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Kaysee Hood (83 KP) rated Attachments in Books
Nov 16, 2017
Unconventional Romance (3 more)
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Movie/Book References
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Love at First...E-mail?
I've seen some low scored reviews for this book on GR and I realized it may keep some people from reading it, but here are some points I think some should consider before not giving Attachments a chance:
1. This is Rainbow Rowell's first published novel, so of course for some it doesn't hold the magic like Eleanor & Park. Keep in mind many first books never hold against later published works, but are still good or why would the author be allowed to continue?
2. Even though it was published in 2011, it is based in 1999/2000 for plot reasons as to why Lincoln would have his job. This may offset some readers who might not realize how different 1999 is to 2017 Internet use wise for jobs.
3. The lack of reading into who and why the characters are as they are. In a way, it is the adult version of Fangirl, expect the roles are flipped a tad bit.
Anyway, I loved Attachments because it stayed true to Rowell's style, yet it felt raw compared to how she writes now. There is the unconventional love story of a man falling in love with a woman through the e-mails he reads as part of his job to ensure people are working and not nonsense while on the job. There's characters of all sorts with real world problems and real life flaws. There are topics covered of overbearing mothers and mothers who are too cruel both because of their own life. There is men who never want to be tied down, yet one does due to advice and the right woman. The book covers pieces life without taking from the plot whatsoever.
Lincoln O'Neil is a 28-year-old who could have been a successful man with a normal day shift job if a break up had not left him shattered nine years before. Maybe also if his mother had not coddled him, even though she clearly meant well as it is clear him and his sister, Eve, might have been her whole life. Yet we would not have the awkward, shy man working a the swing shift in the IT office as a "security officer" fixing computers in his spare time when he isn't reading through e-mails that come up flagged in the Webfence program. Apparently the security part was ensuring no one at the newspaper office was using the Internet to look at porn, gamble, or idle chit chat instead of working. Not quite was Lincoln had pictured and he doesn't enjoy reading people's exchanges, but the money is good and will grant him the chance to move out his mom's sooner rather than later.
His mundane routine and nothingness during his shift is filled with some enjoyment as Lincoln reads the e-mails flagged from Beth Fremont and Jennifer Scribner-Snyder. There is nothing harmful. Innocent discussions of water cooler talk, life, relationships, and gossip. As much as he knows it is wrong to continue to read their messages about their lives without flagging them as he would anyone else Lincoln cannot help but to get a kick out of the e-mails.
However it soon becomes apparent Lincoln has fallen for Beth despite the fact he has no idea what she looks like or who is she outside of work. Not to mention she has a boyfriend, Chris, who even though she may rant about to Jennifer, she obviously has not intent on breaking ties with. Not for someone like Lincoln anyway. So he spends his time in turmoil trying to decide if a new job is in order, going back to college, or finding a woman to focus his attention on (which are the very things he tries to do). He even tries to ignore the e-mails, yet can't. He cannot help, but feel for Jennifer's worry over having a baby even though her husband wants one. He cannot help, but captivated by their friendship. He cannot help his feelings for Beth for who she is.
It doesn't help Beth has spotted him labeling him as "A Cute Guy" when he never realized she was around. It is like a game of cat and mouse between them then. Beth still unaware he is reading her e-mails. Lincoln unaware of how often she is close to him even when she is going out of her way to find him.
Thus a budding romance is born. But how much of a romance can it be when Beth has Chris and Lincoln can barely look a woman in the eyes?
1. This is Rainbow Rowell's first published novel, so of course for some it doesn't hold the magic like Eleanor & Park. Keep in mind many first books never hold against later published works, but are still good or why would the author be allowed to continue?
2. Even though it was published in 2011, it is based in 1999/2000 for plot reasons as to why Lincoln would have his job. This may offset some readers who might not realize how different 1999 is to 2017 Internet use wise for jobs.
3. The lack of reading into who and why the characters are as they are. In a way, it is the adult version of Fangirl, expect the roles are flipped a tad bit.
Anyway, I loved Attachments because it stayed true to Rowell's style, yet it felt raw compared to how she writes now. There is the unconventional love story of a man falling in love with a woman through the e-mails he reads as part of his job to ensure people are working and not nonsense while on the job. There's characters of all sorts with real world problems and real life flaws. There are topics covered of overbearing mothers and mothers who are too cruel both because of their own life. There is men who never want to be tied down, yet one does due to advice and the right woman. The book covers pieces life without taking from the plot whatsoever.
Lincoln O'Neil is a 28-year-old who could have been a successful man with a normal day shift job if a break up had not left him shattered nine years before. Maybe also if his mother had not coddled him, even though she clearly meant well as it is clear him and his sister, Eve, might have been her whole life. Yet we would not have the awkward, shy man working a the swing shift in the IT office as a "security officer" fixing computers in his spare time when he isn't reading through e-mails that come up flagged in the Webfence program. Apparently the security part was ensuring no one at the newspaper office was using the Internet to look at porn, gamble, or idle chit chat instead of working. Not quite was Lincoln had pictured and he doesn't enjoy reading people's exchanges, but the money is good and will grant him the chance to move out his mom's sooner rather than later.
His mundane routine and nothingness during his shift is filled with some enjoyment as Lincoln reads the e-mails flagged from Beth Fremont and Jennifer Scribner-Snyder. There is nothing harmful. Innocent discussions of water cooler talk, life, relationships, and gossip. As much as he knows it is wrong to continue to read their messages about their lives without flagging them as he would anyone else Lincoln cannot help but to get a kick out of the e-mails.
However it soon becomes apparent Lincoln has fallen for Beth despite the fact he has no idea what she looks like or who is she outside of work. Not to mention she has a boyfriend, Chris, who even though she may rant about to Jennifer, she obviously has not intent on breaking ties with. Not for someone like Lincoln anyway. So he spends his time in turmoil trying to decide if a new job is in order, going back to college, or finding a woman to focus his attention on (which are the very things he tries to do). He even tries to ignore the e-mails, yet can't. He cannot help, but feel for Jennifer's worry over having a baby even though her husband wants one. He cannot help, but captivated by their friendship. He cannot help his feelings for Beth for who she is.
It doesn't help Beth has spotted him labeling him as "A Cute Guy" when he never realized she was around. It is like a game of cat and mouse between them then. Beth still unaware he is reading her e-mails. Lincoln unaware of how often she is close to him even when she is going out of her way to find him.
Thus a budding romance is born. But how much of a romance can it be when Beth has Chris and Lincoln can barely look a woman in the eyes?
Kristy H (1252 KP) rated The Favorite Daughter in Books
Jun 21, 2019
A year ago, Jane Harris' daughter, Mary, died tragically. Ever since, Jane has been lost in a cloud of grief and anti-depressants. But with a ceremony celebrating Mary's life coming up, Jane feels it's time for her to reemerge and reengage with her family: husband David and daughter, Betsy, who is about to graduate from high school. The family lives in a gorgeous house in Orange County, California. But Jane quickly realizes that David is always busy--with work or the gym he claims--and Betsy is distant and angry. Jane adored Mary, her eldest, who had finished her first year of college before she died. But at the ceremony for Mary, she receives a note, claiming Mary's death wasn't an accident. Does someone know what happened to her daughter--and are they right? Was Mary's death not an accident?
"After a year of grieving, it's time to step back into my family, or what remains of it and that's precisely my plan."
So this review is going to be a little unpopular, perhaps, based on others I've seen. I'd like to point out that it's not a negative review, per se, just not a gushing review as so many others seem to be. I just felt a little let down by this one; it left me a little flat. I found a lot of the twists predictable and while I found the book a very compelling read, there was just something "off" that didn't make it a "wow" read.
Still, as mentioned, this is a very readable book, and it will keep you engaged. Jane is an interesting character, to say the least, even if I sometimes found her more clueless than diabolical. She is, of course, an unreliable narrator, and we are only allowed to learn things as Jane reveals them to us. As a result, we're left a little confused, never quite sure where we stand. One of the things I liked most about this book was how easy it is to get sucked into Jane's delusional world as the novel is told in a very conversational style, with her sometimes speaking directly to the reader. She's also a pretty terrible person and yet oddly fascinating.
"Without Mary to place my biggest hopes and dreams on, I'm left with Betsy."
Her relationship with her daughters is pretty messed up, to say the least, and as a result, the book can be pretty creepy and bizarre. It's definitely quite a wild ride. Still, I was a little disappointed at how much I figured out ahead of time; I would have liked to have been more surprised.
Overall, this is a quick read and it's pretty intriguing. You'll get caught up in Jane's delusions pretty easily, even if some of them are fairly easily telegraphed. Others really rave about this one, so hopefully you'll enjoy it even more than me. I still recommend it; it's an interesting read. 3 stars.
"After a year of grieving, it's time to step back into my family, or what remains of it and that's precisely my plan."
So this review is going to be a little unpopular, perhaps, based on others I've seen. I'd like to point out that it's not a negative review, per se, just not a gushing review as so many others seem to be. I just felt a little let down by this one; it left me a little flat. I found a lot of the twists predictable and while I found the book a very compelling read, there was just something "off" that didn't make it a "wow" read.
Still, as mentioned, this is a very readable book, and it will keep you engaged. Jane is an interesting character, to say the least, even if I sometimes found her more clueless than diabolical. She is, of course, an unreliable narrator, and we are only allowed to learn things as Jane reveals them to us. As a result, we're left a little confused, never quite sure where we stand. One of the things I liked most about this book was how easy it is to get sucked into Jane's delusional world as the novel is told in a very conversational style, with her sometimes speaking directly to the reader. She's also a pretty terrible person and yet oddly fascinating.
"Without Mary to place my biggest hopes and dreams on, I'm left with Betsy."
Her relationship with her daughters is pretty messed up, to say the least, and as a result, the book can be pretty creepy and bizarre. It's definitely quite a wild ride. Still, I was a little disappointed at how much I figured out ahead of time; I would have liked to have been more surprised.
Overall, this is a quick read and it's pretty intriguing. You'll get caught up in Jane's delusions pretty easily, even if some of them are fairly easily telegraphed. Others really rave about this one, so hopefully you'll enjoy it even more than me. I still recommend it; it's an interesting read. 3 stars.
Lottie disney bookworm (1056 KP) rated Part of Your World in Books
Aug 16, 2019
Review by Disney Bookworm
Contains spoilers, click to show
Part of Your World is based five years after Ursula defeats Ariel, yes you heard me right! The whole miraculous, shiny magic being released from the shell, the little mermaid regaining her voice, the whole harpoon, giant octopus, child scarring scene…never happened!
In this twisted tale Ursula succeeded in tricking Eric into marrying Vanessa; she now rules the Kingdom, with Eric remaining under Ursula’s spell and pretty much clueless to his wife’s evil tendencies. Conversely Ariel is Queen of the Sea, ruling Atlantica in her father’s absence. Oh yeah! Spoiler! Ursula still has Triton in her slimy grasp as well.
NB: Just for clarification this isn’t really a spoiler as you find this out on page 20- please don’t send in complaints.
The book includes all of your favourite characters from the classic 1989 movie: Scuttle, Sebastian, Flounder and even Grimsby and Carlotta! Liz Braswell does such a good job in rejuvenating these characters and reminding us why we loved them in the first place. There wasn’t enough Flounder for my liking but a lot of the story takes place above ground so I can’t really complain- maybe he needs his own tale?
The star of the book has to be Ariel though, she is the Little Mermaid after all…or is she? Braswell’s character is much more mature and tougher than the Little Mermaid we remember. After living as a mute Queen for 5 years Ariel has lost the naïve, childish part of her personality and has become a ruler consumed by guilt and melancholy. Nevertheless, this withdrawal into herself has not dampened her courage and when she learns King Triton may still be alive, she immediately begins her quest to save her father. I’m also relieved to say that I got a very sassy and sarcastic vibe from Ariel at points in the book- a woman after my own heart!
Eric too is not the suave, smouldering-before-it-was-cool character he was back in the day. Instead, overpowered by Ursula’s magic, he is distant and confused: still loved by his people but now labelled as “mad”. He loses himself in music, with his latest opera telling a familiar tale that the reader will surely recognise. Can he regain his memory in time to rescue his kingdom from his wife? Will he and Ariel meet again? Can the new Queen of the Sea rescue Triton or is Ursula just too powerful now?
The original characters of The Little Mermaid are welcomed with open arms into this story and, despite the notable differences in our two protagonists, the remaining characters are comforting and familiar. Braswell also takes the opportunity to introduce us to new characters: Jona the gull, provides quite a modern outlook for a “Disney” character, questioning the world around her with a critical eye. Even background characters such as an hilarious old apple vendor and Vareet, a mute servant girl (whom I was sure was going to have a bigger role than she did) do not fade into the pages. Quite the opposite, thanks to the book’s detail, humour and intrigue, these characters will stay with us for just as long as the story itself.
In summary, Liz Braswell’s novel draws us in hook, line and sinker. Part of Your World is impossible to put down. You will find yourself disparaging Ariel’s former lovestruck personality along with her, experiencing the tension and danger associated with Flotsam and Jetsam and exploring Eric’s kingdom through Braswell’s detailed storytelling.
There’s probably a google-defined order to read the twisted tales in but frankly I don’t care. Try this one first- you won’t regret it!
Written by The Disney Bookworm:
https://disneybookworm.home.blog/2019/04/28/part-of-your-world-a-twisted-tale-by-liz-braswell/
In this twisted tale Ursula succeeded in tricking Eric into marrying Vanessa; she now rules the Kingdom, with Eric remaining under Ursula’s spell and pretty much clueless to his wife’s evil tendencies. Conversely Ariel is Queen of the Sea, ruling Atlantica in her father’s absence. Oh yeah! Spoiler! Ursula still has Triton in her slimy grasp as well.
NB: Just for clarification this isn’t really a spoiler as you find this out on page 20- please don’t send in complaints.
The book includes all of your favourite characters from the classic 1989 movie: Scuttle, Sebastian, Flounder and even Grimsby and Carlotta! Liz Braswell does such a good job in rejuvenating these characters and reminding us why we loved them in the first place. There wasn’t enough Flounder for my liking but a lot of the story takes place above ground so I can’t really complain- maybe he needs his own tale?
The star of the book has to be Ariel though, she is the Little Mermaid after all…or is she? Braswell’s character is much more mature and tougher than the Little Mermaid we remember. After living as a mute Queen for 5 years Ariel has lost the naïve, childish part of her personality and has become a ruler consumed by guilt and melancholy. Nevertheless, this withdrawal into herself has not dampened her courage and when she learns King Triton may still be alive, she immediately begins her quest to save her father. I’m also relieved to say that I got a very sassy and sarcastic vibe from Ariel at points in the book- a woman after my own heart!
Eric too is not the suave, smouldering-before-it-was-cool character he was back in the day. Instead, overpowered by Ursula’s magic, he is distant and confused: still loved by his people but now labelled as “mad”. He loses himself in music, with his latest opera telling a familiar tale that the reader will surely recognise. Can he regain his memory in time to rescue his kingdom from his wife? Will he and Ariel meet again? Can the new Queen of the Sea rescue Triton or is Ursula just too powerful now?
The original characters of The Little Mermaid are welcomed with open arms into this story and, despite the notable differences in our two protagonists, the remaining characters are comforting and familiar. Braswell also takes the opportunity to introduce us to new characters: Jona the gull, provides quite a modern outlook for a “Disney” character, questioning the world around her with a critical eye. Even background characters such as an hilarious old apple vendor and Vareet, a mute servant girl (whom I was sure was going to have a bigger role than she did) do not fade into the pages. Quite the opposite, thanks to the book’s detail, humour and intrigue, these characters will stay with us for just as long as the story itself.
In summary, Liz Braswell’s novel draws us in hook, line and sinker. Part of Your World is impossible to put down. You will find yourself disparaging Ariel’s former lovestruck personality along with her, experiencing the tension and danger associated with Flotsam and Jetsam and exploring Eric’s kingdom through Braswell’s detailed storytelling.
There’s probably a google-defined order to read the twisted tales in but frankly I don’t care. Try this one first- you won’t regret it!
Written by The Disney Bookworm:
https://disneybookworm.home.blog/2019/04/28/part-of-your-world-a-twisted-tale-by-liz-braswell/
5 Minute Movie Guy (379 KP) rated A Walk Among the Tombstones (2014) in Movies
Jun 28, 2019 (Updated Jun 28, 2019)
Liam Neeson puts in a commanding performance and is a natural as a detective. (2 more)
The film has great visual flair and creates an effectively dark and moody atmosphere.
The solid supporting cast strengthen an otherwise dull and derivative film.
The heavy graphic content of rape, mutilation, and murder is extremely off-putting. (1 more)
There's not a single likeable character to be found in the whole movie.
A Walk Among the Tombstones is unsettling but never really all that compelling. It's a decent detective movie, but your enjoyment of it may depend on how well you can handle its grimy setting and extreme violence.
After watching A Walk Among the Tombstones, I literally felt like I was going to puke. This mystery-thriller, based on Lawrence Block’s popular novel, is a gross and grisly foray into the criminal underworld in search of sadistic kidnappers. Director Scott Frank paints a portrait of a dark and twisted 1990s New York City where women are disappearing, only to later show up chopped into pieces. The film is grim without remorse or reason, and if you’re anything like me, you’ll be eager for it to end so you can wash your hands of it entirely. It stars Liam Neeson as an unlicensed private detective named Matthew Scudder who leads an investigation to find the people responsible for these horrific murders. While it may appear from the trailers to be another entry in Neeson’s growing lineup of ass-kicking action-thrillers, it’s actually far from it. A Walk Among the Tombstones plays out more like a brooding, slow-paced horror film. If you’re expecting Taken, then you’re walking right into the wrong movie.
Neeson’s character Matt Scudder is a former alcoholic and an ex-cop turned personal private investigator who works in exchange for favors. Since he’s no longer affiliated with the police, he’s an appealing person to turn to for those who need help but want to keep the cops out of the picture. When a drug dealer’s wife is kidnapped and savagely murdered, he seeks out Scudder for help. What follows is in an investigation into the murder that links up to the murder of another drug dealer’s wife. With the killers still at large, Scudder is determined to catch them before they can strike again.
Being that Scudder is working with criminals to find even worse criminals, the characters in A Walk Among the Tombstones are quite despicable. In fact, I would argue there’s not a single likeable character in the whole film. Even our protagonist Scudder is a shady person with a corrupt past. It’s hard to care about anyone here except for the poor abducted women, and yet we never get to know any of them. They’re reduced to the point where it’s hard to see them as anything more than the killers’ unlucky victims who have no chance of surviving. We follow Scudder through this twisted investigation not because we care about him, but for their sake of these women, with the hope that our detective hero can put an end to these killers’ unspeakable crimes. The film’s dreadful cast of characters give an incredibly bleak and hopeless outlook on people as a whole.
Liam Neeson gives a suitable performance as Scudder, fitting into the role of a detective quite naturally. As usual, he has a great presence and commands your attention any time he’s on screen. In A Walk Among the Tombstones, he’s not nearly the unstoppable action-hero he has been in his other recent films, but he’s still an intimidating guy you’d be wise not to mess with. He does actually have a couple tense conversations with the killers over the phone that are reminiscent of the famous scene in Taken, but certainly not as memorable.
The killers in the movie happen to be far more appalling than interesting. We don’t ever get to know much about them or their motives. They’re sick, demented people that aren’t given much more depth than being bad for the sake of being bad. However, there’s no question that they’re believably haunting and deranged. Despite their limited screen time and lack of complexity, their actors put in truly unnerving performances.
The film is well-acted throughout, with a few especially notable performances from supporting characters. Olafur Darri Olafsson is terrific as the creepy cemetery groundskeeper, and Eric Nelsen does a commendable job as the drug addict younger brother of the drug dealer who sought Scudder’s help. There’s also Brian “Astro” Bradley as a homeless teenager named TJ that Scudder befriends, who volunteers himself to be his crime-solving partner. Astro at times lightens up the moody film with his charm, and while he’s truly the only character that offers any sense of hope in the film’s gritty world, I think his character largely feels out of place as an unnecessary inclusion.
Scott Frank effectively creates a dark and sullen atmosphere in his movie that is also visually striking. He turns New York’s underbelly into a stylishly gloomy city where its seedy citizens can run rampant. He demonstrates proficiency behind the camera, building eeriness and suspense. However, he goes too far with the film’s graphic sexual content, which includes rape, torture, and mutilation. While he never gives you a very clear look at these heinous acts, he puts you right there in the moment and lets the camera linger. It’s sadistic, cruel, and very disturbing to watch. In a bizarre directorial decision, he has the 12 steps to recovery from Alcoholics Anonymous narrated over the climax of the film. Considering Scudder regularly attends AA meetings to celebrate his sobriety, I can understand why it was included, but it just doesn’t work and ends up detracting from the film’s most heightened sequences. He also disappointingly finishes the movie on a bad note with a conclusion that is drawn out far too long and which contains a weak, conventional ending that is completely forgettable.
A Walk Among the Tombstones raises more questions than it answers, but in a movie this morbid, maybe it’s best not to know. While the movie excels at being unsettling, it’s never really all that compelling. Filled with plenty of bad dialogue and characters that are hard to relate to and care about, I was yearning for this one to end so I wouldn’t have to endure any more of its vileness. Even with all the disturbing content aside, I would argue that the film is still only average at best. While I’m sure there are plenty of people with a penchant for the macabre that will enjoy the film, I am certainly not one of them and I left the theater feeling completely disturbed by what I had just watched. A Walk Among the Tombstones is a decent detective movie, but your enjoyment of the film may depend on how well you can handle its grimy setting and extreme violence. One thing that I can assure you is that I personally don’t have the stomach for it.
(This review was originally posted at 5mmg.com on 9.20.14.)
Neeson’s character Matt Scudder is a former alcoholic and an ex-cop turned personal private investigator who works in exchange for favors. Since he’s no longer affiliated with the police, he’s an appealing person to turn to for those who need help but want to keep the cops out of the picture. When a drug dealer’s wife is kidnapped and savagely murdered, he seeks out Scudder for help. What follows is in an investigation into the murder that links up to the murder of another drug dealer’s wife. With the killers still at large, Scudder is determined to catch them before they can strike again.
Being that Scudder is working with criminals to find even worse criminals, the characters in A Walk Among the Tombstones are quite despicable. In fact, I would argue there’s not a single likeable character in the whole film. Even our protagonist Scudder is a shady person with a corrupt past. It’s hard to care about anyone here except for the poor abducted women, and yet we never get to know any of them. They’re reduced to the point where it’s hard to see them as anything more than the killers’ unlucky victims who have no chance of surviving. We follow Scudder through this twisted investigation not because we care about him, but for their sake of these women, with the hope that our detective hero can put an end to these killers’ unspeakable crimes. The film’s dreadful cast of characters give an incredibly bleak and hopeless outlook on people as a whole.
Liam Neeson gives a suitable performance as Scudder, fitting into the role of a detective quite naturally. As usual, he has a great presence and commands your attention any time he’s on screen. In A Walk Among the Tombstones, he’s not nearly the unstoppable action-hero he has been in his other recent films, but he’s still an intimidating guy you’d be wise not to mess with. He does actually have a couple tense conversations with the killers over the phone that are reminiscent of the famous scene in Taken, but certainly not as memorable.
The killers in the movie happen to be far more appalling than interesting. We don’t ever get to know much about them or their motives. They’re sick, demented people that aren’t given much more depth than being bad for the sake of being bad. However, there’s no question that they’re believably haunting and deranged. Despite their limited screen time and lack of complexity, their actors put in truly unnerving performances.
The film is well-acted throughout, with a few especially notable performances from supporting characters. Olafur Darri Olafsson is terrific as the creepy cemetery groundskeeper, and Eric Nelsen does a commendable job as the drug addict younger brother of the drug dealer who sought Scudder’s help. There’s also Brian “Astro” Bradley as a homeless teenager named TJ that Scudder befriends, who volunteers himself to be his crime-solving partner. Astro at times lightens up the moody film with his charm, and while he’s truly the only character that offers any sense of hope in the film’s gritty world, I think his character largely feels out of place as an unnecessary inclusion.
Scott Frank effectively creates a dark and sullen atmosphere in his movie that is also visually striking. He turns New York’s underbelly into a stylishly gloomy city where its seedy citizens can run rampant. He demonstrates proficiency behind the camera, building eeriness and suspense. However, he goes too far with the film’s graphic sexual content, which includes rape, torture, and mutilation. While he never gives you a very clear look at these heinous acts, he puts you right there in the moment and lets the camera linger. It’s sadistic, cruel, and very disturbing to watch. In a bizarre directorial decision, he has the 12 steps to recovery from Alcoholics Anonymous narrated over the climax of the film. Considering Scudder regularly attends AA meetings to celebrate his sobriety, I can understand why it was included, but it just doesn’t work and ends up detracting from the film’s most heightened sequences. He also disappointingly finishes the movie on a bad note with a conclusion that is drawn out far too long and which contains a weak, conventional ending that is completely forgettable.
A Walk Among the Tombstones raises more questions than it answers, but in a movie this morbid, maybe it’s best not to know. While the movie excels at being unsettling, it’s never really all that compelling. Filled with plenty of bad dialogue and characters that are hard to relate to and care about, I was yearning for this one to end so I wouldn’t have to endure any more of its vileness. Even with all the disturbing content aside, I would argue that the film is still only average at best. While I’m sure there are plenty of people with a penchant for the macabre that will enjoy the film, I am certainly not one of them and I left the theater feeling completely disturbed by what I had just watched. A Walk Among the Tombstones is a decent detective movie, but your enjoyment of the film may depend on how well you can handle its grimy setting and extreme violence. One thing that I can assure you is that I personally don’t have the stomach for it.
(This review was originally posted at 5mmg.com on 9.20.14.)
Bob Mann (459 KP) rated Moonlight (2016) in Movies
Sep 29, 2021
Waxing or Waning?
Seldom do I go to see a movie where I know so little about the plot as this one. I knew it was a “coming of age” drama about a young man growing up in a black neighbourhood in Miami. Period. That ignorance was bliss (so that’s the way this review will stay: I will avoid my usual high-level summary here). For there are twists in this story that you don’t see coming, and moments of such dramatic force that they are cinematically searing.
Playing the young man, Chiron, over three stages of his life are the actors Alex Hibbert, Ashton Sanders and Trevante Rhodes. However, Mahershala Ali, who plays Juan – the drug dealer with a heart – has been the one with all the awards visibility (having this week won the Screen Actors Guild Supporting Actor award, as well as being within the ensemble cast award for the upcoming “Hidden Numbers”). For the avoidance of doubt, Ali and all of these other actors are excellent, as is Jharrel Jerome (in his feature film debut) as Chiron’s 16-year old friend Kevin. But the performance that really spoke to me was that of Ashton Sanders, who has both an uplifting and heartbreaking role as the “middle” Chiron and delivers it supremely well. A real breakout role for him.
Also shining with a dramatic and extremely emotional performance is London’s own Naomie Harris (“Spectre“), justifiably nominated for a Supporting Actress Oscar. Unlike last year’s insipid and dull “Our Kind of Traitor“, where she was given criminally little to do, here she is blisteringly real as a caring mother spiralling down an addiction plug-hole. A career best.
Grammy-nominated musician Janelle Monáe, in her feature film debut, is also eminently watchable alongside Mahershala Ali as Juan’s girlfriend Teresa.
Above all, this powerful ensemble is the best evidence possible that the diversity arguments all over last year’s Oscars were 100% correct. These are all indisputably realistic performances by black actors that must surely move viewers regardless of their colour or creed.
The film has eight Oscar nominations, and I definitely agree with the acting nominations to Maharhala Ali and Naomie Harris. I’d also agree with the award for music to Nicolas Britell (“The Big Short”) which is astonishingly eclectic and jarringly appropriate to the story that unfolds. I could even go along with the Best Film Editing nomination, although I am hardly an expert in the subject.
The remaining nominations are for Best Picture, Best Director (Barry Jenkins), Best Writing Adapted Screenplay (also Barry Jenkins) and Best Cinematography (James Laxton). However, here my opinion diverges with the Academy and – I suspect – many critics. Yes, this is a really engrossing film with a fine and surprisingly non-standard Hollywood ending. It is certainly well worth watching, but is it a top film of the year? No, I don’t think so. There are some aspects of the film that just plain irritated me.
Firstly, the camera work is frequently of the hand-held variety, particularly in the first half of the film, that leads to a serious case of seasickness if you are sitting anywhere other than the back row of the cinema.
More crucially for me, the film introduces two fantastic and atypical characters, but then – inexplicably – the script just unceremoniously dumps them with hardly any further reference made. I found that enormously frustrating and mystifying and spent the rest of the film waiting for a closure that never came.
There is also enormously pervasive use of the “N-word”, right from the opening music track. I appreciate this is probably perfectly appropriate to the ‘hood that the characters occupy, but the continual usage is shocking (at least to a white audience). It is probably designed to shock, but after a while the shock wears off and it becomes more tiresome than offensive.
Based on all the Oscar hype then, this was a bit of a disappointment. But that view is purely relative to all of the great Oscar Best Film candidates I’ve seen in the last few weeks. It is still a very interesting film due to the story that goes off in a novel and surprising direction, and one that is worthy of your movie dollar investment.
Playing the young man, Chiron, over three stages of his life are the actors Alex Hibbert, Ashton Sanders and Trevante Rhodes. However, Mahershala Ali, who plays Juan – the drug dealer with a heart – has been the one with all the awards visibility (having this week won the Screen Actors Guild Supporting Actor award, as well as being within the ensemble cast award for the upcoming “Hidden Numbers”). For the avoidance of doubt, Ali and all of these other actors are excellent, as is Jharrel Jerome (in his feature film debut) as Chiron’s 16-year old friend Kevin. But the performance that really spoke to me was that of Ashton Sanders, who has both an uplifting and heartbreaking role as the “middle” Chiron and delivers it supremely well. A real breakout role for him.
Also shining with a dramatic and extremely emotional performance is London’s own Naomie Harris (“Spectre“), justifiably nominated for a Supporting Actress Oscar. Unlike last year’s insipid and dull “Our Kind of Traitor“, where she was given criminally little to do, here she is blisteringly real as a caring mother spiralling down an addiction plug-hole. A career best.
Grammy-nominated musician Janelle Monáe, in her feature film debut, is also eminently watchable alongside Mahershala Ali as Juan’s girlfriend Teresa.
Above all, this powerful ensemble is the best evidence possible that the diversity arguments all over last year’s Oscars were 100% correct. These are all indisputably realistic performances by black actors that must surely move viewers regardless of their colour or creed.
The film has eight Oscar nominations, and I definitely agree with the acting nominations to Maharhala Ali and Naomie Harris. I’d also agree with the award for music to Nicolas Britell (“The Big Short”) which is astonishingly eclectic and jarringly appropriate to the story that unfolds. I could even go along with the Best Film Editing nomination, although I am hardly an expert in the subject.
The remaining nominations are for Best Picture, Best Director (Barry Jenkins), Best Writing Adapted Screenplay (also Barry Jenkins) and Best Cinematography (James Laxton). However, here my opinion diverges with the Academy and – I suspect – many critics. Yes, this is a really engrossing film with a fine and surprisingly non-standard Hollywood ending. It is certainly well worth watching, but is it a top film of the year? No, I don’t think so. There are some aspects of the film that just plain irritated me.
Firstly, the camera work is frequently of the hand-held variety, particularly in the first half of the film, that leads to a serious case of seasickness if you are sitting anywhere other than the back row of the cinema.
More crucially for me, the film introduces two fantastic and atypical characters, but then – inexplicably – the script just unceremoniously dumps them with hardly any further reference made. I found that enormously frustrating and mystifying and spent the rest of the film waiting for a closure that never came.
There is also enormously pervasive use of the “N-word”, right from the opening music track. I appreciate this is probably perfectly appropriate to the ‘hood that the characters occupy, but the continual usage is shocking (at least to a white audience). It is probably designed to shock, but after a while the shock wears off and it becomes more tiresome than offensive.
Based on all the Oscar hype then, this was a bit of a disappointment. But that view is purely relative to all of the great Oscar Best Film candidates I’ve seen in the last few weeks. It is still a very interesting film due to the story that goes off in a novel and surprising direction, and one that is worthy of your movie dollar investment.
Lottie disney bookworm (1056 KP) rated Scarlet Princess in Books
Aug 30, 2021
Death was a hefty price to pay for vodka.
I mean with an opening line like that you know it’s going to be a great book right?!
Regular readers will know I’m a bit of an ElBin fangirl and often devour their books in 1 or 2 days. Scarlet Princess was no exception: I kept my kids fed and held down my full-time job for the day but the rest of the time was spent reading this amazing return into the Lochlann world.
Scarlet Princess is the first in the Lochlann Feuds series which is based approximately 20 years after Autumn’s Reign, the final in the Lochlann Treaty series. However, you don’t have to read the Lochlann Treaty in order to read Scarlet Princess: the world building, plot and characters shine just as brightly for this to be a standalone novel.
“It’s a lotus flower. They’re rare, complex flowers. Difficult to keep alive.”
“That doesn’t sound like anyone I know”
Scarlet Princess introduces us to Rowan, the Princess of Lochlann and her cousin Davin, whom we briefly met in the Lochlann Treaty. The cousins give the impression that they either go looking for trouble, or trouble just finds them! Therefore, it shouldn’t be so surprising that when we meet them, Rowan and Davin are just about to find themselves imprisoned in the neighbouring kingdom of Socair.
Sadly, Socair and Lochlann don’t have the friendliest history so getting home will be no easy feat for the cousins, if they can escape death first.
“Amicable and accommodating, Princess. I wonder if you are capable of either.“
Rowan is, without a doubt, a product of her parents: with her fiery red curls and equally fiery attitude it is easy for us to assume that Rowan takes after her father but then you find yourself internally shouting (or externally- no judgement) “why did you do that?!” and suddenly you see her mother's emotional, impulsive nature.
The smart mouth and the booziness? Well that’s just what makes Rowan, Rowan! And we love her for it!
“Am I boring you Princess Rowan?” He sighed.
“Always”
As Rowan’s journey continues though we see that she has been deeply affected by her parents’ quest for love. Our princess is quite closed off to love and is happy for a marriage to be arranged for her. At her young age Rowan equates love with warring kingdoms, losing children, losing husbands: ultimately, she equates love with loss.
Maybe that is why Rowan hides behind a mask of sarcasm and glib comments, seldom ever facing the reality of her predicament until it is too late.
I didn’t want the kind of love that could break you.
Behind her sarcasm though it is clear Rowan cares deeply about issues such as poverty and equality. She is forced to see that her life is very different in Lochlann, where villagers are not suffering and are looked after by their leaders; women are not seen as quiet mice who need protecting as they are in Socair. Maybe, just maybe, her life in Lochlann wasn’t as bad as she thought? But will Rowan ever see Lochlann again?
Besides, I never had been good at making the smart choice.
The cast of characters surrounding Rowan are equally as amazing as our princess. Davin is a ladies’ man just like his father, Iiro is authoritative one minute but then casually tortures his brother sensibilities the next and Mila is a great friend who comes swooping into Rowan’s life – there is definitely more to Mila than meets the eye though.
Rowan’s escort through Socair and the poor soul on the other end of most of her sarcasm is Lord Theodore, her captor and the heir to the Elk clan. Theo is fair where Rowan is fiery; stoic where she is scandalous and the tension between them …. oof it’s enough to make you swoon!
“You know when something just catches your attention and you can’t explain it?“
I loved revisiting Lochlann only to be immersed in the Kingdom of Socair: the mysterious enemy lurking behind the mountain. The 9 clans created a whole new dynamic from the previous books and the plot arc could have easily got lost within all the clan politics but it flowed beautifully.
All I will say is that I really shouldn’t trust Robin and Elle with happy endings – they will always rip it away with a few chapters to go. These two are the Queens of cliff-hangers!
Grab your copy of Scarlet Princess on August 27th 2021. Devour it in one day and then join me anxiously anticipating the sequel, Tarnished Crown in November 2021.
I mean with an opening line like that you know it’s going to be a great book right?!
Regular readers will know I’m a bit of an ElBin fangirl and often devour their books in 1 or 2 days. Scarlet Princess was no exception: I kept my kids fed and held down my full-time job for the day but the rest of the time was spent reading this amazing return into the Lochlann world.
Scarlet Princess is the first in the Lochlann Feuds series which is based approximately 20 years after Autumn’s Reign, the final in the Lochlann Treaty series. However, you don’t have to read the Lochlann Treaty in order to read Scarlet Princess: the world building, plot and characters shine just as brightly for this to be a standalone novel.
“It’s a lotus flower. They’re rare, complex flowers. Difficult to keep alive.”
“That doesn’t sound like anyone I know”
Scarlet Princess introduces us to Rowan, the Princess of Lochlann and her cousin Davin, whom we briefly met in the Lochlann Treaty. The cousins give the impression that they either go looking for trouble, or trouble just finds them! Therefore, it shouldn’t be so surprising that when we meet them, Rowan and Davin are just about to find themselves imprisoned in the neighbouring kingdom of Socair.
Sadly, Socair and Lochlann don’t have the friendliest history so getting home will be no easy feat for the cousins, if they can escape death first.
“Amicable and accommodating, Princess. I wonder if you are capable of either.“
Rowan is, without a doubt, a product of her parents: with her fiery red curls and equally fiery attitude it is easy for us to assume that Rowan takes after her father but then you find yourself internally shouting (or externally- no judgement) “why did you do that?!” and suddenly you see her mother's emotional, impulsive nature.
The smart mouth and the booziness? Well that’s just what makes Rowan, Rowan! And we love her for it!
“Am I boring you Princess Rowan?” He sighed.
“Always”
As Rowan’s journey continues though we see that she has been deeply affected by her parents’ quest for love. Our princess is quite closed off to love and is happy for a marriage to be arranged for her. At her young age Rowan equates love with warring kingdoms, losing children, losing husbands: ultimately, she equates love with loss.
Maybe that is why Rowan hides behind a mask of sarcasm and glib comments, seldom ever facing the reality of her predicament until it is too late.
I didn’t want the kind of love that could break you.
Behind her sarcasm though it is clear Rowan cares deeply about issues such as poverty and equality. She is forced to see that her life is very different in Lochlann, where villagers are not suffering and are looked after by their leaders; women are not seen as quiet mice who need protecting as they are in Socair. Maybe, just maybe, her life in Lochlann wasn’t as bad as she thought? But will Rowan ever see Lochlann again?
Besides, I never had been good at making the smart choice.
The cast of characters surrounding Rowan are equally as amazing as our princess. Davin is a ladies’ man just like his father, Iiro is authoritative one minute but then casually tortures his brother sensibilities the next and Mila is a great friend who comes swooping into Rowan’s life – there is definitely more to Mila than meets the eye though.
Rowan’s escort through Socair and the poor soul on the other end of most of her sarcasm is Lord Theodore, her captor and the heir to the Elk clan. Theo is fair where Rowan is fiery; stoic where she is scandalous and the tension between them …. oof it’s enough to make you swoon!
“You know when something just catches your attention and you can’t explain it?“
I loved revisiting Lochlann only to be immersed in the Kingdom of Socair: the mysterious enemy lurking behind the mountain. The 9 clans created a whole new dynamic from the previous books and the plot arc could have easily got lost within all the clan politics but it flowed beautifully.
All I will say is that I really shouldn’t trust Robin and Elle with happy endings – they will always rip it away with a few chapters to go. These two are the Queens of cliff-hangers!
Grab your copy of Scarlet Princess on August 27th 2021. Devour it in one day and then join me anxiously anticipating the sequel, Tarnished Crown in November 2021.
Gareth von Kallenbach (968 KP) rated The Girl in the Spider's Web (2018) in Movies
Jul 2, 2019
There has definitely been a shift in the characters that women are portraying in the movies. No longer happy to be relegated to the damsel in distress who is looking for their Prince Charming to rescue them, they become bad-ass avengers who aren’t afraid to kick-butt and take names. There is no better example of this than Lisbeth Salander, everyone’s favorite goth super-hacker and vigilante. In The Girl in the Spider’s Web, based on the best-selling novel of the same name, we see Lisbeth at her finest and it is an action packed, butt kicking good time.
Lisbeth (Claire Foy) leads a life as a vigilante who targets men that abuse woman ensuring they pay for their evil deeds. She’s not afraid to play hardball and threaten their very existence to ensure that justice is served. In the middle of punishing all the right people, Lisbeth receives a hacking opportunity that she can’t refuse, involving an application where simply logging in allows you to take over the world’s nuclear weapons. This super application was originally created and sold to the NSA in Washington and Lisbeth is tasked with stealing it back and returning it to the original creator so that it can be properly destroyed. Lisbeth successfully steals the application but that then makes her the target of not only the NSA whom she had stolen it from originally, but also another secretive group who has their own nefarious plans.
The film quickly goes from Lisbeth and her “simple” vigilante ways to becoming a global thriller that spans multiple countries and agencies. Not only does the plot change quickly but Lisbeth’s character also morph’s from being a Black Canary type vigilante to becoming a female version of Mission Impossible’s Ethan Hunt. Even though playing a female Ethan Hunt is different from Lisbeth’s usual trope her skills fit nicely into her new role. Her ability to hack into any computer system comes in handy quite a few times and lets us have a tie to the Lisbeth we know and love, but we also get to see her flex her wits and general bad-assery a bit deeper during her “impossible mission”. The film was definitely not what I expected but I was still pleasantly surprised.
The Swedish setting where the movie takes place was gorgeous and varies from desolate abandoned buildings to chases in the middle of sprawling cities. It utilizes the snow-covered landscape and decrepit buildings to create a sense of isolation, even when the streets themselves are packed with cars. Along with the isolation from the setting we also see the use of both old and new technology, which gives a low-tech feel to what is an otherwise a high stakes mission. Both the setting and the technology allows us to see that Lisbeth is a force to be reckoned with no matter what type of adversity she faces.
Which brings me to the one of the best parts of the movie and that is Claire Foy’s absolutely amazing portrayal of Lisbeth. We already knew she did a great job playing a royal in The Crown and as the wife of astronaut Neil Armstrong in First Man but relinquishing her usual elegant and classy portrayals to spectacularly play one of the biggest, baddest female characters around shows the true depth of her talent. She is definitely the star of the show and now I am an even bigger fan of hers than I already was. I was also impressed with the other main characters, including investigative journalist Mikael Blomkvist (Sverrir Gudnason), who plays less of role than in the original The Girl with the Dragon Tattoo but does a great job nonetheless, and the young boy, August Balder (Christopher Convery) that holds the key to the entire mission excellently played by Christopher Convery. The trio make an unusual team, but how the characters (and actors) play on each other’s strengths and weaknesses to complement each other brings heart to a movie that could have easily been 100% an action adventure.
The one aspect I feel could (and should) have been fleshed out more, was Lisbeth’s character as a battered woman’s vigilante. The movie started off with a very strong vigilante scene, but the vigilante theme is quickly forgotten until the very end of the film where we find out it was the sole catalyst of the main adversary. This oversight sadly turned what could have been a woman’s justice vigilante movie into a more run-of-the-mill super spy movie. That’s not necessarily bad, it is still action packed and full of twists and turns, but it’s definitely a missed opportunity to show more of who Lisbeth is.
The Girl in the Spider’s Web is filled with action, gadgets, and car chases though beautiful scenery and it is an excellent movie to see if you are looking for something different than green grinches and Nazi zombies. It’s not the movie I went in expecting to see, but I’m not complaining as it is still a solid film. Even though it diverts away from the more artistic The Girl with the Dragon Tattoo it is a very good action-packed thriller that would stack up nicely next to the Mission Impossible movies it is reminiscent of. It’s definitely a movie I recommend to action movie fans everywhere.
Lisbeth (Claire Foy) leads a life as a vigilante who targets men that abuse woman ensuring they pay for their evil deeds. She’s not afraid to play hardball and threaten their very existence to ensure that justice is served. In the middle of punishing all the right people, Lisbeth receives a hacking opportunity that she can’t refuse, involving an application where simply logging in allows you to take over the world’s nuclear weapons. This super application was originally created and sold to the NSA in Washington and Lisbeth is tasked with stealing it back and returning it to the original creator so that it can be properly destroyed. Lisbeth successfully steals the application but that then makes her the target of not only the NSA whom she had stolen it from originally, but also another secretive group who has their own nefarious plans.
The film quickly goes from Lisbeth and her “simple” vigilante ways to becoming a global thriller that spans multiple countries and agencies. Not only does the plot change quickly but Lisbeth’s character also morph’s from being a Black Canary type vigilante to becoming a female version of Mission Impossible’s Ethan Hunt. Even though playing a female Ethan Hunt is different from Lisbeth’s usual trope her skills fit nicely into her new role. Her ability to hack into any computer system comes in handy quite a few times and lets us have a tie to the Lisbeth we know and love, but we also get to see her flex her wits and general bad-assery a bit deeper during her “impossible mission”. The film was definitely not what I expected but I was still pleasantly surprised.
The Swedish setting where the movie takes place was gorgeous and varies from desolate abandoned buildings to chases in the middle of sprawling cities. It utilizes the snow-covered landscape and decrepit buildings to create a sense of isolation, even when the streets themselves are packed with cars. Along with the isolation from the setting we also see the use of both old and new technology, which gives a low-tech feel to what is an otherwise a high stakes mission. Both the setting and the technology allows us to see that Lisbeth is a force to be reckoned with no matter what type of adversity she faces.
Which brings me to the one of the best parts of the movie and that is Claire Foy’s absolutely amazing portrayal of Lisbeth. We already knew she did a great job playing a royal in The Crown and as the wife of astronaut Neil Armstrong in First Man but relinquishing her usual elegant and classy portrayals to spectacularly play one of the biggest, baddest female characters around shows the true depth of her talent. She is definitely the star of the show and now I am an even bigger fan of hers than I already was. I was also impressed with the other main characters, including investigative journalist Mikael Blomkvist (Sverrir Gudnason), who plays less of role than in the original The Girl with the Dragon Tattoo but does a great job nonetheless, and the young boy, August Balder (Christopher Convery) that holds the key to the entire mission excellently played by Christopher Convery. The trio make an unusual team, but how the characters (and actors) play on each other’s strengths and weaknesses to complement each other brings heart to a movie that could have easily been 100% an action adventure.
The one aspect I feel could (and should) have been fleshed out more, was Lisbeth’s character as a battered woman’s vigilante. The movie started off with a very strong vigilante scene, but the vigilante theme is quickly forgotten until the very end of the film where we find out it was the sole catalyst of the main adversary. This oversight sadly turned what could have been a woman’s justice vigilante movie into a more run-of-the-mill super spy movie. That’s not necessarily bad, it is still action packed and full of twists and turns, but it’s definitely a missed opportunity to show more of who Lisbeth is.
The Girl in the Spider’s Web is filled with action, gadgets, and car chases though beautiful scenery and it is an excellent movie to see if you are looking for something different than green grinches and Nazi zombies. It’s not the movie I went in expecting to see, but I’m not complaining as it is still a solid film. Even though it diverts away from the more artistic The Girl with the Dragon Tattoo it is a very good action-packed thriller that would stack up nicely next to the Mission Impossible movies it is reminiscent of. It’s definitely a movie I recommend to action movie fans everywhere.
Heather Cranmer (2721 KP) rated Angel Thieves in Books
Sep 8, 2019
I really enjoyed Kathi Appelt's writing style in her children's picture book Max Attacks, so when the chance to read and review her Young Adult novel Angel Thieves presented itself, I decided to give it a read. I'm really glad I did because I fell head over heels in love with this book!
I very much enjoyed the plot of Angel Thieves and found myself immersed in the story from the very first page. It is told from different perspectives including humans, an ocelot, and a bayou which definitely made this book even more interesting! The narrative is told from 1845 through to present time. It all takes place in Houston, Texas. Every perspective is interwoven with each other. We learn about a teenage crush, a father and son duo who steal marble angel statues to make a living, an ocelot who was poached from her home and caught in a hurricane where she's left starving and unable to escape from her cage, a former slave who is trying to help her young daughters escape from being slaves themselves, a bayou who has seen it all, and some other points of view from others throughout Angel Thieves. I was constantly memorized by each chapter, and I was on pins and needles wondering what would happen next. It also helps that the author, Kathi Appelt, is such a fabulous writer who makes all her words come to life with her extraordinary talent! There weren't any major plot twists, but this isn't a book that needs to rely on plot twists to keep it interesting. The writing itself is strong enough to hold its own. There are no cliff hangers, but I would have liked to know a little more about Achsah and her children. There is some mention of them at the end, but I was heavily invested in Achsah's story where I really wanted to know more. However, this doesn't take away from the appeal of the book by no means. Because the prose is so beautifully written, the pacing flows very well. The chapters are mostly all short as well, so it's easy to read this book in one sitting. The world building was done fantastically, and it was obvious that Kathi Appelt had done her research when it came to the plot of her story. In fact, I even learned something when it came to Texas history! I'm also grateful that Kathi Appelt included an author's note at the end of Angel Thieves. It's definitely worth reading even if you don't normally read author's notes. This will give you more of an insight about the real life history that her book is based upon.
I felt like the characters in Angel Thieves were well written and fleshed out perfectly. Kathi Appelt even made a bayou feel like a real person which goes to show how much of a talented writer she really is! I felt Soleil's frustrations with trying to get Cade's attention and her hurt when it came to losing someone close to her. I felt her joy when she was happy. Cade was a great character too. I loved his relationship with his dad. It was obvious how close the two were. It was interesting to see Cade's conflicting emotions when it came to stealing marble angels. One one hand, he wanted to make his dad happy, but he also knew that what they were doing wasn't right. I enjoyed reading about how he dealt with his feelings about that. Zorra, I absolutely loved. My heart went out to this lovely little ocelot who was helpless and taken from everything she'd ever known. I was always hoping she'd be rescued when her next chapter was up. Out of all the characters, my favorite to read about was Achsah. As a mother, I could relate to wanting to keep her children safe no matter what. As a former slave, she had her freedom when her master died, but her daughters were to become slaves to her master's friend. Achsah couldn't and wouldn't let this happen, so she risked everything to keep her girls safe. I felt like Achsah had the most interesting story to tell. I was constantly wishing good things for Achsah and her two little girls. Unfortunately, Achsah's story is based in truth on what happened with a lot of slaves during that horrible period in American history.
Trigger warnings for Angel Thieves include slavery, minor profanity, stealing, a mention of child rape (although not graphic), and some violence (nothing too graphic).
All in all, Angel Thieves is highly interesting read that is also partly educational. It definitely taught me things about Texas that I didn't even know, and I grew up in Texas! Angel Thieves also has such strong characters, and Kathi Appelt's love for this story is apparent on each page. I would definitely recommend Angel Thieves by Kathi Appelt to those aged 14 and older who love getting lost in a good book. This is one book that's very easy to get lost in! An easy 5 out of 5 stars for Angel Thieves!
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(A special thank you to Kathi Appelt for providing me with a hardback of Angel Thieves in exchange for an honest and unbiased review.)
I very much enjoyed the plot of Angel Thieves and found myself immersed in the story from the very first page. It is told from different perspectives including humans, an ocelot, and a bayou which definitely made this book even more interesting! The narrative is told from 1845 through to present time. It all takes place in Houston, Texas. Every perspective is interwoven with each other. We learn about a teenage crush, a father and son duo who steal marble angel statues to make a living, an ocelot who was poached from her home and caught in a hurricane where she's left starving and unable to escape from her cage, a former slave who is trying to help her young daughters escape from being slaves themselves, a bayou who has seen it all, and some other points of view from others throughout Angel Thieves. I was constantly memorized by each chapter, and I was on pins and needles wondering what would happen next. It also helps that the author, Kathi Appelt, is such a fabulous writer who makes all her words come to life with her extraordinary talent! There weren't any major plot twists, but this isn't a book that needs to rely on plot twists to keep it interesting. The writing itself is strong enough to hold its own. There are no cliff hangers, but I would have liked to know a little more about Achsah and her children. There is some mention of them at the end, but I was heavily invested in Achsah's story where I really wanted to know more. However, this doesn't take away from the appeal of the book by no means. Because the prose is so beautifully written, the pacing flows very well. The chapters are mostly all short as well, so it's easy to read this book in one sitting. The world building was done fantastically, and it was obvious that Kathi Appelt had done her research when it came to the plot of her story. In fact, I even learned something when it came to Texas history! I'm also grateful that Kathi Appelt included an author's note at the end of Angel Thieves. It's definitely worth reading even if you don't normally read author's notes. This will give you more of an insight about the real life history that her book is based upon.
I felt like the characters in Angel Thieves were well written and fleshed out perfectly. Kathi Appelt even made a bayou feel like a real person which goes to show how much of a talented writer she really is! I felt Soleil's frustrations with trying to get Cade's attention and her hurt when it came to losing someone close to her. I felt her joy when she was happy. Cade was a great character too. I loved his relationship with his dad. It was obvious how close the two were. It was interesting to see Cade's conflicting emotions when it came to stealing marble angels. One one hand, he wanted to make his dad happy, but he also knew that what they were doing wasn't right. I enjoyed reading about how he dealt with his feelings about that. Zorra, I absolutely loved. My heart went out to this lovely little ocelot who was helpless and taken from everything she'd ever known. I was always hoping she'd be rescued when her next chapter was up. Out of all the characters, my favorite to read about was Achsah. As a mother, I could relate to wanting to keep her children safe no matter what. As a former slave, she had her freedom when her master died, but her daughters were to become slaves to her master's friend. Achsah couldn't and wouldn't let this happen, so she risked everything to keep her girls safe. I felt like Achsah had the most interesting story to tell. I was constantly wishing good things for Achsah and her two little girls. Unfortunately, Achsah's story is based in truth on what happened with a lot of slaves during that horrible period in American history.
Trigger warnings for Angel Thieves include slavery, minor profanity, stealing, a mention of child rape (although not graphic), and some violence (nothing too graphic).
All in all, Angel Thieves is highly interesting read that is also partly educational. It definitely taught me things about Texas that I didn't even know, and I grew up in Texas! Angel Thieves also has such strong characters, and Kathi Appelt's love for this story is apparent on each page. I would definitely recommend Angel Thieves by Kathi Appelt to those aged 14 and older who love getting lost in a good book. This is one book that's very easy to get lost in! An easy 5 out of 5 stars for Angel Thieves!
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(A special thank you to Kathi Appelt for providing me with a hardback of Angel Thieves in exchange for an honest and unbiased review.)
Becs (244 KP) rated A Raisin in the Sun in Books
Oct 2, 2019
They honestly need more books like this. When my husband found out that I was getting A Raisin in the Sun by Lorraine Hansberry, he grew excited and he never does that unless it’s a science-related book. That was when I knew I was going to like this beautiful novel. When I started to read it, I rushed through it. Not in a “I just want to finish this book” way, more like “I FREAKING LOVE THIS BOOK AND I DON’T EVER WANT IT TO END” way. That says something, right?
A Raisin in the Sun by Lorraine Hansberry
Genre: Literary Classic, Play, Drama, Fiction
Synopsis: First produced in 1959, A Raisin in the Sun was awarded the New York Drama Critics Circle Award and hailed as a watershed in American drama. Not only a pioneering work by an African-American playwright – Lorraine Hansberry’s play was also a radically new representation of black life, resolutely authentic, fiercely unsentimental, and unflinching in its vision of what happens to people whose dreams are constantly deferred. In her portrait of an embattled Chicago family, Hansberry anticapted issues that range from generational clashes to the civil rights and women’s movements. She also posed the essential questions – about identity, justice, and moral responsibility – at the heart of those great struggles. The result is an American classic.
Audience/Reading Level: Middle School +
Interests: Plays, dramas, literary classics, racial segregation, women’s movement, 50s era.
Point of View: Third Person Omniscient
Difficulty Reading: Not at all, I rushed through it because I loved it so much! As in some of Shakespeares plays, you don’t get stuck on the general language of the era it was written, as it’s written close to a book you would get from this era.
Promise: “Award-winning drama of the hopes and aspirations of a struggling, working-class family living on the South Side of Chicago connected profoundly with the psyche of black America–and changed American theater forever.” – It did. 🙂
Insights: I love reading plays as it’s a way to step out of a comfort zone of reading Young Adult novels. It gives me a chance to dip into my theater/acting side and use what I’ve learned from theatre classes. A Raisin in the Sun is a well-written American classic that honestly should be read in every school from middle school and up. The lessens that are taught throughout the play are subtle yet obvious which creates a background that we can use in our every day life.
Ah-Ha Moment: The moment that Beneatha came into the picture and was a total feminist. Man, she’s my favorite character besides Mama (Lena Younger) and her little plant.
Favorite Quotes: “Beneatha: Love him? There is nothing left to love. Mama: There is always something left to love. And if you ain’t learned that, you ain’t learned nothing. (Looking at her) Have you cried for that boy today? I don’t mean for yourself and for the family ’cause we lost the money. I mean for him: what he been through and what it done to him. Child, when do you think is the time to love somebody the most? When they done good and made things easy for everybody? Well then, you ain’t through learning – because that ain’t the time at all. It’s when he’s at his lowest and can’t believe in hisself ’cause the world done whipped him so! when you starts measuring somebody, measure him right, child, measure him right. Make sure you done taken into account what hills and valleys he come through before he got to wherever he is.”
“Mama, you don’t understand. It’s all a matter of ideas, and God is just one idea I don’t acept. It’s not important. I am not going out and commit crimes or be immoral because I don’t believe in God. I don’t even think about it. It’s just that I get so tired of Him getting credit for all the things the human race achieves through its own stubborn effort. There simply is no God! There is only Man, and it’s he who makes miracles!”
What will you gain: A haunting yet revealing play that will be as fresh of a read today, as it was in the 50’s.
Aesthetics: The entire play. The cover. The characters. The underlying meaning beneath it all. The era it was written and is based off of. Just everything about this little book.
“I want to fly! I want to touch the sun!”
“Finish your eggs first.”
A Raisin in the Sun by Lorraine Hansberry
Genre: Literary Classic, Play, Drama, Fiction
Synopsis: First produced in 1959, A Raisin in the Sun was awarded the New York Drama Critics Circle Award and hailed as a watershed in American drama. Not only a pioneering work by an African-American playwright – Lorraine Hansberry’s play was also a radically new representation of black life, resolutely authentic, fiercely unsentimental, and unflinching in its vision of what happens to people whose dreams are constantly deferred. In her portrait of an embattled Chicago family, Hansberry anticapted issues that range from generational clashes to the civil rights and women’s movements. She also posed the essential questions – about identity, justice, and moral responsibility – at the heart of those great struggles. The result is an American classic.
Audience/Reading Level: Middle School +
Interests: Plays, dramas, literary classics, racial segregation, women’s movement, 50s era.
Point of View: Third Person Omniscient
Difficulty Reading: Not at all, I rushed through it because I loved it so much! As in some of Shakespeares plays, you don’t get stuck on the general language of the era it was written, as it’s written close to a book you would get from this era.
Promise: “Award-winning drama of the hopes and aspirations of a struggling, working-class family living on the South Side of Chicago connected profoundly with the psyche of black America–and changed American theater forever.” – It did. 🙂
Insights: I love reading plays as it’s a way to step out of a comfort zone of reading Young Adult novels. It gives me a chance to dip into my theater/acting side and use what I’ve learned from theatre classes. A Raisin in the Sun is a well-written American classic that honestly should be read in every school from middle school and up. The lessens that are taught throughout the play are subtle yet obvious which creates a background that we can use in our every day life.
Ah-Ha Moment: The moment that Beneatha came into the picture and was a total feminist. Man, she’s my favorite character besides Mama (Lena Younger) and her little plant.
Favorite Quotes: “Beneatha: Love him? There is nothing left to love. Mama: There is always something left to love. And if you ain’t learned that, you ain’t learned nothing. (Looking at her) Have you cried for that boy today? I don’t mean for yourself and for the family ’cause we lost the money. I mean for him: what he been through and what it done to him. Child, when do you think is the time to love somebody the most? When they done good and made things easy for everybody? Well then, you ain’t through learning – because that ain’t the time at all. It’s when he’s at his lowest and can’t believe in hisself ’cause the world done whipped him so! when you starts measuring somebody, measure him right, child, measure him right. Make sure you done taken into account what hills and valleys he come through before he got to wherever he is.”
“Mama, you don’t understand. It’s all a matter of ideas, and God is just one idea I don’t acept. It’s not important. I am not going out and commit crimes or be immoral because I don’t believe in God. I don’t even think about it. It’s just that I get so tired of Him getting credit for all the things the human race achieves through its own stubborn effort. There simply is no God! There is only Man, and it’s he who makes miracles!”
What will you gain: A haunting yet revealing play that will be as fresh of a read today, as it was in the 50’s.
Aesthetics: The entire play. The cover. The characters. The underlying meaning beneath it all. The era it was written and is based off of. Just everything about this little book.
“I want to fly! I want to touch the sun!”
“Finish your eggs first.”
Heather Cranmer (2721 KP) rated Finding Esme in Books
Jan 25, 2020
I love reading middle grade fiction, so when the chance to read and review Finding Esme by Suzanne Crowley came up, I jumped at the chance! I was really glad I got a chance to read Finding Esme because it was such an amazing book!
Esme is a 12 year old girl growing up in the 1970's. Her home life isn't very traditional. Her dad is out somewhere being a wanderer, and her mom is too busy worrying about her dad to look after Esme. The only person that really looks after Esme is her grandma Bee. When Esme finds dinosaur bones (which she'd like to keep secret) on a hill by her house, things start changing for Esme.
I really loved the plot of Finding Esme. There is a touch of magical realism within this book that written very well. Esme and her grandmother have certain gifts. They can find lost things and/or people usually. There's also sightings of ghosts although not spooky ghostly sightings. Suzanne Crowley does such a fantastic job of making the magical realism element seem like it's an every day happening in real life. She also does a fantastic job with Esme's dealing of loss and just with the whole plot overall. Although Finding Esme does start out a bit slow, as well as a bit confusing with a bunch of different names, it quickly picks up the pacing. Also, it because clear which character is which quickly. The wording may be confusing for some as it's written in semi-heavy Texas twang and slang throughout. However, context clues help. It was easyish for me to understand being as I was born and raised in Texas.
I must gush now on the characters found in Finding Esme! They were all so fleshed out and felt like they were actual people I was reading about instead of just being fictitious characters. Bee, Esme's grandmother, was probably my favorite character because I loved her no-nonsense approach to things. June Rain was always in la la land since her husband was always up and missing. My heart ached for her, but at the same time, I was angry with her for not paying more attention to her children, Esme and Bo. Sweetmaw was another great character, and I loved her for watching out for Esme when Esme felt she had no one. Finch, Esme's best friend, cared for Esme very much, and it was obvious throughout the novel. He only wanted what was best for Esme even if she had a hard time figuring that out. I loved little Bo, Esme's younger brother. I can't remember if Bo's age is ever mentioned in Finding Esme. I guessed Bo to be around 7 or so based on how he acted. Esme was a fantastically written main character. I could relate to her on so many levels especially when it came to not feeling loved or wanted. I'm sure we've all felt like this at some point in our lives. Esme was wanting to keep her dinosaur bones (which she endearingly refers to as Louella Goodbones) secret just so she could have at least one thing that was just hers. I was angered when her secret bones were no longer her secret (not a spoiler). I just wanted to hug Esme to let her know that she wasn't alone. She seemed like such a sweet girl who had already had to put up with more things than most children her age.
One main thing I feel that I must mention is this is Finding Esme is listed as being a middle grade book. I guess this is because the main character is 12 years old. I felt like this wasn't a typical middle grade read as it lacks a middle grade feel. The wording and narrative seemed to be written towards more of an older audience especially with mentions of things that happened in the past that a middle grade audience may not know about or understand. I feel like Finding Esme would probably go over most middle grader's head with the language and events that happened. Even though Esme is only 12, I feel like adults would enjoy this more or at least a young adult audience.
Trigger warnings for Finding Esme include death, depression, gun violence (although not graphic), an absent father, and profanity (although it was just the word damnation used once).
Overall, Finding Esme is a fantastical read which will tug at your heartstrings and leave you breathless. It's a quick read that you won't want to put down. At least, I didn't! I never wanted it to end if I'm being honest. I would definitely recommend Finding Esme by Suzanne Crowley to those aged 15+. Yes, it's supposed to be a middle grade read, but as I mentioned before, I really think adults and possibly teens would enjoy it more.
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(A special thank you to Suzanne Crowley for sending me a hardback of Finding Esme in exchange for an honest and unbiased review.)
Esme is a 12 year old girl growing up in the 1970's. Her home life isn't very traditional. Her dad is out somewhere being a wanderer, and her mom is too busy worrying about her dad to look after Esme. The only person that really looks after Esme is her grandma Bee. When Esme finds dinosaur bones (which she'd like to keep secret) on a hill by her house, things start changing for Esme.
I really loved the plot of Finding Esme. There is a touch of magical realism within this book that written very well. Esme and her grandmother have certain gifts. They can find lost things and/or people usually. There's also sightings of ghosts although not spooky ghostly sightings. Suzanne Crowley does such a fantastic job of making the magical realism element seem like it's an every day happening in real life. She also does a fantastic job with Esme's dealing of loss and just with the whole plot overall. Although Finding Esme does start out a bit slow, as well as a bit confusing with a bunch of different names, it quickly picks up the pacing. Also, it because clear which character is which quickly. The wording may be confusing for some as it's written in semi-heavy Texas twang and slang throughout. However, context clues help. It was easyish for me to understand being as I was born and raised in Texas.
I must gush now on the characters found in Finding Esme! They were all so fleshed out and felt like they were actual people I was reading about instead of just being fictitious characters. Bee, Esme's grandmother, was probably my favorite character because I loved her no-nonsense approach to things. June Rain was always in la la land since her husband was always up and missing. My heart ached for her, but at the same time, I was angry with her for not paying more attention to her children, Esme and Bo. Sweetmaw was another great character, and I loved her for watching out for Esme when Esme felt she had no one. Finch, Esme's best friend, cared for Esme very much, and it was obvious throughout the novel. He only wanted what was best for Esme even if she had a hard time figuring that out. I loved little Bo, Esme's younger brother. I can't remember if Bo's age is ever mentioned in Finding Esme. I guessed Bo to be around 7 or so based on how he acted. Esme was a fantastically written main character. I could relate to her on so many levels especially when it came to not feeling loved or wanted. I'm sure we've all felt like this at some point in our lives. Esme was wanting to keep her dinosaur bones (which she endearingly refers to as Louella Goodbones) secret just so she could have at least one thing that was just hers. I was angered when her secret bones were no longer her secret (not a spoiler). I just wanted to hug Esme to let her know that she wasn't alone. She seemed like such a sweet girl who had already had to put up with more things than most children her age.
One main thing I feel that I must mention is this is Finding Esme is listed as being a middle grade book. I guess this is because the main character is 12 years old. I felt like this wasn't a typical middle grade read as it lacks a middle grade feel. The wording and narrative seemed to be written towards more of an older audience especially with mentions of things that happened in the past that a middle grade audience may not know about or understand. I feel like Finding Esme would probably go over most middle grader's head with the language and events that happened. Even though Esme is only 12, I feel like adults would enjoy this more or at least a young adult audience.
Trigger warnings for Finding Esme include death, depression, gun violence (although not graphic), an absent father, and profanity (although it was just the word damnation used once).
Overall, Finding Esme is a fantastical read which will tug at your heartstrings and leave you breathless. It's a quick read that you won't want to put down. At least, I didn't! I never wanted it to end if I'm being honest. I would definitely recommend Finding Esme by Suzanne Crowley to those aged 15+. Yes, it's supposed to be a middle grade read, but as I mentioned before, I really think adults and possibly teens would enjoy it more.
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(A special thank you to Suzanne Crowley for sending me a hardback of Finding Esme in exchange for an honest and unbiased review.)