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BankofMarquis (1832 KP) rated Motherless Brooklyn (2019) in Movies
Jan 15, 2021
A little too slow and self-indulgent for my tastes
There is no denying that Edward Norton is a talented performer. Ever since he burst onto the scene with his Oscar nominated performance in PRIMAL FEAR, he has been a presence both on and off the screen as an Actor, Writer, Producer and Director.
With his latest effort, MOTHERLESS BROOKLYN (based on the base selling novel by Jonathan Lethem), Norton puts ALL of his skills to work as he Produced, Directed, Wrote and Starred in this Private Eye thriller from 2019.
If only Norton had handed at least 1 of those jobs over to someone else.
Norton stars as Lionel Essrog, a Private Eye with Tourette’s Syndrome, who’s investigation into the murder of a mentor of his exposes corruption, racism, greed and abuse of power in City Hall in New York City in the 1950’s.
As the star, Norton brings a nice edge to Lionel, who’s Tourette’s causes him to twitch and belt out words randomly, as well as gives him a photographic memory. While the twitching and random swearing are a bit over the top at times, the photographic memory helps Lionel solve the case (of course it does).
And that’s where I have issue with writer Norton - as he cannot resist the urge to showcase Actor Norton’s propensity to go over the top and puts in many, many “Tourette’s moments” as well as putting in long dialogue scenes that tries to show the audience how smart Lionel is.
Unfortunately, Director Norton indulges Writer Norton and Actor Norton so the film has a languid pace that just sits on Lionel’s actions and words. This is a 2 hour movie packed into a 2 1/2 hour run time. Now, to be fair to Director Norton, there are some absolutely gorgeous and interesting pictures put on the screen and the atmosphere (and characters) that are created are interesting (enough) to ALMOST forgive the self-indulgent ways of Writer/Actor/Director Norton.
As for the rest of the cast, Bruce Willis is…Bruce Willis as a Private Eye that works with Lionel and Willem DaFoe is at his “Willem DeFoe-iest” in portraying a critic of New York City Hall with a secret past. It’s as if Director Norton said to both of these 2 fine actors to just “do your thing” while he focused on the myriad of other jobs he had on this film.
Special notice needs to be made of the work of Gugu Mbatha-Raw as Femme Fatale Laura Rose (a part that Norton specifically added to the film - her character was not in the book - and wrote just for her). She is quite good in this role and her scenes with Norton crackle somewhat louder than the rest of the film.
And then there is Alec Baldwin as a corrupt, racist, politician who is looking out for only 1 person - himself. While Baldwin is very good in this 100% serious role, I couldn’t be help but be reminded of a certain comedic character he has played for the past few years on Saturday Night Live.
The music by Daniel Pemberton and the Cinematography by Dick Pope add greatly to the atmosphere of this film - and that is good - for when the story bogs down (and it bogs down A LOT), there usually is something interesting to look at or listen to.
Not a bad film, but it could have been a much better film if someone would have taken at least ONE of the jobs off of Norton (I would vote for Director) and tightened things up and tone down Norton’s tendency to “ham it up” on screen.
Letter Grade: B-
6 Stars (out of 10) and you can take that to the Bank(ofMarquis)
With his latest effort, MOTHERLESS BROOKLYN (based on the base selling novel by Jonathan Lethem), Norton puts ALL of his skills to work as he Produced, Directed, Wrote and Starred in this Private Eye thriller from 2019.
If only Norton had handed at least 1 of those jobs over to someone else.
Norton stars as Lionel Essrog, a Private Eye with Tourette’s Syndrome, who’s investigation into the murder of a mentor of his exposes corruption, racism, greed and abuse of power in City Hall in New York City in the 1950’s.
As the star, Norton brings a nice edge to Lionel, who’s Tourette’s causes him to twitch and belt out words randomly, as well as gives him a photographic memory. While the twitching and random swearing are a bit over the top at times, the photographic memory helps Lionel solve the case (of course it does).
And that’s where I have issue with writer Norton - as he cannot resist the urge to showcase Actor Norton’s propensity to go over the top and puts in many, many “Tourette’s moments” as well as putting in long dialogue scenes that tries to show the audience how smart Lionel is.
Unfortunately, Director Norton indulges Writer Norton and Actor Norton so the film has a languid pace that just sits on Lionel’s actions and words. This is a 2 hour movie packed into a 2 1/2 hour run time. Now, to be fair to Director Norton, there are some absolutely gorgeous and interesting pictures put on the screen and the atmosphere (and characters) that are created are interesting (enough) to ALMOST forgive the self-indulgent ways of Writer/Actor/Director Norton.
As for the rest of the cast, Bruce Willis is…Bruce Willis as a Private Eye that works with Lionel and Willem DaFoe is at his “Willem DeFoe-iest” in portraying a critic of New York City Hall with a secret past. It’s as if Director Norton said to both of these 2 fine actors to just “do your thing” while he focused on the myriad of other jobs he had on this film.
Special notice needs to be made of the work of Gugu Mbatha-Raw as Femme Fatale Laura Rose (a part that Norton specifically added to the film - her character was not in the book - and wrote just for her). She is quite good in this role and her scenes with Norton crackle somewhat louder than the rest of the film.
And then there is Alec Baldwin as a corrupt, racist, politician who is looking out for only 1 person - himself. While Baldwin is very good in this 100% serious role, I couldn’t be help but be reminded of a certain comedic character he has played for the past few years on Saturday Night Live.
The music by Daniel Pemberton and the Cinematography by Dick Pope add greatly to the atmosphere of this film - and that is good - for when the story bogs down (and it bogs down A LOT), there usually is something interesting to look at or listen to.
Not a bad film, but it could have been a much better film if someone would have taken at least ONE of the jobs off of Norton (I would vote for Director) and tightened things up and tone down Norton’s tendency to “ham it up” on screen.
Letter Grade: B-
6 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Bob Mann (459 KP) rated The Light Between Oceans (2016) in Movies
Sep 29, 2021
“You only have to forgive once. To resent, you have to do it all day, every day”.
In my review of “The Two Faces of January” I described it as a film that “will be particularly enjoyed by older viewers who remember when story and location were put far ahead of CGI-based special effects”. In watching this film I was again linking in my mind to that earlier film… and that was before the lead character suddenly brought up the two faces of Janus!
For this is a good old-fashioned weepy melodrama: leisurely, character based and guaranteed to give the tear ducts a good old cleaning out.
It’s 1918 and Michael Fassbender plays Tom Sherbourne, a damaged man seeking solitude and reflection after four years of hell in the trenches. As a short-term job he takes the post of lighthouse keeper on the isolated slab of rock called Janus – sat between two oceans (presumably as this is Western Australia, the Indian and the Southern Oceans). The isolation of the job previously sent his predecessor off his trolley.
En route to his workplace he is immediately attracted to headmaster’s daughter Isabel (Alicia Vikander) who practically THROWS herself at Tom (the hussy), given that they only have snatches of a day at a time to be together during shore leave. Tom falls for her (as a hot blooded man, and with Vikander’s performance, this is entirely believable!) and the two marry to retire to their ‘fortress of solitude’ together to raise a family and live happily ever after…. or not… For the path of true motherhood runs not smoothly for poor Isabel, and a baby in a drifting boat spells both joy and despair for the couple as the story unwinds.
(I’ll stop my synopsis there, since I think the trailer – and other reviews I’ve read – give too much away).
While Fassbender again demonstrates what a mesmerising actor he is, the acting kudos in this one really goes again to Vikander, who pulls out all the stops in a role that demands fragility, naivety, resentment, anger and despair across its course. While I don’t think the film in general will trouble the Oscars, this is a leading actress performance that I could well see nominated. In a supporting role, with less screen-time, is Rachel Weisz who again needs to demonstrate her acting stripes in a demanding role. (Also a shout-out to young Florence Clery who is wonderfully naturalistic as the 4 year old Lucy-Grace.)
So this is a film with a stellar class, but it doesn’t really all gel together satisfyingly into a stellar – or at least particularly memorable – movie. After a slow start, director Derek Cianfrance (“The Place Beyond the Pines”) ladles on the melodrama interminably, and over a two hour running time the word overwrought comes to mind.
The script (also by Cianfrance, from the novel by M.L.Stedman) could have been tightened up, particularly in the first reel, and the audience given a bit more time to reflect and absorb in the second half.
The film is also curiously ‘place-less’. I assumed this was somewhere off Ireland until someone suddenly starting singing “Waltzing Matilda” (badly) and random people started talking in Aussie accents: most strange.
Cinematography by Adam Arkapaw (“Macbeth”) is also frustratingly inconsistent. The landscapes of the island, steam trains, sunsets and the multiple boatings in between is just beautiful (assisted by a delicate score by the great Alexandre Desplat which is well used) but get close up (and the camera does often get VERY close up) and a lack of ‘steadicam’ becomes infuriating, with faces dancing about the screen and – in one particular scene early on – wandering off on either side with the camera apparently unsure which one to follow!
A memorable cinema experience only for Vikander’s outstanding performance. Now where are those tissues…
For this is a good old-fashioned weepy melodrama: leisurely, character based and guaranteed to give the tear ducts a good old cleaning out.
It’s 1918 and Michael Fassbender plays Tom Sherbourne, a damaged man seeking solitude and reflection after four years of hell in the trenches. As a short-term job he takes the post of lighthouse keeper on the isolated slab of rock called Janus – sat between two oceans (presumably as this is Western Australia, the Indian and the Southern Oceans). The isolation of the job previously sent his predecessor off his trolley.
En route to his workplace he is immediately attracted to headmaster’s daughter Isabel (Alicia Vikander) who practically THROWS herself at Tom (the hussy), given that they only have snatches of a day at a time to be together during shore leave. Tom falls for her (as a hot blooded man, and with Vikander’s performance, this is entirely believable!) and the two marry to retire to their ‘fortress of solitude’ together to raise a family and live happily ever after…. or not… For the path of true motherhood runs not smoothly for poor Isabel, and a baby in a drifting boat spells both joy and despair for the couple as the story unwinds.
(I’ll stop my synopsis there, since I think the trailer – and other reviews I’ve read – give too much away).
While Fassbender again demonstrates what a mesmerising actor he is, the acting kudos in this one really goes again to Vikander, who pulls out all the stops in a role that demands fragility, naivety, resentment, anger and despair across its course. While I don’t think the film in general will trouble the Oscars, this is a leading actress performance that I could well see nominated. In a supporting role, with less screen-time, is Rachel Weisz who again needs to demonstrate her acting stripes in a demanding role. (Also a shout-out to young Florence Clery who is wonderfully naturalistic as the 4 year old Lucy-Grace.)
So this is a film with a stellar class, but it doesn’t really all gel together satisfyingly into a stellar – or at least particularly memorable – movie. After a slow start, director Derek Cianfrance (“The Place Beyond the Pines”) ladles on the melodrama interminably, and over a two hour running time the word overwrought comes to mind.
The script (also by Cianfrance, from the novel by M.L.Stedman) could have been tightened up, particularly in the first reel, and the audience given a bit more time to reflect and absorb in the second half.
The film is also curiously ‘place-less’. I assumed this was somewhere off Ireland until someone suddenly starting singing “Waltzing Matilda” (badly) and random people started talking in Aussie accents: most strange.
Cinematography by Adam Arkapaw (“Macbeth”) is also frustratingly inconsistent. The landscapes of the island, steam trains, sunsets and the multiple boatings in between is just beautiful (assisted by a delicate score by the great Alexandre Desplat which is well used) but get close up (and the camera does often get VERY close up) and a lack of ‘steadicam’ becomes infuriating, with faces dancing about the screen and – in one particular scene early on – wandering off on either side with the camera apparently unsure which one to follow!
A memorable cinema experience only for Vikander’s outstanding performance. Now where are those tissues…
Hazel (1853 KP) rated The Witchwood Crown in Books
Jul 22, 2017
Gosh, what a long book!
Review I received this book for free through Goodreads First Reads.
Approximately 30 years ago, the first novel in Tad Williams’ Memory, Sorrow and Thorn trilogy was published. Fans all over the world adored this high fantasy story about a young kitchen boy, Simon, who goes on to become King of Ostern Ard. Now Williams’ has returned to the fictional lands with a follow-up trilogy, The Last King of Ostern Ard.
Three decades have been and gone since the ending of the previous series. The Witchwood Crown explores the changes that have occurred since the epic story finished, unfortunately, things are not looking good. Simon and his wife, Miriamele, have suffered a few personal tragedies, leaving them with two fatherless grandchildren. Young Lillia is an out spoken child who expostulates with everyone in order to get her way – she is a princess after all. Morgan, the heir, is rather obtuse in comparison; a lazy young man whose vexatious behaviour constantly causes the Royals to despair. However, this is only a tiny problem in their restless kingdom.
The Norn Queen, an antagonist of the original story, has been asleep for the past few decades. Mortals foolishly believed they were safe from the evil character, yet unexpectedly, she has awoken and is determined to destroy humanity. Too weak to carry out her own plans, she infiltrates the minds of the members of her immortal race, sending them off on perilous missions, for example, to extract blood from a live dragon.
As well as Simon’s city and the Norns, there are several more important characters and locations, each with their own on going storyline. A mix of assiduous and animus personas shake up the peace that had settled at the closing of Memory, Sorrow and Thorn. It is almost impossible to fathom whom the good and bad are, especially when reading from so many different points of view.
If the 700 odd pages did not already give it away, the inclusion of maps and appendixes prove the book to contain an extremely lengthy tale. Flitting from one set of characters to another, it is hard to keep up with the hundreds of names and roles. It does not help that the majority are unpronounceable, full of additional apostrophes making them as unlike English names as possible – a usual trait of fantasy fiction.
Not only are the names difficult to pronounce, the words and vernacular some of the characters use are just as dumbfounding. Thankfully, definitions are provided at the back of the book, but to keep flipping between pages can get quite tedious after a while.
The sheer number of characters makes it difficult to unearth the main storyline. In fact, there does not appear to be a strong plot at all. Judging by the ending, it is as though The Witchwood Crown is only an introduction to the narrative that will begin in the following book.
Reading the primary series first will have its benefits, however, it is not mandatory. New readers, like myself, are able to pick up snippets of past events and piece together the lead up to the current scenario. Although a work of historical fantasy, it is possible to see elements of real life within the story. Dragons and fairies may not exist in our world, but similar beliefs and systems are relatable. For instance, the days of the week are obviously based on the English names: Sunday, Moonday, Tiasday, Udunsday, Drorsday, Frayday and Satrinsday.
The most striking connection between real and imagined is the religious beliefs of different clans and species. Many of the mortals have taken, up what is suggested to be, a new religion. There are so many similarities; it is undoubtedly based on Christianity. Likewise, other beliefs are comparable to pagan rites and ceremonies of the distant past.
The Witchwood Crown is not an easy book to read, neither is it all that exciting. On the other hand, it is interesting. It is equivalent to reading historical information with the added benefit of mythical creatures. This is not a quick read; therefore you need to be dedicated to sitting down and pacing through the story. It is definitely targeted at high fantasy fans – in fact, the original stories influenced George R. R. Martin (A Game of Thrones) – who are used to the length and complexity of the narrative
Approximately 30 years ago, the first novel in Tad Williams’ Memory, Sorrow and Thorn trilogy was published. Fans all over the world adored this high fantasy story about a young kitchen boy, Simon, who goes on to become King of Ostern Ard. Now Williams’ has returned to the fictional lands with a follow-up trilogy, The Last King of Ostern Ard.
Three decades have been and gone since the ending of the previous series. The Witchwood Crown explores the changes that have occurred since the epic story finished, unfortunately, things are not looking good. Simon and his wife, Miriamele, have suffered a few personal tragedies, leaving them with two fatherless grandchildren. Young Lillia is an out spoken child who expostulates with everyone in order to get her way – she is a princess after all. Morgan, the heir, is rather obtuse in comparison; a lazy young man whose vexatious behaviour constantly causes the Royals to despair. However, this is only a tiny problem in their restless kingdom.
The Norn Queen, an antagonist of the original story, has been asleep for the past few decades. Mortals foolishly believed they were safe from the evil character, yet unexpectedly, she has awoken and is determined to destroy humanity. Too weak to carry out her own plans, she infiltrates the minds of the members of her immortal race, sending them off on perilous missions, for example, to extract blood from a live dragon.
As well as Simon’s city and the Norns, there are several more important characters and locations, each with their own on going storyline. A mix of assiduous and animus personas shake up the peace that had settled at the closing of Memory, Sorrow and Thorn. It is almost impossible to fathom whom the good and bad are, especially when reading from so many different points of view.
If the 700 odd pages did not already give it away, the inclusion of maps and appendixes prove the book to contain an extremely lengthy tale. Flitting from one set of characters to another, it is hard to keep up with the hundreds of names and roles. It does not help that the majority are unpronounceable, full of additional apostrophes making them as unlike English names as possible – a usual trait of fantasy fiction.
Not only are the names difficult to pronounce, the words and vernacular some of the characters use are just as dumbfounding. Thankfully, definitions are provided at the back of the book, but to keep flipping between pages can get quite tedious after a while.
The sheer number of characters makes it difficult to unearth the main storyline. In fact, there does not appear to be a strong plot at all. Judging by the ending, it is as though The Witchwood Crown is only an introduction to the narrative that will begin in the following book.
Reading the primary series first will have its benefits, however, it is not mandatory. New readers, like myself, are able to pick up snippets of past events and piece together the lead up to the current scenario. Although a work of historical fantasy, it is possible to see elements of real life within the story. Dragons and fairies may not exist in our world, but similar beliefs and systems are relatable. For instance, the days of the week are obviously based on the English names: Sunday, Moonday, Tiasday, Udunsday, Drorsday, Frayday and Satrinsday.
The most striking connection between real and imagined is the religious beliefs of different clans and species. Many of the mortals have taken, up what is suggested to be, a new religion. There are so many similarities; it is undoubtedly based on Christianity. Likewise, other beliefs are comparable to pagan rites and ceremonies of the distant past.
The Witchwood Crown is not an easy book to read, neither is it all that exciting. On the other hand, it is interesting. It is equivalent to reading historical information with the added benefit of mythical creatures. This is not a quick read; therefore you need to be dedicated to sitting down and pacing through the story. It is definitely targeted at high fantasy fans – in fact, the original stories influenced George R. R. Martin (A Game of Thrones) – who are used to the length and complexity of the narrative
Hazel (1853 KP) rated Minology II The Disquisitive Saga Of Filbert Monkston in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
What if scientists have been wrong about the way the human body works? What if there are thousands of tiny creatures controlling each and every organ, making sure everything in the body is in working order? This is the idea that Mark Murphy has based his books upon. These creatures are called min and not only do they help the body to function; they have their own lives to deal with as well.
<i>Minology II: The Disquisitive Saga of Filbert Monkston</i> is the second of the <i>Minology stories</i>. Filbert is a seventeen-year-old min who has grown up in the Gutlands as part of the Kushnick tribe. However he is beginning to question their religion. Why do they have these beliefs? Why do they sacrifice food? An argument with his father sparks off a series of events that cause trouble for many min.
After storming off, Filbert and his friend Gordon come into contact with a strange group of travellers. Not realizing how dangerous they are, Filbert and Gordon get drawn into a trap. Baron Floppy, Filbert’s father, on the other hand, regrets the outburst at his son and is extremely worried when he never returns home. Along with a search party he goes out to find his son. As the story leads up to reuniting the father and son an old mystery is uncovered and finally solved after many years of it being left unanswered.
As with the first <i>Minology</i> book, this is a lighthearted read containing a lot of humour. Many of the min are not the most intelligent of creatures resulting in rather a lot of misunderstandings which can be particularly amusing. The storyline itself can be quite gripping as the mystery unravels.
Although <i>Minology II</i> does not exactly follow on from the previous novel, it would be handy to read the books in order as the first story provides more information about who the min are and a little about the body they are inhabiting.
Overall, <i>Minology II</i> is a good short read, however could have done with another proof read before publication. It is a shame that the writer cannot tell the difference between the words ‘were’ and ‘where’!
What if scientists have been wrong about the way the human body works? What if there are thousands of tiny creatures controlling each and every organ, making sure everything in the body is in working order? This is the idea that Mark Murphy has based his books upon. These creatures are called min and not only do they help the body to function; they have their own lives to deal with as well.
<i>Minology II: The Disquisitive Saga of Filbert Monkston</i> is the second of the <i>Minology stories</i>. Filbert is a seventeen-year-old min who has grown up in the Gutlands as part of the Kushnick tribe. However he is beginning to question their religion. Why do they have these beliefs? Why do they sacrifice food? An argument with his father sparks off a series of events that cause trouble for many min.
After storming off, Filbert and his friend Gordon come into contact with a strange group of travellers. Not realizing how dangerous they are, Filbert and Gordon get drawn into a trap. Baron Floppy, Filbert’s father, on the other hand, regrets the outburst at his son and is extremely worried when he never returns home. Along with a search party he goes out to find his son. As the story leads up to reuniting the father and son an old mystery is uncovered and finally solved after many years of it being left unanswered.
As with the first <i>Minology</i> book, this is a lighthearted read containing a lot of humour. Many of the min are not the most intelligent of creatures resulting in rather a lot of misunderstandings which can be particularly amusing. The storyline itself can be quite gripping as the mystery unravels.
Although <i>Minology II</i> does not exactly follow on from the previous novel, it would be handy to read the books in order as the first story provides more information about who the min are and a little about the body they are inhabiting.
Overall, <i>Minology II</i> is a good short read, however could have done with another proof read before publication. It is a shame that the writer cannot tell the difference between the words ‘were’ and ‘where’!
Louise (64 KP) rated See What I Have Done in Books
Jul 2, 2018
*I received a copy of this book from Netgalley and the Publisher Grove Atlantic in exchange for an honest review*
I do like reading Historical Fiction but even more so when the book is based on a true story. This is the story following the murders of Andrew and Abby Borden. They were found with their skulls smashed in by their daughter Lizzie. Lizzie and Emma Borden are spinsters and still live with their father, step-mother and Bridget the maid. They seemed to have a sheltered life and been well-kept by their father. This story delves in to the lives of the Bordens and what happened behind closed doors of this well-respected family.
<b>"Lizzie Borden took an axe, And gave her mother forty whacks; When she saw what she had done, She gave her father forty-one,"</b>
I am going to be truthful and say that this book was ok but nothing really blew me away. I don’t think that there was much added to this story than what you could actually read on Wikipedia. The story was repetitive, slow and didn’t always hold my attention. The problem with stories like these are you know how they are going to end you don’t have that thrill of finding out who done it. I liked the writing style of this book and the way she wrote Lizzie’s character.
The story is told from four perspectives, Lizzie, Emma, Bridget and Benjamin.It was through them that the story was told of the events leading up to the murders and afterwards. The character that stuck out the me was Lizzie, she was spoilt, childish, rude and clearly deluded. Benjamin was the only character that was added to put a bit of a spin on the story but really didn’t come to anything and a bit pointless.
How easy it was to get away with murder though in the 1800’s, there was no DNA testing, no blood spatter analysis or proper interrogations in those days, yet in there were times in the story when I wanted the police to grasp onto something and for them to start piecing it altogether. Lizzie’s statement of what happened was fragmented,not making sense and was taken as shock, whereas nowadays this would be deemed as suspicious behaviour and you would be arrested at the drop of a hat.
In conclusion I think this is a good debut novel by Sarah Schmidt but it didn’t really bring anything new to the table.
I rated this 3 out of 5 stars
I do like reading Historical Fiction but even more so when the book is based on a true story. This is the story following the murders of Andrew and Abby Borden. They were found with their skulls smashed in by their daughter Lizzie. Lizzie and Emma Borden are spinsters and still live with their father, step-mother and Bridget the maid. They seemed to have a sheltered life and been well-kept by their father. This story delves in to the lives of the Bordens and what happened behind closed doors of this well-respected family.
<b>"Lizzie Borden took an axe, And gave her mother forty whacks; When she saw what she had done, She gave her father forty-one,"</b>
I am going to be truthful and say that this book was ok but nothing really blew me away. I don’t think that there was much added to this story than what you could actually read on Wikipedia. The story was repetitive, slow and didn’t always hold my attention. The problem with stories like these are you know how they are going to end you don’t have that thrill of finding out who done it. I liked the writing style of this book and the way she wrote Lizzie’s character.
The story is told from four perspectives, Lizzie, Emma, Bridget and Benjamin.It was through them that the story was told of the events leading up to the murders and afterwards. The character that stuck out the me was Lizzie, she was spoilt, childish, rude and clearly deluded. Benjamin was the only character that was added to put a bit of a spin on the story but really didn’t come to anything and a bit pointless.
How easy it was to get away with murder though in the 1800’s, there was no DNA testing, no blood spatter analysis or proper interrogations in those days, yet in there were times in the story when I wanted the police to grasp onto something and for them to start piecing it altogether. Lizzie’s statement of what happened was fragmented,not making sense and was taken as shock, whereas nowadays this would be deemed as suspicious behaviour and you would be arrested at the drop of a hat.
In conclusion I think this is a good debut novel by Sarah Schmidt but it didn’t really bring anything new to the table.
I rated this 3 out of 5 stars
The Heiress: The Revelations of Anne de Bourgh
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In this gorgeously written and spellbinding historical novel based on Pride and Prejudice, the...
Good dark fantasy in an interesting setting
Faithless takes place in a world where blacksmithing is a big deal. Those who master the arts of smithing are priests in the religion of the Forgefather. The lowest class of people are those spending their lives down mines, struggling to find anything more valuable than coal in order to meet their tally and avoid a whipping. This is the essence of the world we are in, with an established class system and clear economy, based on metal ores.
There is a hint of magic here, with chanting at the forge, but until the final few chapters it is unclear whether this is magic or simply a way to mark time and ensure the metal is at the right temperature and worked at the right pace. Not overly labouring the magic here was an excellent choice by the author, as it keeps the attention on the mundane aspects of life, which is excellently told.
The story follows two main characters, firstly Wynn, a young lad sold (or mis-sold in his mind) by his father, a struggling farmer, into the mines for a life of back-breaking work down cramped, dangerous caves, endlessly trying to find enough ore to avoid a beating. His only chance of escaping the mines is to pass the tests and have a chance of ascending to the temple and possibly priesthood. Some way through the book we then meet Kharios, a young adult who appears to have somewhat failed in his first attempts at entering the priesthood (smithing) and is trying to get back to the forge.
The characters' stories are very similar, with hard, thankless, dangerous labour and periods of learning. For some time I struggled to tell the difference between them, thinking they seemed like very similar characters, but I have since re-thought that for reasons.
I found the pacing a little off. There were times I felt like I was reading a biography of a miner, rather than a fantasy novel, as long chapters are essentially that. And then these develop into long chapters learning smithing, was again a bit of a slog. And then all of a sudden we have periods of conflict down the mines, accidents, cave-ins, and the eventual calamity that leads to the second half of the book. The changes in pace were sudden and exciting, but the change was a little extreme at times.
I loved the way the two stories seemed at times independent yet similar, but eventually start to overlap. Though again, we have a change in pace where exciting, cataclysmic events are put aside for another chapter of walloping hot iron.
These pacing issues aside, this was an interesting and well written book with an unusual setting and a good message on belief systems.
There is a hint of magic here, with chanting at the forge, but until the final few chapters it is unclear whether this is magic or simply a way to mark time and ensure the metal is at the right temperature and worked at the right pace. Not overly labouring the magic here was an excellent choice by the author, as it keeps the attention on the mundane aspects of life, which is excellently told.
The story follows two main characters, firstly Wynn, a young lad sold (or mis-sold in his mind) by his father, a struggling farmer, into the mines for a life of back-breaking work down cramped, dangerous caves, endlessly trying to find enough ore to avoid a beating. His only chance of escaping the mines is to pass the tests and have a chance of ascending to the temple and possibly priesthood. Some way through the book we then meet Kharios, a young adult who appears to have somewhat failed in his first attempts at entering the priesthood (smithing) and is trying to get back to the forge.
The characters' stories are very similar, with hard, thankless, dangerous labour and periods of learning. For some time I struggled to tell the difference between them, thinking they seemed like very similar characters, but I have since re-thought that for reasons.
I found the pacing a little off. There were times I felt like I was reading a biography of a miner, rather than a fantasy novel, as long chapters are essentially that. And then these develop into long chapters learning smithing, was again a bit of a slog. And then all of a sudden we have periods of conflict down the mines, accidents, cave-ins, and the eventual calamity that leads to the second half of the book. The changes in pace were sudden and exciting, but the change was a little extreme at times.
I loved the way the two stories seemed at times independent yet similar, but eventually start to overlap. Though again, we have a change in pace where exciting, cataclysmic events are put aside for another chapter of walloping hot iron.
These pacing issues aside, this was an interesting and well written book with an unusual setting and a good message on belief systems.
Digital Forensics
Book
The definitive text for students of digital forensics, as well as professionals looking to deepen...
Sarah (7800 KP) rated Ring Fit Adventure in Video Games
Jan 9, 2020
Not as fun as I'd hoped
I loved the Wii Fit when it first came out many years ago, so I was glad to hear they'd come up with a new novel fitness game for the Switch. However it isn't as wonderful as I'd hoped.
The idea and concept of this game is great. The resistance ring and the leg strap for the joycons are a wonderful invention and a great modern update of the functionality of the Wii Fit. No more balancing on a board! The resistance ring itself is a surprisingly decent bit of kit, I was expecting something rather cheap & flimsy feeling, but it's actually decently made. I wouldn't recommend wearing lycra style pants though with the leg strap as it constantly slides down if you do!
The idea to have a fitness game that actually has a story and plot like a normal video game is also a genius move. The game looks a lot of fun and the inclusion of non story mode gameplay like mini games and normal exercises is also good to mix it up a bit. The problem with the story and the game in general is that the large majority of the exercises are weight/resistance based, even the exercises involving the legs are mostly squats or crunch type exercises. I'm sure this may not be a problem for most people but for me I personally prefer cardio style exercises with a few bits of resistance etc thrown in. The only really cardio you get in this is the jogging around the levels and it isn't enough. The monster battles that involve the exercises too are very repetitive. I can happily spend an hour in a cardio or zumba class yet after 20 minutes on this I was bored senseless.
I bought this so I had an at home exercise option for when I didn't feel like going to the gym, but in all honesty I dont feel like I got much out of it. Which is a shame as I can really appreciate what they've tried to do here. If you're looking for a bit of fun while toning up your arms, legs etc then this game is probably perfect for you. But if you're like me and are looking for a decent workout (and also struggle sticking with exercise in general), then this game probably isn't for you.
The idea and concept of this game is great. The resistance ring and the leg strap for the joycons are a wonderful invention and a great modern update of the functionality of the Wii Fit. No more balancing on a board! The resistance ring itself is a surprisingly decent bit of kit, I was expecting something rather cheap & flimsy feeling, but it's actually decently made. I wouldn't recommend wearing lycra style pants though with the leg strap as it constantly slides down if you do!
The idea to have a fitness game that actually has a story and plot like a normal video game is also a genius move. The game looks a lot of fun and the inclusion of non story mode gameplay like mini games and normal exercises is also good to mix it up a bit. The problem with the story and the game in general is that the large majority of the exercises are weight/resistance based, even the exercises involving the legs are mostly squats or crunch type exercises. I'm sure this may not be a problem for most people but for me I personally prefer cardio style exercises with a few bits of resistance etc thrown in. The only really cardio you get in this is the jogging around the levels and it isn't enough. The monster battles that involve the exercises too are very repetitive. I can happily spend an hour in a cardio or zumba class yet after 20 minutes on this I was bored senseless.
I bought this so I had an at home exercise option for when I didn't feel like going to the gym, but in all honesty I dont feel like I got much out of it. Which is a shame as I can really appreciate what they've tried to do here. If you're looking for a bit of fun while toning up your arms, legs etc then this game is probably perfect for you. But if you're like me and are looking for a decent workout (and also struggle sticking with exercise in general), then this game probably isn't for you.
