences when she was younger. I enjoyed Bridget's time getting to know Nicki--the author who had sadly passed away--through the stories told in notebooks and from her husband, Charlie.
Then there's Nicki and Charlie's baby daughter, April. I've got a serious weakness for cute babies/children in stories. She's used as a pretty focal character in the book and I think, like Bridget, that we start to fall in love with her from early on.
I think Toon did a good job of writing a grieving husband (and other family members) and the tenderness of finding new love after such a big loss.
I'm looking forward to reading those other books I mentioned above.
So Bridget is a travel journalist who is also writing a blog about reclaiming the pieces of her heart that she lost to past boyfriends who she fell in love with, flying all over the world to meet up with them and asking for the pieces back. At the same time, she's been tasked with finishing writing a sequel to a bestselling novel after the author died suddenly half way through writing it.
It was interesting to read the authors journals and to see that a lot of her story was based on her own experiences when she was younger. I enjoyed Bridget's time getting to know Nicki--the author who had sadly passed away--through the stories told in notebooks and from her husband, Charlie.
Then there's Nicki and Charlie's baby daughter, April. I've got a serious weakness for cute babies/children in stories. She's used as a pretty focal character in the book and I think, like Bridget, that we start to fall in love with her from early on.
I think Toon did a good job of writing a grieving husband (and other family members) and the tenderness of finding new love after such a big loss.
I'm looking forward to reading those other books I mentioned above.
Mark @ Carstairs Considers (2464 KP) rated A Time For Murder in Books
Nov 27, 2019
Jessica’s First Murder Mystery Comes Back to Haunt Her
When Jessica Fletcher sits down to be interviewed by a student from Cabot Cove High School, she is surprised to find the student bringing up Jessica’s first time solving a murder. No, it wasn’t at the launch party of her first book, but it was twenty-five years ago when she, her husband Frank, and their nephew Grady were living in Appleton, Maine. The principal where Jessica was a substitute English teacher was murdered, and Jessica helped solve the case. Jessica usually doesn’t talk about it, and she deflects again, but when she goes to apologize to the student later, she discovers that the woman who interviewed her wasn’t a student at the high school at all. Who interviewed her? What is her interest in the case?
Going into this book, I was concerned that this book was going to contradict things established in the pilot episode of the TV show, but it does a good job of explaining things so that this doesn’t happen. We do spend part of the book in the past, and all the transitions are easy to follow. I found both mysteries, past and present, to be very compelling, and I couldn’t put the book down until I reached the climax. Unfortunately, the climax is a bit over the top, which has happened in the books I’ve read in the series. Likewise, I did find that Jessica, Mort, and Seth spent more time sniping at each other than I remembered from most episodes of the show. On the other hand, Jessica has stopped swearing, which was a welcome return to normalcy for the character. This book is the fiftieth novel based on the show, and as a result manages to work in a few Easter Eggs that fans will enjoy. If you are a fan, you’ll enjoy this entry.
Going into this book, I was concerned that this book was going to contradict things established in the pilot episode of the TV show, but it does a good job of explaining things so that this doesn’t happen. We do spend part of the book in the past, and all the transitions are easy to follow. I found both mysteries, past and present, to be very compelling, and I couldn’t put the book down until I reached the climax. Unfortunately, the climax is a bit over the top, which has happened in the books I’ve read in the series. Likewise, I did find that Jessica, Mort, and Seth spent more time sniping at each other than I remembered from most episodes of the show. On the other hand, Jessica has stopped swearing, which was a welcome return to normalcy for the character. This book is the fiftieth novel based on the show, and as a result manages to work in a few Easter Eggs that fans will enjoy. If you are a fan, you’ll enjoy this entry.
JT (287 KP) rated The Girl in the Spider's Web (2018) in Movies
Mar 10, 2020
It would be a major change for any actress. But for Claire Foy, to go from the beauty and elegance of Elizabeth II in The Crown, to punked out gothic hacker in The Girl in the Spider’s Web takes some doing – and she adapts to it extremely well.
The film is based on the novel written by David Lagercrantz after original writer Stig Larsson’s death. It attempted to restart the series which had become very popular, especially with the original films starring Noomi Rapace. These were held in high regard and the decision to remake The Girl with the Dragon Tattoo was met with cautious scepticism.
But where David Fincher’s remake was dark and unnerving Fede Alvarez‘s Spider’s Web is stylish and explosive. Filled with gadgets and a variety of hacking abilities that wouldn’t look out of place within the world of James Bond or Mission Impossible, the film doesn’t provide enough sinister thrills. Instead, it pumps out several action set pieces, that while thoroughly entertaining, leave behind the trauma and shock value of Dragon Tattoo and subsequent originals.
Filled with gadgets and a variety of hacking abilities that wouldn’t look out of place within the world of James Bond or Mission Impossible
After an opening that provides plenty of back story surrounding Lisbeth’s childhood, we’re fast-forwarded into the high-tech world. Here a computer programme that can access virtually any nuclear codes in the world has been created by a now remorseful tech whiz (Stephen Merchant) who wants to help destroy it. With a number of people interested in the program, Lisbeth must go on the run and at the same time dig up her past in order to save the world.
This incarnation of Lisbeth Salander feels like a softer version compared with the portrayal by Rapace and 2011’s Rooney Mara. Yet the character is played with gusto by Foy who delivers her lines with a determined grittiness. The film’s plot while somewhat far fetched, is still an enjoyable ride.
The film is based on the novel written by David Lagercrantz after original writer Stig Larsson’s death. It attempted to restart the series which had become very popular, especially with the original films starring Noomi Rapace. These were held in high regard and the decision to remake The Girl with the Dragon Tattoo was met with cautious scepticism.
But where David Fincher’s remake was dark and unnerving Fede Alvarez‘s Spider’s Web is stylish and explosive. Filled with gadgets and a variety of hacking abilities that wouldn’t look out of place within the world of James Bond or Mission Impossible, the film doesn’t provide enough sinister thrills. Instead, it pumps out several action set pieces, that while thoroughly entertaining, leave behind the trauma and shock value of Dragon Tattoo and subsequent originals.
Filled with gadgets and a variety of hacking abilities that wouldn’t look out of place within the world of James Bond or Mission Impossible
After an opening that provides plenty of back story surrounding Lisbeth’s childhood, we’re fast-forwarded into the high-tech world. Here a computer programme that can access virtually any nuclear codes in the world has been created by a now remorseful tech whiz (Stephen Merchant) who wants to help destroy it. With a number of people interested in the program, Lisbeth must go on the run and at the same time dig up her past in order to save the world.
This incarnation of Lisbeth Salander feels like a softer version compared with the portrayal by Rapace and 2011’s Rooney Mara. Yet the character is played with gusto by Foy who delivers her lines with a determined grittiness. The film’s plot while somewhat far fetched, is still an enjoyable ride.
Gareth von Kallenbach (980 KP) rated Doom (2005) in Movies
Aug 14, 2019
In a remote section of Mars, something has gone horribly wrong for the scientists of the Union Aerospace Corporation’s research facility. Scientists run screaming for their lives from a deadly threat. Trapped on a barren world against forces unknown, the call goes out for an elite team of specialists to contain the situation, and neutralize the threat at any cost.
In the new game to film adaptation Doom which is based on the phenomenally popular game series of the same name, International Action Star The Rock stars as Sarge, a by the book, no nonsense leader Of a rapid response team who have been tasked with quelling the situation on Mars. His #2 is John (Reaper) Grimm (Karl Urban), the son of two scientists who were killed years earlier in a move that drove John from the Red Planet and into the corps.
Unsure about where his head is Sarge suggests John take leave and skip the mission less he provide an unstable factor. Driven by his concern for his sister on the planet, and his devotion to duty, John accompanies his team to Mars via a teleportation device know as the Arc.
In no time the team has arrived and begun sweeping the affected areas of the base, and working to ensure that nothing can return to Earth without permission. As the team surveys the dark and isolated lab areas, John is also reunited with his sister Sam (Rosamund Pike), which brings up the memories of their dead parents and repressed hostility over his departure and emotional distance.
Of course this is a movie based on monsters and violence, so in no time, there are some strange things lurking in the darkened corridors of the lab and the team finds themselves locked in a series of deadly confrontations against enemies of unimaginable horror.
In short order the team is picked off by the deadly opposition which causes strain amongst the survivors, as it becomes clear that the work being conducted at the base was far from the simple excavations that they had been claiming for years. The truth is far more dangerous and soon has the very safety of Earth in the balance.
The changing dynamic soon divides Sarge and John and they find themselves at odds with not only the creatures but themselves as they battle for survival and the safety of the Earth.
As a fan of the game series I had followed the long development of the film with interest. As production began there were reports that the film would deviate from the game in not being set on Mars and following Zombies more than demons from hell. While the film is set on Mars there is some deviation that may upset fans of the game. Hell does not serve as the source of the enemies; rather it is something that is not present in any of the games. Another deviation is that the film unlike the game is not nonstop action.
Doom moves at a very deliberate pace and when the action comes, it tends to be against a solitary foe. Only for a brief segment near the conclusion of the film do we get a battle against a large mass, and then it is very short. The novel first person perspective shown late in the film was great fun as the audience howled with delight during this segment.
The Rock shows once again that he is a rising Star as his charisma and commanding presence propels the film even though he is a supporting character. No matter the cheese factor, or stiff lines, The Rock is such a compelling presence, he makes the film viewable. Urban is good in the lead role, though he is overshadowed by The Rock, as his strong soft spoken mannerisms seem out of place in a macho action setting.
All of this said, while it is by no means a landmark piece of cinema, Doom is fun, and is easily the best game adaptation to film yet.
In the new game to film adaptation Doom which is based on the phenomenally popular game series of the same name, International Action Star The Rock stars as Sarge, a by the book, no nonsense leader Of a rapid response team who have been tasked with quelling the situation on Mars. His #2 is John (Reaper) Grimm (Karl Urban), the son of two scientists who were killed years earlier in a move that drove John from the Red Planet and into the corps.
Unsure about where his head is Sarge suggests John take leave and skip the mission less he provide an unstable factor. Driven by his concern for his sister on the planet, and his devotion to duty, John accompanies his team to Mars via a teleportation device know as the Arc.
In no time the team has arrived and begun sweeping the affected areas of the base, and working to ensure that nothing can return to Earth without permission. As the team surveys the dark and isolated lab areas, John is also reunited with his sister Sam (Rosamund Pike), which brings up the memories of their dead parents and repressed hostility over his departure and emotional distance.
Of course this is a movie based on monsters and violence, so in no time, there are some strange things lurking in the darkened corridors of the lab and the team finds themselves locked in a series of deadly confrontations against enemies of unimaginable horror.
In short order the team is picked off by the deadly opposition which causes strain amongst the survivors, as it becomes clear that the work being conducted at the base was far from the simple excavations that they had been claiming for years. The truth is far more dangerous and soon has the very safety of Earth in the balance.
The changing dynamic soon divides Sarge and John and they find themselves at odds with not only the creatures but themselves as they battle for survival and the safety of the Earth.
As a fan of the game series I had followed the long development of the film with interest. As production began there were reports that the film would deviate from the game in not being set on Mars and following Zombies more than demons from hell. While the film is set on Mars there is some deviation that may upset fans of the game. Hell does not serve as the source of the enemies; rather it is something that is not present in any of the games. Another deviation is that the film unlike the game is not nonstop action.
Doom moves at a very deliberate pace and when the action comes, it tends to be against a solitary foe. Only for a brief segment near the conclusion of the film do we get a battle against a large mass, and then it is very short. The novel first person perspective shown late in the film was great fun as the audience howled with delight during this segment.
The Rock shows once again that he is a rising Star as his charisma and commanding presence propels the film even though he is a supporting character. No matter the cheese factor, or stiff lines, The Rock is such a compelling presence, he makes the film viewable. Urban is good in the lead role, though he is overshadowed by The Rock, as his strong soft spoken mannerisms seem out of place in a macho action setting.
All of this said, while it is by no means a landmark piece of cinema, Doom is fun, and is easily the best game adaptation to film yet.
